scholarly journals Report on the Association for Music and Imagery: The Development of Guided Imagery and Music around the World

2010 ◽  
Vol 10 (3) ◽  
Author(s):  
Anne B Parker

This article is a brief report on the status of GIM training worldwide. The Association for Music & Imagery, based in the United States, was established in 1986 and provides the standards for training in GIM. AMI endorses both training programs and trainers that meet those standards. The growth of GIM throughout the world is reflected in the locations of training programs and trainers. Also included is a summary of the international makeup of the body of Fellows of the Association for Music & Imagery. Fellow of AMI is the designation given to someone who has completed advanced training in The Bonny Method of GIM.

2010 ◽  
Vol 10 (3) ◽  
Author(s):  
Francis Smith Goldberg ◽  
Louise Dimiceli-Mitran

Abstract Spirituality and psychotherapy are both inherent in the Bonny Method of Guided Imagery and Music. This article discusses the integration of these aspects of GIM and the evolution of Helen Bonny's journey in this regard. Included are Bonny's early humanistic and transpersonal influences, along with her grounding philosophy of the healing aspects of music, the central tenets of GIM as she initially envisioned, and the development of GIM theory as it relates to this integration. A GIM case study illustrates how psychotherapy and spirituality work together in a holistic way. Current trends indicate that transpersonal practices are becoming more mainstream in many areas of the world.


2017 ◽  
Vol 9 (2) ◽  
pp. 109
Author(s):  
Andrea McGraw Hunt

 Abstract This article, Part I of II, describes the rationale and background literature of an investigation into a music and imagery (GIM) experience modeled upon the Bonny Method of Guided Imagery and Music[1]. This investigation aimed to obtain an integrated description of participants’ subjective experiences and electroencephalographic (EEG) responses during the GIM session in order to gain understanding into the integrated neuronal and experiential demands of imaginal listening to music while in an altered state of consciousness (ASC). Neuroscience research has demonstrated the utility of EEG for investigating neuronal responses during ASCs, imagery, and music experiences. Additionally, several phenomenological studies have provided insight into the value and nature of client imagery in GIM contexts. Given evidence of both psychological and physiological benefits of the Bonny Method, and given the ever-growing neuroscience literature relating to phenomena occurring in GIM, there are likely relationships between participants’ imagery experiences and their brain behavior during a GIM session. This foundation justifies the use of neurophenomenology as a means of integrating individual participants’ EEG traces with their descriptions of their imagery experiences during a GIM session in order to obtain a description of the relationships between their subjective and neuronal phenomena.  Keywords: Bonny Method, Guided Imagery and Music, neurophenomenology,                    EEG, Neuroimaging.  


