GRAPHIC DESIGN OF THE VISUAL COMMUNICATION OF THE EXHIBITION OF THE VILAKAS COUNTY MUSEUM

2018 ◽  
pp. 106
Author(s):  
Santa Miezite ◽  
Diāna Apele
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Cognitive Process ◽  
Visual Design ◽  
School History ◽  
History Of ◽  
Design Requirements ◽  
Design Solutions ◽  
Goals And Objectives ◽  
The Way

Communication is a conversation, communication, the way information is provided. The museum's exposure language must be aesthetic, informative, cognitive process and memory stimulation.The designer, who designs and offers museum–oriented and up–to–date design solutions, plays a major role in solving the issues. The designer, in collaboration with the museum's staff, should prepare materials and programs for the society that are in line with the museum's goals and objectives and which society would also consider worthwhile. The authors of the article have learned the wishes of the director of Vilakas County Museum and information about the graphic design requirements of ergonomic visual communication have been gathered, and the school history of the Vilakas County Museum has been developed.The purpose of the article is to study the materials necessary for the exhibition of the Vilakas Region Museum and testimonies, information on visual communication in museums, analysis of interactions between graphic design and visual communication, as well as to analyze the visual design of the graphic design for the Vilakas Museum exposition on the history of regional schools.Research methods are the study of literature and internet sources and analyzes the opinion of the director of the museum.

scholarly journals Histories of Visual Communication Design

2021 ◽  
Vol 53 (1) ◽  
Author(s):  
Dori Griffin
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Coming Of Age ◽  
Historical Context ◽  
Design History ◽  
Design Practice ◽  
Visual Communication Design ◽  
Communication Design ◽  
History Of ◽  
Shared Context

In this article, the history of visual communication design provides an area of thematic convergence. The research represented here engages typographic communication, an area of investigation familiar to the journal's readership. Yet its significance extends beyond illuminating the historical context of singular designs or designers. Collectively, the authors in this issue join a broader and sustained interdisciplinary conversation between design history and visual communication design practice. Situating their research relative to this shared context expands its relevance beyond their discrete areas of focus. At its inception, the history of visual communication design relied on the intuition of practitioners and the connoisseurship of collectors; its narrative prioritized aesthetic styles and eminent designers. The first sustained calls to move beyond such a conceptualization emerged in 1983 at Coming of Age: The First Symposium on the History of Graphic Design.

scholarly journals Perancangan Media Komunikasi Visual Pada Museum Uang Sumatera

2020 ◽  
Vol 3 (1) ◽  
pp. 356-369
Author(s):  
Arif Budiman ◽  
PG. Wisnu Wijaya
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Design Method ◽  
Corporate Identity ◽  
The Self ◽  
Brand Identity ◽  
Sign System ◽  
Graphic Information ◽  
History Of ◽  
North Sumatra

The Sumatran Money Museum (MUS) in Medan, North Sumatra is one of the self-managed museums, with a collection of thematic and distinctive artifacts, namely the Sumatran currency! The official currency that was issued after independence in 1947-1949. This is among MUS's strengths. However, the problem that arises is that MUS has not yet maximally arranged aspects of visual communication such as consistency in implementing corporate identity, stationary, and graphic signaling (sign system), including the absence of graphic information (infographic) information on the history of the Sumatran currency. This study provides solutions to problem solving through designing a visual communication media based on identity (brand identity) and prioritizing informationfriendly principles, especially for young millennials. The problem in this study was answered by using the design method by following the stages of the graphic design process from Amy E. Arntson namely Research, Thumbnails; Roughs, Comprehensives and Ready for Press. The solution obtained from this research is to design a corporate identity service. Consists of the logo, stationary, merchandise and graphic information of the museum. As a first step in building the MUS brand identity.

scholarly journals Kicks in Style: A Punk Design Aesthetic

2020 ◽  
Author(s):  
Russ Bestley
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Communication Strategies ◽  
Music Industry ◽  
Complex Relationship ◽  
Years Of Experience ◽  
History Of ◽  
Do It Yourself ◽  
Industry Professionals

