scholarly journals Obraz starości w późnej twórczości poetyckiej Jaroslava Seiferta „Morový sloup”, „Deštník z  Piccadilly”, „Býti básníkem”

2017 ◽  
Vol 163 ◽  
pp. 527-540
Author(s):  
Anna Zura
Keyword(s):  
Old Age ◽  
Research Methodology ◽  
Nobel Laureate ◽  
Semantic Field ◽  
Dominant Theme ◽  
The World ◽  
The Dead ◽  
Late Works ◽  
The Way

The picture of old age in the late works of Jaroslav Seifert Morový sloup, Deštník z Piccadilly, Býti básníkemThe analysis is an attempt to scrutinize the linguistic picture of old age in the late works of the Czech Nobel laureate J. Seifert. The following study focuses on the last three poetry volumes of the author. The article presents an analysis of the semantic field of the old age as well as the function and the way in which the metaphors are applied in the works of the Czech poet. The article is based on the research methodology of the ‘linguistic picture of the world’. Nine major metaphorical schemes were distinguished and taken under examination. When describing old age, the dominant theme was: time, travelling, farewell, sand, water, fading fire, denial of youth, meeting the dead and reflections about life after death.Obraz světa stáří vpozdní tvorbě Jaroslava Seiferta Morový sloup, Deštník z Piccadilly, Býti básníkemCílem studie je pokus oodhalení specifického autorského obrazu stáří vpozdní tvorbě českého nositele Nobelovy ceny Jaroslava Seiferta, jež zahrnuje tři poslední sbírky: Morový sloup, Deštník z Piccadilly, Býti básníkem. Hlavní pozornost byla zaměřená na rozbor sémantického pole stáří asoučasně byly analyzovány funkce azpůsoby užití metafor. Článek vychází zmetodologie opírající se oprincipy zkoumaní jazykového obrazu světa resp. textového obrazu světa. Během práce bylo vyčleněno devět hlavních metaforických schémat, znichž dominantními jsou: čas, cestovaní, loučení, písek, voda, uhaslý oheň, negace mladí, setkaní sezesnulými, uvažování oživotě po smrti.

The image of a modern shaman. A literary example of Ida Brzezińska

2021 ◽  
Vol 37 (2) ◽  
pp. 117-134
Author(s):  
Angelika Moskal
Keyword(s):  
21St Century ◽  
Popular Literature ◽  
The Other ◽  
The World ◽  
Evil Spirits ◽  
The Dead ◽  
The Way

Abstract: The shaman figure is most often associated with primitive communities, inhabiting, among others Siberia. The shaman plays one of the most important roles in them - he is an intermediary between the world of people and the world of spirits. Responds to, among others for the safe passage of souls to the other side and protects her from evil spirits. However, is there room for representatives of this institution in contemporary Polish popular literature? How would they find themselves in the 21st century? The article aims to show the interpretation of the shaman on the example of Ida Brzezińska, the heroine of the books of Martyna Raduchowska. I intend to introduce the role and functions of the „shaman from the dead”, juxtaposing the way Ida works (including reading sleepy margins from a rather unusual dream catcher, carrying out souls and the consequences that await in the event of failure or making contact with the dead) with the methods described by scholars shamans. The purpose of the work is to show how much Raduchowska tried to adapt shamanism in her work by modernizing it, and how many elements she added from herself to make the story more attractive.

The Philosophy of the Myōken: The Ethics of the Dead and Bodhisattvas

2020 ◽  
Vol 17 (1) ◽  
pp. 57-73
Author(s):  
Fumihiko Sueki ◽  
Anton Luis Sevilla
Keyword(s):  
Human Existence ◽  
The Other ◽  
Value Systems ◽  
Religious View ◽  
Japanese Buddhism ◽  
Lotus Sutra ◽  
The World ◽  
The Dead ◽  
Mahāyāna Buddhism ◽  
The Way

AbstractToday, the modern value systems that once held sway have fallen apart, and people throughout the world are wandering in an aimless state. Amidst this, we are pressed to ask, “What kind of a new ethics might we construct?” We need to consider the possibility of an ethics that focuses on the religious view of humankind (previously ignored by modernity), that goes beyond this life, and includes the next life. In this article, I examine the way of being of bodhisattvas in Mahāyāna Buddhism via the Lotus Sutra. According to the Lotus Sutra, human existence is one that necessarily relates with the other, and this relationship is not confined to this life, but continues from past lives to future lives. Here, I refer to this as “bodhisattva as existence.” On this basis, it is possible to think of an ethics of “bodhisattva as praxis” that considers the benefit of others even after death. This view of bodhisattvas in the Lotus Sutra lives on in Japanese Buddhism and can be said to point to a new possibility for ethics today.

