scholarly journals THE ELEMENTS OF PERSONALITY IN THE MAIN CHARACTER OF SWEENEY TODD: THE DEMON BARBER OF FLEET STREET BY TIM BURTON

CALL ◽  
2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Rizki Syifaurrahman ◽  
Ujang Suyatman

This research analyzes the elements of personality in the main character of Sweeney Todd: The Demon of Barber of Fleet Street by Tim Burton. The researcher uses descriptive qualitative methods because the results of this research are words which are then described. In this research, the reseacher found the elements of personality in the main character of Sweeney Todd: The Demon of Barber of Fleet Street by Tim Burton such as Todd id as the desire wants to revenge Turpin and Beadle because of what they did to Todd’s family, the desire wants to kill Pirelli because he knew his the real identity, and the desire wants to kill Mrs. Lovett because she lied him. The desires as Todd’s id realized and supported by the ego. The way how ego realized all of id in Sweeney Todd, the ego does his role with an action. Thus the superego does not appear much as the id. His role only related with a good value such as when Todd wants to reveal the fake barber about his crime.Keywords: Sweeney Todd, id, ego, superego.

Jurnal CMES ◽  
2018 ◽  
Vol 10 (2) ◽  
pp. 193
Author(s):  
Mufidah Nuruddiniyah, Tri Yanti Nurul Hidayati

<p>Women and emancipation are two things that can not be separated, both are like two sides  of the same coin. One form of women's emancipation is a freedom of determining a spouse. This research aims to describe the several forms of women's freedom of determining a spouse in short story of Kahlil Gibran entitled Wardah Al Hānī based on literary sociology theory of Rene Wellek and Austin Warren. The methodology used to realize that aim is descriptive qualitative. The results reveal that women's freedom of determining a spouse is divided into two perspectives, one relates to the opinion of the character in a story and other determined by his behaviors. In the first side, the character has an opinion that the real happiness in the life only can be brought by love. So, she must choose the man she loved. And in another side, the women's freedom is shown by the way she left her legal husband and went to the other beloved man to make her happiness life.</p><p> </p>


2020 ◽  
Vol 1 (2) ◽  
pp. 79
Author(s):  
Edi Hariyadi ◽  
Firdaus W Suhaeb

Sayyid marriages that occur in the community of Cikoang Village, Takalar Regency are one of the distinguishing characteristics for ordinary people in carrying out their marriages, namely there are separate rules for sayyid women, namely Sayyid women cannot marry men who are not of Sayyid descent or descent  of the Prophet Muhammad SAW.  The research approach used descriptive qualitative methods carried out in Cikoang Village, Takalar District.  Primary data obtained by means of observation, interviews, documentation.  Secondary data comes from books and journals.  This research shows that the way to preserve marriage still exists today, namely, the factor of belief, they believe that their descendants come from the descendants of the Prophet Muhammad.  And the rule factor is that sayyid circles have rules in carrying out marriage, namely sayyid women cannot marry men who are not of Sayyid descent, but sayyid men can marry women outside their circle.  and the witness factor, namely for women who violate these rules will be subject to sanctions in the form of no longer being considered in their family and among their circle as Sayyid descendants and are considered dead.  Meanwhile, the solution for Sayyid women who do not have a partner among them is to match a Sayyid male.  And the second solution is to allow Sayyid women to marry under the applicable sanctions.


2021 ◽  
pp. 482-491
Author(s):  
Nur Anggre Apriliani

This study examined the causes and effects of the bravery exhibited by this novel’s protagonist named Muhammad Alfatih or Mehmed II. Descriptive qualitative methods were used. The analysis was conducted by classifying the obtained data into two subchapters related to the research problems. The findings of this research focused on the causes of the protagonist’s bravery in believing hadist of Rasulullah, in conquering Constantinople, and spreading Islam by Jihad. The Prophet’s promises were the reason for his bravery in conquering Constantinople, and for his own strength. The protagonist’s bravery was shown when he decided to drag 72 ships into Galata Hill, and when Mehmed conquered Constantinople by Jihad as the way to spread Islam throughout the world including Constantinople. The protagonist’s bravery also resulted in two effects: converting Hagia as a mosque and making Ottomans the center of Islamic civilization. It can be inferred that the protagonist had tremendous bravery. Keywords: bravery, civilization, conquest, strength


