scholarly journals A Vida é Bela: Institutionalisation Processes and Sensemaking through the Media

2014 ◽  
Vol 26 ◽  
pp. 47-70
Author(s):  
João Figueira
Keyword(s):  
Media Culture ◽  
Sense Making ◽  
Brand Name ◽  
Public Performance ◽  
National Media ◽  
Key Issues ◽  
The Media

Sense making is the main goal of the Organisation’s strategy. Actually, the communica- tion by the media represents one of the key issues in the Organisation’s life. That requires to the Organisations that they should be familiar and have some expertise about the media culture and their routines. The Portuguese company A Vida é Bela achieved, between 2005-2012, around 4,558 issues about them in the national media. That public performance shows how an Organisa- tion could play a leading act through the media with the purpose of attracting some prestige to their brand name.

MEDIA SOCIALIZATION OF PERSONALITY IN THE CONTEXT OF INMUTATION IN THE MASS MEDIA

2021 ◽  
pp. 104-109
Author(s):  
Chernysh O.O.
Keyword(s):  
Mass Media ◽  
Negative Impact ◽  
Effective Interaction ◽  
Individual Characteristics ◽  
Media Culture ◽  
Active Growth ◽  
Media Space ◽  
The Media ◽  
The Individual

The urgency of the researched problem is connected with the growing role of mass media in modern conditions leads to change of values and transformation of identity of the person. The active growth of the role of the media, their influence on the formation and development of personality leads to the concept of “media socialization” and immutation in the media. The aim of the study is to outline the possibilities of the process of media socialization in the context of immutation in the media. The methods of our research are: analysis of pedagogical, psychological, literature, synthesis, comparison, generalization. The article analyzes the views of domestic and foreign scientists on the problem of immutation in the media and the transformation of the information space. In the context of the mass nature of the immutation of society, the concept of “media socialization” becomes relevant, which is the basis for reducing the negative impact of the media on the individual.The author identifies the lack of a thorough study of the concept of “media socialization” in modern scientific thought. Thus, media socialization is associated with the transformation of traditional means of socialization, and is to assimilate and reproduce the social experience of mankind with the help of new media.The article analyzes the essence of the concepts “media space”, “mass media” and “immutation”. The influence of mass media on the formation and development of the modern personality is described in detail.The study concluded that it is necessary to form a media culture of the individual, to establish safe and effective interaction of young people with the modern media system, the formation of media awareness, media literacy and media competence in accordance with age and individual characteristics for successful media socialization. The role of state bodies in solving the problem of media socialization of the individual was also determined. It is determined that the process of formation of media culture in youth should take place at the level of traditional institutions of socialization of the individual.The author sees the prospect of further research in a detailed analysis and study of the potential of educational institutions as an institution and a means of counteracting the mass nature of the immutation of society.Key words: immutation, media socialization, mass media, media space, information.

Tiresian Journeys

2008 ◽  
Vol 52 (4) ◽  
pp. 174-182 ◽  
Author(s):  
Petra Kuppers
Keyword(s):  
New York ◽  
The Body ◽  
Public Performance ◽  
Public And Private ◽  
The Gaze ◽  
Disability Culture ◽  
The Media ◽  
Extreme Performance ◽  
Performance Project ◽  
Union Square

Given the media frenzy over Hillary Clinton's unsuccessful presidential bid, and the ensuing questions about the state of feminism, it seems a serendipitous moment to feature two pieces—written by the women who conceived and performed them—that offer very different but complementary takes on agency, identity, and the conflation of the public and private as one's body becomes the locus of the gaze. Petra Kuppers's dramaturgical meditation on her experiences as part of Tiresias, a disability culture performance project, investigates erotics, change, mythology, and identity. A collaboration between photographers, writers, and dancers, the project, occurring over six months in 2007, posits the body as the site at which myth might be reshaped and movement might become poetry. Lián Amaris critically analyzes her feminist public performance event Fashionably Late for the Relationship, which took place over three days in July 2007 on the Union Square traffic island in New York City. Informed by Judith Butler's citational production of gender, the piece focused on exposing and critiquing the marked visibility of gender construction and maintenance within an extreme performance paradigm.

Media and the Radical Right

2018 ◽  
Author(s):  
Antonis A. Ellinas
Keyword(s):  
Radical Right ◽  
Developmental Phase ◽  
Right Wing ◽  
Media Access ◽  
Individual Level ◽  
Political Opportunities ◽  
Key Issues ◽  
The Media ◽  
Future Work ◽  
Political Demand

The way the media relate to radical right-wing actors remains one of the least studied areas in the literature on the radical right. This chapter examines how the media affect the demand for and the supply of right-wing radicalism. The media can affect political demand by setting the agenda on or framing key issues such as immigration and crime, helping legitimize a political space in which the radical right can thrive. On the supply side, media access and exposure are a political resource that can help outsiders enter the political game and provide validation, momentum, and legitimacy. Media effects depend on availability of political opportunities, developmental phase of the radical actor, type of coverage, and type of medium. Future work can use experimental methods to probe individual-level links between media cues and voter or activist preferences, and to examine media regulations, especially of newer media.