Paradygmat konstrukcjonizmu społecznego w badaniach nad starością i starzeniem się

2021 ◽  
pp. 50-65
Author(s):  
Marcin Muszyński
Keyword(s):  
Research Methods ◽  
Old Age ◽  
Social Constructionism ◽  
Research Methodology ◽  
Research Work ◽  
Aging Research ◽  
Secondary Importance ◽  
The Social ◽  
The World ◽  
Methods And Techniques

Research methodology has recently been reduced to using research methods and techniques that are perceived only as ready-to-use tools. Paradigmatic issues become of secondary importance and left unsaid in research work or replaced by a multi-paradigm approach characterised by pluralist ontology and epistemology. The paradigm consists of assumptions and fundamental beliefs and represents a worldview that defines the nature of the world. It helps to justify the use of selected methods and techniques. The article aims to present the social constructionism paradigm and its application in old age and aging research.

scholarly journals Living to 100 years and beyond: Drivers and implications

European View ◽  
2018 ◽  
Vol 17 (1) ◽  
pp. 44-51
Author(s):  
George W. Leeson
Keyword(s):  
Old Age ◽  
Emerging Economies ◽  
Social Care ◽  
Population Level ◽  
Population Ageing ◽  
First Century ◽  
Large Numbers ◽  
Health And Social Care ◽  
The World ◽  
The Way

The world is ageing, both at an individual and a population level, and population ageing is truly a global phenomenon. The emergence of large numbers of centenarians has accompanied this development and the twenty-first century promises to be the century of centenarians. The number of centenarians in Europe increased from around 57,000 in 2006 to almost 90,000 in 2011. By 2100 the number is expected to reach around 1.4 million in England and Wales alone. This century of centenarians will be challenging in both the developed and the emerging economies. The trend has fundamental consequences for the way in which individuals view and live these ever-extending lives, but also for the way in which societal infrastructures (education, workplaces, housing, transport, and health and social care) will need to be adapted to the needs of extreme-aged populations. More importantly, perhaps, our perception of old age needs a dramatic reappraisal.

scholarly journals Schizoanalysis and collaborative critical research

Aporia ◽  
2010 ◽  
Vol 2 (3) ◽  
Author(s):  
ERIKA BIDDLE
Keyword(s):  
Knowledge Production ◽  
Research Methodology ◽  
Collaborative Work ◽  
Critical Research ◽  
Deleuze And Guattari ◽  
Research Methodologies ◽  
Traditional Research ◽  
The World ◽  
The Way

    For researchers working within a critique of capitalism and its relation to knowledge production, it is problematic to use traditional research methodologies endemic to the very system being critiqued unless they are somehow altered. This article investigates the potential of schizoanalysis to provide conceptual tools for such an approach. Developed through the collaborative work of Deleuze and Guattari, schizoanalysis operates from the organic principle that knowledge is an indivisible part of the way we live in the world. However, schizoanalysis is not a research methodology; it inserts itself into research methodologies, warpsthem, and reproduces itself through them.

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Old age psychiatry in Ireland: The way forward

1996 ◽  
Author(s):  
Colm Cooney ◽  
Margaret Kelleher
Keyword(s):  
Old Age ◽  
Old Age Psychiatry ◽  
The Way

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

Haydn, meter, and listening in transition

2010 ◽  
Vol 51 (1-2) ◽  
pp. 141-152 ◽  
Author(s):  
Roger Grant
Keyword(s):  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Recent Trend ◽  
Music And Literature ◽  
Late Works ◽  
The Way

In recent years, music theorists and analysts have devoted a great deal of attention to the phenomenon of hypermeter, drawing some of their most representative examples from the late works of Haydn. Although this recent trend in analysis has shed much light on Haydn’s music, it has left questions of history distinct from the mode of listening it engages. This article argues that the way we understand conceptualizations of listening and aesthetic experience can greatly inform the way that we understand hypermeter and the question of style in history. Drawing on eighteenth-century theories of music and literature, it recontextualizes Haydn’s hypermetric style with respect to a larger world of aesthetic experience.

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