Epilogue

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.

2016 ◽  
Vol 26 (14) ◽  
pp. 2009-2023 ◽  
Author(s):  
Olivia Knapton

Obsessive-compulsive disorder (OCD) is a mental health problem characterized by persistent obsessions and compulsions. This article provides insights into experiences of OCD through a qualitative, thematic analysis performed on a set of interviews with people with OCD. Four themes were found as central in the participants’ descriptions of OCD episodes: (a) space, (b) the body, (c) objects, and (d) interactions. The findings also show that episodes of OCD can be grouped into three broad categories: (a) activity episodes, which revolve around everyday tasks; (b) state episodes, which are concerned with the self and identity; and (c) object episodes, which are concerned with the effects of objects on the self. The relationship of this three-way classification of OCD episodes to existing cognitive models of OCD is discussed. The study also demonstrates the value of categorizing episodes, rather than people, into subtypes of OCD so that intra-participant variation can be highlighted.


2017 ◽  
Vol 5 (3) ◽  
pp. 272
Author(s):  
Jordi Morell Rovira

The article explores the relationship of the person with the hole through both literal and metaphorical situations. On the one hand, it points up the body in seclusion and suspended in a time interval, as in the case of the accident at the mine in San José (Chile) or works by artists like J. Wall, G. Schneider or R. Ondák. In this way, opposed feelings evoke the experiences of waiting and/or punishment, which are explanatory of a confined body or a hole. Literature, cinema and art deal with these events from multiple aspects, which become existential allegories about the individual. On the other hand, the act of digging gains prominence as a symbol of work, but also of the absurd. Recalling the ambivalence that may suggest a person making a hole, this article carries out a drift through works by artists of different generations and contexts, such as C. Burden, M. Heizer, F. Miralles, Geliti, S. Sierra, F. Alÿs, M. Salum, X. Ristol or N. Güell. A series of clearly performative or conceptual works, where the act of digging, drilling, burying or unburying become common practices that show the diversity of meanings and intentions.


Author(s):  
Annabel S. Brett

This chapter discusses the relationship of the state to its subjects as necessarily physically embodied beings. The primary way in which the commonwealth commands its subjects is through the medium of its law. The law is for the common good and obliges the community as a whole, and thus the ontological status of the law—as distinct from any particular command of a superior to an individual—is intimately tied to that of the body politic. The question, then, concerning the relationship of the state to the natural body of the individual can be framed in terms of the extent of the obligation of the civil law.


Modern Italy ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 49-62
Author(s):  
Bertrand Marilier

This article examines the relationship of the young Giovanni Papini to the notion of imperialism. The period of Papini's intellectual formation was a time of intense debate among the Italian intelligentsia concerning imperialism and its relationship to nation and culture. He joined the conversation with a distinctive interpretation of the idea, one that could at once make him heir apparent to the tradition of Umbertian nationalism, while also rejecting the positivist slant of his forebears. William James's porous conception of the subject and Papini's sense of his own fragmented subjectivity provided the ground for a psychological understanding of imperialism: one that relied on knowledge and appreciation, which translated into literature at the individual level, and into culture at that of the nation. Ultimately, however, disappointments abroad, the demands of nationalist politics, and Papini's own avant-garde posture, led him to abandon his intellectual empire in favour of a more concrete one.


