scholarly journals «The White Guard» on TV: fascinated by masscult mythology

2014 ◽  
Vol 6 (1) ◽  
pp. 60-67
Author(s):  
Sergey Nikolayevich Ilchenko
Keyword(s):  
Civil War ◽  
Mass Culture ◽  
The Novel ◽  
Soviet Film ◽  
Literary Source ◽  
Mikhail Bulgakov ◽  
Semantic Difference ◽  
History Of ◽  
The Way

The article analyzes the television adaptation of the famous novel by Mikhail Bulgakov, shown on Russian television in 2012. The author juxtaposes the TV-series with the renowned Soviet film Days of the Turbins, premiered in 1976. The analysis is carried out in the context of the history of a theatre version of the novel The White guard, staged in the Moscow Academic Art Theatre in the 1920s, that is Days of the Turbins, highly appreciated by Stalin. Traditionally, both theatre and cinema directors were drawn to the play adapted by Mikhail Bulgakov after his novel. Anyhow, there is a certain subject and semantic difference between these two works. The author analyzes the structure of the TV version, its style, elaboration of on-screen characters, based on the literary source and previous interpretation of the play Days of the Turbins. However, the author argues, that ideological and figurative interference into the original, adaptation to the stereotypes of mass culture significantly distort the perception of Bulgakovs works, largely obliged to the writerss mood and emotions experienced in the years of Revolution and Civil war. Concluding, the author pinpoints both - complexity unit of Bulgakovs text adaptation towards contemporary TV, and misjudgements of the TV-series makers in the way of conception and realization.

The Antonov rebel detachments in the territory of the Balashov uyezd of the Saratov gubernia (1920–1921)

2020 ◽  
pp. 45-51
Author(s):  
Sergei V. Lyovin
Keyword(s):  
Civil War ◽  
Local Population ◽  
Local History ◽  
Local Authorities ◽  
Archival Material ◽  
History Of ◽  
The Way

The Civil War is one of the largest tragedies in the history of our country. One of its dramatic episodes is the rebel movement led by A.S. Antonov which took place in the Tambov gubenia in 1920–1921 and was brutally suppressed by the Bolsheviks. Its scope is evidenced by the fact that it went beyond the borders of the Tambov gubernia. Separate detachments of Antonovites from the autumn of 1920 to the summer of 1921 raided the territory of the Balashov uyezd of the neighboring Saratov gubernia. The paper attempts to consider the way the uyezd authorities fought the rebels and the way civilians treated them. On the basis of an analysis of the local archival material most of which has not yet been put into scientific circulation, periodicals and the local history literature the author comes to the following conclusion: every time the invasions of Antonov’s detachments into the territory of the Balashov uyezd were so rapid that the local authorities did not manage to organize a proper rebuff, and the peasants, for the most part, supported the rebels since they saw spokesmen and defenders of their interests in them. Only frequent requisitions of peasants’ property by Antonovites as well as the replacement of the surplus appropriation system (Prodrazvyorstka) by the tax in kind (Prodnalog) led to the fact that since the spring of 1921 the support of the rebels by the local population ceased.

scholarly journals Предательство человечности. Красный террор большевиков в Крыму во время гражданской войны 1918–1920 гг. в повести Ивана Шмелева „Солнце мертвых”

2021 ◽  
Vol 12 (1) ◽  
pp. 383-396
Author(s):  
Svetlana Kravchenko
Keyword(s):  
Civil War ◽  
The Sun ◽  
The Novel ◽  
Historical Events ◽  
Extreme Situation ◽  
Human Survival ◽  
History Of ◽  
The Dead ◽  
The Rich

[Betrayal of humanity. The red terror of the Bolsheviks in Crimea during the civil war in 1918–1920 in the light of Ivan Szmielev’s novel “The Sun of the Dead”] The article analyzes the novel by the Russian writer Ivan Szmielev “The Sun of the Dead” (1923). It was written on the basis of historical events. I analyze the composition of the work, which is based on two symbols – the sun and death. The sun symbolizes the rich and beautiful Crimea, and deathis a symbol of the new power – the power of the Bolsheviks who destroyed this wonderful land of Crimea. The author of the article emphasizes the autobiographical nature of the story “The Sun of the Dead”. Its narration is based on a firstperson story by Ivan Szmielev. This is a feature of lyrical prose. Describing the tragic events of total red terror, hunger and the struggle for survival, Ivan Szmielevs howsthat death affects everyone – people, animals, birds, trees, plants. The author of the article also emphasizes the philosophical and humanistic aspect of the work, which shows the history of humanity and human survival in an extreme situation, when very few are lucky enough to resist and not become victims of brutal murders of the Bolsheviks or starvation. In the process of the story, the image of the desert appears – a metaphor with which the writer emphasizes the scale of the destructive activity of the Bolsheviks.

