scholarly journals Collections of Hungarian Folk Literature from the 19th Century and Their Canonisation

2021 ◽  
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Selection Criteria ◽  
Folk Literature ◽  
The 19Th Century

Abstract In the first half of the present article, I review collections of folk literature which include 19th-century folktales, placing a special emphasis on trying to establish the extent to which these texts and the associated collectors have been studied, explored, and published. 1 Next, I demonstrate which of the texts in question may be considered as part of the canon 2 of folk literature that emerged in the latter third of the 19th century, which works and authors defined the approaches that were considered relevant, and what the selection criteria for canonisation were. Alongside the interpretative canon, I shall also attempt to record the textual canon and its changes – to capture the act by which certain texts were clearly excluded from the canon while others were included by the individuals who wished to create or modify the canon. I would also like to show how the image of 19th-century collectors and collections created in the second half of the century became gradually transformed during the 20th century, and how these changes affected the place the collections in question occupy in folkloristics in general.

scholarly journals Leopardi nas Crónicas Jornalísticas Brasileiras de 1881 a 1916

2021 ◽  
pp. 135-151
Author(s):  
Andréia Guerini ◽  
Ingrid Bignardi
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Cultural Translation ◽  
Literary Genre ◽  
Translation Theory ◽  
Double Function ◽  
Giacomo Leopardi ◽  
The 19Th Century ◽  
Digital Newspaper

The crônica is a literary genre that became widespread in Brazilian newspapers and magazines pages in the 19th century. These short pieces were responsible for the circulation and insertion of foreign writers in the Brazilian cultural system, such as the Italian writer Giacomo Leopardi (1798-1837). The present article analyses, based on Cultural Translation Theory (Burke/Hsia 2009), how Leopardi was represented in Brazilian crônicas published between the end of the 19th century and the first half of the 20th century, specifically from 1881 to 1916, and available at the Brazilian Digital Newspaper Archive. The analysis of 12 crônicas shows that they were written predominantly by men, and published in Rio de Janeiro and São Paulo; these cronistas tend to show Leopardi as poet, “translating” and resignifying his “patriotism”, and, mainly, his “pessimist philosophy”, following sectors of the Italian criticism of the time. Furthermore, they exert a double function in the process of cultural translation, filling in thematic gaps and spreading Leopardi’s works.

scholarly journals A Possible Slavic Etymology of Hungarian kullancs ’tick’

2018 ◽  
Vol 47 ◽  
Author(s):  
Ádám Galac
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Ixodes Ricinus ◽  
Short Overview ◽  
History Of ◽  
The 19Th Century

The present article is dedicated to the etymology of the Hungarian noun kullancs ”клещ (lat. Ixodes ricinus)”. The Slavic origin of the word was assumed in the 19th century, however this idea was rejected in the 20th century owing to phonetic reseasons. After a short overview of the history of the research of this word, arguments are lined up in favour of the fact that the phonetic difficulties can be ignored or at least taken as irrelevant when comparing the Hungarian word  kullancs with its Slavic equivalents. Therefore, it is inevitable to raise the question of its Slavic origin again.

scholarly journals Mayna, the lost Kawapanan language

2015 ◽  
Vol 15 (2) ◽  
pp. 393 ◽  
Author(s):  
Luis Miguel Rojas-Berscia
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Corpus Analysis ◽  
Language Family ◽  
New Born ◽  
Peruvian Amazonia ◽  
The 19Th Century ◽  
First Time

The origins of the Mayna language, formerly spoken in northwest Peruvian Amazonia, remain a mystery for most scholars. Several discussions on it took place in the end of the 19th century and the beginning of the 20th; however, none arrived at a consensus. Apart from an article written by Taylor & Descola (1981), suggesting a relationship with the Jivaroan language family, little to nothing has been said about it for the last half of the 20th century and the last decades. In the present article, a summary of the principal accounts on the language and its people between the 19th and the 20th century will be given, followed by a corpus analysis in which the materials available in Mayna and Kawapanan, mainly prayers collected by Hervás (1787) and Teza (1868), will be analysed and compared for the first time in light of recent analyses in the new-born field called Kawapanan linguistics (Barraza de García 2005a,b; Valenzuela-Bismarck 2011a,b , Valenzuela 2013; Rojas-Berscia 2013, 2014; Madalengoitia-Barúa 2013; Farfán-Reto 2012), in order to test its affiliation to the Kawapanan language family, as claimed by Beuchat & Rivet (1909) and account for its place in the dialectology of this language family. 