Author(s):  
П.А. Бимбереков

Моделирование пропульсивных характеристик судов с использованием малых самоходных моделей в опытовых бассейнах производится исходя из подобия чисел Фруда, при этом обеспечить подобие по числу Рейнольдса не удаётся. В связи с не полным моделированием параметров как потока обтекающего корпус модели, так и потока набегающего на её винт, возникает гидродинамическое несоответствие сил сопротивления самоходной модели и упора её движителя при масштабной скорости, обеспечиваемой буксировочной тележкой. Таким образом, моделирование сопряжено с рядом масштабных погрешностей, нейтрализация которых как в физическом исполнении, так и посредством введения расчётных поправок является важной задачей. Рассматривается возможность организации у корпуса и движителя самоходной модели потоков разной плотности для нейтрализации некоторых видов масштабных погрешностей. Для анализа выбрана зависимость пересчёта с модели на натуру, использующая поправочные коэффициенты в виде степенной функции масштаба для корпуса и движителя модели. Получены зависимости взаимосвязи плотностей обтекающего корпус и набегающего на гребной винт потоков в оговариваемых вариантах соотношения степеней пересчёта с модели на натурное судно. Намечаются подходы к практической реализации рассматриваемой задачи изменения натекающих потоков, обтекающих корпус и движитель самоходной модели, связанные с отсосом и подачей жидкости. Simulation of propulsive characteristics of vessels using small self-propelled models in the experimental pools is based on the similarity of Froude numbers, while it is not possible to provide similarity in the Reynolds number. Due to the incomplete modeling of the parameters of both the flow around the body of the model and the flow incident on its screw, there is a hydrodynamic mismatch of the resistance forces of the self-propelled model and the emphasis of its propulsion at the scale speed provided by the towing cart. Thus, the simulation involves a number of large-scale errors, the neutralization of which both in physical performance and through the introduction of computational corrections is an important task. The possibility of organization of self-propelled model of flows of different density for neutralization of some types of scale errors is considered. For the analysis, the dependence of the conversion from model to nature, using the correction factors in the form of a power function of the scale of the model for the body and the engine of the model, was chosen. The dependences of the relationship of the densities streams around the hull and the propeller streams to be specified embodiments, the ratio of the degree of recalculate dependencies of the model of the hull and propeller to full-scale vessel. Approaches to the practical implementation of the considered problem of changing the flowing flows around the hull and the self-propelled propulsion associated with the suction and supply of liquid are outlined.


2021 ◽  
pp. 1-18
Author(s):  
Jessica I. Cerezo-Román ◽  
Kenichiro Tsukamoto

Inspired by life course and osteobiography approaches, this article explores the life and death of an individual associated with the lakam title (“banner” in Colonial Yukatek Maya; thus, a “standard-bearer”), a nonroyal elite of Late Classic period Maya society (AD 600–850). Although these elites are depicted on polychrome vessels and carved monuments, little is known about their life experiences and mortuary practices. The present analysis centers on an individual found at Structure GZ1, a temple with a hieroglyphic stairway, at the Maya archaeological site of El Palmar, Mexico. Using osteological, archaeological, and epigraphic data as different lines of evidence, we examine the relationship of the individual to his affiliated group. At the time of interment, there were a wide array of social, cultural, and political events both shaping and reshaping the body and identities of the individual during a period of political turbulence.


Author(s):  
Filomena Antunes Sobral ◽  
Cláudia Figueiredo Simões

Metamorphoses is a project whose objective is to induce introspective thinking about the search for perfection through the image. It refers to the existence of metamorphic gaze when the reflection of the self reproduces itself in the mirror: there remains the manifest contemplation of the individual as a reflected element and simultaneously a second surreptitious image created by the projection of the self. It is evidenced the artistic interpretation of the relationship of the subject with his reflection conditioned by social and cultural experience.Many artists use their own bodies to convey a message through image manipulation, and this is the focus of the Metamorphoses project. Therefore, this paper intends to present the results of an artistic project that establishes a symbiotic connection between photography and video art to show a self-representation which was distorted by the mirror in order to question the ideas of identity and perfection. The conception of metaphors is emphasized by the manipulation of sound and image and the constant presence of the mirror in photographic and video art creation wants to highlight the narcissus myth as a symbolic representation of the culture of the selfies.Thus, the article wants to divulge the experience of a scientific and artistic project that manipulates photography and video to communicate distorted transformations which an altered look may originate and that resulted in an art exhibition that reflects the structure of contemporary society in which the appearance and construction of Ideal images seem to be the foundation of the postmodern.


