scholarly journals A Feminist Film Analysis of the Representation of Woman in Chinese Film Noir: Based on the Bold, the Corrupt, and the Beautiful

Author(s):  
Zixiang Xi ◽  
◽  

The cinema industry has always presented female figures from a patriarchal perspective, propagandizing the men’s authority over women. The typical character “female fatale” with fatal sexual attraction in the genre film noir has already been the focus of many feminist scholars. The essay focuses on the issue of the representation of women in Chinese film noir through examining the female figures in The Bold, the Corrupt, and the Beautiful (2017) by close textual analysis. Three heroines, the mom Madame Tang, the daughters Tang Ning and Tang Zhen, as the embodiment of “female fatale” drive the film’s plot and articulate their agency of resisting the masculine power. However, the study will prove that the Chinese female fatale conventionally cannot escape from the fatal tragedy and pessimism in their unsolvable dilemma.

Apeiron ◽  
2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Adam Woodcox

AbstractThis paper offers a novel interpretation of the nature and role of logical (logikôs) argumentation in Aristotle’s natural philosophy. In contrast to the standard domain interpretation, which makes logikôs argumentation the contrary of phusikôs, relying on principles drawn from outside the domain of natural science, I propose that the essential or defining feature of logikôs argumentation is the use of principles that are general relative to the question under investigation. My interpretation is developed and illustrated with a close textual analysis of Aristotle’s explanation of mule sterility in Generation of Animals II 8.


2017 ◽  
Vol 7 (1) ◽  
pp. 113
Author(s):  
Samina Akhtar ◽  
Muhammad Rauf ◽  
Saima Ikram ◽  
Gulrukh Raees

This paper is an attempt to portray the plight of Mariam that she undergoes due to her illegitimate social status. The study focuses on the critical societal attitude towards the illegitimate unfortunate women. Mariam begins her life with a “harami” status; continues her struggle for personal identity, suffer and endures as a battered woman and leave this world as a woman of consequences by digging herself out of the lower social status that society attached to her. The study analyzes Mariam’s endurance, struggles and resistance in her strenuous journey to attain legitimate ending. The researcher used feminist literary criticism to interpret the text as a research methodology and adopted close textual analysis of the text by Khaled Hosseini, A Thousand Splendid Suns.


2020 ◽  
Vol 1 (2) ◽  
pp. 17-30
Author(s):  
Poonam Singh

The paper attempts to project Bhim Rao Ambedkar as one of the foremost liberal feminists who advocated for Hindu women’s legal rights through the constitutional provisions listed in the Hindu Code Bill. He proposed four major stipulations, “one change is that, the widow, the daughter, the widow of predeceased-son. All are given the same rank as the son in the matter of inheritance. In addition to that, the daughter is also given a share in her father’s property: her share is prescribed as half of that of the son.”[1] To contemplate the predicament and marginalized position of Indian women, Ambedkar posited that caste and gender are intertwined. The imposition of endogamy was made compulsory by Brahaminical hierarchy which eulogized by Hindu religious scriptures to ensure sustained subjectivity of women, which eventually depreciated the egalitarian position of women. The focal point of the research paper remains a close textual analysis of Ambedkarite canon with archival study and genealogical examination contouring the discourse. The paper also encompasses potent reasons to establish the differences between the marginalization of upper-caste women and Dalit women. Difference between them is maintained by the ‘graded inequality.’ After having observed such differences, the paper intends to extend the idea that Ambedkar worked as a socio-political champion for Dalit women and Indian women concomitantly. To guarantee the freedom, equality, and individuality of Indian women, Ambedkar resorted to legalized mechanism and constitutional provisions. Key Words: Ambedkar, Hindu Code Bill, Manusmriti, Indian Women, Dalit Women, Indian Feminism, Caste, Patriarchy


Author(s):  
Karen Lury

This chapter illustrates how the BBC’s Children in Need telethon is informed and legitimated by different currency models as part of its aesthetic strategy. It demonstrates how these televisual currencies may be directly aligned with other kinds of medical currency models emerging within the economy of the UK’s National Health Service. Through close textual analysis of the programme and a related analysis of medical currency models proposed and piloted in relation to the NHS, it is argued that the ‘aestheticization’ of currency models provided by the programme reflects an ideological shift in the representation of medical care on public service television, in line with the ideology of neoliberalism and the incremental colonization of ‘financialization’ into all aspects of contemporary society.


Author(s):  
Bernard Boxill

Appalled by Kant’s views on race, some Kantians suggest that these views are unrelated to his central moral teaching that every human being “exists as an end in itself and not merely as a means to be arbitrarily used by this or that will.” But Kant developed his racial views because of his teleological view that we regard the history of the human species as the completion of a hidden plan of nature to establish an externally perfect state constitution as the necessary means to the end of developing all human predispositions. To evade the difficulty, Kantians may claim that Kant’s teleology and moral theory are not essentially related, but Kant thought that they were and close textual analysis supports their connection.