Performing the ‘lifeworld’ in public education campaigns

2010 ◽  
Vol 1 (2) ◽  
pp. 284-310 ◽  
Author(s):  
Michelle M. Lazar
Keyword(s):  
Public Education ◽  
Rap Music ◽  
Dual Processes ◽  
Public Performance ◽  
New Approach ◽  
The Public ◽  
Local Television ◽  
The Media ◽  
Education Campaigns ◽  
Real Person

In Singapore, top down public education campaigns have long been a mode of governance by which the conduct of citizens is constantly regulated. This article examines how in two fairly recent campaigns, a new approach to campaign communication is used that involves media interdiscursivity, viz., the mixing of discourses and genres in which the media constitute a significant element. The present approach involves the appropriation of a popular local television character, ‘Phua Chu Kang’, in order to address the public through educational rap music videos. Media interdiscursivity is based on an attempt to engage the public via a discourse of the ‘lifeworld’. The present article analyzes the ‘lifeworld’ discourse in terms of a combination of two processes, ‘informalization’ (the use of informal and conversational modes of address) and ‘communitization’ (the semiotic construction of a community of people). The dual processes are examined and discussed in relation to the choice of Phua Chu Kang as an ‘ordinary’ and almost ‘real’ person, including his informal register and speech style; his use of Singlish; and his construction of ‘community.’ The presence of Singlish, in particular, is interesting because (despite the official disdain for the language) it is included as part of PCK’s public performance of the lifeworld. The article concludes by considering this form of media interdiscursivity as the government’s shrewd way of achieving its social governance goals.

Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe

2010 ◽  
Vol 42 (1) ◽  
pp. 61-72 ◽  
Author(s):  
Sabine Huschka
Keyword(s):  
Installation Art ◽  
Art Practice ◽  
Public Performance ◽  
Open Spaces ◽  
Movement Perception ◽  
Movement Performance ◽  
Interactive Relationship ◽  
The Media ◽  
The Spectator

Since Ballet Frankfurt was reconstituted as the Forsythe Company in 2004, William Forsythe has increasingly explored formats of installation art practice. Works such as Human Writes (in collaboration with Kendall Thomas, 2005) and You made me a monster (2005) develop within an interactive and intermedial space and experiment with new ways to experience the production and perception of movement. “Performance installation” is the new term for this intertwined process of movement production and movement perception. The choreographic composition itself grows out of procedures of performative sensing by the dancers, which spreads to onlookers. This multiplex awareness of movement for which the dancer's body is the medium constitutes what I shall call the “media-body” as an essential moment of performance installation as choreographic event. Compared to earlier Forsythe installations—which he called “choreographic objects”—like White Bouncy Castle (1997), City of Abstracts (2000), or Scattered Crowd (2002), with their accessible spaces of movement (in White Bouncy Castle the spectator was a visitor moving about freely inside a white inflatable castle, and City of Abstracts featured choreographic projections of movement on large screens in open spaces) performance installations take place squarely in the theatrical context: in theater lobbies, exhibit halls, or accessible public performance spaces where dancers and the audience come together in a mutually shared yet operationally divided space that leads them into an interactive relationship.

scholarly journals Media, Culture and Indigenous Languages in Pakistan: A Critical Review

2020 ◽  
Vol V (IV) ◽  
pp. 27-33
Author(s):  
Irem Sultana ◽  
Malik Adnan ◽  
Muhammad Imran Mehsud
Keyword(s):  
Content Analysis ◽  
Qualitative Content Analysis ◽  
Indigenous Languages ◽  
Media Culture ◽  
Native Languages ◽  
Mainstream Media ◽  
Study Results ◽  
The Media ◽  
Depth Interviews

This research paper inspected the role of Pakistani media to protect indigenous languages and culture in Pakistan. The study examined the situation; if Pakistani media outpours concern with the native languages or not. The article also checked the media landscape, its language-wise segregation and scenario of literacy in different areas of the country. The outcomes of the study showed that Pakistani media is neglecting the indigenous languages. The study results exhibited clearly that media houses’ focus on protecting native languages, is not profound. The findings also showed that foreign ownership of Media houses plays a role in neglecting indigenous language promotions. The current study presented that Pakistani mainstream media is damaging the local and native languages. The study was the outcome of qualitative content analysis and in-depth interviews of senior communication experts.

scholarly journals Planetary Cinema

2021 ◽  
Author(s):  
Tiago Luca
Keyword(s):  
Media History ◽  
Media Culture ◽  
Late Nineteenth Century ◽  
Film Culture ◽  
Combined Approach ◽  
The Earth ◽  
Photographic Evidence ◽  
The Media ◽  
The Impact ◽  
First Time