2016 ◽  
Vol 8 (2) ◽  
pp. 55 ◽  
Author(s):  
Louise Terry-Clark

This article explores the use of The Bonny Method of Guided Imagery and Music (BMGIM) to support 8 women as they struggled with the challenges of midlife. Unconscious forces can reach a critical mass at midlife and the Self is summoned to search for a new psychological identity. Case study data from 49 standard GIM sessions conducted over a 22 month period was pooled, analysed and reviewed for commonalities in imagery. This was a convenience sample based on clients attending a private practice in Sydney, Australia. The examination of the reported imagery discovered a number of emergent themes: 1) Land of death and darkness; 2) Betwixt and Between 3) Encounters with the Shadow, Archetypes and Helpers; 4) The Body and 5) Looking Forward.Keywords: midlife, guided imagery and music (Bonny Method)German An der Kreuzungen in der Mitte des Lebens: auf der Reise des Midlife-Übergangsmit Guided Imagery and Music  Louise Terry-ClarkDieser Artikel untersucht die Arbeit mit der Bonny Methode der Guided Imagery and Music (BMGIM), 8 Frauen während ihrer Kämpfe in der Midlife-Krise zu unterstützen. In dieser Zeit können unbewusste Kräfte ein kritisches Maß erreichen, und das Selbst ist gefordert, eine neue psychologische Identität zu suchen. Daten aus Fallstudien von 49 GIM Sitzungen während einer 22 Monate langen Periode, wurden zusammengefasst, analysiert und überprüft, um Gemeinsamkeiten in den Bildern zu finden. Es handelt sich um ein Beispiel, das auf Klienten aus einer privaten Praxis in Sydney (Australien) basiert. Die Untersuchungen der beschriebenen Bilder enthüllen eine Anzahl immer wieder auftauchender Themen:  1) ein Land von Tod und Dunkelheit; 2)weder das eine noch das andere; 3) zusammentreffen mit dem Schatten, Archetypen und Helfern; 4) der Körper und 5) vorwärts schauen.Keywords: Midlife-Krise, Guided imagery and music (Bonny Method)Japanese中年期の岐路にて:音楽によるイメージ誘導法(GIM)による中年期への移行の旅路ルイーズ・テリー-クラーク本研究では、中年期における不調に悩まされている8名の成人女性対象に、ボニーメソッドによる音楽イメージ誘導法(BMGIM)を行った。中年期においては、無意識な力が危機的な集合体として現れ、自己が新たな心理的アイデンティティを模索する状態に陥る。22ヶ月にわたる49回のGIMセッションが行われ、ケース・スタディとしてデータ収集、分析され、イメージの共通項が検証された。このケースは、オーストラリア・シドニー市内の自己運営施設に通っていたクライエントのサンプルを集めたものである。結果におけるイメージの検証で、次のようなテーマが出現した;1)死と暗闇の世界、2)あいだ、3)影、元型、援助者との出会い、4)身体、そして5)期待。 Keywords: 中年期、音楽によるイメージ誘導法(ボニーメソッド)Chinese本文旨在探討邦尼式引導想像音樂治療法(BMGIM)用於支持八位掙扎於中年挑戰的女性。潛意識的力量可能在中年達到臨界點,並喚起自我去找尋新的心理認同。本研究從為期22個月,49個標準GIM療程中收集個案資料進行分析,並審視共通的意象。樣本的採集以方便抽樣法從澳洲雪梨一家私人診所的個案中抽取。檢視個案所呈現的意象匯聚出以下幾個主題:1) 死亡與黑暗境地;2) 搖擺不定;3) 與陰影、原型及幫助者相遇;4) 身體及5) 展望。Korean중년의 기로에서: 유도된 심상과 음악 기법(GIM) 및 음악과 함께 하는 중년의 여정Louise Terry-Clark초록본 연구는 중년의 어려움에 고군분투 하고 있는 8명의 여성들을 지원하기 위해 Bonny가 개발한 유도된 심상과 음악(BMGIM) 기법을 적용한 사례에 대한 연구이다. 중년에는 무의식적인 힘이 한계에 도달할 수 있으며, 자아(self)는 새로운 심리적 정체성을 찾고자 한다. 22개월동안 시행된 49회의 GIM 세션에서 사례 연구 데이터를 수집하고 심상의 공통점을 분석하였다. 본 연구는 호주 시드니의 사설 치료기관의 내담자들을 연구대상으로 하였다. 보고된 심상에 대해 분석한 결과 다양한 새로운 주제들이 도출되었다. 1) 죽음과 어둠의 땅, 2) 이도저도 아닌(어중간한), 3) 그림자, 원형, 조력자들과의 만남, 4) 신체 5) 기대


Author(s):  
Sumi Paik-Maier

The Supportive Music and Imagery Method is derived from the Bonny Method of Guided Imagery and Music (BMGIM). It uses one piece of pre-recorded music that is short and simple in all musical elements and non-classical music is often used.It aims at enhancing one’s ego by supporting one’s positive resource rather than exploring problems and issues. It is containing and highly structured compared to BMGIM and it focuses on the here-and-now.I will introduce how the SMI method is conducted by illustrating a few case examples supervised by me and conducted by graduates and trainees of the Music and Imagery training in Korea.


Author(s):  
Denise Grocke

Listening to music is an everyday experience for most people. In music therapy music listening can be used to support many therapeutic goals. This chapter presents an overview of methods used in receptive music therapy that are supported by research literature, including music-assisted relaxation, music and imagery, and Guided Imagery and Music (Bonny Method). Salient features of each approach are outlined and supported with evidence-based research. Elements of music used in relaxation and imagery are discussed in some further depth to highlight the need for greater transparency when reporting the effect of recorded and live music in receptive music therapy.


