scholarly journals El rigor y la gloria: el Juicio Final y su repercusión en la modernidad

Medievalia ◽  
2021 ◽  
Vol 53 (2) ◽  
pp. 53-70
Author(s):  
Cossette Galindo Ayala ◽  
Keyword(s):  
Middle Ages ◽  
Image Of God ◽  
Human Beings ◽  
Divine Intervention ◽  
Ancient Judaism ◽  
Last Judgment ◽  
The Law ◽  
The Image Of God ◽  
The Middle Ages

This work presents a historical journey on the doctrine of the Last Judgment, starting from its antecedents in ancient Judaism, its rise in the millennial ideology of the Middle Ages, until reaching certain perspectives of its repercussion in Modernity. The Final Judgment forms a doctrine that combines the image of God as a rigorous judge who executes the Law, applying the punishments or prizes related to the works carried out in life, with the vision of a glorious king who will manifest his messianic kingdom in which the human beings will be saved by grace of divine intervention.

scholarly journals Vrou as beeld van God, Deel 1: 'n Historiese ondersoek - Vanaf Genesis tot die Middeleeue

2000 ◽  
Vol 56 (2/3) ◽  
Author(s):  
Yolanda Dreyer
Keyword(s):  
Middle Ages ◽  
Thomas Aquinas ◽  
Image Of God ◽  
Patriarchal Society ◽  
Genesis 1 ◽  
Historical Investigation ◽  
The Asymmetry ◽  
Christian Thought ◽  
The Image Of God ◽  
The Middle Ages

Woman created in the image of God, Part 1: a historical investigation - from Genesis to the Middle Ages. This study indicates that the traditions in the Pentateuch, especially the creation traditions, implied the egalitarian status of man and woman as image of God. The context of this traditions, however, was patriarchal and thus opened the possibility of the exploitation of women. Though Genesis 1:27 does not specifically attest to the asymmetry between man and woman in patriarchal society, the fate of women in general was bound up with the presentation of God as a male creator. The implications of this presentation can be clearly seen in texts of the intertestamental period. The study points out the degree to which Philo's view of a hierarchy concerning man and woman as immanent to God's order of creation, strongly influenced Christian thought on the place of women. Since the "fall of woman" necessitates a "soteriology", women in general are portrayed negatively in patristic texts. Mary is seen as the positive counterpart of Eve. The image of women then becomes that of submission on account of their alienation from God. The article concludes with the view of Thomas Aquinas that the subservience of slaves is less than that of women, because in their case it is not an order of creation.

In the Image of God

2017 ◽  
Author(s):  
Bonnie Kent
Keyword(s):  
Human Nature ◽  
Middle Ages ◽  
Human Dignity ◽  
Late Antiquity ◽  
Free Choice ◽  
Image Of God ◽  
Latin West ◽  
Two Factors ◽  
The Image Of God ◽  
The Middle Ages

Christian writings from late antiquity through the Middle Ages have much to say about the dignity of various beings but little to say about the dignity that all humans have simply because they are human. Few authors of the Latin West used the biblical account of creation to argue for the kind of human dignity we often hear about today. Why? This chapter argues that two factors do much to explain their silence. First, patristic and medieval authors believed that God made angels as well as humans in his image, so that humans were not the sole creatures endowed with understanding, will, and free choice. Second, most authors thought that human nature was badly deformed by the Fall and needed to be reformed in the likeness of Christ. They focused less on creation than salvation, an end they believed attainable only through the grace of baptism and God-given virtues.

Persons Together

2018 ◽  
Author(s):  
Alan L. Mittleman
Keyword(s):  
Human Nature ◽  
Well Being ◽  
Image Of God ◽  
Jewish Tradition ◽  
The Political ◽  
Human Beings ◽  
Human Flourishing ◽  
Political Dimensions ◽  
Market Relations ◽  
The Image Of God

This chapter moves into the political and economic aspects of human nature. Given scarcity and interdependence, what sense has Judaism made of the material well-being necessary for human flourishing? What are Jewish attitudes toward prosperity, market relations, labor, and leisure? What has Judaism had to say about the political dimensions of human nature? If all humans are made in the image of God, what does that original equality imply for political order, authority, and justice? In what kinds of systems can human beings best flourish? It argues that Jewish tradition shows that we act in conformity with our nature when we elevate, improve, and sanctify it. As co-creators of the world with God, we are not just the sport of our biochemistry. We are persons who can select and choose among the traits that comprise our very own natures, cultivating some and weeding out others.

Gandhian Method of Conflict Resolution: Perception of Educated Youths

2017 ◽  
Vol 1 (6) ◽  
pp. 1 ◽  
Author(s):  
Dr. P. K. Kar
Keyword(s):  
Conflict Resolution ◽  
Image Of God ◽  
Integral Approach ◽  
Human Beings ◽  
Life Itself ◽  
The Image Of God ◽  
Negative Concept

