scholarly journals The Fantastic as the Unconcealment of Truth in Debora Vogel’s Work

Author(s):  
Anastasiya Lyubas

This essay examines the notion of the fantastic in Debora Vogel’s work. I argue that the fantastic for Vogel is simultaneously a novel artistic form and a form of life, as well as a singular use of language; it is both a “trait” of modernity and thinking of modernity. The fantastic is analyzed as a key term in the author’s understanding of modern design of space and objects through discussions of “Dwelling in its Psychic and Social Function” (1932), the critic’s essay on lived space. I demonstrate that Vogel’s reflections and theorizing of the fantastic are not necessarily aimed at the development of pure theory and concepts but rather at the performance of the fantastic in the author’s own theory-praxis through the lens of Vogel’s essay on poetics, “White Words in Poetry” (1930). The essay discusses various types of the fantastic which finds itself between matter-of-factness and phantasm: the fantastic of ingenuity, the fantastic of asymmetry, the fantastic of color, and the fantastic of simplicity. All of these different types set forth the unconcealment of truth.

2002 ◽  
Vol 2 (4) ◽  
pp. 263-308 ◽  
Author(s):  
Jesse Bering

AbstractLittle is known about how the minds of dead agents are represented. In the current experiment, individuals with different types of explicit afterlife beliefs were asked in an implicit interview task whether various mental state types, as well as pure biological imperatives, continue after death. The results suggest that, regardless of one's explicit reports about personal consciousness after death, those who believe in some form of life after death (and, to a certain extent, even those who do not) implicitly represent dead agents' minds in the same way: psychobiological and perceptual states cease while emotional, desire, and epistemic states continue. The findings are interpreted according to simulation constraints — because it is epistemologically impossible to know what it is like to be dead, individuals will be most likely to attribute to dead agents those types of mental states that they cannot imagine being without. Such a model argues that it is natural to believe in life after death and social transmission serves principally to conceptually enrich (or degrade) intuitive conceptions of the afterlife.


Symmetry ◽  
2020 ◽  
Vol 12 (5) ◽  
pp. 742
Author(s):  
Mar Gaitán ◽  
Cristina Portalés ◽  
Javier Sevilla ◽  
Ester Alba

Symmetry is part of textile art in patterns and motifs that decorate fabrics, which are made by the interlacement of warp and wefts. Moreover, the 3D representation of fabrics have already been studied by some authors; however, they have not specifically dealt with preserving historical weaving techniques. In this paper, we present the SILKNOW’s Virtual Loom, a tool intended to document, preserve and reproduce silk historical weaving techniques from the 15th to the 19th centuries. We focus on the symmetry function and its contribution to art history, textile conservation, and modern design. We analyzed 2028 records from Garin 1820 datasets—a historical industry that still weaves with these techniques—and we reconstructed some historical designs that presented different types of defects. For those images (including fabrics and drawings) that had a symmetrical axis, we applied the symmetry functionality allowing to reconstruct missing parts. Thanks to these results, we were able to verify the usefulness of the Virtual Loom for conservation, analysis and new interpretative advantages, thanks to symmetry analysis applied to historical fabrics.


Author(s):  
Constantino Pereira Martins

The text is a reflection on seduction in its primordial meaning: men and women. We support our analysis in the confrontation of Kierkegaard concepts and the film Vertigo. In this sense, more than seduction itself, it's the notion of figure or conceptual character that is focused. The figural assumes here a mode and a process of reading a particular way of the aesthetic, i.e., a form of life that corresponds to the seducer. What is a seducer? Are there different types of seducers? We will present the formal basic premises of Kierkegaard and try to show how Hitchcock's movie mirrors it, amplifying the categories in use to the unveil a new sort of seducer.


Author(s):  
Olena Saikovska

The article is dedicated to the study of the intermedial codes in the fantastic works written by the Bulgarian writers of the 20th-21st centuries. Intermediality as a form of interconnectedness of different types of art is challenging for literature research. The aim of the article is to study the interaction of verbal and audio (music), verbal and visual (pictorial art, architectural models), verbal and performing/synthetic (cinema, theatre) arts. The object of the research is the Bulgarian fantastic literature of the 20th-21st centuries, where the subject is codes of intermediality. The method of intermedial studies proves to be fruitful for this type of research work. As a result, it is stated that the variants of ekphrasis (picture-ekphrasis, urboekphrasis, oikoekphrasis, musical ekphrasis), “ekphrastic transition” and the interaction of verbal and audio, verbal and visual, verbal and synthetic arts are implemented in the Bulgarian fantastic literature of the 20th-21st centuries. 


