scholarly journals Zalkind E. M. Dynamics of leukocytosis in some nervous diseases and suffering of the individual (from the clinic of Professor AI Yushchenko). Rostov-on-Don, 1929. Proceedings of the North Caucasian Association of Scientific Research Institutes “. No. 66. Price 3 rubles

2021 ◽  
Vol 25 (11) ◽  
pp. 1228-1228
Author(s):  
T. Yudin

As is known, up to now, when examining blood in neuro- and mentally ill patients, extremely contradictory and even diametrically opposite data have been obtained. The author explains this, on the one hand, by the fact that fluctuations in leukocytosis in "normal" people were not taken into account and the conditions of the experiment were not taken into account, and on the other hand, the technique itself was not sufficiently developed. a number of influences: the patients were always examined at the same temperature, on a sunny day, in the same room, while observing silence, with complete rest of the subject, under the same dietary conditions; he tried to avoid the appearance of types of digestive, myogenic, emotional leukocytosis.

2020 ◽  
Vol 24 (4) ◽  
pp. 694-703
Author(s):  
Maja Soboleva

The subject of the work's analysis is the phrase Time, forward!. It seems that, on the one hand, this statement can be given a sociological interpretation. In this case, its content is the idea of acceleration and purposefulness of the big, collective time, which dominates the individual and determines his life. On the other hand, referring to Hegel, one can identify the project of Enlightenment behind this phrase. It involves the movement of the spirit from a state of alienation from itself in the object's idea to itself through the achievement of autonomy in the belief of concepts tested by its reflection alone. The socially significant meaning of such a speculative thinking project is to get rid of the despotism of dominant opinions on the path of critical, dialectical, and speculative thinking.


Author(s):  
Anna Peterson

This book examines the impact that Athenian Old Comedy had on Greek writers of the Imperial era. It is generally acknowledged that Imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms, or as a genre defined by and repudiated for its aggressive humor. Worthy of further consideration, however, is how both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis, and Cratinus. Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron), to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, and provide a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g., the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genre in transition. It was, on the one hand, with the exception of Aristophanes’s extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.


1929 ◽  
Vol 19 (1) ◽  
pp. 67-87 ◽  
Author(s):  
Jocelyn Toynbee

The paintings in the triclinium of the Villa Item, a dwelling-house excavated in 1909 outside the Porta Ercolanese at Pompeii, have not only often been published and discussed by foreign scholars, but they have also formed the subject of an important paper in this Journal. The artistic qualities of the paintings have been ably set forth: it has been established beyond all doubt that the subject they depict is some form of Dionysiac initiation: and, of the detailed interpretations of the first seven of the individual scenes, those originally put forward by de Petra and accepted, modified or developed by Mrs. Tillyard appear, so far as they go, to be unquestionably on the right lines. A fresh study of the Villa Item frescoes would seem, however, to be justified by the fact that the majority of previous writers have confined their attention almost entirely to the first seven scenes—the three to the east of the entrance on the north wall (fig. 3), the three on the east wall and the one to the east of the window on the south wall, to which the last figure on the east wall, the winged figure with the whip, undoubtedly belongs.


Author(s):  
Niek Van Wettere

Abstract This paper examines the productivity of the subject complement slot in a set of French and Dutch (semi-)copular micro-constructions. The presumed counterpart of productivity, conventionalization in the form of high token frequency, will also be taken into account in the analysis of the productivity complex. On the one hand, it will be shown that prototypical copulas generally have a higher productivity than semi-copulas, although there are some semi-copulas that can rival the productivity of prototypical copulas. On the other hand, it will be demonstrated that high token frequency is in general detrimental to productivity, on the level of the entire subject complement slot and on the level of the different semantic classes. However, the shape of the frequency distribution also seems to play a role: multiple highly frequent types are in my data more detrimental to productivity than one extremely frequent type, although the semantic connectedness of the types in the distribution might also be an explanatory factor.