scholarly journals “I Have an Ideal, it Was Given me: Christ”: Dostoevsky’s Christology in the Context of the Tradition of Moral Interpretation of Dogma

2021 ◽  
pp. 37-64
Author(s):  
Anastasia G. Gacheva
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Point Of View ◽  
Son Of God ◽  
Fyodor Dostoevsky ◽  
In Christ ◽  
Utopian Thought ◽  
The 19Th Century ◽  
The Ideal

The present article continues a series of studies devoted to the theology of Fyodor Dostoevsky in the context of the tradition of moral interpretation of dogma, which was developing in Russian thought during the 19th century and the first third of the 20th century. The article focuses on Dostoevsky’s Christology, presented through the prism of the idea of transforming dogma into a commandment. It is shown that Dostoevsky’s perception of Christ as the “ideal man in flesh” should be understood not in the context of utopian thought, but as a manifestation of the idea of the deification of man, as expressed in the patristic aphorism: “For the Son of God became man so that we might become God.” Dostoevsky’s polemic with Konstantin Kavelin is discussed from the point of view of the Christological dogma. It is illustrated how the assertion of the equality of the two natures, Divine and human, in Christ affects the anthropology and historiosophy of Dostoevsky. Views of writer’s contemporaries who developed the idea of a moral interpretation of the dogma of the God-man, such as: archimandrite Fedor (Bukharev), bishop Ivan (Sokolov), Nikolay Fedorov, archimandrite Antony (Khrapovitsky), Viktor Nesmelov, Sergey Bulgakov are also considered.

scholarly journals SOBRE A ARTE ENTRE OS S�CULOS 19 E 20: UMA ABORDAGEM A PARTIR DAS REPRESENTA��ES DO ATELI� VAZIO / On art between the 19th and 20th centuries: an approach from representations of the empty studio

2022 ◽  
Vol 27 (42) ◽  
pp. 172-187
Author(s):  
Nat�lia dos Santos Nicolich
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Art History ◽  
Paradigm Shifts ◽  
Starting Point ◽  
The Aesthetic ◽  
The 19Th Century ◽  
19Th Century Art

O estudo da hist�ria da arte no Brasil costumava tratar o s�culo 19 e o 20 como dois per�odos bastante distintos, quase conflitantes, sobre os quais n�o era poss�vel conceber que houvesse di�logo. Nos �ltimos anos, com as revis�es historiogr�ficas sobre a abordagem modernista, os pesquisadores valorizaram a produ��o oitocentista e por consequ�ncia abriram o campo para novas possibilidades de estudo sobre a arte nas primeiras d�cadas dos anos 1900. O presente artigo intenciona contribuir com essas pesquisas, propondo uma leitura para al�m das transforma��es est�ticas ocorridas nesse per�odo, tendo como ponto de partida as representa��es do ateli� vazio. Assim, considerando o ateli� vazio um tema por excel�ncia na arte do s�culo 19, investigamos sua persist�ncia no s�culo 20 apesar das mudan�as de paradigma na pintura. Para tanto, reunimos algumas obras realizadas entre os anos 1880 e 1950 aproximadamente, nas quais observamos aspectos sobre a posi��o do artista como profissional, a concep��o da arte e da realidade que os cerca.Palavras-chaveAteli� vazio. S�culos 19 e 20. Pintura. Artista.�AbstractThe study of Art History in Brazil used to treat the 19th century and the 20th century as two very distinct, almost conflicting periods, about which it was not possible to conceive that there were dialogues. In recent years, with the historiographic revisions on the modernist approach, researchers have valued the nineteenth-century production and consequently opened the field to new possibilities of studying art in the early 1900s. The present article intends to contribute to this research, proposing a reading beyond the aesthetic transformations that occurred in this period, taking as a starting point the representations of the empty studio. Thus, considering the empty studio a theme par excellence in 19th century art, we investigate its persistence in the 20th century despite the paradigm shifts in painting. To this end, we gathered some works from approximately 1880 to 1950, in which we observed aspects about the position of the artist as a professional, the conception of art and the reality that surrounds them.Keywords:Empty studio. 19th and 20th centuries. Painting. Artist.

scholarly journals On the Writing of History of Science in Brazil in the Second Half of the 20th Century

2021 ◽  
Author(s):  
Eduardo Henrique Barbosa de Vasconcelos
Keyword(s):  
Present Article ◽  
History Of Science ◽  
20Th Century ◽  
19Th Century ◽  
Rio De Janeiro ◽  
Historical Experience ◽  
Historical Aspects ◽  
History Of ◽  
The 19Th Century ◽  
Brazilian Science