In parallel to the broad diversity of musical styles that accompanied the early punk explosion, the graphic design and visual communication strategies tell a similarly wide-ranging story. This chapter explores the complex relationship between the stereotype of “authentic” do-it-yourself (DIY) punk graphics and the music industry professionals who created many of the visual conventions that came to be closely associated with the subculture. While the groundswell of amateur artists, illustrators, photographers, typographers, and other cultural producers inspired by the subculture to create a new aesthetic should not be underestimated, their story has become almost the default history of punk graphic design. The role of design professionals—often with many years of experience within the music industry—has frequently been overlooked, an embarrassing secret kept in the closet for fear of undermining notions of authenticity and punk’s revolutionary rhetoric.

Rorschach Assessment of Complex Trauma in Youth

2020 ◽  
Vol 41 (1) ◽  
pp. 19-41
Author(s):  
David Ephraim
Keyword(s):  
Psychological Assessment ◽  
Complex Trauma ◽  
Personality Development ◽  
Traumatic Events ◽  
History Of ◽  
The Way

Abstract. A history of complex trauma or exposure to multiple traumatic events of an interpersonal nature, such as abuse, neglect, and/or major attachment disruptions, is unfortunately common in youth referred for psychological assessment. The way these adolescents approach the Rorschach task and thematic contents they provide often reflect how such experiences have deeply affected their personality development. This article proposes a shift in perspective in the interpretation of protocols of adolescents who suffered complex trauma with reference to two aspects: (a) the diagnostic relevance of avoidant or emotionally constricted Rorschach protocols that may otherwise appear of little use, and (b) the importance of danger-related thematic contents reflecting the youth’s sense of threat, harm, and vulnerability. Regarding this last aspect, the article reintroduces the Preoccupation with Danger Index ( DI). Two cases are presented to illustrate the approach.

Review of A school history of the Great War.

1919 ◽  
Vol 10 (3) ◽  
pp. 176-176
Author(s):  
No authorship indicated
Keyword(s):  
Great War ◽  
School History ◽  
History Of ◽  
The Great War

Life as a Raw Material: Illusions of Control

Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 250-262 ◽  
Author(s):  
Oron Catts ◽  
Ionat Zurr
Keyword(s):  
Synthetic Biology ◽  
Cognitive Engineering ◽  
Raw Material ◽  
Future Scenarios ◽  
Short History ◽  
Know How ◽  
Political Forces ◽  
History Of ◽  
The Way

The paper discusses and critiques the concept of the single engineering paradigm. This concepts allude to a future in which the control of matter and life, and life as matter, will be achieved by applying engineering principles; through nanotechnology, synthetic biology and, as some suggest, geo-engineering, cognitive engineering and neuro-engineering. We outline some issues in the short history of the field labelled as Synthetic Biology. Furthermore; we examine the way engineers, scientists, designers and artists are positioned and articulating the use of the tools of Synthetic Biology to expose some of the philosophical, ethical and political forces and considerations of today as well as some future scenarios. We suggest that one way to enable the possibilities of alternative frames of thought is to open up the know-how and the access to these technologies to other disciplines, including artistic.

FBI and Religion

2017 ◽  
Keyword(s):  
Religious Orientation ◽  
Religious Communities ◽  
Academic Scholarship ◽  
History Of ◽  
Interdisciplinary Assessment ◽  
Civic Religion ◽  
New Research ◽  
The Relationship ◽  
The Way

This volume is an interdisciplinary assessment of the relationship between religion and the FBI. We recount the history of the FBI’s engagement with multiple religious communities and with aspects of public or “civic” religion such as morality and respectability. The book presents new research to explain roughly the history of the FBI’s interaction with religion over approximately one century, from the pre-Hoover period to the post-9/11 era. Along the way, the book explores vexed issues that go beyond the particulars of the FBI’s history—the juxtaposition of “religion” and “cult,” the ways in which race can shape the public’s perceptions of religion (and vica versa), the challenges of mediating between a religious orientation and a secular one, and the role and limits of academic scholarship as a way of addressing the differing worldviews of the FBI and some of the religious communities it encounters.

