scholarly journals The reality of fiction in a literary world: on an excerpt from Stanisław Lem’s Solaris

2020 ◽  
Vol 11 (1) ◽  
pp. 101-107
Author(s):  
Y. Domanskii

Using an excerpt from Stanisław Lem’s Solaris, this article explores the idea that, in a literary text, a fictional world and the world of physical reality may interact to form such a reality that can paradoxically turn out to be more real than what we believe to be the actual reality. It is also shown that the fictional world realized in a literary text may bring the reader to certain conclusions about the world in which he or she lives. Thus, even if literature is in­capable of affecting reality, it can change the way the latter is perceived. A fictional world is not just a reality — it is a reality of a higher order.

Author(s):  
Andrew Bacon

According to a fairly widespread assumption, there is some definite collection of completely factual or fundamental propositions upon which all truths supervene and which are unaffected by vagueness. This assumption manifests itself in formal models of vagueness as well—for example, the supervaluationist who represents propositions as sets of world-precisification pairs may divide logical space into propositions that only depend on the world-coordinate. This chapter argues that this assumption leads to paradoxes of higher-order vagueness, and, ultimately, should be rejected in favour of a weaker notion of fundamentality or factuality. It suggests an alternative picture in which there is vagueness ‘all the way down’: logical-space can be divided into basic propositions that settle all precise matters, but it is vague where those divisions lie.


Author(s):  
Paul Kalligas

This chapter presents the English translation of Paul Kalligas’s commentary on the third Enneads of Plotinus. The third Ennead is focused on physical reality and cosmological issues, but viewed from a more general perspective, “dealing with considerations about the universe” (VP 24.59–60). It is the most miscellaneous in character, and Porphyry spends some time in trying to justify his inclusion of treatises like III 4, III 5 and III 8 (VP 25.2–9), without mentioning III 9, which is but a cento of disparate notes without any unity. Nevertheless, this Ennead consistently revolves around issues and concepts central to Plotinus’s understanding of how the universe functions, the forces that pervade it and make it work as it does, and the way in which the various kinds of soul that Plotinus postulates (and which, according to the standard Platonic doctrine, are the cause of every change and motion in the world) govern and organize it into an integrated and coherent whole.


Author(s):  
James T. Cushing

In antiquity ‘self-evident’ principles were used to argue for the conservation of certain quantities. The concept of quantitative conservation laws, such as those of mass and energy, is of much later origin. Even prior to the development of modern mechanics, symmetries were employed to solve some dynamical problems. The relation between conserved quantities and symmetries has come to play a central role in the physical sciences. Conservation laws may reflect as much about the way the human mind organizes the phenomena of the world as they do about physical reality itself.


Semiotica ◽  
2016 ◽  
Vol 2016 (213) ◽  
Author(s):  
Ibrahim Taha

AbstractSemiotics is not merely about knowledge but primarily about knowing. Representation is about knowledge while literature as a semiotic medium is about modeling. Modeling is not a technique used by writers to represent the world but a target meant to show the way the writer models the world so that the reader responds accordingly and offers her/his own model. Knowing as semiosis is produced from such a kind of comparison between the two models. Meaning itself, knowledge, does not interest semioticians, whose concern is rather with the way it is produced. Literature teaches us how to learn more about our nature. Literature trains our natural faculties of modeling. All possible fragments of knowledge we may get from a literary text and the cognitive and emotional responses they provoke are only parts of a whole. They are associated with the mega-meaning of literature. In literature, knowing stands for mega-meaning, whereby it becomes an anthroposemiotic concept. In this paper, I hope to contribute to the new wave of interest in the natural linkage between anthroposemiotics and literary study through three major possible epistemologies tightening the linkage between both fields: evolutionary epistemology, emotional and cognitive activities, and cultural, including social and historical, conventions. All of these three levels conduct some kind of communication and naturally work together in harmony.


