scholarly journals Protestant Reformation and Albanian Nationalism

2017 ◽  
Vol 13 (19) ◽  
pp. 117
Author(s):  
Ylli H. Doci
Keyword(s):  
Middle Ages ◽  
Protestant Reformation ◽  
The Reformation ◽  
Thought Patterns ◽  
History Of ◽  
Language And Education ◽  
Relationship Of ◽  
The Relationship ◽  
The Middle Ages

The relationship of the Protestant Reformation with Nationalism is understandable if one can appreciate the nature of the general emancipation from the authority as understood during the Middle Ages to the subjectively defined authority that the Reformation brought forth. The connection of the emancipating influence of the Reformation with the Albanian National Awakening is made more clear if one understands not only the thought patterns typically associated with the Reformation, but also some historical dimensions of the Albanian language and education. Therefore, we propose here the thesis that the influence of the Protestant Reformation is discernable also in the history of Albanian Nationalism.

scholarly journals “Journeys are Meaningful” (Travelling, Travellers, Literary Periods, Literary Journeys)

2015 ◽  
Vol 7 (1) ◽  
pp. 7-19
Author(s):  
István Fried
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Close Connection ◽  
Continuous Processes ◽  
New Era ◽  
Mise En Scene ◽  
History Of ◽  
The Relationship ◽  
Educational Journeys ◽  
The Middle Ages

Abstract If the changes of the “discourse networks” (Aufschreibesysteme) from 1800 to 1900 model the relations pertaining to the personality, to the cultural determinedness of technology and personality as well as to their interconnections (Kittler 1995), especially having in view the literary mise en scène, it applies all the more to travelling - setting out on a journey, heading towards a destination, pilgrimage and/or wandering as well as the relationship between transport technology and personality. The changes taking place in “transport” are partly of technological, partly (in close connection with the former) indicative of individual and collective claims. The diplomatic, religious, commercial and educational journeys essentially belong to the continuous processes of European centuries; however, the appearance of the railway starts a new era at least to the same extent as the car and the airplane in the twentieth century. The journeys becoming systematic and perhaps most tightly connected to pilgrimages from the Middle Ages on assured the “transfer” of ideas, attitudes and cultural materials in the widest sense; the journeys and personal encounters (of course, taking place, in part, through correspondence) of the more cultured layers mainly, are to be highly appreciated from the viewpoint of the history of mentalities and society.

Stages of the formation of the Islamic concept of international law in the medieval and modern time

2021 ◽  
Author(s):  
Marina Okladnaya ◽  
Olena Hurenko
Keyword(s):  
International Law ◽  
Middle Ages ◽  
Significant Influence ◽  
Main Body ◽  
Traditional Values ◽  
Legal Norms ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
The Middle Ages

Problem setting. Islamic international law is a set of Islamic norms and customs that govern the relationship of Muslim States and Muslims with non-Muslim States, as well as with Muslim individuals within and outside the world of Islam. Islam has come a long and difficult way from the emergence of religion in modern ideology. It is considered one of the leading religions of the world and has a significant influence on a large number of people and states, so it is advisable to study one of the outstanding stages of the formation of the Islamic system in the field of international law, namely the Middle Ages and find out its connection with modernity. Analysis of recent researches and publications. The Islamic science of international law is in the process of development, during which its representatives try to combine the traditional values of Islam with the basic principles of modern international law. Among the scientists who made a significant contribution to the study of the Islamic concept of international law, its historical development and the modern situation, one can distinguish such as A. Butkevich, L. Sukiyainen, Al-Shaybani, Muhammad ibn al-Hasan, V. Knapp, M. Sana, Sardar Ali S., Hilmli M. Zavati, A. Merezhko, B. Feldman and others. Target of research. Study of the Islamic concept of international law, analysis and comparison of content, significance of Islamic international law in the Middle Ages and modern times. Article’s main body. The article is devoted to the main stages of the formation of one of the most important systems of international law – Islamic, which is a collection of unique traditional values, legal norms and customs of Islam. The stages of development in the Middle Ages and the connection with modernity were investigated, the main features in the Middle Ages were determined. Conclusions and prospects for the development. Islamic international law is a set of Islamic norms and customs that govern the relationship of Muslim States and Muslims with non-Muslim States, as well as with Muslim individuals within and outside the world of Islam. Islam has come a long and difficult way from the emergence of religion in modern ideology. It is considered one of the leading religions of the world and has a significant influence on a large number of people and states, so it is advisable to study one of the outstanding stages of the formation of the Islamic system in the field of international law, namely the Middle Ages and find out its connection with modernity.