2020 ◽  
Vol 6 (1) ◽  
pp. 126
Author(s):  
Ima Frafika Sari

This research aims to reveal: the types of speech acts used by the main character in “Spongebob Squarepants’ the movie and the previous studies in speech act analysis for knowing the way of the directives of speech act appears. It employed descriptive qualitative research in the explaining of speech acts types used by the main character. There is still a lack of research about the analysis of speech act categories in cartoon movie or animation movie, it is substantial to be carried out. The finding of this research is the directives speech act is the most frequently in SpongeBob SquarePants the movie with data 118 or 44,36% from a total of 266 or 100% of the whole data. Then, the similarity data found in the three journals about analysis of speech act with data that the directives speech act is the highest utterance in a cartoon movie.


2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Ahmad Syahid

This is descriptive, qualitative research that explains the practice of distancing the lines (ṣaff) in congregational prayers during the corona pandemic. This research employs phenomenological perspective to do the analysis on the data, particularly the interviews published in online media. Another side of the analysis is the inductive and deductive technique. This research focuses on the ways in which that practice is put into action, the underlying factors, and the impact it poses to the society, particularly the way they face the pandemic. It argues that the practice is a sort of realization of physical distancing to prevent the spreading of the virus and at the same time the real attempt of Indonesian Muslims to observe one of the principal goals of sharia, that is al-muḥāfaẓa ‘alā an-nafs.


Author(s):  
Rian Andriani ◽  
Erlangga Brahmanto ◽  
Beatrix C.C Simamora Purba

ABSTRAKTari Sigale-gale merupakan tarian sebuah patung kayu yang digerakkan oleh manusia dengan diiringi alunan musik khas Batak. Tari Sigale-gale sempat menjadi icon pada acara Festival Danau Toba tahun 2013. Adanya pergeseran nilai tari Sigale-gale dikarenakan perubahan cara penyuguhan tari Sigale-gale tersebut dengan memutar kaset yang sebelumnya selalu diiringi alunan alat-alat musik khas Batak. Tujuan penelitian ini untuk mengetahui esensi dan nilai yang terkandung dari tari Sigale-gale dalam meningkatkan wisata budaya di Desa Tomok Kabupaten Samosir. Penelitian ini menggunakan metode kualitatif bersifat deskriptif. Hasil penelitian ini menyatakan bahwa Tari Sigale-gale merupakan suatu pertunjukan yang menceritakan tradisi suku Batak Toba pada zaman dahulu. Prosesinya sejak dahulu hingga kini tidak mengalami perubahan namun cara menampilkannya yang berubah. Kesimpulan dari  penelitian ini adalah bahwa nilai tari Sigale-gale perlu dipertahankan dengan mengembalikan cara menampilkan pertunjukannya seperti sedia kala dan menghadirkan penari yang handal dalam menarik wisatawan untuk manortor (menari). Kata Kunci: Value, Tari Sigale-gale, Wisata Budaya  VALUE OF SIGALE-GALE DANCE TO INCREASE CULTURE TOURISM IN TOMOK VILLAGE, SAMOSIR DISTRICT ABSTRACTTari Sigale-gale is a dance of a wooden statue that is driven by humans accompanied by typical Batak music. Sigale-gale dance had become an icon in the 2013 Lake Toba Festival. The shift in the value of Sigale-gale dance was due to changes in the way the Sigale-gale dance was presented by playing tapes which were always accompanied by strains of Batak musical instruments. The purpose of this study was to determine the essence and value contained in Sigale-gale dance in enhancing cultural tourism in Tomok Village, Samosir Regency. This study uses descriptive qualitative methods. The results of this study state that Sigale-gale Dance is a performance that tells the traditions of the Batak Toba tribe in ancient times. The procession has not changed until now but the way it is displayed changes. The conclusion of this study is that the value of Sigale-gale dance needs to be maintained by returning the way to show the show as usual and presenting dancers who are reliable in attracting tourists to dance. Keywords: Value, Sigale-Gale Dance, Culture Tourism


