scholarly journals Art in the Age of Globalisation: Dialogue of Cultures (Ural Opera Ballet Theatre’s Production of the Opera Tri Sestry)

2020 ◽  
Vol 4 (4) ◽  
pp. 476
Author(s):  
Andrey G. Shishkin ◽  
Olga O. Morozova

The article explores the dialogics of art and the role of art as a tool of dialogue between cultures on the example of the Ural Opera Ballet Theatre’s recent stage production of the opera Tri Sestry (Three Sisters), which demonstrates a successful interaction between different cultural traditions.Interpreting Chekhov’s play from a late 20th century perspective, Hungarian composer Peter Eötvös presented new responses to the questions that tormented the play’s characters one hundred years ago. In his work, which blends French and German avant-garde techniques with structural elements drawn from film narrative and the Japanese Noh theatre tradition, he added a radically new dimension to Chekhov’s play. As a result, he was able to open up latent meanings the play within the great time space proposed by the Russian philosopher Mikhail Bakhtin. In turn, Christopher Alden (USA), the Artistic Director of the Ural Opera Ballet production, merged voices from different artistic traditions into a new contemporary musical image.

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.


2018 ◽  
Vol 6 (8) ◽  
pp. 11
Author(s):  
Dr. Radha ◽  
Dr. Premalatha. C 

Postmodernism is a Western philosophy, a late 20th-century movement characterized by broad skepticism, subjectivism, or relativism; a general suspicion of reason; and an acute sensitivity to the role of ideology in asserting and maintaining political and economic power”.Post-Modernists are independent while expressing their ideas, they never drop their statements and theory. It is more personal than identify with some other categories. The post-modernism was started in America around 16th century later it extended to Europe and other countries.Post-modern civilization fails to accept the modification between high and low class. There is a little place for modernism, originality or individual thinking. Bhagat has concentrated on the preconceptions of toppers, however there is more to life than these things your family, your friends, your internal desires and goals and the grades you get in dealing with each of these areas will define you as a person.The post-modernism has defused the difference between good and bad, moral and immoral, right and wrong. If there is a choice to select modern generation would not hesitate to go for one which is traditionally named as bad. Bhagat imbibed all these qualities in his writing. His characters go against the traditional customs and values. Bhagat represents intricate, deeply engrained socio-cultural complications of multicultural India, light-heartedly. He wishes readers to giggle at themselves, at their stupidities, their partialities, and their wrong-actions; not as a member but as a distant observer. He doesn’t bout them directly, but through fiction he attempts to understand their errors and gives a chance to rectify in the real life. Bhagat’s linking story telling method and the funny situations appeal readers.


2017 ◽  
Vol 49 (4) ◽  
pp. 577-582
Author(s):  
Dawn Chatty

Academic interest in the study of forced migration as a specific field developed only in the late 20th century. But its conceptual tools had a much earlier incarnation in the United States. In the early 20th century historical linguistic and ethnographic research was being conducted with Native American peoples who had been subjected to massive ethnic cleansings in the preceding two centuries. Much of that early work was with tribes who had been displaced, dispossessed, and involuntarily marched into resource-poor reservations. The scientists working with them thought they were engaging in a kind of salvage operation to record ways of life before they disappeared. These researchers largely ignored or failed to recognize the impacts of displacement—destroyed settlements, land occupation, nonviable reservations, inadequate welfare, and hostile administrations and lack of legal rights—and focused instead on trying to reconstruct memory culture of “what life was like in the old days.” Nevertheless, these studies gave us many of our basic concepts to describe and analyze the experience of uprootedness and dispossession. These fundamental concepts have become important in the discipline of forced migration studies. They include understandings of: role and identity, hierarchy, social networks, conflict mechanisms, reciprocity and trust, boundary creation, rites of passage, liminality, and the role of myths.


Author(s):  
Mette Hjort

THE PROBLEM WITH PROVOCATION: ON LARS VON TRIER, ENFANT TERRIBLE OF DANISH ART FILM Anyone interested in contemporary art is likely to have spent a good deal of time pondering the nature and role of artistic provocation. Provocation as a crucial feature of artistic practice was largely unknown before 1800 (Walker 1999: 1). The idea of 'shocking the recipient' was, however, 'a dominant principle of artistic intent' for members of the various avant-garde movements that emerged in the early decades of the 20th century (Peter Bürger, cited in Walker: 2), and at this point the provocateur is a well-known and even expected figure in the landscape of art. It is not difficult to think of examples of artworks that are self-evidently about creating a sense of outrage. Let me mention just a few well-known works that prompted a public outcry: Rick Gibson's Human Earrings (1985), which consists of a...


2021 ◽  

Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.


