scholarly journals Topónimos documentados en el Libro de Apeos de Mansilla Mayor (León, 1746) / Place names documented in the Libro de Apeos of Mansilla Mayor (León, 1746)

2020 ◽  
pp. 115-144
Author(s):  
Teresa Llamazares Prieto
Keyword(s):  
18Th Century ◽  
Place Names ◽  
12Th Century ◽  
Registry File ◽  
Santa Maria ◽  
The Church ◽  
Boundary Lines

El Llibru d’Apeos de Mansilla Mayor ye un documentu del sieglu XVIII, manuscritu nun tomu y curiáu na ilesia de la mesma localidá, onde se rexistren les llendes de toles posesiones de los habitantes d’aquel entós, incluyíes les de la mesma ilesia. Mansilla Mayor ye un conceyu de la provincia de Lleón, asitiáu na fastera o comarca conocida anguaño como Esla-Campos. Ente’l so patrimoniu arqueolóxico y monumental atópase l’asentamientu de la ciudá ástur y romana de Lancia y el monesteriu cisterciense de Santa María de Sandoval (sieglu XII). Llingüísticamente falando, la zona asítiase nel asturianolleonés central. Esti trabayu arrexunta tolos topónimos citaos nesi documentu y constata aquellos qu’inda güei son conocíos polos sos vecinos y que suponen un 35 o 40% de los documentados nesi manuscritu. Del analís del documentu constátase la presencia de formes toponímiques tradicionales (como Llama, Castro, prefixu so- y sobre-, abondancial en -al, caltenimientu del grupu -mb-, ente otres) lo que dexa algamar conclusiones rellacionaes con usos llingüísticos del antiguu dominiu ástur. Nesti sentíu, y en rellación al vocabulariu, ye interesante atopar documentaes voces con un usu anguaño desapaecíu dafechu o que ta en francu retrocesu, como les palabres ejido, ferreñal o ferrenal o dos abondanciales fitotoponímicos como olmar y ponjal. La concentración parcelaria de la zona y l’amenorgamientu esmolecedor de la población del conceyu faen urxente la coyida y documentación d’esi patrimoniu toponímicu en peligru de desapaición.Pallabres clave: llibros d’apeos; toponimia; sieglu XVIII, asturianolleonés central.The «Libro de Apeos» (i.e., Land Registry file) of Mansilla Mayor is an 18th century document, handwritten in one volume and kept in the town’s church, in which the boundary lines of all the land of the inhabitants of that time, including those of the church itself, are recorded. Mansilla Mayor is a town in the province of León, located in the Esla-Campos Leonese region. Among its archaeological and monumental heritage is the settlement of the Asturian and Roman city of Lancia and the Cistercian monastery of Santa María de Sandoval (12th century). Linguistically speaking, the area is located within the central Asturian-Leonese dialect. This paper compiles all the place-names cited in that document and verifies those that are still known by the town's residents, which are reduced to 35 or 40% of all the place-names documented in that manuscript. The analysis of the document demonstrates the existence of traditional toponymic forms (such as Llama, Castro, prefix so- and sobre-, abundant in -al, keeping the group -mb-, among others), which allows us to draw conclusions related to linguistic uses in the Old Leonese territory. In this sense, and in relation to vocabulary, it is interesting to find documented voices whose use has currently disappeared completely or is in frank retreat, such as the words ejido, ferreñal or ferrenal or two abundant phytoponimics such as olmar and ponjal. The combination of properties undergone in the area as well as the alarming decrease in the population of the municipality make the collection and documentation of this toponymic heritage that is in danger of disappearing urgent.Keywords: Land Registry Document; toponymy; 18th century, central Asturian-Leonese.

DATING OF REMAINS OF THE MEDIEVAL CHURCH SANTA MARIA DI CAMPOGROSSO IN SICILY IN THE LIGHT OF MULTIDISCIPLINARY STUDIES

Radiocarbon ◽  
2020 ◽  
pp. 1-12
Author(s):  
Marek Krąpiec ◽  
Sławomir Moździoch ◽  
Ewa Moździoch
Keyword(s):  
13Th Century ◽  
Scientific Cooperation ◽  
Existing Building ◽  
Medieval Church ◽  
12Th Century ◽  
Multidisciplinary Studies ◽  
Academy Of Sciences ◽  
Santa Maria ◽  
The Church ◽  
Bone Remains