The Composition of Thomas Habington’s ‘Survey of Worcestershire’

2003 ◽  
Vol 26 (3) ◽  
pp. 415-425 ◽  
Author(s):  
C. Don Gilbert
Keyword(s):  
Civil War ◽  
English Civil War ◽  
History Of ◽  
Unpublished Manuscripts ◽  
Work Up ◽  
The Way

Thomas Habington of Hindlip (1560–1647), a Catholic gentleman, was the first historian of Worcestershire. Had it not been for the English Civil War, his Survey of Worcestershire would probably have been published in the 1640s. In fact it was not published until the 1890s, and then in a form and order which was very different from what he had intended. Others who worked on the history of the county (William Thomas, Bishop Charles Lyttelton, Peter Prattinton and, most importantly, T. R. Nash, whose ‘Collections’ for a history of the county appeared in 1781–2) did so on the basis of Habington’s unpublished manuscripts. In this article the genesis of the ‘Survey’ will be examined, the way in which his conception of its scope altered, his method of gathering materials, the additions he made to the work up to the time of his death in October 1647, and the relevance of his Catholicism to the Survey.

scholarly journals Desventuras do Pós-independência em Moçambique: nacionalismo, guerra civil e memória coletiva

2021 ◽  
Vol 5 (9) ◽  
pp. 55
Author(s):  
Andressa Da Silva Machado
Keyword(s):  
Civil War ◽  
Collective Memory ◽  
War Literature ◽  
National Consciousness ◽  
The Novel ◽  
Historical Source ◽  
Civil War Literature ◽  
History Of ◽  
Literature History ◽  
Literary Narrative

O presente artigo apresenta as principais contradições do projeto político nacional da Frelimo, em sua tentativa de construção de uma consciência nacional no pós-independência em Moçambique. É possível  identificar alguns aspectos que interagiam e moldaram a memória coletiva do povo moçambicano com relação à guerra civil, como no romance Ventos do Apocalipse de Paulina Chiziane, onde a autora enuncia, de forma crítica ao governo socialista e unipartidarista em Moçambique, uma narrativa literária que pode ser analisada como fonte histórica.Palavras-chaves: Moçambique. Nacionalismo. Guerra civil. Literatura.Abstract This paper presents the main contradictions of Frelimo's national political project, in its attempt to build a national consciousness post-independence in Mozambique. It is possible to identify some aspects that interacted and shaped the collective memory of the Mozambican people in relation to the civil war, as in the novel Ventos do Apocalipse by Paulina Chiziane, where the author critically enunciates the socialist and unipartisan government in Mozambique, a literary narrative that can be analyzed as a historical source. Keywords: Mozambique; Nationalism; Civil war; Literature; History of Africa

scholarly journals READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER

2021 ◽  
Author(s):  
Swagata Sinha Roy ◽  
◽  
Kavitha Subaramaniam ◽  
Keyword(s):  
Cultural History ◽  
Small Towns ◽  
The Novel ◽  
Written Narratives ◽  
Cameron Highlands ◽  
History Of ◽  
Research Questions ◽  
Japanese Gardens ◽  
To Come ◽  
The Way

If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local people in Chinese folklore and myth in war torn Malaysia in the 1930s and after. Many of the places mentioned in these two novels should be considered places to visit by tourists local and international. Although these Malaysian novelists live away from Malaysia, they are clearly ambassadors of the Malaysian cultural and regional heritage. In this paper, a few of the places in the novel will be looked at as potential spots for the coming decade. The research questions considered here are i) what can be done to make written narratives the new trend to pave the way for Visit Malaysia destinations? ii) how could these narratives be promoted as guides to the history and culture of Malaysia? The significant destinations and the relevant cultural history of the regions will be discussed in-depth to come to a relevant conclusion.

Radical Parliamentarians and the English Civil War

2018 ◽  
Author(s):  
David R. Como
Keyword(s):  
Civil War ◽  
English Civil War ◽  
Charles I ◽  
Wide Range ◽  
The Press ◽  
King Charles I ◽  
History Of ◽  
The Relationship ◽  
The Way

This book charts the way the English Civil War of the 1640s mutated into a revolution (paving the way for the later execution of King Charles I and the abolition of the monarchy). Focusing on parliament’s most militant supporters, the book reconstructs the origins and nature of the most radical forms of political and religious agitation that erupted during the war, tracing the process by which these forms gradually spread and gained broader acceptance. Drawing on a wide range of manuscript and print sources, the study situates these developments within a revised narrative of the period, revealing the emergence of new practices and structures for the conduct of politics. In the process, the book illuminates the appearance of many of the period’s strikingly novel intellectual currents, including ideas and practices we today associate with western representative democracy—notions of retained natural rights, religious toleration, freedom of the press, and freedom from arbitrary imprisonment. The book also chronicles the way the civil war shattered English Protestantism—leaving behind myriad competing groupings, including congregationalists, baptists, antinomians, and others—while examining the relationship between this religious fragmentation and political change. Finally, the book traces the gradual appearance of openly anti-monarchical, republican sentiment among parliament’s supporters. Radical Parliamentarians provides a new history of the English Civil War, enhancing our understanding of the dramatic events of the 1640s, and shedding light on the long-term political and religious consequences of the conflict.