Gandhiji’s method of conflict resolution was based on truth and non-violence. Truth was for him the image of God. He did not believe in personal God. For Gandhi truth is God and God is truth. Life is a laboratory where experiments are carried on. That is why he named his autobiography “My Experiment with Truth”, without these experiments truth cannot be achieved. According to Gandhi, the sayings of a pure soul which possesses nonviolence, non-stealing, true speech, celibacy and non-possession is truth. The truth of Gandhiji was not confined to any country or community. In other words , his religion had no geographical limits. His patriotism was not different from the service of human beings but was its part and parcel(Mishra:102). Gandhiji developed an integral approach and perspective to the concept of life itself on the basis of experience and experiments. His ideas ,which came to be known to be his philosophy, were a part of his relentless search for truth(Iyer:270). The realization of this truth is possible only with the help of non-violence The negative concept of Ahimsa presupposes the absence of selfishness, jealousy and anger, but the positive conception of ahimsa demands the qualities of love ,liberalism, patience, resistance of injustice, and brutal force.

scholarly journals Response to Melissa Raphael

2016 ◽  
Vol 6 (2) ◽  
pp. 23-25
Author(s):  
Ruth Illman
Keyword(s):  
Digital Media ◽  
Image Of God ◽  
Human Face ◽  
Human Beings ◽  
Jewish Art ◽  
Contemporary Issue ◽  
The Face ◽  
The Creation ◽  
The Image Of God ◽  
Ethical Demand

A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic aesthetic in modern and contemporary Jewish art’. Key themes discussed include the notion of human beings as created in the image of God, Levinas’s understanding of the face and its ethical demand as well as the contemporary issue of the commodification of the human face in digital media.

scholarly journals Несколько замечаний о необычной славянской редакции "Видения апостола Павла" из рукописных cобраний в Польше

2014 ◽  
Vol 4 ◽  
pp. 193-207
Author(s):  
Ян Страдомский ◽  
Мария Иванова
Keyword(s):  
Middle Ages ◽  
Unique Feature ◽  
Literary Tradition ◽  
Unique Form ◽  
Early Christian ◽  
Textual Tradition ◽  
Last Judgment ◽  
Made In ◽  
The Middle Ages

The apocryphal Apocalypse of St. Paul the Apostlebelongs to the group of early-Christian texts which exerted significant impact on people’s perceptionof the nether world and the Last Judgment. In the Middle Ages, the text was known in the area ofwestern and eastern Christian literary tradition. Numerous translations also include the renditionof the Apocalypse of St. Paul the Apostle into Church Slavonic, made in Bulgaria between the 10thand the 11th century, whose presence and distribution in the area of southern Slavdom and Rutheniais confirmed by copies of manuscripts. The article is devoted to a manuscript of the Apocalypse ofSt. Paul the Apostle hitherto overlooked in studies, whose unique form supplements and makes theSlavic textual tradition of the manuscript more comprehensible. The unique feature of the discussedcopy is supplementation of the text with an ending, present only in the ancient Syrian and Coptictranslations of the apocryphal text.

‘What Am I in a Boundless Creation?’

2014 ◽  
Vol 22 (1) ◽  
pp. 34-50
Author(s):  
Hilary Marlow
Keyword(s):  
Life Forms ◽  
Image Of God ◽  
Ecological Perspective ◽  
Human Beings ◽  
Ethical Challenges ◽  
Environmental Pressures ◽  
Ben Sira ◽  
The Face ◽  
The Creation ◽  
The Image Of God

Drawing on insights from the field of ‘ecocriticism’ within literary studies, this article examines the creation poem of Ben Sira (16.26-17.14) from an ecological perspective. The text is significant for such a purpose because of its reuse of the Genesis creation accounts, in particular the notion of human beings as the image of God and with dominion over creation, which has caused some critics to label the biblical accounts as exploitatively anthropocentric. Preceding sections of Sirach include discussion of human significance ‘in a boundless creation’ and human free will and moral responsibility, and these themes are developed in the poem itself. The poem’s description of the creation of humankind suggests both human finitude, a characteristic shared with other life forms, and the uniqueness of the divine image in human beings. These characteristics are set within the context of the cosmos as a stable and ordered whole, obedient to God, and of the responsibilities stipulated in the Torah to deal rightly with one’s neighbour. Reading this text from an ecological perspective invites recognition of the ambiguity of human place in the world, transient yet earth-changing, and of the ethical challenges in caring for global neighbours in the face of growing environmental pressures.


Roman Assimilation of Greek Myths and Botany

2018 ◽  
Author(s):  
Lincoln Taiz ◽  
Lee Taiz
Keyword(s):  
Gender Bias ◽  
Middle Ages ◽  
Original Sin ◽  
Human Beings ◽  
Pliny The Elder ◽  
Greek Myths ◽  
The One ◽  
Nicolaus Of Damascus ◽  
The Middle Ages

“Roman Assimilation of Greek Myths and Botany” traces the absorption of Greek botanical thought by the Romans. Although Roman thinkers—Cato the Elder, Varro, Virgil and Columella—wrote about agriculture, theoretical botany was largely abandoned, while the one—sex model of plants remained entrenched. Roman myths, many syncretized with Greek, reinforced the gender bias by which plants were associated with women. Chloris, Greek goddess of flowers, was assimilated to Flora, and Ceres to Demeter. Ovid recounts a story concerning Flora and Juno that symbolically connects flowers to parthenogenesis. Of Greek derived works on plants, only Pliny’s Historia Natura and Nicolaus of Damascus’ De Plantis were widely available in the Middle Ages. One interpretation of flowers by Pliny the Elder, that they were created to delight human beings, endured into of the Christian era, while St. Augustine sited the “degeneration” of plants grown from seed as “palpable evidence” for original sin.

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