scholarly journals The Serendipitious City in South East Asia—Urban Archetypal Design Principles from the Morphological ‘Vernacular’

2020 ◽  
Vol 2 (2) ◽  
pp. 21
Author(s):  
Puteri Shireen Jahnkassim ◽  
Kamariah Kamaruddin ◽  
Nurul Syala Abdul Latip ◽  
Norwina Mohd Nawawi

<p align="justify">‘Serendipitious’ has been defined as occurring or discovered by chance in a happy or beneficial way. “A serendipitous encounter” thus generally means one or a series of unexpected but pleasant encounters. A city, which is serendipitious, is a physical form, which has configuration and features which allows such encounters to happen. This paper highlights vernacular-based principles which are needed to counter the modernisation and urbanisation trends in South East Asia, throughout studying the typological and morphological character of ‘littoral maritime’ cities which grew in the 15th century onwards across littoral or coastal straits of maritime Asia represent pre-modern vernacular-rooted forms from which contain patterns that are urban, yet naturally-balanced with the environment. As these grew as a result of maritime trade, it is highly densed yet still reflect ecological features and conditions are still intact. The paper reconstructs some of these patterns and identify four central character as a result of their urban which resonate with ‘ecological themes’: 1) accretion qualities; 2) river-gravitation; 3) fractality and 4) centricity. The paper argues that although these patterns emerge from medieval times, these maritime cities constitute a ‘gentle’ and ecologically-sound approach to development which can unite the co-existence of urbanisation and nature. In such conditions, the tropical jungle exists side by side with densed urbanisation. The paper uses the reconstruction of the former (pre-colonial) morphologies in South East Asia to demonstrate the character of these centers, which are organic and informal evolvements having certain morphologies, configurations, architectural structures and their similarities and common principles in terms of urban patterns and principles are discussed. The pursuit of the optimal balance between ‘man’ and ‘nature’ must reflect in a city which consider living beings as both animal, vegetation and man, and which are, at present, in danger of critical depletion, and eventually extinction. Cases of built language, topography, ecology, landscape forms and urban configuration patterns and parameters across the region are presented and the paper argues that the rise of sustainability in city planning favors the compact and densed formal patterns which are reflective of these centers across the coastline of the straits historically and these constitutes principles that can sustain ecology, climatic balance yet an active cultural conduit of the place.</p>

PeerJ ◽  
2019 ◽  
Vol 7 ◽  
pp. e6384 ◽  
Author(s):  
Quentin J. Groom ◽  
Jan Van der Straeten ◽  
Ivan Hoste

Background Oxalis corniculata L. is a weed with a world-wide distribution and unknown origin. Though it belongs to a section of the genus from South America, the evidence that this species came from there is weak. Methods We reviewed the evidence for the origin of O. corniculata using herbarium specimens, historic literature and archaeobotanical research. We also summarized ethnobotanical literature to understand where this species is most used by humans as a medicine. Results Despite numerous claims that it is native to Europe there is no strong evidence that O. corniculata occurred in Europe before the 15th century. Nor is there reliable evidence that it occurred in North or South America before the 19th century. However, there is direct archaeobotanical evidence of it occurring in south–east Asia at least 5,000 years ago. There is also evidence from historic literature and archaeobotany that it reached Polynesia before European expeditions explored these islands. Examination of the traditional use of O. corniculata demonstrates that is most widely used as a medicine in south–east Asia, which, while circumstantial, also points to a long association with human culture in this area. Discussion The most likely origin for O. corniculata is south–east Asia. This is consistent with a largely circum-Pacific distribution of section Corniculatae of Oxalis. Nevertheless, it is likely that O. corniculata spread to Europe and perhaps Polynesia before the advent of the modern era through trade routes at that time.


2013 ◽  
Author(s):  
Mrignaini Goel ◽  
Mylliem Adrian Lambert ◽  
Syafiqah Binti Yahya

2018 ◽  
Vol 3 (3) ◽  

To determine the immunization status of pediatric patients under age of 5 years visiting pediatric department of tertiary care hospitals in South East Asia. The aim of this study was to appreciate the awareness and implementation of vaccination in pediatric patients who came into pediatric outpatient Department with presenting complain other than routine vaccination. we can also know the count of patients who do not complete their vaccination after birth. we can differentiate between vaccinated and unvaccinated patients and incidence of severe disease in both groups. Immunization is a protective process which makes a person resistant to the harmful diseases prevailing in the community, typically by vaccine administration either orally or intravenously. It is proven for controlling and eliminating many threatening diseases from the community. WHO report that licensed vaccines are available for the prevention of many infectious diseases. After the implementation of effective immunization the rate of many infectious diseases have declined in many countries of the world. South-East Asia is far behind in the immunization coverage. An estimated total coverage is 56%-88% for a fully immunized child, which is variable between countries. Also the coverage is highest for BCG and lowest for Polio.


2014 ◽  
Vol 41 (2) ◽  
pp. 230-239 ◽  
Author(s):  
Charles E. Jarvis ◽  
Joanne H. Cooper

It had long been believed that none of the bird, egg or nest specimens that had been in the collection of Sir Hans Sloane at his death in 1753 had survived. However, a specimen of a rhinoceros hornbill, originally in Sloane's hands, was discovered in the Natural History Museum's collections in London in 2003, and three more Sloane hornbill specimens have subsequently come to light. In addition, we report here a most unexpected discovery, that of the head of a woodpecker among the pages of one of Sloane's bound volumes of pressed plants. The context suggests that the head, like its associated plant specimens, was probably collected in south-east Asia about 1698–1699 by Nathanael Maidstone, an East India Company trader, the material reaching Sloane via William Courten after the latter's death in 1702. A detailed description of the head is provided, along with observations on its identity and possible provenance.


Writing from a wide range of historical perspectives, contributors to the anthology shed new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in colonial, late colonial and immediate post-colonial and postcolonial times in South and South-East Asia. In doing so, this anthology addresses an important gap in the global understanding of documentary discourses, practices, uses and styles. Based upon in-depth essays written by international authorities in the field and cutting-edge doctoral projects, this anthology is the first to encompass different periods, national contexts, subject matter and style in order to address important and also relatively little-known issues in colonial documentary film in the South and South-East Asian regions. This anthology is divided into three main thematic sections, each of which crosses national or geographical boundaries. The first section addresses issues of colonialism, late colonialism and independence. The second section looks at the use of the documentary film by missionaries and Christian evangelists, whilst the third explores the relation between documentary film, nationalism and representation.


2017 ◽  
Vol 10 (1) ◽  
pp. 59-73
Author(s):  
Michelle Ann Abate ◽  
Sarah Bradford Fletcher

Since its release in 1963, Maurice Sendak's Where the Wild Things Are has been viewed from a psychological perspective as a literary representation of children's inner emotional struggles. This essay challenges that common critical assessment. We make a case that Sendak's classic picturebook was also influenced by the turbulent era of the 1960s in general and the nation's rapidly escalating military involvement in Vietnam in particular. Our alternative reading of Sendak's text reveals a variety of both visual and verbal elements that recall the conflict in South East Asia and considers the significance of the book's geo-political engagement.


1955 ◽  
Vol 24 (1) ◽  
pp. 15-15
Author(s):  
Bruno Lasker

2005 ◽  
Vol 21 (1) ◽  
pp. 75-84
Author(s):  
Yuzuru HAMADA ◽  
Hideyuki OHSAWA ◽  
Shunji GOTO ◽  
Yoshi KAWAMOTO ◽  
Toru OI ◽  
...  

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