Augustine

2015 ◽  
Author(s):  
John Marenbon
Keyword(s):  
Middle Ages ◽  
North Africa ◽  
Human History ◽  
City Of God ◽  
Subsequent Discussion ◽  
History Of ◽  
Almost All ◽  
The Relationship ◽  
The Middle Ages

This chapter investigates Augustine's role in addressing the Problem of Paganism. After the Sack of Rome in 410 CE, Augustine set out to produce his most ambitious work, a Christian rethinking, not just of the history of Rome, but of the relationship between God and the course of human history. Written in the safety of North Africa, the City of God (CG), begun probably in 412 but not finished until about fourteen years later, is both an intellectual masterpiece and a foundational book for the Problem of Paganism. Although the problem has somewhat different contours for him from those it would take on in the Middle Ages, in the City of God and other works Augustine looks closely at three of the main strands of the problem — wisdom, salvation, and virtue — and takes positions which set the agenda for almost all subsequent discussion.

Fear, error and death: The abjection of the Middle Ages

2018 ◽  
pp. 70-94
Author(s):  
Thomas A. Prendergast ◽  
Stephanie Trigg
Keyword(s):  
Middle Ages ◽  
Protestant Reformation ◽  
Medieval Studies ◽  
The Past ◽  
Creative Play ◽  
Historical Accuracy ◽  
The Relationship ◽  
The Middle Ages ◽  
Judicial Systems

As a disciplinary formation, Medieval Studies has long been structured by authoritative hierarchies and conservative scholarly decorums; the associated fear of error in medieval studies dates back to the Renaissance and the Protestant reformation. In contrast, medievalism increasingly celebrates creative play and imaginative invention. Such invention inevitably produces anxiety about historical accuracy. Popular scholarship and journalism in turn are often attracted to the abject otherness of the Middle Ages, especially the torture practices associated with its judicial systems. Such practices are designed to solicit the truth, and so, like illness, mortality and death, they are a useful double trope through which to analyse the relationship between medieval and medievalist approaches to the past.

Eingehüllt in Gold und Bein – Die techné des Chryselephantin als ›Mitstreit‹ im Mittelalter

2016 ◽  
Vol 79 (4) ◽  
pp. 481-507
Author(s):  
Stefan Trinks
Keyword(s):  
Bone Tissue ◽  
Middle Ages ◽  
Great Depth ◽  
Presence Of God ◽  
Relationship Of ◽  
The Relationship ◽  
The Middle Ages

Abstract Gold and ivory were considered to be among the most valuable materials in the Middle Ages. Whereas ivory would represent skin or bone tissue, gold could simultaneously signify and disguise the presence of God. Their iconology is tied to the objects they are attached with, heightening their value. What has not been studied in great depth so far, however, is the range of combinations and the nature of the relationship of both combined as “chryselephantine” in the antique manner. In examples of mostly Carolingian and Ottonian front covers and reliquaries made from gold and ivory between the ninth and eleventh centuries, it is evident that both were treated as equally valuable and that their combination results not in a paragone but a synagon, or aesthetic comradeship.

scholarly journals El nomen sacrum ihs como símbolo de la crucifixión en el Sermón de la Circuncisión del Señor de san Vicente Ferrer

2021 ◽  
Vol 17 ◽  
pp. 16
Author(s):  
María Luz Mandingorra Llavata
Keyword(s):  
Middle Ages ◽  
Jesus Christ ◽  
Daily Life ◽  
The Public ◽  
Life Problems ◽  
History Of ◽  
The Relationship ◽  
The Middle Ages ◽  
The Way