LINGUISTICA ◽  
2021 ◽  
Vol 9 (4) ◽  
pp. 360
Author(s):  
EKA NOVIYANTI ◽  
AMRIN SARAGIH ◽  
MUHAMMAD NATSIR

This study discussed woman struggle in Paulo Coelho’s The Spy. The objectives were to find out the kinds of woman’s struggle in Novel The Spy, the ways the main character struggles to fulfill her needs, and the reasons why the main character struggle in the way she did. This study used descriptive qualitative method. This study used Maslow (1987) theory to analyze the kinds of woman’s struggle and the ways the main character struggles to fulfill her needs that she had faced and elaborated the reasons by using theory of ambition. The result of this study can be concluded in some aspects. First, the kinds of woman’s struggle found in Novel The Spy in fulfilling the human needs, namely: Struggle for Survival, Struggle to Reach the Dream, Struggle for Love & Relationship, Struggle in Getting A Good Reputation and Struggle to be Independent Woman. Second, the ways the main character struggles to fulfilling her needs are exchange sex with favors and money, making relations with men from the higher classes and to be a Spy. Third, the reasons why the main character struggle are because of her ambition to become a Free Woman and influenced by author’s background.


Author(s):  
Hendra Gunawan

Technological progress is an inevitable growth along with the progress of human civilization to make humans integrate without space and time limit in cyberspace, but this technological progress is boarded by people who are not responsible for committing crimes in cyberspace termed cyber crime, then this paper tries to discuss cyber crime from the perspective of Jurisprudence. The main problem in this article is how the jurisprudence perspective of cyber crime, from here the authors formulate a sub-issue namely how the terminology of cyber crime according to jurisprudence jinayah. The method used in this article is descriptive qualitative, sourced from fiqh books and books related to the topics discussed in this article with the method of collecting data using literature studies.The author's findings in this article, that the current form of cyber crime is not spared from jinayah fiqh studies because even though cyber crime is a new crime model, but it has similarities with the cases discussed in jurisprudence, one of the cyber crime crimes is hacking (stealing data) or breaking into an ATM is the same as Syariqah (stealing) only that distinguishes it is the way to do it, so if Syariqah is done in the real world while cyber crime is done in cyberspace. For more details, please look at the next discussion.


Author(s):  
Susi Ambarwa ◽  
Radius Setiyawan ◽  
Pramudana Ihsan

The purpose of this research is to reveal whether Moana’s Screenplay by Jared Bush can be considered as an eco-feminism reading or not. To prove this hypothesis, the researcher analyzes Moana’s Screenplay through find out the characteristics of the main character that reflect ecological feminism and reveals the relationship between man, woman, and nature in Moana’s screenplay using eco-feminism perspective. The researcher uses descriptive qualitative methods in analyzing the data. The researcher found that eco-feminism issues were clearly shown in this screenplay. First, the main character in Moana’s Screenplay was not described as a weak woman but she showed the characteristics of leadership, ambitious, and courageous where these characters usually owned by man. She was described as a woman who loved their people and the environment which is a reflection of ecological feminism. Second, the relationship between man and woman was illustrated that male characters dominated woman both verbally and mentally. Third, regarding the relationship between man and nature, it was found that nature was dominated because man saw nature as a resource to meet human needs. Finally, related to the relationship between woman and nature, it was revealed that woman was closer to nature than man so they can live in harmony.


2020 ◽  
Vol 20 (1) ◽  
pp. 79
Author(s):  
Mochtar Lutfi

This study aims to reveal the elements that experience the process of cultural transformation and the meaning illustrated through the illustrations of wayang figures in the Serat Damarwulan Manuscript. In this study, descriptive qualitative methods are used, namely placing words or sentences in a logical structure to explain concepts in the relationships between existing elements. Furthermore the data in the form of a sign system will provide a more comprehensive understanding. Transformation of wayang characters is a transition or change that occurs in the surface structure of a set of symbols of figures in wayang to become figures that are likened to or equated with characters in Serat Damarwulan, while the structure in the puppet characters themselves has not changed. The results of this study indicate that the elements undergoing cultural transformation in addition to scripts and languages are also illustrations that show the character of wayang characters in the characters contained in the Serat Damarwulan Manuscript. Knight figures such as Ronggolawe and Damarwulan are portrayed as Bima and Arjuna characters. While evil figures like Menakjinggo are portrayed as giants. These figures give meaning in the Serat Damarwulan, but in their own way the characters remain or do not change. This shows that the Serat Damarwulan Manuscript describes the process of cultural transformation in the form of puppet characters from Hindu-Buddhist to Islam that goes peacefully by not changing the main character, storyline, or background.


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