1957 ◽  
Vol 103 (430) ◽  
pp. 240-256 ◽  
Author(s):  
J. C. Batt ◽  
W. W. Kay ◽  
M. Reiss ◽  
Dalton E. Sands

In attacking the problem of the relationship of endocrine function to the schizophrenias and other mental diseases, we have avoided the elementary conception that certain hormones are responsible for special psychological traits and have reached the following conclusions. First, the quality of the mental disturbance depends mainly on a genetically conditioned personality pattern, various individuals reacting in different ways to the precipitating causes. Second, the hormones come into the whole picture only in so far as the hormone equilibrium of the body determines how far the individual can adjust himself to the increased demands arising out of the occurrence of various precipitating causes (Reiss, 1955). It is therefore understandable that very many, or even the majority of people suffering from severe endocrine disturbance, need not necessarily show any psychopathological changes, since their personality pattern is not so conditioned and no increased demands for adjustment are made by the occurrence of precipitating causes. On the other hand, it is equally understandable that certain disturbances in hormone production and equilibrium, even when clinically obscure, can be decisive for mental breakdown in individuals with the appropriate personality pattern, at the occurrence of precipitating causes.


2009 ◽  
Vol 26 (2) ◽  
pp. 155-175 ◽  
Author(s):  
Tse-fu Kuan

Scholars have pointed out that the arguments for not-self (anatt?, or “non-self”) recurring in the Buddhist texts are meant to refute the “self” (?tman) in the Upani?ads. The Buddha’s denial of the self, however, was not only pointed at Brahmanism, but also confronted various ?rama?ic trends of thought against Brahmanism. This paper investigates the extant three versions of a Buddhist text which records a debate between the Buddha and Saccaka, an adherent of a certain ?rama?ic sect, over the relationship of the self and the five aggregates (khandha). There exist divergences among the three versions in regard to the account of this debate. The account in sutta 35 of the Majjhima Nik?ya is generally consistent with that in s?tra 110 of the Sa?yukta ?gama in Chinese translation, whereas s?tra 10 of Chapter 37 of the Ekottarika ?gama in Chinese translation tells a very different story. Judging from Saccaka’s title, Niga??haputta, and his background as given in the Pali commentary, he was an adherent of Jainism. This paper demonstrates that Saccaka’s view, which was refuted by the Buddha, as stated in the two similar versions has nothing to do with Jainism, but rather it is an “invention” created by distorting Brahmanical thought. This “invention” has led the Pali commentaries and contemporary scholars to interpret the ‘self’ denied by the Buddha as what comes under one’s mastery or control, and to understand the statement “Each of the five aggregates is not self” in the Buddhist texts as denying the idea that each of the five aggregates can be seen as what comes under control. This, however, misses the point. The mainstream thought in India at that time conceived the ‘self’ or the essence of the individual or of the universe as a ‘controller’, and it is this concept that the Buddha exerted all his energy to overturn. Therefore, the account in those two versions of the text apparently has some mistake. As to the Ekottarika ?gama version of the text, Saccaka’s view as stated therein is very different from what is found in the above two versions. An examination of this version shows that the views rebutted by the Buddha are very similar to those of the ?j?vikas. Since the Buddhist texts frequently confuse the ?j?vikas with the Jains (Niga??ha), it is very likely that Saccaka was actually an adherent of the ?j?vika faith and that this discourse is meant to criticize the ?j?vika doctrines. Since the Ekottarika ?gama version seems to make better sense, this version may be fairly close to the original account, while the other two versions have considerably deviated from the original. By comparing these three versions of the text, I also attempt to explore some important issues regarding the sectarian development of Buddhism, and to shed some light on the unique values of the Chinese Ekottarika ?gama, which is, in terms of sectarian affiliation, significantly distant from the Pali Majjhima Nik?ya and the Chinese Sa?yukta ?gama that belong to two closely related schools.


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