Resum: El nomen sacrum ihs se hallaba presente en infinidad de manifestaciones artísticas y objetos de la vida cotidiana durante la Edad Media, por lo que era bien conocido por los fieles. El objetivo del presente artículo es mostrar de qué modo san Vicente Ferrer se sirve de esta abreviatura como símbolo de la crucifixión de Jesucristo con el fin de fomentar la devoción al nombre Iesus y erradicar el recurso a adivinos y sortílegos. Para ello, analizaremos el sermón de la Circuncisión del Señor predicado por el maestro dominico y estableceremos la conexión de los elementos integrantes del texto con representaciones coetáneas de la crucifixión.Paraules clau: san Vicente Ferrer, predicación, Nomina Sacra, crucifixión, historia de la cultura escrita Abstract: The nomen sacrum ihs was present in many paintings as well as other artifacts during the Middle Ages, therefore, it was very well known by the public. The aim of this paper is to show the way Saint Vincent Ferrer uses this abbreviation as a symbol of the Crucifixion of Jesus Christ in order to increase the devotion to the Name of Jesus and prevent people from consulting diviners and sorcerers to solve daily life problems. To this end, we analyse the Sermon of the Circumcision of the Lord preached by the Dominican master and establish the relationship between the elements that compose the text and some contemporary images of the Crucifixion.Keywords: Saint Vincent Ferrer, preaching, Nomina Sacra, crucifixion, history of literacy

Resistance to Tithes in the Middle Ages

1962 ◽  
Vol 13 (2) ◽  
pp. 172-185 ◽  
Author(s):  
Giles Constable
Keyword(s):  
Middle Ages ◽  
Income Tax ◽  
Modern Times ◽  
The Poor ◽  
Medieval Church ◽  
The Reformation ◽  
History Of ◽  
The Rich ◽  
The Middle Ages

The system of compulsory tithes in the Middle Ages has long been used by protestant and liberal historians as a stick with which to beat the medieval Church. ‘This most harassing and oppressive form of taxation’, wrote H. C. Lea in his well-known History of the Inquisition, ‘had long been the cause of incurable trouble, aggravated by the rapacity with which it was enforced, even to the pitiful collections of the gleaner’. Von Inama-Sternegg remarked on the growing hatred of tithes in the tenth, eleventh, and twelfth centuries, especially among the small free landholders, ‘upon whom the burden of tithes must have fallen most heavily’. Gioacchino Volpe said that tithes were ‘the more hated because they oppressed the rich less than the poor, the dependents on seigneurial estates less than the small free proprietors to whose ruin they contributed…. At that time tithes were both an ecclesiastical and secular oppression, a double offence against religious sentiment and popular misery’. G. G. Coulton, writing before the introduction in England of an income tax at a rate of over ten per cent., proclaimed that before the Reformation tithes ‘constituted a land tax, income tax and death duty far more onerous than any known to modern times, and proportionately unpopular’.

Art, Prophecy, and Drama in the Choir of Salisbury Cathedral

2006 ◽  
Vol 10 (2) ◽  
pp. 161-190
Author(s):  
Matthew Reeve
Keyword(s):  
Middle Ages ◽  
Old Testament ◽  
Thirteenth Century ◽  
Liturgical Drama ◽  
Relationship Of ◽  
The Relationship ◽  
The Church ◽  
The Middle Ages ◽  
Christian History

AbstractThe former painted cycle over the vaults of Salisbury Cathedral represents one of the great losses of thirteenth-century English art. This paper focuses on the imagery over the three-bay choir, which features twentyfour Old Testament kings and prophets each holding scrolls with texts prefiguring the Coming of Christ. The content of the cycle derives from a sermon, well known in the Middle Ages, by Pseudo-Augustine: Contra Judaeos, Paganos et Arianos. Yet the most immediate sources lie in twelfth and thirteenth-century extrapolations of the Pseudo-Augustinian sermon in liturgical drama, the so-called Ordo Prophetarum, or prophet plays. This observation leads to a discussion of the relationship of imagery to its liturgical setting. It is argued that the images on the choir vaults were also to be understood allegorically as types of the cathedral canons, who originally sat in the choir stalls below. A reading of the choir as a place of prophecy is located within traditions of liturgical commentary, which allegorize processions through churches as processions through Christian history. This leads to a discussion of the allegorization of the church interior in the Gothic period.

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