scholarly journals Mecanismos para la construcción del efecto inquietante en el relato tradicional: discurso reproducido, evidencialidad y modalidad epistémica

2020 ◽  
Vol 30 (2) ◽  
pp. 365-378
Author(s):  
Elizabeth García ◽  
Laura Alfonzo
Keyword(s):  
Discourse Analysis ◽  
Literary Theory ◽  
Indirect Evidence ◽  
Literary Text ◽  
Epistemic Modality ◽  
Narrative Strategies ◽  
Gustavo Adolfo Becquer ◽  
Popular Knowledge ◽  
Determining Factors ◽  
The Way

In this article, we propose to describe linguistic phenomena which contribute to creating uncertainty in a literary text. In particular, we will analyze different narrative strategies that introduce the sinister (Freud, 1919) into a text which, while being an author’s account, utilizes forms of expression typical of the traditional oral legend “El Monte de las Ánimas” by Gustavo Adolfo Bécquer. The unsettling effect that this legend produces on the reader stems from several phenomena analyzed by literary theory (such as in the study of the Fantasy genre). However, we would like to propose an approach based on some notions from the fields of linguistics and discourse analysis as determining factors in this effect. We will discuss three aspects: the reproduced speech (Maldonado, 2001) or the representation of the speech of others (Authier-Revuz, 2003), the epistemic modality that describes the enunciator’s knowledge regarding the mentioned facts (Nuyts, 2001; García Negroni & Tordesillas Colado, 2001) and the evidential verbs that account for the way the speaker obtains information (Aikhenvald, 2004), especially the cases of transmitted indirect evidence, folklore or popular knowledge (Willett, 1988). In our opinion, the articulation of these three elements constitutes a possible path to describing the aforementioned effect.

Géographie et cartographie fictionnelles dans l’Utopie (1516) de Thomas More

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger
Keyword(s):  
Complex Network ◽  
Narrative Strategies ◽  
Thomas More ◽  
The Third ◽  
Editio Princeps ◽  
Shed Light ◽  
The Way

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.

THE ISSUE OF CONTEXT AND SOCIOLOGICAL POETICS OF THE "BAKHTIN'S CIRCLE"

2020 ◽  
pp. 10-18
Author(s):  
Grigorii I. Nesmeyanov ◽  
Keyword(s):  
Discourse Analysis ◽  
Intellectual History ◽  
Literary Theory ◽  
Philosophical Hermeneutics ◽  
Research Fields ◽  
Interdisciplinary Field ◽  
Scientific Disciplines ◽  
Methodological Approaches ◽  
A Current

The article formulates main questions related to the concept of context. The issue of context is considered as a current-day interdisciplinary field of research. There are many definitions of context in dictionaries and in various humanities (including scientific disciplines). In connection with that issue various methodological approaches arise in the humanities, which can be designated by the umbrella term “contextual”. By the example of one of such approaches to the sociological poetics of the “Bakhtin’s circle”, the author substantiates the possibility of creating an interdisciplinary classification of contextual approaches. That classification may include scientific developments of different years and research fields, including: philosophical hermeneutics, a number of approaches to the Russian and foreign literary theory (M.M. Bakhtin, Yu.M. Lotman, B.M. Eichenbaum, F. Moretti, A. Compagnon, etc.), intellectual history, discourse analysis, etc.

Bleibende Aufgaben einer phänomenologischen Literaturtheorie

2019 ◽  
Vol 23 (1) ◽  
pp. 265-273
Author(s):  
Eckhard Lobsien
Keyword(s):  
Literary Theory ◽  
Literary Text ◽  
Point Of View ◽  
Literary Texts ◽  
Radical Theory ◽  
Theory Of Reading ◽  
Phenomenological Point

Abstract What sort of object is a literary text? From a phenomenological point of view - phenomenology considered as both a radical theory of reading and a theory of radical reading - a range of answers arise, many of them tinged with deconstructive momentum. This paper aims at pointing out some basic issues in reading literary texts, offering ten theses on the enduring tasks of phenomenological literary theory.

‘Decoding’ a literary text. The commentary of Derveni

2018 ◽  
Vol 10 (2) ◽  
pp. 338-366
Author(s):  
Alberto Bernabé
Keyword(s):  
Literary Text ◽  
True Meaning ◽  
The Way

Abstract The author of Derveni Papyrus consider that the poem he commentates is like a riddle used by Orpheus to make it understandable to only a few. In our terms, he considers the poem an encoded text that he needs to decode in order to recover its true meaning. So he had to imagine a code in the text that once ‘decoded’ would yield the ‘true’ meaning that he wants to attribute to it. In the paper the way in which the commentator constructs the hypothetical process undertaken by Orpheus to express philosophical (presocratic) contents through a poetic mask is analyzed.

scholarly journals Orientalist Representation of Nepali People, Culture and Landscape: A Critical Discourse Analysis of Kincaid’s Among Flowers: A Walk in the Himalaya