The story is now familiar. In the late 1960s humanity finally saw photographic evidence of the Earth in space for the first time. According to this narrative, the impact of such images in the consolidation of a planetary consciousness is yet to be matched. This book tells a different story. It argues that this narrative has failed to account for the vertiginous global imagination underpinning the media and film culture of the late nineteenth century and beyond. Panoramas, giant globes, world exhibitions, photography and stereography: all promoted and hinged on the idea of a world made whole and newly visible. When it emerged, cinema did not simply contribute to this effervescent globalism so much as become its most significant and enduring manifestation. Planetary Cinema proposes that an exploration of that media culture can help us understand contemporary planetary imaginaries in times of environmental collapse. Engaging with a variety of media, genres and texts, the book sits at the intersection of film/media history and theory/philosophy, and it claims that we need this combined approach and expansive textual focus in order to understand the way we see the world.

scholarly journals Response of Apple Trees (cv. Ibrahimi) to the Time of Foliar Application with Zinc and Boron

2021 ◽  
Vol 904 (1) ◽  
pp. 012048
Author(s):  
A N Hadi ◽  
S A A Saleh
Keyword(s):  
Foliar Application ◽  
Foliar Spray ◽  
Media Culture ◽  
Apple Trees ◽  
Rate Of Increase ◽  
Two Factors ◽  
Flower Traits ◽  
The Media ◽  
Beginning Of Flowering

Abstract The study was conducted in one of the private orchards in the Saqlawiya area - Fallujah during the 2020 growing season. The foliar spray was used to study the effect of the timing of foliar spraying (three sprays, the first at the beginning of flowering, second at the stage of full flowers blooming, and the third at the stage of petal fall), Presented with symbols (D1, D2 and D3), respectively. The second factor consisted of spraying with boron and zinc with the following concentrations (0,1, and 3 gm. L-1), mentioned as (S0, S1, S2, S3), respectively. these elements were used singly or in the form of a mixture with the same concentrations. This study aims to study the effect of the two factors on the growth and setting of apple trees, cv. Ibrahimi. Therefore, (36) five-year-old apple trees with homogeneous vegetative growth were selected as much as possible. The results revealed that foliar application with boron and zinc for the Ibrahimi apple trees improved the quality of the fruits and their vegetative and flowering traits. The results revealed that spraying with micronutrients at the stage of petal fall had a significant effect on flower traits and yield especially the media culture (M3) which presented the best results for the traits. The results revealed that spraying with micronutrients at the stage of petal fall had a significant effect on flower traits and yield especially the time (D3) which presented the best results for the traits (leaf area, Rate of increase in the length of the branches, Rate of increase in branch diameters, Fruits set Percentage, Percentage of fallen fruits and Percentage of remaining fruits, which reached (24.25cm2, 56.77cm, 0.42cm, 26.65%, 45.25%, 54.75%), respectively. On the other hand, spraying with micronutrients achieved significant effect, especially (S3), that gave the highest values for the traits (Rate of increase in branch diameters, Fruits set Percentage, Percentage of fallen fruits and Percentage of remaining fruits), which were (37.50 cm, 0.42%, 26.65%, and 46.71 gm L-1).

scholarly journals Image, krop og maskulinitet. Mediediskurser om skihoppere

2008 ◽  
Vol 24 (1) ◽  
Author(s):  
Gertrud Pfister ◽  
Rikke Schou Jeppesen
Keyword(s):  
Media Coverage ◽  
Qualitative Content Analysis ◽  
Teenage Girls ◽  
Ski Jumping ◽  
Fan Communities ◽  
Key Issues ◽  
The Media ◽  
Media Discourses ◽  
The 19Th Century

Artiklen beskriver og forklarer de forandringer, som sporten har gennemgået, og den indflydelse, som disse forandringer har haft på udøvere og på deres kroppe og images. Der er særlig fokus på mediernes rolle i forhandlingen om konstruktion af ambivalente maskulinitetsformer. Gertrud Pfister & Rikke Schou Jeppesen: Images, Bodies and Masculinities. Media discourses about Ski JumpersToday ski jumping can be considered a typical media sport: it has very few participants and no basis to become a »sport for all« movement. Nevertheless, the few specialists and their main events attract masses of spectators and great media attention. The high demands of skill and strength as well as the danger involved have made ski jumping a typical male sport. Since its beginnings in the 19th century a ski jumper was looked upon as the epitome of »true manhood«. Today ski jumpers are celebrities with fragile egos, skinny bodies, boyish looks, ambivalent masculinities and fan communities of teenage girls. With a constructivist theoretical approach, we will describe and explain the changes that have taken place in ski jumping and the effects of these changes on the athletes, their bodies, their images and their masculinities. The focus will be on the media representation of two German ski jumpers, Martin Schmitt and Sven Hannawald who dominated this sport between 2000 and 2003. Sources are the articles about these athletes in 6 German print media. With a qualitative content analysis, we explore the media coverage of ski jumping and the way the athletes are presented. The correlations between the images and the »doing gender« of the athletes and their presentations in the media along with the role of the media in constructing new and ambivalent masculinities will be the key issues of this article.

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