Zufall, Erlösung und Politik

2020 ◽  
Vol 30 (1) ◽  
pp. 53-81
Author(s):  
Helmut König
Keyword(s):  
The Novel ◽  
Human Beings ◽  
Political Thinking ◽  
Mikhail Bulgakov ◽  
Life Threatening ◽  
History Of ◽  
Enduring Power ◽  
Master And Margarita

Master and Margarita is a masterpiece of literary modernity. Mikhail Bulgakov wrote the novel in the 1930s in Moscow under the life-threatening conditions of personal persecution. The novel shows how all rationalist claims to power fail because of the invincible power of chance. The utopian state of peace and freedom that the novel creates lies in a sphere beyond all real conflicts and tensions. The present Corona crisis puts the planning reason, which characterizes the history of Western rationality, in many ways questioned. It testifies to the enduring power of chance and thus to the principal limits of human domination of nature. This experience should sensitize our political thinking for the fundamental vulnerability of human beings and the existence of the unpredictable in a new way.

A Shabby Meanness

2018 ◽  
Author(s):  
Camille Walsh
Keyword(s):  
Twentieth Century ◽  
Civil War ◽  
Civil Rights ◽  
Early History ◽  
Right To Education ◽  
Legal Identity ◽  
History Of ◽  
Civil War Era ◽  
The Way

Chapter One introduces the early history of taxpayer civil rights litigation against segregated and unequal education from the post-Civil War era until the turn of the twentieth century. In these 19th century cases and opinions, there was a continual assertion of a legal identity as taxpayers by families of color, and this chapter traces the way taxpayer citizenship became linked to the idea of a right to education in these families' arguments and claims, and even occasionally in the judges' opinions. Nonetheless, even the victories in many of these segregation cases were in name only, as plaintiffs of color continued to struggle without adequate remedy after courts granted a superficial nod to their taxpayer claims.

Response

2016 ◽  
Vol 10 (3) ◽  
pp. 457-467 ◽  
Author(s):  
Richard J. Evans
Keyword(s):  
Civil War ◽  
The Real ◽  
Initial Deviation ◽  
History Of ◽  
Counterfactual History ◽  
The Many ◽  
The Way

This reply to the critiques by Daniel Woolf, Cass R. Sunstein and Daniel Nolan of my book Altered Pasts: Counterfactuals in History (Brandeis University Press, 2013), takes each of their contributions in turn, and reasserts the centrality to counterfactual history of positing definite, long term alternative timelines rather than a vague claim that things might have turned out differently to the way they actually did (for example, if the Confederacy had won the Civil War, slavery might still exist in the usa). Such alternate timelines have no claim to either truth or utility since they ignore the many possible contingencies that would most likely have taken place following the initial deviation from the real timeline of history.

The Stage Career of Eliza Haywood

1964 ◽  
Vol 5 (2) ◽  
pp. 107-116 ◽  
Author(s):  
John R. Elwood
Keyword(s):  
Eighteenth Century ◽  
Jonathan Swift ◽  
Henry Fielding ◽  
Woman Writer ◽  
Eliza Haywood ◽  
The Novel ◽  
Domestic Novel ◽  
History Of ◽  
Early Eighteenth Century ◽  
The Way

Female playwrights of varying degrees of quality were reasonably plentiful in late seventeenth and early eighteenth century England; but, except for Eliza Haywood, few of these playwrights doubled as actresses, at least with sufficient success for us to be aware of their talents. Even the stage career of Mrs. Haywood, one extending at least from 1715 to 1737, has not been documented in its entirety before now. It deserves attention because it adds some details to the scanty biography of this woman who is best known as a novelist, a novelist who turned out scandal chronicles long before Richardson made the novel morally acceptable, and who in 1751 produced what may be the first domestic novel in English,The History of Miss Betsy Thoughtless. Along the way she had some success as a publisher, as the first woman writer of a periodical for women, as a poet, and as a playwright and actress. It was her efforts in the theater that drew the attention of such men as Jonathan Swift and Richard Savage and brought her into a rather lengthy association with Henry Fielding. And it was her theatrical experience that contributed much to her eventual skill as a novelist. She liked the stage, and much of what we like in her later work she owed to the stage.

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