2019 ◽  
Vol 1 ◽  
pp. 24-40
Author(s):  
Shuv Raj Rana Bhat
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Jamaica Kincaid ◽  
Critical Discourse ◽  
Travel Narrative ◽  
Garden Of Eden ◽  
American Writer ◽  
Imperial Politics ◽  
The Himalaya ◽  
The Way

Partly drawing on postcolonial rhetorics and partly drawing insights from critical stylistics and critical discourse analysis, this paper basically explores how Antigua-born-American writer Jamaica Kincaid rhetorically constructs Nepal in a disguised form of a travel writer through her travel narrative Among Flowers: A Walk in the Himalaya. Even though Kincaid is best known as an anti-imperialist, the way she longs for the Garden of Eden and represents Nepali landscape, people, and culture posits that her travel to Nepal is threaded with the rhetoric of Othering, metropolitan culture, and imperial politics. In particular, she looks at the travelled places and people with an imperial eye: nomination, surveillance, negation, debasement, and binary rhetoric.

scholarly journals The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris

2020 ◽  
Vol 11 (1) ◽  
pp. 101-107
Author(s):  
Y. Domanskii
Keyword(s):  
Physical Reality ◽  
Literary Text ◽  
Higher Order ◽  
Fictional World ◽  
Actual Reality ◽  
The World ◽  
The Way

Using an excerpt from Stanisław Lem’s Solaris, this article explores the idea that, in a literary text, a fictional world and the world of physical reality may interact to form such a reality that can paradoxically turn out to be more real than what we believe to be the actual reality. It is also shown that the fictional world realized in a literary text may bring the reader to certain conclusions about the world in which he or she lives. Thus, even if literature is in­capable of affecting reality, it can change the way the latter is perceived. A fictional world is not just a reality — it is a reality of a higher order.

scholarly journals From 'Politics in Command' to 'Economics in Command': A Discourse Analysis of China's Transformation

2005 ◽  
Vol 18 ◽  
pp. 65-87
Author(s):  
Li Xing
Keyword(s):  
Discourse Analysis ◽  
Communist Party ◽  
Driving Force ◽  
Chinese Communist Party ◽  
Discourse Theory ◽  
Political Arena ◽  
Chinese Revolution ◽  
Political Project ◽  
The Way

This article proposes a framework for understanding the way the Chinese Revolution emerged, developed and achieved power (1921-49), then further consolidated in the period of socialist 'uninterrupted revolution' (1949-77) and was finally abandoned by the post-Mao regime (1977 to the present). This analysis is based on a perspective of discourse theories framed in historically new forms of political, social and ideological relations. In other words, it attempts to conceptualize the transformation of China and the Chinese Communist Party by analysing the role of ideological discourses (arguments and interpretations) and the cognitive elements (beliefs, goals, desires, expertise, knowledge) as the driving-force behind societal transformations. The discourse theory applied here – logocentrism and econocentrism – also serves both as a political arena of struggle to confer legitimacy on a specific socio-political project and as a distinctive cog ni tive and evaluative framework for understanding societal transformations. The conceptualization of the paper is informed by the work of David Apter and Tony Saich on discourse theory.

scholarly journals IDEOLOGI BAHASA POLITIK SOEKARNO: SARANA KETAHANAN, KEAMANAN, DAN PERDAMAIAN INDONESIA

Aksara ◽  
2019 ◽  
Vol 31 (2) ◽  
pp. 251
Author(s):  
David Samuel Latupeirissa ◽  
Zummy Anselmus Dami
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Political Ideology ◽  
Critical Discourse ◽  
Political Language ◽  
Cultural Changes ◽  
Founding Fathers ◽  
Analysis Theory ◽  
Static Nature ◽  
The Way