Author(s):  
Denise Elizabeth Grocke

Parallel with the development of Guided Imagery and Music (GIM), Helen Bonny was also involved in research studies at the Baltimore Psychiatric Research Centre.  This article follows the development of research studies in the Bonny Method of GIM from the 1970s to the present day.  Some studies, particularly those focussing on medical conditions, utilize a quantitative framework in which measurement of variables is the cornerstone.  Other studies have focussed on a qualitative paradigm where the focus is on the experience of participants receiving the Bonny Method of GIM.  Further, many studies now use adaptations of the original form, either because the client group requires shorter programs, or different music, or because the therapist modifies GIM to provide a different experience to that of the individual 1.5+ hour session.  These adaptations are also addressed in this article.  Finally, researchers have explored the music used in the Bonny Method of GIM from different perspectives, either by analyzing the structure of the music, or measuring how the music effects imagery creation, or physiological measures of the body. What is evident from this overview of research is that many studies are done at Master’s and PhD level, or conducted by a team of researchers. There is great diversity in what has been researched to date, indicating that research will continue to be an important aspect of GIM practice.


2017 ◽  
Vol 9 (2) ◽  
pp. 116
Author(s):  
Andrea McGraw Hunt

 Abstract This is Part II of a two-part article that includes a step-by-step description of the methodology undertaken in my study [1], as well as a discussion regarding the clinical implications of the data collection process. This application of neurophenomenology integrated individual experiential reports with EEG data to obtain a description of responses to a modified music and imagery (GIM) session based upon the Bonny Method of Guided Imagery and Music. This article details the methodological challenges in addressing such questions, and ways in which I sought to work around and with them. The process of analyzing both the subjective and neuronal data revealed interesting questions both about the nature of the GIM experience, as well as about the limitations of integrating these very different sets of data, including: To what degree can participants fully convey their experiences to a researcher, and by extension, to a GIM therapist? How do participants recall their imagery experiences after the session, and what does this mean for practitioners during the session? To what degree can neuronal activity be attributed to specific imagery or perceptual experiences? What does a productive session look like from a neurophenomenological perspective? Pursuing these questions can lead to greater understanding of the mechanism of GIM’s effectiveness.  Keywords: Bonny Method, Guided Imagery and Music, neurophenomenology,                    EEG, Neuroimaging.  


2016 ◽  
Vol 8 (2) ◽  
pp. 9
Author(s):  
Annie Heiderscheit

This article explores the use of music and imagery in the music therapy literature beyond the scope of The Bonny Method of Guided Imagery and Music (GIM), or solely its use in music and imagery for relaxation. The majority of music therapy literature exploring the use of music and imagery is specific to the Bonny Method of Guided Imagery and Music and linked to the practice of utilizing music and imagery for relaxation. Through reviewing music therapy literature that identifies how music and imagery are embedded in other music therapy methods, this article will incorporate clinical case illustrations from the author’s clinical practice that further demonstrate how the use of music and imagery are utilized in other music therapy methods. These clinical case illustrations include explorations of the use of music and imagery in group music therapy sessions, exemplifying its use in discussion and improvisation. Keywords: music, imagery, clinical practiceGermanMusic and Imagery in der klinischen musiktherapeutischen PraxisAnnie HeiderscheidtDieser Artikel untersucht, wie Music and Imagery in der musiktherapeutischen Literatur jenseits der Bonny Methode der Guided Imagery and Music (GIM) angewendet wird, oder alsalleinige Verwendung zur Entspannung. Die Mehrzahl der Musiktherapie-Literatur, die die Verwendung von Music and Imagery untersucht, ist besonders verbunden mit GIM und der Praxis, Music and Imagery zur Entspannung einzusetzen. Im Zuge der Durchsicht der Musiktherapie-Literatur, die beschreibt, wie Music and Imagery in andere musiktherapeutische Methoden eingebunden ist, fügt dieser Artikel klinische Fallstudien aus der Arbeit der Autorin ein, die darüber hinaus zeigen sollen, wie Music and Imagery in anderen musiktherapeutischenMethoden eingesetzt wird. Diese klinischen Fallstudien untersuchen Music and Imagery in Gruppenmusiktherapiesitzungen, wobei ihre Verwendung mit Hilfe von Diskussionen und Improvisationen veranschaulicht wird.Keywords: Musik, Imagery, klinische Praxis Japanese音楽療法臨床における音楽とイメージの統合要旨本稿は、 ボニー式GIMの領域を超えた音楽とイメージの使用について、もしくは単に音楽とイメージをリラクゼーションに使用した音楽療法文献について調査している。大多数の音楽とイメージを使用についての音楽療法文献が、ボニー式GIMに特化して調査されたものであり、音楽とイメージをリラクゼーションのために使用した臨床に関連している。音楽療法文献を再調査することを通して音楽とイメージがどのように他の音楽療法メソッドに取り組まれているかを見極め、音楽とイメージの使用がどのように他の音楽療法メソッドにおいて取り扱われているか実際に行われた著者の臨床からの例を取り入れる。これらの臨床例は集団音楽療法セッションにおける音楽とイメージの使用の解説を含み、ディスカッションと即興における使用について例示する。 キーワード:音楽、イメージ、臨床Chinese本文探討了音樂治療文獻中音樂與意象的使用,包括邦尼式引導想像音樂治療法(GIM)的範疇,或僅以音樂與意象用在放鬆上。大多數探討音樂與意象的音樂治療文獻都限定在邦尼式引導想像音樂治療法,並與運用此方法輔助放鬆做連結。透過文獻回顧並定義音樂與意象如何融入其他音樂治療方法,本文結合了作者的臨床案例經驗進一步闡述音樂引導意象能如何被應用於其他音樂治療方法。這些臨床案例演示探討了音樂引導意象方法在音樂治療團體中的運用,並舉例說明此方法在討論與即興中的使用。Korean1. 음악 치료 임상 현장을 위한 음악과 심상의 통합적용Annie Heiderscheit초록본 연구는 음악 치료 문헌에서 음악과 심상이 유도된 심상과 음악 기법(GIM), 또는 이완(relaxation)을 위한 활용을 넘어 어떻게 활용되고 있는지를 탐구한다. 음악과 심상의 적용을 조사한 음악 치료 문헌들은 대부분 Bonny 에 의해 개발된 유도된 심상과 음악, 또는 이완을 위해 음악과 심상을 활용한 경우로 국한되어 왔다. 음악과 심상이 그 외의 다른 음악 치료 현장에서 어떻게 적용되었는지 확인하기 위해 본 연구는 음악 치료 문헌들을 검토하고, 저자의 임상사례들을 통합하며 음악과 심상 사용이 다른 음악 치료 기법에서 어떻게 활용되는가를 알아보고자 한다. 본 연구에 포함된 임상 사례는 집단 음악 치료 세션에서 음악과 심상을 사용하는 것에 대한 조사가 포함되며, 대화(토론)와 즉흥 연주에서 음악과 심상을 활용하는 예시를 제시한다.  키워드: 음악, 심상, 임상현장