Author(s):  
D. Travers Scott ◽  
Meagan Bates

D. Travers Scott and Meagan Bates analyze television advertisements for anti-anxiety medications in order to explore the status of anxiety as a disability. Through close textual analysis, informed by Foucauldian theory and political economy, they demonstrate the intricate ways that femininity, disability, and normalization inflect and reinforce each other in contemporary discourses around mental health. These ads do not merely target women, they argue, but in fact construct femininity itself as inherently pathological and in need of medical intervention. At the same time, however, parodies of these ads reveal resistance to their pathologizing tropes and point the way toward greater appreciation for neurodiversity.


2020 ◽  
Vol 18 (1) ◽  
pp. 19-41
Author(s):  
Zachary Vickers

Typical discourses around the puzzle film ‐ a genre that typically eschews classic storytelling for more complex narrative techniques, such as entangled secondary/tertiary plotlines, and characters with mental or psychological instability ‐ often privilege the manipulation of the film’s temporality and narratology. However, in this article, I perform a close textual analysis of the mise en scène of Inception by Christopher Nolan (2010) and Eternal Sunshine of the Spotless Mind (2004) by Michel Gondry to demonstrate how these puzzle films privilege spatiality over time and plot to depict cognitive processes associated with mental and psychological instability, thereby bringing attention to an underrepresented attribute of the genre. I focus on the influence of surrealism on mise en scène, as surrealist art and cinema manipulate space to explore the psyche. I also draw on these films’ production history to show how the filmmakers, production crew and actors understood approaches to space as a cognitive process.


Author(s):  
Celene Ibrahim

This chapter provides a female-centric lens on kinship relations in the Qur’an. It considers Qur’anic depictions of mothers, grandmothers, daughters, and sisters. In addition to many general descriptions of childbearing, childrearing, and parent–child relationships, the Qur’an includes figures that epitomize nearly all of the different constellations of parent–child relationships, including foster mother figures and their sons (Joseph and Moses) and a father figure with his foster daughter (Mary). The Qur’an consistently depicts daughters and sisters as morally upright, while by contrast, it contains multiple narratives of sons and boys who are morally corrupt. Qur’anic narratives depict several female figures leveraging their kinship networks to the benefit of vulnerable male figures in distress. The chapter provides detailed intra-textual analysis of concepts related to female reproduction, including the womb and motherhood.


Author(s):  
Celene Ibrahim

This chapter explores the female voice in the Qur’an by examining dialogic exchanges involving divine or angelic speech directed toward women and girls. It discusses patterns of female speech throughout the Qur’an. For instance, several female figures articulate their thoughts clearly and effectively in difficult situations; Moses’s sister, Moses’s foster mother, and the Queen of Sheba all speak effectively in trying circumstances. Other women are expressive and then also contemplative. Mary, who is otherwise depicted as conversing with angels and crying out with birth pangs, is silent in relation to defending her honor against charges of licentiousness; her vow of silence is a thematic echo of the silence of her guardian Zachariah. With detailed intra-textual analysis, the speech of pious women is compared to that of pious men. Attention is also given to how affective dimensions of heightened female emotion may impact the experience of a Qur’anic listener, reader, or reciter.


2015 ◽  
Vol 1 (2) ◽  
pp. 4-36 ◽  
Author(s):  
Michele White

Women use the #ManicureMonday Twitter hashtag to educate people about hand and nail care, share their nail art and expertise, and look at various hands. Beginning in 2013, the scientist Hope Jahren organized a hashtag hijacking in which scientists who were not in control of or associated with #ManicureMonday disrupted individuals' collaborative conversations about manicures, tried to educate participants, and expressed the scientists' values and interests. The scientists argued that what women's hands do is more important than how they look and that women and their manicured hands are constructed as passive objects on the Twitter feed. Jahren and these other scientists have identified Twitter as useful for their conversations about science and extended their own social capital by microblogging. They also use Twitter as a way to instruct women about objectification and other feminist issues and to intervene in women's interest in their nails, which these scientists believe is frivolous and disempowering. In this article, I address the diverse ways in which these ideas of usefulness, useful media, instruction, and social capital are articulated through #ManicureMonday by performing a close textual analysis of the manicure tweets and the hashtag hijacking. My reading is based on the relationship among feminist inquiries about viewing positions and objectification, the literature on useful media, and conceptions of social capital. I argue that we need to attend to the ways the #ManicureMonday hijacking and other instances of media education may not be useful for all participants.


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