scholarly journals Water as a Divine Mirror in the Poetry of Daud Kamal

2021 ◽  
Vol 59 ◽  
pp. 21-35
Author(s):  
Ali Shehzad Zaidi
Keyword(s):  
Collective Identity ◽  
Rock Pool

In the poetry of Daud Kamal, water figures as an image of mercy, as in the Quran, and as a mirror that reflects a divine hidden presence. The rock pool evokes the memory of Gandhara and other foundational civilizations born in love and creative ferment. Conversely, the images of drought, heat, and dust symbolize a parched spiritual order. The river, a recurring archetypal image in Kamal’s poetry, represents the fluid self that is subsumed into collective identity to become a poetic distillate of history.

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Prototypical experiences as a cue to collective identity for recently deployed veterans

2014 ◽  
Author(s):  
Brooke Allison Lewis Di Leone ◽  
Joyce Wang ◽  
Nancy Kressin ◽  
Dawne Vogt
Keyword(s):  
Collective Identity

From Persianate pasts to Aryan antiquity. Transnationalism and transformation in Afghan intellectual history, c.1880–1940

Afghanistan ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 26-67
Author(s):  
Nile Green
Keyword(s):  
Intellectual History ◽  
Collective Identity ◽  
Historical Writing ◽  
Archaeological Methods ◽  
Subsequent Rise ◽  
Intellectual Disciplines

This essay forms a case study of the transnational dimensions of Afghanistan's modern intellectual history through a focus on the practice of history. It traces the development of Afghan historical writing between around 1880 and 1940, with an emphasis on the revolutionary historiographical transformations of the 1930s. Prior to this decade, Afghan historians broadly continued the dynastic and genealogical traditions of the Persianate tarikh (‘chronicle’). After discussing several such texts, the focus turns to the new intellectuals associated with the Kabul Literary Society (Anjuman-i Adabi-yi Kabul) in its role as a crossroads for the importation and adaptation of European intellectual disciplines. Drawing on Anglophone and Francophone scholarship in their Dari-Persian publications, the Society's historians forged radically new conceptions of collective identity by adapting European linguistic and archaeological methods. An examination of the writings of two such historians, Ya‘qub Hasan Khan and Ahmad ‘Ali Kuhzad, documents the subsequent rise of the new historical ideology of Aryanism by which Afghanistan and its peoples were linked to the ancient Aryans and their homeland of Bactria qua Aryana.

The European identity formation in Ukraine

2017 ◽  
pp. 102-109
Author(s):  
Larysa Kovryk-Tokar
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Identity Formation ◽  
European Integration ◽  
European Community ◽  
Collective Identity ◽  
Western Europe ◽  
Political Integration ◽  
European Identity ◽  
European Values

Every nation is quite diverse in terms of his historical destiny, spiritual priorities, and cultural heritage. However, voluntary European integration, which is the final aim of political integration that began in the second half of the twentieth century from Western Europe, provided for an availability of large number of characteristics in common in political cultures of their societies. Therefore, Ukraine needs to find some common determinants that can create inextricable relationship between the European Community and Ukraine. Although Ukrainian culture is an intercultural weave of two East macrocivilizations, according to the author, Ukraine tends to Western-style society with its openness, democracy, tolerance, which constitute the basic values of Europeans. Keywords: Identity, collective identity, European values, European integration

Literary Histories

2018 ◽  
Author(s):  
Eva-Marie Kröller
Keyword(s):  
New Zealand ◽  
Collective Identity ◽  
Literary History ◽  
English Language ◽  
South Pacific ◽  
The South ◽  
Cultural Elite ◽  
Historical Methodology ◽  
Literary Histories

This chapter discusses national literary histories in Australia, Canada, New Zealand, and the South Pacific and summarises the book's main findings regarding the construction and revision of narratives of national identity since 1950. In colonial and postcolonial cultures, literary history is often based on a paradox that says much about their evolving sense of collective identity, but perhaps even more about the strains within it. The chapter considers the complications typical of postcolonial literary history by focusing on the conflict between collective celebration and its refutation. It examines three issues relating to the histories of English-language fiction in Australia, Canada, New Zealand, and the South Pacific: problems of chronology and beginnings, with a special emphasis on Indigenous peoples; the role of the cultural elite and the history wars in the Australian context; and the influence of postcolonial networks on historical methodology.

A Poetics of Discretion

2019 ◽  
pp. 200-212
Author(s):  
Marion Froger
Keyword(s):  
Collective Identity ◽  
Group Identity ◽  
Film Studies ◽  
Significant Shift ◽  
Social Imaginary ◽  
Community Belonging ◽  
Relational Experience ◽  
New Generation

Through an analysis drawn from microsociology and attentive to the tiny and subtle trials of the relational experience that the “new generation” of Quebec filmmakers tend to point out, this chapter explores how a poetics of “discretion” contributes to give form to a collective sentiment that does not presuppose a community belonging to be felt. By filming the urban sociality, understood as a fleeting experience of an “invisible binding,” the filmmakers find new forms to express this sense of collectivity, which does not pretend to be a sense of collectivity grounded in group identity but instead tends to blur the very issue of collective identity and its correlate (social imaginary). This blurring notably makes sense in the particular context of “the Printemps Erable” and its casserole concerts, which argues for a significant shift in research on imaginary and community in film studies.

Ethnic Caricature and the Comic Sensibility

2019 ◽  
pp. 248-267
Author(s):  
Jean Lee Cole
Keyword(s):  
Collective Identity ◽  
Stephen Crane ◽  
Racial Minorities ◽  
Smooth Surfaces ◽  
Comic Strip

When realists engage in comedy, they are hardly ever funny. Their comic efforts strike the reader as clumsy intrusions into a world that is otherwise governed by natural or societal forces. Yet the comic mode, and an aspect of the comic that could be called the comic sensibility, can be contextualized within and against realism. Liminal and transgressive, the comic sensibility solved some of the representative conundrums of realism, disrupting its smooth surfaces and thumbing its nose at determinism. The comic sensibility depended heavily on caricature—specifically, ethnic caricature—and while ethnic caricature usually denigrated its subjects, in notable cases, as in the work of Charles Chesnutt, Stephen Crane, Bruno Lessing (Rudolph Block), vaudeville comedians, and comic-strip artists, the comic sensibility provided openings for ethnic and racial minorities to make meaning, form a collective identity, and foster solidarity.

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