The Beginnings of Islam in Afghanistan

2017 ◽  
Author(s):  
Arezou Azad
Keyword(s):  
Paradigm Shift ◽  
Political System ◽  
Cultural Practices ◽  
Eighth Century ◽  
Religious Context ◽  
Early Islam ◽  
History Of ◽  
Initial Conversion ◽  
The Way

Covering the period from 709 to 871, this chapter traces the initial conversion of Afghanistan from Zoroastrianism and Buddhism to Islam. Highlighting the differential developments in four regions of Afghanistan, it discusses the very earliest history of Afghan Islam both as a religion and as a political system in the form of a caliphate.  The chapter draws on under-utilized sources, such as fourth to eighth century Bactrian documents from Tukharistan and medieval Arabic and Persian histories of Balkh, Herat and Sistan. In so doing, it offers a paradigm shift in the way early Islam is understood by arguing that it did not arrive in Afghanistan as a finished product, but instead grew out of Afghanistan’s multi-religious context. Through fusions with Buddhism, Zoroastrianism, early Abrahamic traditions, and local cult practices, the Islam that resulted was less an Arab Islam that was imported wholesale than a patchwork of various cultural practices.

On Purpose

2019 ◽  
Author(s):  
Michael Ruse
Keyword(s):  
Intelligent Design ◽  
Ancient Greece ◽  
Western Thought ◽  
History Of ◽  
Historical Thought ◽  
The Way

Can we live without the idea of purpose? Should we even try to? Kant thought we were stuck with it, and even Darwin, who profoundly shook the idea, was unable to kill it. Indeed, purpose seems to be making a comeback today, as both religious advocates of intelligent design and some prominent secular philosophers argue that any explanation of life without the idea of purpose is missing something essential. This book explores the history of purpose in philosophical, religious, scientific, and historical thought, from ancient Greece to the present. The book traces how Platonic, Aristotelian, and Kantian ideas of purpose continue to shape Western thought. Along the way, it also takes up tough questions about the purpose of life—and whether it's possible to have meaning without purpose.

The Art of Chinese Philosophy

2020 ◽  
Author(s):  
Paul Goldin
Keyword(s):  
Chinese Philosophy ◽  
Philosophical Tradition ◽  
Current Form ◽  
Han Feizi ◽  
Textual History ◽  
Classical Chinese ◽  
History Of ◽  
Crucial Characteristic ◽  
The Way

This book provides an unmatched introduction to eight of the most important works of classical Chinese philosophy—the Analects of Confucius, Mozi, Mencius, Laozi, Zhuangzi, Sunzi, Xunzi, and Han Feizi. The book places these works in rich context that explains the origin and meaning of their compelling ideas. Because none of these classics was written in its current form by the author to whom it is attributed, the book begins by asking, “What are we reading?” and showing that understanding the textual history of the works enriches our appreciation of them. A chapter is devoted to each of the eight works, and the chapters are organized into three sections: “Philosophy of Heaven,” which looks at how the Analects, Mozi, and Mencius discuss, often skeptically, Heaven (tian) as a source of philosophical values; “Philosophy of the Way,” which addresses how Laozi, Zhuangzi, and Sunzi introduce the new concept of the Way (dao) to transcend the older paradigms; and “Two Titans at the End of an Age,” which examines how Xunzi and Han Feizi adapt the best ideas of the earlier thinkers for a coming imperial age. In addition, the book presents explanations of the protean and frequently misunderstood concept of qi—and of a crucial characteristic of Chinese philosophy, nondeductive reasoning. The result is an invaluable account of an endlessly fascinating and influential philosophical tradition.

Sign in / Sign up

Export Citation Format

Share Document