Dominican Women’s Refracted African Diasporas
This chapter engages the creative and anti-hegemonic apertures that become possible from a diasporic space and imaginary by analyzing the cultural expressions, including literature, music, and performance, of several diasporic Dominican women. Building on black diasporic feminist theory, the chapter explores how diasporic Dominicans engage with, adopt, or refuse definitions of blackness as they predominate in the U.S. through the writings of Chiqui Vicioso and the performances of musical artists Amara la Negra and Maluca Mala. Because they all resist to some extent the white supremacist and patriarchal ideologies that govern dominant paradigms throughout the hemisphere, the chapter locates improper behavior as the primary vehicle in which these artists invert and/or refuse the gendered, classed, and raced scripts expected from Dominican women. Together, these diasporic subjects (in the sense of the Dominican and the African diaspora) evince the prismatic nature of the African Diaspora.