scholarly journals Saberes ocultos no Brasil Império: a arte da cura pelo magnetismo animal e a busca pela legitimidade * Hidden knowledge in Brazil Empire: the art of cure for animal magnetism and the search for legitimacy

2018 ◽  
Vol 7 (2) ◽  
pp. 91
Author(s):  
Danielle Christine Othon Lacerda
Keyword(s):  
Nineteenth Century ◽  
Public Opinion ◽  
French Revolution ◽  
Social Relations ◽  
Scientific Journals ◽  
Scientific Institutions ◽  
Imperial Court ◽  
Hidden Knowledge ◽  
Animal Magnetism ◽  
Do So

Os princípios e a prática do magnetismo animal consolidaram-se na França poucos anos antes da Revolução Francesa acontecer. Em meio a polêmicas e um crescente número de adeptos, o magnetismo animal ultrapassa as barreiras do tempo e as fronteiras espaciais, chegando ao Brasil nas primeiras décadas do século XIX por meio do imigrante francês Leopold Gamard. O objetivo deste trabalho foi compreender as tentativas de Gamard de legitimar o magnetismo animal como prática curativa, perante as instituições científicas médicas e a opinião pública na Corte imperial. Para tanto, examinamos periódicos científicos e jornais populares na tentativa de juntar fragmentos para recompor a intrigante trajetória de Leopold Gamard e que ajudaram a tecer a trama das relações sociais na construção de representações e apropriações da prática do magnetismo animal, como uma alternativa para cura de moléstias.*The principles and practice of animal magnetism were consolidated in France a few years before the French Revolution took place. Amid controversy and a growing number of adepts, animal magnetism surpasses the barriers of time and space frontiers, arriving in Brazil in the first decades of the nineteenth century through the French immigrant Leopold Gamard. The purpose of this work was to understand Gamard's attempts to legitimize animal magnetism as a curative practice before medical scientific institutions and public opinion in the imperial court. In order to do so, we examined popular scientific journals and newspapers in an attempt to combine fragments to reconstruct Leopold Gamard's intriguing trajectory and helped to weave the fabric of social relations in the construction of representations and appropriations of the practice of animal magnetism as an alternative for healing diseases

CONFESSIONAL MODERNITY: NICOLA SPEDALIERI, THE CATHOLIC CHURCH AND THE FRENCH REVOLUTION, C.1775–1800

2019 ◽  
Vol 17 (3) ◽  
pp. 677-705
Author(s):  
GLAUCO SCHETTINI
Keyword(s):  
Nineteenth Century ◽  
Public Opinion ◽  
Political Culture ◽  
French Revolution ◽  
Catholic Church ◽  
Decisive Role ◽  
The State ◽  
Modern Culture ◽  
Revolutionary Politics ◽  
The French Revolution

This article reconsiders the Catholic reaction to the French Revolution, focusing on Nicola Spedalieri's On the Rights of Man (1791) and on the debate that its publication sparked in Italy and beyond. The outbreak of the Revolution and the polarization of public opinion between the supporters of the new regime and its relentless opponents convinced Spedalieri, a well-reputed Catholic theologian, of the need to find a via media between these two extremes. Assuming the re-Christianization of the postrevolutionary world as his goal, Spedalieri argued that some aspects of revolutionary political culture were acceptable from a Catholic standpoint as long as the revolutionaries, in turn, agreed to abandon secularization and to uphold the traditional confessional organization of the state. It was not modernity itself, he claimed, that should be rejected, but secularization, for a different modernity from that conceived by the revolutionaries—a confessional modernity, combining revolutionary politics and confessional states—was possible. Far from gaining immediate acceptance, Spedalieri's ideas were harshly criticized during the 1790s and then set aside by the triumph of reactionary Catholicism during the Restoration. However, they resurfaced later in the nineteenth century and ultimately played a decisive role in the development of the church's attitudes toward modern culture, for they carved a path for Catholics to fight secularization from within and to reshape modernity accordingly.

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

Literary Experimentation in Rowland Hill's Village Dialogues: Transcending "Critical Attitudes" in the Face of Societal Ruination

2011 ◽  
Vol 66 (1) ◽  
pp. 1-36
Author(s):  
Adrian J. Wallbank
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
French Revolution ◽  
British Society ◽  
The Novel ◽  
Concerted Effort ◽  
Early Nineteenth Century ◽  
Class Culture ◽  
The Face ◽  
Literary Techniques

