The Post-Soviet Diaspora on Transnational Reality TV
This chapter examines Lifetime’s short-lived Russian Dolls and ABC’s Dancing with the Stars, a widely watched US reality TV show. Both shows exemplify the emergence of narratives that associate the post-Soviet diaspora with idealized accounts of turn of the twentieth century European immigrant adaptation and upward mobility. While they focus on 1.5 generation immigrant participants, many of whom likely came to the United States as religious refugees, the two shows consistently represent their emerging collective “Russian” identity as just another ethnicized version of pan-European whiteness. Post-Soviet migrant cast members are portrayed as following in the footsteps of idealized and homogenized early European migrants, and they are set in firm opposition to Latina/os. The chapter also examines media commentary surrounding the two shows, interviews with participants, their social media posts, and their participation in a Ukrainian TV show where their identity is differently constructed to highlight migrants’ engagement with growing anti-immigration sentiment and their efforts to establish new collective transnational and diasporic identities, which are not represented on DWTS and Russian Dolls.