Author(s):  
Daniel Pejic

The literature on cities and international relations (IR), or “global urban politics,” as it is sometimes termed, is a diverse stream of social science research that has developed in response to major demographic and economic shifts that began in second half of the 20th century and continue to today. During this time the world has witnessed dramatic globalization and urbanization, centralizing populations in cities. It is predicted that by 2050 close to 70 percent of the world’s population will live in urban areas, meaning that 21st-century challenges will be largely urban in nature. Across areas such as migration, health, environmental sustainability, and economic development, citizens and city governments are constantly exposed, and need to respond to, the impacts of globalization on cities. At the international level, multilateral organizations have recognized this shift and are increasingly involving cities, or networks of cities, as interlocutors in global forums. IR has been slow to acknowledge the increasing importance of cities in international affairs, as it conflicts with the state-centric paradigm of mainstream theory. Most early scholarship on cities and globalization came from urbanists and political economists, who studied the development of “global cities” that were acting as the critical nodes in the architecture of the world economy. This literature predominately identified cities as the sites of global processes, with limited capacity to influence or shape them. It also offered a narrow, economistic conception of cities that vastly prioritized the experiences of wealthy cities in the Global North. More recently, scholars have begun to study and theorize the role of cities as actors in global affairs, particularly through forms of networked governance and involvement in key multilateral discussions. This bibliography tracks the evolution of this research agenda from its conception to the present day. It begins with a limited background in the study of urban politics, providing a crucial framework for understanding how the diverse streams of research developed. It then details the continuing work on “global cities,” which recognized the increasing importance of cities to international affairs in the late 20th century, although largely defined in narrow economic terms. What follows is a broader theorization of the role of cities in global governance, which begins to afford some agency to cities to shape international affairs across a range of policy areas and brings them directly into the purview of IR. While most of this literature has still been driven by, and focused on, cities of the Global North, there have been efforts to broaden the geographic focus and recognize the way globalization and urbanization have been experienced differently in cities across the globe. Finally, the bibliography draws on a recent literature exploring some of the political and legal implications of this shift to the “urban century.”


2010 ◽  
Vol 17 (1) ◽  
pp. 29-70 ◽  
Author(s):  
Carmel Cloran

Bakhtin introduced the concept of chronotope (chronos = time; topos = space) to facilitate his exploration of the ways in which space-time intersections occur in literary texts. However, he also suggests that chronotopes characterise non-literary texts — indeed, that “every entry into the sphere of meaning is accomplished only through the gates of the chronotope” (1981: 258) — this historical, biographical and social time-space configuration. This formulation immediately suggests that these categories should be accessible via the categories of language and indeed, in English, they are most generally expressed via the Mood categories Subject and Finite. These same Mood categories of English are crucially involved in the identification of a unit of discourse — the rhetorical unit (Cloran 1994). Thus, this discourse unit provides a useful means of concretising, from a linguistic perspective, Bakhtin’s concept of chronotope and investigating the presence of such chronotopes in the everyday mundane discourse of mother-child interaction. Selections from such interaction are illustrations of authentic cultural chronotopes, and provide exempla of a (sub)cultural chronotopic motif within the broader culture, i.e. social positioning at a particular historical point in time (the late 20th century Australian culture).


Author(s):  
Hayley J Hooper

Abstract Preventing the overconcentration of power is a central component of Western constitutional thought. However, in the British constitution power is generally concentrated in representative legislatures. Although these legislatures generally possess legitimating characteristics that courts lack, we cannot assume that this balance will hold true for all time. This article argues that the common law judicial review jurisdiction contains a power to invalidate the Acts of representative legislatures in certain extreme, hypothetical situations. The seeds of this line of thought began with dicta from a minority in Jackson v Attorney General and similar claims have appeared in several other landmark cases, such as AXA Insurance v Lord Advocate and Moohan v Lord Advocate. Rather than something novel, the power to invalidate legislation is best understood as a natural outgrowth of the seeds of a theory of legislative legitimacy present in the common law that began in the late 20th century.


2020 ◽  
Vol 9 (71) ◽  

Metaphysics, which deals with concepts such as existence, existentialism, space and god in its general content, is a branch of philosophy. It sought answers to questions related to these concepts through methods and perspectives different from science. The reason for all these questions is the effort to define the universe. Metaphysical philosophy has been the search for a solution to helplessness caused by the uncertainties caused throughout the history by life and death. Perspectives developed in parallel with the perception of the period have also shaped the questions and propositions. All these metaphysical approaches do not contain a definition that is independent of time and space. Time and space, as one of the most fundamental problematics of metaphysics, are accepted as the most important elements in placing and making sense of the human into the universe. In this context, metaphysics, which has a transphysical perspective as well as the accepted scientific expansions of real and reality, was mostly visible in the field of art rather than science. The aim of this article is to analyze the role of metaphysical philosophy in the emergence of metaphysical art in the context of the effects of social events, especially the destructions and disappointments caused by the world wars in the 20th century, on the artists and the reflections of the existential inquiries related to this. Furthermore this study includes definitions and processes of metaphysics. The works of Giorgio de Chirico and Carlo Carra have been interpreted in terms of form and content within the scope of metaphysics by considering the concepts of time-space. Keywords: Metaphysics, Space, Time, Metaphysical Art


2020 ◽  
Vol 18 (2) ◽  
pp. 113-129
Author(s):  
Natasa Zivaljevic-Luxor ◽  
Nadja Kurtovic-Folic ◽  
Petar Mitkovic

Built heritage preservation and town and regional planning emerged on scientific bases in the process which lasted until the late 20th century. The role of built heritage in town and regional planning has essentially changed in that time. It can be partly explained by developing of scientific methodology of each of the disciplines, and partly by global changes and subsequently emerging challenges.


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