Adrian J. Wallbank, "Literary Experimentation in Rowland Hill's Village Dialogues: Transcending 'Critical Attitudes' in the Face of Societal Ruination" (pp. 1–36) In the aftermath of the French "Revolution Controversy," middle-class evangelical writers made a concerted effort to rehabilitate the moral fabric of British society. Hannah More's Cheap Repository Tracts (1795–98) are recognized as pivotal within this program, but in this essay I question whether they were really as influential as has been supposed. I argue that autobiographical evidence from the period demonstrates an increasing skepticism toward overt didacticism, and that despite their significant and undeniable penetration within working-class culture, the Cheap Repository Tracts, if not all "received ideologies," were increasingly being rejected by their readers. This essay examines the important contribution that Rowland Hill's Village Dialogues (1801) made to this arena. Hill, like many of his contemporaries, felt that British society was facing ruination, but he also recognized that overt moralizing and didacticism was no longer palatable or effective. I argue that Hill thus experimented with an array of literary techniques—many of which closely intersect with developments occurring within the novel and sometimes appear to contradict or undermine the avowed seriousness of evangelicalism—that not only attempt to circumvent what Jonathan Rose has described as the "critical attitudes" of early-nineteenth-century readers, but also effectively map the "transitional" nature of the shifting literary and social terrains of the period. In so doing, Hill contributed signally to the evolution of the dialogue form (which is often synonymous with mentoring and didacticism), since his use of conversational mimesis and satire predated the colloquialism of John Wilson's Noctes Ambrosianae (1822–35) and Walter Savage Landor's Imaginary Conversations (1824–29).

scholarly journals In the Theater of Counterrevolution: Loyalist Association and Conservative Opinion in the 1790s

2002 ◽  
Vol 41 (3) ◽  
pp. 291-328 ◽  
Author(s):  
Kevin Gilmartin
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Free Expression ◽  
Political Repression ◽  
Early Nineteenth Century ◽  
Political Expression ◽  
Civic Activism ◽  
Late Eighteenth ◽  
History Of ◽  
Negative Role

Conservative movements have generally played a negative role in accounts of the history of political expression in Britain during the period of the French Revolution. Where E. P. Thompson and others on the Left tended to identify radicalism with the disenfranchised and with a struggle for the rights of free expression and public assembly, conservative activists have been associated with state campaigns of political repression and legal interference. Indeed, conservatism in this period is typically conceived in negative terms, as antiradicalism or counterrevolution. If this has been the view of hostile commentators, it is consistent with a more sympathetic mythology that sees nothing novel about the conservative principles that emerged in late eighteenth- and early nineteenth-century Britain. They represent an establishment response to alien challenges. Even where conservatives set about mobilizing the resources of print, opinion, and assembly in a constructive fashion, the reputation for interference has endured. John Reeves's Association for Preserving Liberty and Property against Republicans and Levellers is a useful case in point, since it managed in its brief but enterprising history to combine fierce anti-Jacobinism with the later eighteenth century's rising tide of voluntary civic activism. The association came together at the Crown and Anchor Tavern when a group of self-professed “private men” decided “to form ourselves into an Association” and announced their intentions through the major London newspapers in November and December of 1792. The original committee then called on others “to make similar exertions in their respective neighbourhoods,” forming energetic local associations that would be linked by regular correspondence with the central London committee. In this way, the loyalist movement grew with astonishing speed.

scholarly journals Pharmaceuticals from natural products: current trends

2002 ◽  
Vol 74 (1) ◽  
pp. 145-150 ◽  
Author(s):  
PETER R. SEIDL
Keyword(s):  
Nineteenth Century ◽  
Natural Products ◽  
Biological Diversity ◽  
Pharmaceutical Companies ◽  
Relative Importance ◽  
Discovery Process ◽  
Current Trends ◽  
Principal Source ◽  
Do So

The use of products extracted from plants for medicinal purposes can be traced to the beginnings of civilization and up until the end of the nineteenth century natural products were the principal source of medicines. Since then their relative importance has oscillated according to the strategies of large pharmaceutical companies. Now that these strategies are changing, there are new opportunities for countries like Brazil, in which a large proportion of the world's biodiversity is located. There are, however, new circumstances that must be taken into consideration: material must be collected by groups which are formally authorized to do so and under the conditions of the Convention of Biological Diversity, the discovery process is being successively outsourced to smaller specialized firms and there is a growing integration with producers of cosmetics and phytomedicines.

The Glut of Doctors in Mid-Nineteenth-Century France

1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Professional Services ◽  
Success Story ◽  
The West ◽  
Professional Careers ◽  
Nineteenth Century France ◽  
History Of ◽  
Great Attraction ◽  
The French Revolution

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.

Conservatism

Sociology ◽  
2021 ◽  
Author(s):  
Peter Kivisto
Keyword(s):  
World War Ii ◽  
French Revolution ◽  
Social Relations ◽  
Social Order ◽  
Political Identity ◽  
Relevant Literature ◽  
The United States ◽  
Political Rights ◽  
Right Wing ◽  
The Right