ABSTRACT Excavations of the remains of the medieval church of Santa Maria di Campogrosso (Sicily) were conducted by the Institute of Archaeology and Ethnology of the Polish Academy of Sciences as part of scientific cooperation with Soprintendenza per i Beni Culturali ed Ambientali di Palermo. Based on the records of post-medieval historians, the construction of the church was placed in the second half of the 11th century, which contradicts the findings of architectural historians, who dated the building to the 13th-century and even later. As a result of archaeological excavations carried out in 2015–2018, it was possible to locate unknown fragments of the church’s structure and the remains of the cemetery adjacent to it. The 14C dating carried out for samples obtained from the walls of the existing building as well as from bone remains from the churchyard in combination with stratigraphic information from archaeological trenches and the chronology of coins indicates a high probability of the church construction in the second half of the 12th century and confirms the end of the monastery complex existence at the end of the 13th century.

scholarly journals Multianalytical Study for Establishing the Historical Contexts of the Church of the Holy Archangels from Cicau, Alba County, Romania, for its Promotion as a World Heritage Good I. Assessing the preservation-restoration works from the 18th century

2019 ◽  
Vol 70 (7) ◽  
pp. 2538-2544 ◽  
Author(s):  
Ion Sandu ◽  
Cosmin Tudor Iurcovschi ◽  
Ioan Gabriel Sandu ◽  
Viorica Vasilache ◽  
Ioan Cristinel Negru ◽  
...  
Keyword(s):  
18Th Century ◽  
Historical Context ◽  
Point Of View ◽  
X Ray ◽  
15Th Century ◽  
12Th Century ◽  
Electron Microscopes ◽  
Scanning Electron Microscopes ◽  
The Church ◽  
Made In

The present paper is the first instalment of a series focused on establishing some archaeometric characteristics of the modern finishings (mortars, fresco and layers of whitewash) of the Church of the Holy Archangels from Cic�u, Alba County, Romania, in order to assess the shape, with the structural-functional integrity and architectural and artistic aspect of the monument for the last historical context, between 1710 and 1790. This period is the most extensive and less known of the church�s stages of transformation: 11th�12th century (unknown), 15th century (known) and 18th century (partially known), which was very tumultuous from the socio-economic and political point of view. Thus, in the following pages we present the resulting archaeometric characteristics of optical microscopy (OM), scanning electron microscopes in combination with energy-dispersive X-Ray spectrometry (SEM-EDX) and thermal derivatography (TG/DTA/DTG) analyses of two pigments from the exonarthex fresco (made in 1781) and the later eight layers of whitewash applied over it, which allowed assessing the periods with marked changes in the architecture and polychrome finishings.

O Cartulário de Fiães enquanto corpus toponímico: acerca de alguns nomes de lugar na fronteira galego-portuguesa

2018 ◽  
Vol 134 (2) ◽  
pp. 487-520
Author(s):  
Paulo Martínez Lema
Keyword(s):  
Geographic Area ◽  
Research Interest ◽  
Place Names ◽  
Documentary Source ◽  
Linguistic Research ◽  
12Th Century ◽  
Semantic Evolution ◽  
Santa Maria

AbstractThe chartulary of the Monastery of Santa Maria de Fiães consists of documentation dating mostly back to the 12th century which concerns the process of constitution of the land patrimony of the Benedictine abbey located on the Galician-Portuguese border. This documentary source offers several interesting aspects for linguistic research. In particular, it is worth highlighting the fact that this source contains some of the earliest records (or even, in some cases, the only ones) available for the analysis of a significant number of place-names in the extensive geographic area (the Portuguese Minho land as well as the southern and southwestern regions of Galicia) in which the monastery had a greater number of properties. Therefore, the purpose of this paper is to explore this line of research, by collecting the records in the chartulary for a micro-corpus of four place-names (one being Portuguese and three Galician) and by using them to identify both their etymon and their formal and semantic evolution. Moreover, we will establish, when necessary, their possible relations with other toponymic items, finally analyzing certain dynamics and phenomena (essentially phonetic ones). Their research interest stems from their relatively rare nature in the context of Galician-Portuguese toponymy.

scholarly journals Obsidian and Obsidian-like Glass Tesserae: A Multidisciplinary Approach to Study the Dedication Wall Mosaic in the Church of St. Mary of the Admiral in Palermo (12th Century)

2020 ◽  
Vol 6 (1) ◽  
pp. 403-416
Author(s):  
Valentina Cantone ◽  
Rita Deiana ◽  
Alberta Silvestri ◽  
Ivana Angelini
Keyword(s):  
Multidisciplinary Approach ◽  
Multispectral Imaging ◽  
Volcanic Glass ◽  
Research Topic ◽  
Multidisciplinary Study ◽  
12Th Century ◽  
Challenging Research ◽  
Byzantine Period ◽  
Dark Glass ◽  
The Church

