scholarly journals SPACE AND TIME RELATIONSHIP IN METAPHYSICAL PAINTINGS OF THE 20TH CENTURY

2020 ◽  
Vol 9 (71) ◽  

Metaphysics, which deals with concepts such as existence, existentialism, space and god in its general content, is a branch of philosophy. It sought answers to questions related to these concepts through methods and perspectives different from science. The reason for all these questions is the effort to define the universe. Metaphysical philosophy has been the search for a solution to helplessness caused by the uncertainties caused throughout the history by life and death. Perspectives developed in parallel with the perception of the period have also shaped the questions and propositions. All these metaphysical approaches do not contain a definition that is independent of time and space. Time and space, as one of the most fundamental problematics of metaphysics, are accepted as the most important elements in placing and making sense of the human into the universe. In this context, metaphysics, which has a transphysical perspective as well as the accepted scientific expansions of real and reality, was mostly visible in the field of art rather than science. The aim of this article is to analyze the role of metaphysical philosophy in the emergence of metaphysical art in the context of the effects of social events, especially the destructions and disappointments caused by the world wars in the 20th century, on the artists and the reflections of the existential inquiries related to this. Furthermore this study includes definitions and processes of metaphysics. The works of Giorgio de Chirico and Carlo Carra have been interpreted in terms of form and content within the scope of metaphysics by considering the concepts of time-space. Keywords: Metaphysics, Space, Time, Metaphysical Art

2019 ◽  
Vol 12 ◽  
pp. 351-360
Author(s):  
Dorota Heck

Wojciech Kudyba’s Gorce Pana Gorce of the LordIn the 20th century religious poetry was mainly the domain of famous poet priests; today better known are secular authors from various generations, for example Zbigniew Jankowski, Wojciech Bonowicz, Krzysztof Koehler, Wojciech Wencel and Mirosław Dzień. Standing out with his avoidance of pathos and clarity of poetic diction, Wojciech Kudyba published his first book of poetry appreciated by literary critics, Tyszowce i inne miasta Tyszowce and other towns, thirteen years ago. It was followed in 2008 by Gorce Pana Gorce of the Lord — of key importance to the understanding of the role of the mountains in Kurdyba’s poetic imagination — and Ojciec się zmienia The Father is changing in 2011. The summa of the poet’s oeuvre so far, a selection entitled W końcu świat Finally the world, is divided into three parts: “Inne miasta” Other towns, “Inne góry” Other mountains and “Kogo brak” Who’s missing. They correspond to his earlier volumes of poetry. The poet’s own descriptions point to the considerable signifi cance of a coherent composition of the collection. Repetitions of the various motifs resemble a rosary or a sequence of mirror reflections. Hermeneutic analyses of the various poems lead to a conclusion that harmony, questioned by the possibility of self-irony, results in the eff ect of moved form, sought after by the poet, while literary geography, fascination with the mountains and respect for epiphany balance out the irony, stabilising the emphasis on the eternal harmony of the universe present in the beauty of Gorce.


2020 ◽  
Vol 20 (4) ◽  
pp. 752-762
Author(s):  
J. Šubrt ◽  
L. G. Titarenko

Contemporary sociology has significantly changed the concept of space and time. According to Wallerstein, time and space represent a reality that sociology has long neglected. The situation is different in historical sciences, in which, as White states, the narrative approach prevails, and in historical sociology. The authors focus on time and space as frames for the historically oriented explanation. Thus, time can be understood in different ways - as passing, duration, measure, moment appropriate for an action or change. Different forms of time represent different frames for interpreting social events. Space is often interpreted in the relational perspective - as an order of relations formed by interacting subjects. The frame, in which we place an event, determines how we see and think about space and time. Reflections on time were significantly influenced by Braudel, who distinguished three levels of historical time. Today, the issue of space and time-space is considered by social geography, which provides some insights for sociology, as Giddens shows, especially when examining modernization and globalization. The sociological concept of time-space was developed by Wallerstein, who distinguished five types of space-time: episodic-geopolitical, conjunctural-ideological, structural, eternal, and transformative. These types of space-time provide different perspectives for the analysis of specific historical events. One of the reasons why Wallerstein places such an emphasis on space-time is that he believes that we are in the transformative time-space, which marks the end of the long structural space-time of the world system. Therefore, we face opposing historical choices and have no certainty, except that every step we take will have serious consequences.


2019 ◽  
pp. 28-30
Author(s):  
Galina Aleksandrovna Sokolova

The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.


2021 ◽  
Vol 9 (11) ◽  
pp. 2840-2843
Author(s):  
Pramod Kumar ◽  
Pramod Kumar Prasad ◽  
Gupta S.S

The word “Purush" in its most social sense means man but in the aspect of Ayurveda, the term purush is repre- sented as atma or chetana dhatu (chetana-life and dhatu-element). The concept of the existence of atman (soul) is generally not accepted by modern science. According to Indian philosophy, the ultimate truth or absolute soul is one and he is Chetana (Sarvam Khalu Idam Brahm). Treatment of Panchmahabhut Sharir with presence of purush is known as Chikitsya Purush. Purush is supreme soul, pure conscious, unchanging, immortal neither birth nor death. It is essential for the creation of the universe and the living world. In the presence of purush gains knowledge through the mind. All the actions through karmendriyas, desire, pleasure, pain, life and death are per- formed. The purush (Kshetrajy) is lord of the house (Kshetra). The role of Purush in Srusti is laya & parlay which is the same as catalyst’s work in a reversible reaction. Keywords: Purush, Types, Karma Chikitsa, Chaturvinshatika, Rashi, Punarjanma


2021 ◽  
Vol 1 (2) ◽  
pp. 80-87
Author(s):  
Toji Omonovich Norov ◽  

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.


