scholarly journals Data Files:LRT/BRT/SCT/CRT Development Outcomes: Final Phase

Author(s):  
Robert Hibberd ◽  
Arthur Nelson ◽  
Kristina Currans
Author(s):  
J.R. Caradus ◽  
D.A. Clark

The New Zealand dairy industry recognises that to remain competitive it must continue to invest in research and development. Outcomes from research have ensured year-round provision of low-cost feed from pasture while improving productivity. Some of these advances, discussed in this paper, include the use of white clover in pasture, understanding the impacts of grass endophyte, improved dairy cow nutrition, the use of alternative forage species and nitrogen fertiliser to improve productivity, demonstration of the impact of days-in-milk on profitability, and the use of feed budgeting and appropriate pasture management. Keywords: dairy, profitability, research and development


1988 ◽  
Vol 15 (1) ◽  
pp. 23-51 ◽  
Author(s):  
R McCullagh ◽  
M Andrews ◽  
Anne Clarke ◽  
G Collins ◽  
E Halpin ◽  
...  

Summary Excavations at Newton have revealed three phases of land use. Mesolithic activity was restricted to small flint working and domestic sites. A Neolithic phase appears to relate to a fragile soil resource which rapidly declined in quality. The final phase, possibly related to a Christian Irish presence on the island, occurs late in the sequence.


2015 ◽  
Vol 32 (1) ◽  
pp. 40-77
Author(s):  
Peter Mercer-Taylor

The notion that there might be autobiographical, or personally confessional, registers at work in Mendelssohn’s 1846 Elijah has long been established, with three interpretive approaches prevailing: the first, famously advanced by Prince Albert, compares Mendelssohn’s own artistic achievements with Elijah’s prophetic ones; the second, in Eric Werner’s dramatic formulation, discerns in the aria “It is enough” a confession of Mendelssohn’s own “weakening will to live”; the third portrays Elijah as a testimonial on Mendelssohn’s relationship to the Judaism of his birth and/or to the Christianity of his youth and adulthood. This article explores a fourth, essentially untested, interpretive approach: the possibility that Mendelssohn crafts from Elijah’s story a heartfelt affirmation of domesticity, an expression of his growing fascination with retiring to a quiet existence in the bosom of his family. The argument unfolds in three phases. In the first, the focus is on that climactic passage in Elijah’s Second Part in which God is revealed to the prophet in the “still small voice.” The turn from divine absence to divine presence is articulated through two clear and powerful recollections of music that Elijah had sung in the oratorio’s First Part, a move that has the potential to reconfigure our evaluation of his role in the public and private spheres in those earlier passages. The second phase turns to Elijah’s own brief sojourn into the domestic realm, the widow’s scene, paying particular attention to the motivations that may have underlain the substantial revisions to the scene that took place between the Birmingham premiere and the London premiere the following year. The final phase explores the possibility that the widow and her son, the “surrogate family” in the oratorio, do not disappear after the widow’s scene, but linger on as “para-characters” with crucial roles in the unfolding drama.


2017 ◽  
Author(s):  
Cem Mete ◽  
Laurent Bossavie ◽  
John Giles ◽  
Harold Alderman

2016 ◽  
Vol 9 (2) ◽  
pp. 187-197
Author(s):  
Sugihartono Sugihartono

Skinswaste at pre-tanning operations can be processed into food grade gelatin. The degradation of collagen using acid, base, or enzymes produced gelatin. Pickle skins is skins that acidified, the results of the final phase of the pre-tanning operations. The addition of salt on the skin makes the skins pickle not swollen, produced a wide space between collagen fibers and collagen can not be degraded. Thereby directly extract pickle skins or waste will not be obtained gelatin.This study discussed the processing of food gelatin type A pickle skins through the utilization of waste acid it contains. The discussion includes the components of animal skins, pre-tanning waste, acidification of skins, processing gelatin and gelatin from skins picklewaste and usefulness for the food industry. Salt hydrate collagen fibers in the skin pickle including waste can be separated by washing, to a certain extent still acidic skins waste. The remaining acid on the skins pickle waste can be utilized to hydrolyze collagen into gelatin. The resulting gelatin is gelatin type A, that can be used for food industry.ABSTRAKKulit limbah pada operasi pra-penyamakan dapat diolah menjadi gelatin pangan. Pemecahan kolagen menggunakan asam, basa, atau enzim dihasilkan gelatin. Kulit pikel merupakan kulit yang diasamkan, hasil dari tahap akhir operasi pra-penyamakan. Penambahan garam pada kulit pikel menjadikan kulit tidak bengkak, menghasilkan ruang lebar diantara serat kolagen dan menjadikan kolagen tidak dapat terdegradasi. Hal ini berarti ekstrak secara langsung kulit pikel atau limbahnya tidak akan diperoleh gelatin. Dalam kajian ini dibahas pengolahan gelatin pangan tipe A dari kulit pikel limbah melalui pendayagunaan asam yang dikandungnya. Bahasan mencakup komponen kulit hewan, limbah pra-penyamakan, pengasaman kulit, pengolahan gelatin, dan pengolahan gelatin dari kulit pikel limbah melalui pendayagunaan asam yang dikandungnya serta kegunaannya untuk industri pangan. Garam yang menghidrasi serat kolagen pada kulit pikel termasuk limbahnya dapat dipisahkan dengan cara pencucian, sampai batas tertentu kulit limbah masih bersifat asam. Asam yang tersisa pada kulit pikel limbah tersebut dapat didayagunakan untuk menghidrolisis kolagen menjadi gelatin. Gelatin yang dihasilkan adalah gelatin tipe A, dapat digunakan untuk keperluan industri pangan. Kata kunci : Kulit pikel limbah, gelatin, pengasaman, pangan.