Author(s):  
Robert Francescotti

Consider those aspects of the world that are the way they are in virtue of how we think about them, or the way we feel about them, or how we view them. Those are the subjective aspects of the world. What makes them subjective can be understood via the notion of an intentional state. The label ‘intentional state’ is often used to refer to mental states that have intentionality. These mental states (including but not limited to thoughts, beliefs, desires and perceptual images) are representational; they represent the world as being a certain way. They are mental states with ‘aboutness’; they are about objects, features and/or states of affairs. Using ‘intentional state’ to refer to mental states with intentionality, a subjective fact about some item x may be defined as a fact that obtains in virtue of someone’s intentional states regarding x. Objective facts are those that are not subjective. So an objective fact about x may be defined as one that does not obtain by virtue of anyone’s intentional state regarding x. Subjectivity is often mentioned in the philosophy of mind because so much of mentality is subjective, with a special brand of subjectivity present in the case of conscious experience. Whenever one has an intentional state, consciously or non-consciously, there is a subjective fact. Suppose an individual s has an intentional state directed toward some item x. Then the fact that s is representing x is, obviously, a function of s’s intentional state regarding x, which makes the fact that s is representing x a subjective fact. Assuming, also, that the intentional state is conscious, there is an additional element of subjectivity involved. Suppose you are visually perceiving a tree and your visual perception is a conscious mental state. Then not only are you representing the tree to yourself; it also seems that you are in some way aware of your representation of the tree. That this extra element of subjectivity seems to be present in the case of conscious experience is part of the reason ‘higher-order’ accounts of consciousness are so attractive. Higher-order accounts capture the intuition that if a mental state is conscious, then its host is aware of the mental state in some suitable way (while adding that the right sort of higher-order awareness is also sufficient for the target state’s being conscious). A higher-order account arguably does capture the unique way in which conscious experience is subjective. There is the subjective, perspectival element characteristic of intentional states in general, including those that are non-conscious. And there is the special brand of subjectivity found in conscious experience, where one’s intentionality is directed toward one’s own mental states. Now suppose that mental representation can be understood purely physically; suppose there is a true and complete account in purely physical terms of what it is for a mental state to have the content it has. Then, one might think, with a higher-order theory we can close the infamous explanatory gap between the physical and the phenomenal components of consciousness. Some have noted, however, that within the realm of the phenomenal we should distinguish between the subjective character of a conscious state and its qualitative character, where the latter is the way the mental state feels and the former is its feeling a certain way for-a-subject. There is reason to doubt that any higher-order account can explain why a mental state has the qualitative character it has, or any qualitative character at all. Yet, even if higher-order accounts fail to solve the hard problem of consciousness, by failing to close the explanatory gap between the physical and the qualitative aspects of consciousness, it is tempting to think that with a higher-order account we might be able to close the explanatory gap between its physical and its subjective character.


Author(s):  
Vladimir Petrovich Tereshchenko

In the last work by S.I. Taneev - a cantate “At the reading of a psalm” - a multifaceted mastery of the composer, his artistic convictions, which had defined his life journey, manifested themselves to the highest degree. In some research works of the Soviet period, rather ambiguous and tendentious assertions about the meaning and the content of the cantata can be found. Usually, they disavow the key - religious and philosophical - context of the composition, and only the works of the recent decades focus on this aspect. The author of this article offers the variant of the interpretation of the religious and philosophical concept of the composition based on the analysis of the composer’s work with a literary text and the detection of semantic interrelations between the poetic and the musical contents of the cantata. The author concludes that Taneev doesn’t set himself a task to literally reflect the literary text in music, but uses it, principally, as a source of colorful vivid associations, the preassigned order of which allows him to create a particular religious and philosophical worldview. The musical part of the cantata can be divided into two conceptual spheres: macrocosm - the universe in its religious and philosophical understanding (NN 1-4), and microcosm - a person and the way of her spiritual evolvement in the world, leading to the understanding of the highest moral fundamentals of life, formulated in the sacred text (NN 5-9).   


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


Author(s):  
Adrián Bertorello

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD


Sign in / Sign up

Export Citation Format

Share Document