2021 ◽  
Vol 76 (2) ◽  
pp. 80-88
Author(s):  
Sh.A. Tazhibaeva ◽  
◽  
A. Zhienbayeva ◽  

The chronotope issue has been relevant in literary criticism for several decades. Furthermore, Plato argued that the essence of art is an imitation of real life. Aristotle pointed out that art creates its own world as something possible or probable and thereby reveals the essential properties of the real world. This article attempts to summarize the main research results on the problem of spatial images and the chronotope as a whole and thereby determine what is the specificity of the image of space, what is its role in a particular work. The purpose of the study is to establish the role of the chronotope in the recreation of the artistic image of Kazakhstan. In modern prose, chronotopic parameters are traced, the topography and symbolism of urban space are examined and its essential characteristics are given. In our opinion, the chronotope is an important modeling tool of literature. The appeal to this problem is due to the fact that the organization of the chronotope in the modern literature of Kazakhstan has become much more complicated in comparison with the traditional space-time paradigms. Anel Meken and Anastasia Skripnikova demonstrate their virtuoso «play with time and space». Time and space set the parameters of the artistic world of the work. Their relationship in prose reflects the structure of the author's consciousness, their worldview, and the system of philosophical ideas and, therefore, their interpretation is a search for means of expressing the author's idea. The study of the categories of time and space allows one to penetrate deeper into the «fabric» of a work of art, to reveal the specifics of its construction, to determine the concept of the writer's world. However, despite such different positions of researchers, controversy continues to this day in literary criticism.


2020 ◽  
Vol 58 ◽  
pp. 13-17
Author(s):  
Victor V. Aksyuchits

According to the author of the article, N.Ya. Danilevsky anticipated a lot of ideas of the 20th century, in particular those of O. Spengler and A. Toynbee, by offering his concept of cultural and historical types in the book “Russia and Europe”. At the same time N.Ya. Danilevsky was in many aspects the follower of Slavophils while interpreting the originality of Russian people and Russian culture. After the turn of the educated society circles to Russian national self-comprehension initiated by Slavophils, N.Ya. Danilevsky not only scientifically formulated the problems brought forth by the Slavophils, but also offered for the first time the resolution of new important questions by analyzing the world history and the history of Slavic peoples. The author especially stresses the role of N.Ya. Danilevsky in creating the historiosophic concept that forestalled the epoch for many decades.


Author(s):  
Ragnhild Mogren ◽  
Camilla Thunborg

The change of structures of work towards fewer boundaries in time, space and tasks are sometimes referred to as boundaryless work. ICT is pointed out as one cause of this tendency. The aim of this chapter is to discuss the role of mobile ICT in the forming of the borderland between work and non-work and the identities formed in relation to this borderland: how is mobile ICT used in work and non-work, how is this use related to the forming of a borderland between work and non-work, what are the characteristics of the identities formed in this borderland? Narratives of experience of mobile ICT practices are analysed by means of social theories. The results show that mobile ICT is used as a boundary object between work and non-work. In distinguishing between functions and artefacts, between time and space, different identities are formed: extended work identity, border identity and boundaryless identity.


2018 ◽  
Vol 173 ◽  
pp. 02018
Author(s):  
Bijan Saha

Within the scope of the non-diagonal Bianchi cosmological models we have studied the role of the spinor field in the evolution of the Universe. In the non-diagonal Bianchi models the spinor field distribution along the main axis is anisotropic and does not vanish in the absence of the spinor field nonlinearity. Hence within these models perfect fluid, dark energy etc. cannot be simulated by the spinor field nonlinearity. The equation for volume scale V in the case of non-diagonal Bianchi models contains a term with first derivative of V explicitly and does not allow exact solution by quadratures. Like the diagonal models the non-diagonal Bianchi space-time becomes locally rotationally symmetric even in the presence of a spinor field. It was found that depending on the sign of the coupling constant the model allows either an open Universe that rapidly grows up or a close Universe that ends in a Big Crunch singularity.


2010 ◽  
Vol 22 (1) ◽  
pp. 157-190 ◽  
Author(s):  
Dharm P. S. Bhawuk

The epistemology of Indian Psychology (IP) is akin to that of Indian Philosophy or in general the Indian world view of knowledge, truth and belief about making sense of the self and the world. In this article, the epistemological and ontological foundations of IP are derived from a verse from the Ishopanishad and corroborated by verses from the Bhagavad-Gita. In doing so, epistemological questions like what is knowledge in IP or what knowledge (or theories) should IP develop and how (the methodology) are answered. Similarly, ontological questions like what is the being that is the focus of IP research or are biomechanical or spiritual-social-biological beings of interest to IP are addressed. The simplicity and clarity of this derivation fulfils the twin research criteria of parsimony and aesthetics. The role of epistemology and ontology in constructing cultural meaning for theory, method and practice of IP is discussed.


Sign in / Sign up

Export Citation Format

Share Document