Author(s):  
Tobias Hering

In 2011, the artist Filipa César was given access to the archive of the Instituto Nacional de Cinema e Audiovisual (INCA) in Bissau, which holds the remains of a precarious but dedicated documentary film production during the final phase of the liberation war and the first years of independence in Guinea-Bissau (roughly from 1972 to 1980). Together with two of the film-makers involved, Flora Gomes and Sana na N'Hada, and a group of researchers and film-makers from Bissau, Filipa César is since then engaged in an ongoing project experimenting with various forms of re-visualization and re-evaluation of this archive. Tobias Hering has participated in this process on several occasions and wrote about it in the essay "Before six years after," published for Filipa César's exhibition at Jeu de Paume (Paris) in October 2012. The text published here is a critically revised and annotated version of this earlier essay.


2007 ◽  
Vol 66 (3) ◽  
pp. 199-227
Author(s):  
Lode Wils

In dit eerste deel van zijn uiteenzetting poneert Lode Wils de door zijn bronnen onderbouwde stelling dat het ontstaan van de Belgische (natie)staat de feitelijke slotfase was van een passage van de protonatie(s) in de Zuidelijke Nederlanden doorheen de grote politiek-maatschappelijke en culturele mutaties na de Franse Revolutie. Een passage die tijdens de late twintiger jaren van de negentiende eeuw bovendien sterk gekruid werd door het Belgisch 'wij'-denken dat meer en meer het cement ging vormen in de parlementaire en buitenparlementaire contestatie tegen het Hollandse regime.Wils verbindt in zijn uiteenzetting zijn eigen onderzoek omtrent de "cruciale parlementaire debatten in de jaren 1827-1830" aan zijn lectuur van de wetenschappelijke literatuur die zowel in het Noorden als in het Zuiden werd gewijd aan die problematiek, in bijzonderheid de doctoraalstudie L’invention de la Belgique. Genèse d’un Etat-Nation. 1648-1830 van de UCL-historiograaf Sébastien Dubois. Betekenisvol is overigens de frase van Wils waarin hij stelt dat Dubois zich "na het doorworstelen van bijna 2000 archiefbundels, ergert aan de voorstelling alsof niet het koninkrijk, maar 'België' geschapen werd in 1830."________1830: from the Belgian pre-nation to the nation state [part I]In this first part of his discourse Lode Wils puts forward the thesis corroborated by his sources that the creation of the Belgian (nation)state was in fact the final phase of a transition from the pre-nation(s) of the Southern Netherlands through the major socio-political and cultural mutations after the French Revolution. During the late nineteen twenties this transition was particularly marked by the Belgian “we-thinking” that gradually came to be the binding factor in the parliamentary and extra-parliamentary protest against the Dutch regime.  In his argument Wils connects his own research into the “crucial parliamentary debates during the period of 1827-1830” to his reading of the scientific literature, which was dedicated to that issue both in the North and in the South, in particular to the doctoral dissertation by the UCL historiographer Sébastien Dubois L’invention de la Belgique. Genèse d’un Etat-Nation. 1648-1830  (The invention of Belgium. Genesis of a Nation State: 1648-1830). We note in particular Will’s remark that Dubois “after having waded through almost 2000 archival volumes is irritated by the conception that 1830 saw the creation not of the kingdom but of ‘Belgium’.”


NASPA Journal ◽  
1997 ◽  
Vol 34 (3) ◽  
Author(s):  
Steve Graham ◽  
Irv Cockriel

The issues of accountability and increased public concern have contributed to widespread institutional self-examination and to a greater emphasis placed on assessing the impact of college attendance. This study focuses on 36 items in the ACT College Outcomes Survey to identify specific areas of personal and social gain where students percieved colleges to have the greatest impact. Identification of these general constructs provides guidance for college administrators and faculty members on areas where the colleges can focus their attention to achieve their greatest impact.


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