1986 ◽  
Vol 23 (04) ◽  
pp. 851-858 ◽  
Author(s):  
P. J. Brockwell

The Laplace transform of the extinction time is determined for a general birth and death process with arbitrary catastrophe rate and catastrophe size distribution. It is assumed only that the birth rates satisfyλ0= 0,λj> 0 for eachj> 0, and. Necessary and sufficient conditions for certain extinction of the population are derived. The results are applied to the linear birth and death process (λj=jλ, µj=jμ) with catastrophes of several different types.


2020 ◽  
Vol 43 ◽  
Author(s):  
Rajen A. Anderson ◽  
Benjamin C. Ruisch ◽  
David A. Pizarro

Abstract We argue that Tomasello's account overlooks important psychological distinctions between how humans judge different types of moral obligations, such as prescriptive obligations (i.e., what one should do) and proscriptive obligations (i.e., what one should not do). Specifically, evaluating these different types of obligations rests on different psychological inputs and has distinct downstream consequences for judgments of moral character.


Author(s):  
P.L. Moore

Previous freeze fracture results on the intact giant, amoeba Chaos carolinensis indicated the presence of a fibrillar arrangement of filaments within the cytoplasm. A complete interpretation of the three dimensional ultrastructure of these structures, and their possible role in amoeboid movement was not possible, since comparable results could not be obtained with conventional fixation of intact amoebae. Progress in interpreting the freeze fracture images of amoebae required a more thorough understanding of the different types of filaments present in amoebae, and of the ways in which they could be organized while remaining functional.The recent development of a calcium sensitive, demembranated, amoeboid model of Chaos carolinensis has made it possible to achieve a better understanding of such functional arrangements of amoeboid filaments. In these models the motility of demembranated cytoplasm can be controlled in vitro, and the chemical conditions necessary for contractility, and cytoplasmic streaming can be investigated. It is clear from these studies that “fibrils” exist in amoeboid models, and that they are capable of contracting along their length under conditions similar to those which cause contraction in vertebrate muscles.


Author(s):  
U. Aebi ◽  
P. Rew ◽  
T.-T. Sun

Various types of intermediate-sized (10-nm) filaments have been found and described in many different cell types during the past few years. Despite the differences in the chemical composition among the different types of filaments, they all yield common structural features: they are usually up to several microns long and have a diameter of 7 to 10 nm; there is evidence that they are made of several 2 to 3.5 nm wide protofilaments which are helically wound around each other; the secondary structure of the polypeptides constituting the filaments is rich in ∞-helix. However a detailed description of their structural organization is lacking to date.


Author(s):  
E. L. Thomas ◽  
S. L. Sass

In polyethylene single crystals pairs of black and white lines spaced 700-3,000Å apart, parallel to the [100] and [010] directions, have been identified as microsector boundaries. A microsector is formed when the plane of chain folding changes over a small distance within a polymer crystal. In order for the different types of folds to accommodate at the boundary between the 2 fold domains, a staggering along the chain direction and a rotation of the chains in the plane of the boundary occurs. The black-white contrast from a microsector boundary can be explained in terms of these chain rotations. We demonstrate that microsectors can terminate within the crystal and interpret the observed terminal strain contrast in terms of a screw dislocation dipole model.


Author(s):  
E.M. Kuhn ◽  
K.D. Marenus ◽  
M. Beer

Fibers composed of different types of collagen cannot be differentiated by conventional electron microscopic stains. We are developing staining procedures aimed at identifying collagen fibers of different types.Pt(Gly-L-Met)Cl binds specifically to sulfur-containing amino acids. Different collagens have methionine (met) residues at somewhat different positions. A good correspondence has been reported between known met positions and Pt(GLM) bands in rat Type I SLS (collagen aggregates in which molecules lie adjacent to each other in exact register). We have confirmed this relationship in Type III collagen SLS (Fig. 1).


Sign in / Sign up

Export Citation Format

Share Document