AbstractPliny the Elder testifies that roman workshops used volcanic glass (obsidian), but also produced and used a dark glass (obsidian-like glass) quite similar to the natural one. In the context of the study on medieval mosaics, the use of the obsidian and obsidian-like tesserae is a challenging research topic. In this paper, we present the results of a multidisciplinary study carried out on the Dedication wall mosaic, realized by a byzantine workshop in the 12th century in the Church of St. Mary of the Admiral in Palermo, and where numerous black-appearing tesserae, supposed to be composed of obsidian by naked-eyes observation, are present. Historical documents, multispectral imaging of the wall mosaic, and some analytical methods (SEM-EDS and XRPD) applied to a sample of black tesserae, concur in identifying here the presence of obsidian and different obsidian-like glass tesserae. This evidence, although related to the apparent tampering and restoration, could open a new scenario in the use of obsidian and obsidian-like glass tesserae during the Byzantine period in Sicily and in the reconstruction of multiple restoration phases carried out between 12th and 20th century AD on the mosaics of St. Mary of the Admiral.

scholarly journals Per Ravenna trecentesca: nuove proposte per l’assetto architettonico di Santa Maria in Porto Fuori

2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi
Keyword(s):  
Fourteenth Century ◽  
Second World War ◽  
World War ◽  
The Subject ◽  
First Time ◽  
Santa Maria ◽  
Second World ◽  
The Church

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.

Canons to the Left of Him: Brevard Childs, his Critics, and the Future of Old Testament Theology

1997 ◽  
Vol 50 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Iain Provan
Keyword(s):  
Old Testament ◽  
18Th Century ◽  
Biblical Theology ◽  
Point Of View ◽  
The Bible ◽  
The Difference ◽  
Probable Origin ◽  
The Individual ◽  
The Relationship ◽  
The Church

It is well known that the seeds from which the modern discipline of OT theology grew are already found in 17th and 18th century discussion of the relationship between Bible and Church, which tended to drive a wedge between the two, regarding canon in historical rather than theological terms; stressing the difference between what is transient and particular in the Bible and what is universal and of abiding significance; and placing the task of deciding which is which upon the shoulders of the individual reader rather than upon the church. Free investigation of the Bible, unfettered by church tradition and theology, was to be the way ahead. OT theology finds its roots more particularly in the 18th century discussion of the nature of and the relationship between Biblical Theology and Dogmatic Theology, and in particular in Gabler's classic theoreticalstatementof their nature and relationship. The first book which may strictly be called an OT theology appeared in 1796: an historical discussion of the ideas to be found in the OT, with an emphasis on their probable origin and the stages through which Hebrew religious thought had passed, compared and contrasted with the beliefs of other ancient peoples, and evaluated from the point of view of rationalistic religion. Here we find the unreserved acceptance of Gabler's principle that OT theology must in the first instance be a descriptive and historical discipline, freed from dogmatic constraints and resistant to the premature merging of OT and NT — a principle which in the succeeding century was accepted by writers across the whole theological spectrum, including those of orthodox and conservative inclination.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

‘Sea of Wonders Never Sounded’: The Trinitarian Spirituality of Ann Griffiths

2019 ◽  
Vol 90 (4) ◽  
pp. 357-369
Author(s):  
Caroline Smiley
Keyword(s):  
18Th Century ◽  
The Church

Ann Griffiths, an 18th-century farm wife and hymn writer, is well-known in her native Wales, though relatively unstudied in English. Even in translation her hymns and letters offer a strikingly beautiful as well as informative window into the Trinitarian spirituality of 18th-century Welsh Methodism. Historically, her Trinitarianism is notable in that it is largely assumed and primarily based in the economic Trinity, and yet, is nonetheless profound in its orthodoxy given the Trinitarian controversy of the long century prior. More than mere historical curiosity, however, Griffiths’s writing is particularly intriguing on two points that can edify the church today. First, she writes with considerable theological depth despite a lack of education, religious or otherwise, and second, her theology is both technically rich as well as profoundly devotional.

The Fresco Cycle of Saint Maria Maddalena De’ Pazzi (1566–1607)

2021 ◽  
Vol 25 (4) ◽  
pp. 421-454
Author(s):  
Michal Shalit-Kollender
Keyword(s):  
Counter Reformation ◽  
Santa Maria ◽  
The Church ◽  
Fresco Cycle

Abstract Saint Maria Maddalena de’ Pazzi, a Florentine Carmelite nun and mystic, was recognized as a saint in 1669. After her canonization, a church in Florence was renovated and renamed Santa Maria Maddalena de’ Pazzi, and new artworks were commissioned for it. This article will explore in detail a series of ten frescoes on the top section of the walls in the church, part of the renovation. Although these works are part of the saint’s public iconography and depict major narratives of her cult, they have not been studied in depth to date. Though the scenes have meaning to a general Catholic audience, they appeal to different audiences—the Carmelite nuns, the local Florentine population, and the post-Counter Reformation believer—to differing degrees, the scenes with Jesuit undertones aimed particular at the latter group.

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