Conservatism refers to one of the constituent political positions found in all contemporary democracies. It can be construed as a philosophy, an ideology, a political party, a movement, a disposition, a mode of discourse, performance style, and an emotional relationship to the political. Since the birth of modern democracies in the aftermath of the French Revolution, it has become commonplace to describe the range of political options available to the citizenry as occupying a spectrum from left to right, with a range of alternatives between the extreme poles, including a centrist position in the middle that straddles the divide. The left was associated with promoting challenges to established authorities and existing hierarchies, along with calls for increased economic equality and expanded social and political rights to all citizens, including the heretofore marginalized. This contrasts with the right, which was defined as defending inequalities and differential entitlements, concentrating matters involving rights around preserving property rights, shoring up public and social order, and promoting traditional values and conventional social relations. In this context, liberalism became a mark of political identity associated with the left, as did socialism, while conservatism, broadly construed, represented the right. This framing of politics also includes the possibility of underminings by extremism on both the left and right. For the former, the main threat since the Russian Revolution has been posed by revolutionary communism, while right-wing extremism has manifested itself in reactionary movements, including fascism and illiberal populism. Since liberalism and conservatism must be understood in relational terms, the spatial and temporal settings for the politics of opposition will vary considerably. It is impossible to do justice to the vast literature on conservatism in a bibliography such as this. What follows is a more delimited, and thus manageable examination of work on conservatism. First, it focuses on conservatism in the United States, and not elsewhere. Second, it is chiefly concerned with conservatism since the end of World War II. Third, it concentrates on the study of conservatism by sociologists and those working in cognate disciplines; while not all the authors are card-carrying sociologists, their works reflect a sociological character, although the exception to this third point is the overview section, which presents key readings by advocates of conservatism, and thus offers insider depictions of the meaning of conservatism. Fourth, this article does not concentrate solely on extremist right-wing movements; rather, in surveying the relevant literature on American conservatism broadly construed, it points to a growing consensus that the radical right wing has pushed mainstream conservatism increasingly further to the right.

Staging the Folk: Choreographic Issues of National Representation

2021 ◽  
Vol 39 (2) ◽  
pp. 222-246
Author(s):  
Anthony Shay
Keyword(s):  
Nineteenth Century ◽  
Soviet Union ◽  
French Revolution ◽  
Folk Dance ◽  
Ethnic Representation ◽  
Nation States ◽  
The Soviet Union ◽  
The World ◽  
Classical Ballet ◽  
Dance Companies

This article looks at the multiple ways that folk dance has been staged in both the nineteenth century when character or national (the two terms were used interchangeably) dance was widely used in classical ballet, and the twentieth in which Igor Moiseyev created a new genre of dance related to it. The ballet masters that created character dance for ballet often created ballroom dances based on folk origin, but that would be suitable for the urban population. This popularity of national dance was the result of the burgeoning of romantic nationalism that swept Europe after the French Revolution. Beginning in the 1930s with Igor Moiseyev founding the first professional ‘folk dance’ company for the Soviet Union, nation states across the world established large, state-supported folk dance companies for purposes of national and ethnic representation that dominated the stages of the world for the second half of the twentieth century. These staged versions of folk dance, were, I argue an extension of nineteenth century national/character dance because their founding directors, like Igor Moiseyev, came from the era when ballet dancers were trained in that genre.

Translation and Its Affects

2018 ◽  
Vol 47 (1) ◽  
pp. 203-215
Author(s):  
William A. Cohen
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
French Language ◽  
Cultural Norms ◽  
The Novel ◽  
Language Competence ◽  
Vanity Fair ◽  
Good Morning ◽  
Do So

Vanity Fair (1848) famously opens with a departure. As Becky Sharpe flounces off from Miss Pinkerton's academy, she takes leave of her patron by telling her “in a very unconcerned manner … and with a perfect accent, ‘Mademoiselle, je viens vous faire mes adieux.’” Miss Pinkerton, we learn, “did not understand French, she only directed those who did: but biting her lips and throwing up her venerable and Roman-nosed head … said, ‘Miss Sharp, I wish you a good morning’” (7). This performance of befuddlement on the part of a respectable schoolmistress bespeaks a whole collection of Victorian cultural norms about language competence in general and about the French language in particular. Even though the action is set in a period when Becky's speaking “French with purity and a Parisian accent … [was] rather a rare accomplishment” (11), the novel was written for a mid-nineteenth-century audience that could mainly count on middle-class young ladies to have acquired this degree of refinement—or at least to aspire to do so.

The Head, the Hand, and Matter: New Materialism and the Politics of Knowledge

2018 ◽  
Vol 35 (7-8) ◽  
pp. 49-72 ◽  
Author(s):  
Paul Rekret
Keyword(s):  
Social Relations ◽  
Social Constructivism ◽  
New Materialism ◽  
Political Agency ◽  
Human Beings ◽  
Counter Narrative ◽  
Karen Barad ◽  
Material Turn ◽  
Material Conditions ◽  
Do So

This article seeks to examine the political connotations of a recent ‘material turn’ in social and political theory and its implications for theorizations of political agency. ‘New materialist’ theories are premised upon transcending the limits which social constructivism places upon thought, viewed as a reification of the division of subject and object and so a hubristic anthropocentrism which places human beings at the centre of social existence. Yet new materialist theories have tended to locate the conditions of the separation of mind and world they seek to overcome upon the terrain of epistemic or ethical error. By taking the work of Quentin Meillassoux, Jane Bennett and Karen Barad as exemplary, this article contends that new materialist theories not only fall short of their own materialist pretensions insofar as they do not interrogate the material conditions of the separation of the mental and material, but that the failure to do so has profound repercussions for the success of their accounts of political agency. This essay seeks to offer a counter-narrative to new materialist theories by situating the hierarchy between thought and world as a structural feature of capitalist social relations.

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