The present article is elaborated in two parts. In the first part, we present a survey of authors and their works that throughout the second half of the 20th century, developed significant references for the history of science in Brazil, establishing and consolidating this field of studies in the country, with an exacerbated emphasis on the historical aspects that occurred in Minas Gerais, Rio de Janeiro and São Paulo. In the second part of the article, we present a concrete historical experience in the 19th century, in the province of Ceará, totally disregarded by the traditional and the current historiographic production of history of science. This situation ultimately raises the question: What is the history of Brazilian science? What are the determinants of the history of science in Brazil? To what extent is the history of science in Brazil national?

scholarly journals PUBLICITY TILE PANELS IN PORTUGAL: A SINGULARITY WITHIN IDENTITY

ARTis ON ◽  
2018 ◽  
pp. 81-95
Author(s):  
Cristina Carvalho
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Artistic Identity ◽  
Tile Production ◽  
Graphic Arts ◽  
The Third ◽  
Artistic Styles ◽  
The 19Th Century

In mid-19th century when tiles turn to the outside of the buildings, covering façades, a singularity in tile production came to light: their use as advertising or publicity support. From the third quarter of the 19th century on, very simple signs made of tiles start to inform about products, shops, workshops or services. Since then, until mid-20th century, this sort of production never stopped, being able to update itself to new artistic styles following graphic arts and publicity concepts evolution. Work of unknown artists as well as of consecrated painters and designers, it evolved from the simple lettering to the most exuberant colourful figurative representations. Despite its decline from mid-20th century, this sort of panels never completely disappeared and continued to be produced until nowadays. The present article aims to analyse the publicity panels, a singular tile production scattered all over the country, relating them to the Portuguese artistic identity.

scholarly journals “I Have an Ideal, it Was Given me: Christ”: Dostoevsky’s Christology in the Context of the Tradition of Moral Interpretation of Dogma

2021 ◽  
pp. 37-64
Author(s):  
Anastasia G. Gacheva
Keyword(s):  
Present Article ◽  
20Th Century ◽  
19Th Century ◽  
Point Of View ◽  
Son Of God ◽  
Fyodor Dostoevsky ◽  
In Christ ◽  
Utopian Thought ◽  
The 19Th Century ◽  
The Ideal

The present article continues a series of studies devoted to the theology of Fyodor Dostoevsky in the context of the tradition of moral interpretation of dogma, which was developing in Russian thought during the 19th century and the first third of the 20th century. The article focuses on Dostoevsky’s Christology, presented through the prism of the idea of transforming dogma into a commandment. It is shown that Dostoevsky’s perception of Christ as the “ideal man in flesh” should be understood not in the context of utopian thought, but as a manifestation of the idea of the deification of man, as expressed in the patristic aphorism: “For the Son of God became man so that we might become God.” Dostoevsky’s polemic with Konstantin Kavelin is discussed from the point of view of the Christological dogma. It is illustrated how the assertion of the equality of the two natures, Divine and human, in Christ affects the anthropology and historiosophy of Dostoevsky. Views of writer’s contemporaries who developed the idea of a moral interpretation of the dogma of the God-man, such as: archimandrite Fedor (Bukharev), bishop Ivan (Sokolov), Nikolay Fedorov, archimandrite Antony (Khrapovitsky), Viktor Nesmelov, Sergey Bulgakov are also considered.

Immigrant Arab Women in Chile during the Renaissance (Nahda), 1910s-1920s

1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Thematic Analysis ◽  
New World ◽  
Arab Women ◽  
Arab Woman ◽  
The Subject ◽  
The 19Th Century

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.

THE DEVELOPMENT OF AMERICAN SHIP-ACCOUNTING PRACTICES TO 1900: A COMPARATIVE STUDY OF THREE VESSELS

1999 ◽  
Vol 26 (1) ◽  
pp. 27-51
Author(s):  
Jan Richard Heier
Keyword(s):  
Comparative Study ◽  
Environmental Change ◽  
20Th Century ◽  
19Th Century ◽  
Business Environment ◽  
Accounting Model ◽  
Types Of Information ◽  
The 19Th Century ◽  
The U.S

Accounting has always been utilitarian in nature. It adapts to the changes in the business environment by meeting the need for new types of information. The change in waterborne transportation in the U.S. during the 19th century provides an example of such an environmental change that led to a need for accounting adaptation. With the advent of the steamboat, old accounting methods were modified and new ones created to meet the changes in the business environment. In the process, a standardized ships-accounting model was developed. The model can be seen in the accounting records of three ships that sailed at the beginning of the 20th century.

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