Traditio ◽  
1948 ◽  
Vol 6 ◽  
pp. 161-185
Author(s):  
Kurt Lewent

Cerveri was decidedly no poetical genius, and often enough he follows the trodden paths of troubadour poetry. However, there is no denying that again and again he tries to escape that poetical routine. In many cases these attempts result in odd and eccentric compositions, where the unusual is reached at the cost of good taste and poetical values. On the other hand, it must be admitted that Cerveri's efforts in this respect were not always futile. His is, e.g. an amusing satire upon bad women. One of his love songs, characteristically called libel by the MS (Sg), assumes the form of a complaint submitted to the king as the supreme earthly judge, in which the defendant is the lady whose charms torture the lover and have made him a prisoner. This poem combines the traditional praise of the beloved and a flattery addressed to the king. Its slightly humoristic tone is also found in a song entitled lo vers del vassayll leyal. Here Cerveri, basing himself on a certain legend connected with St. Mark, gives the king advice in his love affair. Again the poet kills two birds with one stone, flattering the sovereign and pointing, for obvious purposes, to his own poverty. The latter is the only topic of a remarkably personal poem in which the author complains bitterly that, while many of his playmates have become rich in later years, the only wealth he himself did amass were the chans gays and sonetz agradans which he composed for other people to enjoy. Cerveri even tries to renew the traditional genre of the chanson de la mal mariée by adding motifs of—presumably—his own invention. This tendency towards a more independent way of thinking and greater originality in its poetical presentation could not be better illustrated than by the two poems which the MS calls Lo vers de la terra de Preste Johan and Pistola The one puts the poet's moral argumentation against the background of the medieval legend of Prester John, the other, which forms the subject of the present study, sets its teachings in a still more solemn framework, the liturgy of the Mass.


1987 ◽  
Vol 16 (2) ◽  
pp. 237-257
Author(s):  
Robert Iljic

The sentences of the type above mentioned are characterized, on the one hand, by the cooccurrence of bă with an intransitive verb, on the other hand, by the classifier ge following bă and introducing a noun relative to a unique referent. This type of sentence, quoted by most major contemporary Chinese grammars, and to be traced in baihuà texts, doesn't seem, nowadays, to pertain any longer to a universally accepted standard. This paper demonstrates that in these sentences, as in all bă constructions, bă actually marks a patient (even if the latter may be the subject-of an intransitive verb); besides, given its position before bă, a certain agentivity is always conferred to a noun in topic position, even if this agentivity, taken to its far end, boils down to the only desire of having been able to do something to prevent a given event (a point in case: the death of a father); finally, the function of ge before a proper noun or a noun semantically determined as unique, which can be found in some other sentences, isn't to count, that is, to indicate a quantity. but to emphasize the qualitative value of the noun (the father insofar as he is a father), the effect being to underline the value (price) that the speaker attaches to a given person or thing, hence the modal connotation ascribed to such sentences.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Naupal Naupal

Abu Zayd believes that understanding the Qur'an is not limited to explanations or comments. It involves an interpretation process for capturing the significance (maghza) from the literal text. Interpretation also requires a presupposition that the Qur'an itself does not produce literal absolutes and certainty. The presupposition needs an interpretation that illustrates the possibility of accepting the diversity of Qur'anic interpretations in the times. By using Abu Zayd's hermeneutics, the Qur'an is an icon of Islam and at the same time a representation of Arab culture itself which is not necessarily literally absolute, but is open to interpretation. Hans Georg Gadamer's hermeneutic circle that inspired Hermeneutics of Abu Zayd emphasized that in understanding and applying the meanings of the text, the subject played a role in the text rather than the other way around. This study aims to open opportunities that the Qur'an on the one hand is an objective thing seen from the content of its truth, that is seen from its universal message, but on the other hand it is subjective, because it is bound by the interpretation of the text. This research is also intended to avoid the sacredness of the ordination of a single interpretation of the Qur'an which has resulted in the emergence of fundamentalism which has recently become so prevalent in global Islamic societies, not least in Indonesia.


Author(s):  
Lars Albinus

The purpose of the article is to show how the negative dialectics of Adorno gets involved with a concept of myth that is questionable in several respects. First of all, Adorno tries to combine, but rather conflates, two understandings of myth. On the one hand, the concept of myth is defined as the ancient Greek mythos, in which the subject of man is projected on to nature; on the other hand, myth is defined as the backfire of enlightenment, in which self-reflection becomes the blind spot of instrumental reason. Along these lines of argument, Adorno’s interpretation of Homer, which, at any rate, is highly inspiring, attempts to demonstrate that Odysseus is already enlightened in that he keeps the myth at bay in order to gain his self. The point is, as a matter of dialectic necessity, that he just ends up in myth once again, albeit in the second sense, namely by being a victim of his own self-denial. A question that seems to remain unanswered, though, is how the two kinds of myth are related. Further, Adorno draws on a problematic distinction between myth and literature in order to claim that Homer separates himself from the realm of myth. By adopting Adorno’s own game of interpretation, however, it is possible to regard myth as such, including the Homeric one, as being contingently open-ended rather than just a matter of dialectic determination.