AbstrakPenelitian ini bertujuan untuk (1) menggali ideologi yang terkandung dalam bahasa politik Soekarno selaku salah satu tokoh pendiri bangsa dan proklamator kemerdekaan NKRI, (2) menggali motivasi yang ada di balik lahirnya ideologi dalam bahasa tersebut, dan (3) melihat perubahan sosial budaya sebagai dampak dari ideologi bahasa politik Soekarno. Untuk mencapai ketiga tujuan penelitian di atas, peneliti menggunakan Teori Analisis Wacana Kritis (AWK) model Fairclough (1989, 1995, 2005, 2006) sebagai teori utama, dan teori Ideologi sebagai teori pendukung. Metode yang diterapkan dalam pengumpulan data adalah metode dokumentasi, sedangkan metode yang diterapkan dalam analisis data adalah metode deskripstif kualitatif yang diterapkan berdasarkan tiga level analisis AWK Fairclough. Hasil penelitian menunjukkan bahwa Ideologi yang terkandung dalam bahasa Soekarno adalah ideologi ‘persatuan dan kesatuan sebagai hal yang penting’, ideologi ‘revolusi adalah bagian yang tidak terpisahkan dari jiwa bangsa Indonesia’, dan ideologi ‘imperialisme sebagai musuh utama bangsa Indonesia’. Ideologi tersebut perlu dihidupi sebagai salah satu strategi demi menjaga ketahanan, keamanan, dan perdamaian Indonesia. Selanjutnya, ideologi tersebut dilatari oleh keadaan bangsa yang plural dan kesadaran bahwa sifat statis adalah penghalang kemajuan bangsa. Kandungan ideologi dimaksud membawa perubahan dalam cara berkomunikasi dan cara hidup bangsa Indonesia.Kata kunci: ideologi, bahasa politik, analisis wacana kritis AbstractThe current study aims at: (1) to explore the ideology conceived in Soekarno’s political language as one of the nation founding fathers and the proclaimer of Indonesia independence, (2) to explore the motivations behind the birth of ideology in the language, and (3) to see the socio-cultural changes as the result of Soekarno’s political ideology. To achieve the research objectives, researcher used Critical Discourse Analysis Theory (CDA) of Fairclough (1989, 1995, 2005, 2006) as the main theory, and the theory of Ideology as a supporting theory. The method applied in data collection was documentation method, while the method applied in data analysis was descriptive qualitative method that applied based on three analysis levels of Fairclough CDA theory. The results show that the ideology contained in Soekarno’s political language is the ideology of ‘unity as an important thing’, the ideology of ‘revolution as an integral part of the Indonesian nation soul’, and the ideology of ‘imperialism as the main enemy of the Indonesia’. The ideology needs to be lived for the sake of Indonesia’s endurance, security and peace. Furthermore, the ideology is based on a plural nation state and the realization that static nature is a barrier to the progress of a nation. The ideology contents have brought changes in the way of communication and the way of Indonesian nation life.Keywords: ideology, political language, critical discourse analysis

scholarly journals Negociaciones internacionales, discurso y globalización de la agricultura

2016 ◽  
Vol 14 (24) ◽  
Author(s):  
Francisco Martínez-Gómez ◽  
Gabriel Torres-González ◽  
Gilberto Aboites Manrique
Keyword(s):  
Discourse Analysis ◽  
Intellectual Property ◽  
International Negotiations ◽  
Social Actors ◽  
Transnational Companies ◽  
The Subject ◽  
Estudio De Caso ◽  
The Way

Resumen:A partir del análisis del discurso y tomando como estudio de caso el tema de la propiedad intelectual de las variedades vegetales, así como el control y acceso al germoplasma agrícola, se muestra la manera en que, en las negociaciones internacionales, los actores sociales participantes van modificando sus interpretaciones y reestructurando los contenidos y significados del discurso. El documento muestra de qué forma la presencia de representantes de las empresas trasnacionales han logrado tener una mayor eficacia en la imposición de sus intereses, en menoscabo de los intereses de los estados nacionales, particularmente de los países del sur.Palabras clave : negociaciones internacionales; globalización; agricultura; germoplasma; propiedad intelectual; AGAC; OMC; TRIPS. Abstract:Beginning with the discourse analysis and considering as a case study the subject of the intellectual property of the plant varieties and the control and access to the agricultural germoplasm, it is shown how, in international negotiations, the participating social actors modify their interpretations and restructure the contents and meanings of the discourse. This document shows particularly the way the representatives of the transnational companies have managed to impose their interests,to the detriment of the national states' interests, especially the southern countries.Key words: international negotiations in agriculture; globalization; agriculture; germplasm; intellectual property; GATT; OMC; TRIPS. 

scholarly journals Same but Different: Chaos and TV Drama Narratives

2021 ◽  
Author(s):  
◽  
Alison McLachlan
Keyword(s):  
Building Blocks ◽  
Narrative Form ◽  
Critical Examination ◽  
Narrative Strategies ◽  
Fundamental Level ◽  
The Creation ◽  
Basic Level ◽  
Mathematics And Science ◽  
The Way

<p>Complexity is a term that is now commonly used when discussing TV serial dramas and the way that, in recent years, creators and producers of this narrative form have embraced innovative and challenging strategies to tell their stories. As a result, it is also often argued that all TV serial dramas are strikingly different from one another; one of the few things that contemporary TV serial dramas have in common is their employment of complex narrative strategies. However, in this thesis, I argue that—while serial dramas are different from one another in many ways—they are also all the same at a fundamental level.  In order to examine the fundamental narrative components that all serial dramas employ, I use chaos as a framework. Chaos is a branch of mathematics and science which examines systems that display unpredictable behaviour that is actually determined by deep structures of order and stability. At its most basic level, chaos corresponds with the way in which serial dramas are both complex and simple at the same time; beneath the complexity of serial dramas are fundamental building blocks that are used to generate innovative, challenging and unpredictable narratives.  I apply the findings from my critical examination of chaos and TV drama narratives to the creation of my own TV projects, which employ the inherent structures and patterns of TV drama narratives in a way that produces innovative and complex stories. In doing so, I intend to highlight the potential of serial dramas to be endlessly creative yet consistently the same.</p>

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