Author(s):  
Marina Okladnaya ◽  
Ivan Yakovyuk ◽  
Victoria Dyadyk

Problem setting. Today the European Union interacts with the whole world and represents the interests and values of the European community far beyond one continent. Carrying out such activities provides for the existence of effective institutions for its implementation, which today are the European External Action Service and the European Uniondelegations around the world. It significantly differs from the classical manifestations of diplomacy, which determines the relevance of research into the establishment and development of the European Union diplomatic service. Moreover, understanding the process of formation and features of European Union diplomacy is interesting for domestic researchers of European Union law given the pro-European aspirations of Ukraine. Analysis of recent researches and publications. Certain aspects of this topic have been studied by suchdomesticscientistsas F. Baranovsky, M. Hnatyuk, O. Grinenko, O. Gladenko, M. Entin, O. Opanasyuk-Radlinska, E. Ryaboshtan, D. Tkachenko, O. Turchenko, Y.Sergienko, V. Streltsova, G. Utko, O. Fisun, V. Tsivaty, V. Shamraeva, O. Shapovalova, etc. Target of research is to research the basic preconditions and features of the establishment and development of the European Union diplomatic service and its functioning in today’s conditions. Article’s main body. The article is devoted to the study of the main prerequisites and features of the establishment and development of the diplomatic service of the European Union. The authors paid attention to the coverage of the status, competence and procedure for sending the first representations of the Communities abroad, in particular the delegations of the European Commission. The changes made by the Maastricht, Amsterdam and Lisbon treaties on foreign policy are analyzed as well. All the reforms implemented by these treaties were aimed primarily at making the European Union more effective and coordinated in the international arena, and finally resolved the issue of the institutionalization of the body that deals with the European Union diplomatic service. So now it has the status of the European External Action Service and successfully performs its functions in the current conditions. Conclusions and prospects for the development. The modern European Union diplomatic service is the result of a long process of formalization and institutionalization of a whole set of its foreign policy bodies. The development of the European Union representation system shows that the spread of its representative activities has become global, as well as the dynamic transformation of the content of its goals to interact with the world in order to implement its foreign policy. However, despite the current and rapid dynamics of development and evolution of this institution, the question remains whether the European External Action Service is the final option for the external design of the European Union diplomatic service, or whether it will be another step in the process of building pan-European diplomacy.


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