2021 ◽  
Vol 17 (01) ◽  
pp. 41-74
Author(s):  
Ahmed Abdellah Ahmed Alhossany

This study deals with the Quranic treatment of extremism in terms of extremisms concept and semantics, types, causes, images,  and the Quranic approach in its treatment, and we try to link the Muslim to the Quran approach in the treatment of extremism as a problem which the individual and the old and new society suffer; Because extremism can be transformed from mere idea to apparent behavior while demonstrating that extremism in fact transcends the rules of law and divine orders, it is excessive in the commitment to religion on the one hand or negligence in adhering to it, on the other hand, it is not always concerned with bringing the matter but also enters into relinquishing. In addition to the need to be warned that extremism is a method of religiosity and not religion itself, and Islam with its centrist approach rejects such practices and seeks to address them through the curriculum of the Holy Quran


Author(s):  
Manuel Jiménez Sánchez ◽  
Raúl Álvarez Pérez ◽  
Gomer Betancor Nuez

El movimiento de los pensionistas en 2018 supuso la primera movilización multitudinaria basada en una identidad colectiva de personas mayores en España, y mostró una capacidad de contestación popular sin precedentes en el tema de las pensiones. Este trabajo indaga en el proceso de configuración de la identidad colectiva como estrategia analítica que permite entender la aparición y la naturaleza (exitosa) de la movilización. Siguiendo la conceptualización de Melucci, este proceso se analiza desde una doble perspectiva. Por un lado, como estrategia de actores colectivos que persiguen articular la contestación popular a la política de pensiones puestas en marcha durante la Gran Recesión. Aquí, el análisis se centra en identificar el proceso organizativo en el que se sientan las bases identitarias del movimiento, y que se extenderían con éxito en la fase posterior de contestación masiva. Por otro lado, se presta atención a la naturaleza de la identificación entre los propios pensionistas como resultado de procesos de aprendizaje durante sus experiencias de movilización. Para la primera perspectiva, el trabajo se basa en informaciones obtenidas en noticias de prensa sobre las actividades de protesta y en documentos producidos por las organizaciones del movimiento. La perspectiva individual de los participantes se fundamenta en el análisis de los discursos obtenidos en entrevistas personales focalizadas a participantes. Este doble enfoque, como estrategia organizativa intencionada y como proceso de aprendizaje durante la experiencia de la movilización, ofrece informaciones clave para comprender no solo el proceso, inédito en España, de construcción de una voz propia de los pensionistas sino también para indagar en los procesos de aprendizaje y cambio actitudinal que implican para los participantes corrientes. En un sentido más amplio, esta estrategia de análisis permite igualmente, por un lado, ubicar el proceso de movilización de los pensionistas en una trayectoria temporal más amplia de contestación popular y, en particular, vincularlo a los legados del ciclo de movilización que protagonizó el 15-M. Por otro lado, también permite destacar esos procesos de contestación como espacios de aprendizaje en los que se modelan actitudes, valores y demás elementos de la cultura de protesta. The pensioners' movement in 2018 was the first mass mobilization based on a collective identity of older people in Spain, and showed an unprecedented capacity for popular contestation on the issue of pensions. This paper inquires into the process of collective identity configuration as an analytical strategy that allows us to understand the emergence and (successful) nature of the mobilisation. Following Melucci's conceptualization, this process is analysed from a double perspective. On the one hand, as a strategy of collective actors seeking to articulate popular contestation to the pension policies implemented during the Great Recession. Here, the analysis focuses on identifying the organizational process in which the identity bases of the movement are established and, which were successfully extended in the subsequent phase of mass protest. On the other hand, attention is paid to the nature of the collective identification among pensioners themselves as result of learning processes during their protest experiences. The analysis of the organizational configuration of the movement is based on information obtained from press reports on the protest activities and documents produced by the movement's organizations. The individual perspective of the participants relies on the analysis of the discourses obtained in focused interviews with participants. This dual approach, as an intentional organizational strategy and as a learning process during the mobilization experience, provides key information to understand not only the process, unprecedented in Spain, of building a voice for pensioners, but also to investigate the learning processes and attitudinal change involved for ordinary participants. More broadly, it also allows, on the one hand, to place the process of mobilization of pensioners in a broader temporal trajectory of popular contestation and, in particular, to link it to the legacies of the cycle of mobilization in the wake of the 15-M movement. On the other hand, it also allows us to observe protest as learning spaces in which attitudes, values, and other elements of the culture of protest are modelled.


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