scholarly journals „Szekspir uważał, że należałoby ich wszystkich powiesić…” — czyli o tym, jak wielka sztuka służy morderstwu. Cykl powieściowy Alana Bradleya wobec twórczości Williama Szekspira

2021 ◽  
Vol 26 ◽  
pp. 77-92
Author(s):  
Alicja Mazan-Mazurkiewicz
Keyword(s):  
William Shakespeare ◽  
Significant Part ◽  
Literary Character ◽  
The World ◽  
Cultural Markers

The series of crime novels by the Canadian writer Alan Bradley can be perceived as a series about England and Englishness. William Shakespeare and his works constitute an extremely significant part among the cultural markers of Englishness. Thus, it is not surprising that in the world of literature there is a great number of references to the texts of the great playwright; and these references serve various functions and appear on different textual levels. The aim of this article is a thorough and multifaceted presentation of these references, as well as a demonstration of the literary character of the series about Flavia de Luce in the light of these references.

The Disinherited in Shakespeare’s Plays

Moreana ◽  
2008 ◽  
Vol 45 (Number 173) (1) ◽  
pp. 167-174
Author(s):  
Peter Milward
Keyword(s):  
William Shakespeare ◽  
Historical Record ◽  
English History ◽  
The World ◽  
End Of The World

In conjunction with the current “revisionism” of English history from a Catholic viewpoint, it is time to undertake a corresponding revision of the plays and personality of William Shakespeare. For this purpose it is not enough to rest content with the meagre historical record, but we have to go ahead in the light of recusant history with a reinterpretation of the plays, considering the extent to which they lend themselves to the Catholic viewpoint. This is not merely a matter of nostalgia for the mediaeval past, but it looks above all to the present sufferings of the “disinherited” English Catholics — in the light of the continued presence of Christ who is suffering, as Pascal famously noted, in his faithful even till the end of the world.

Sensorineural hearing loss as a problem of modern otolaryngology (review)

2020 ◽  
pp. 50-64
Author(s):  
Anton Zhuravlev
Keyword(s):  
Hearing Loss ◽  
Sensorineural Hearing Loss ◽  
Social Activity ◽  
Healthy Person ◽  
Sensorineural Hearing ◽  
Significant Part ◽  
The World ◽  
Preservation And Restoration

The article presents an overview of factors that contribute to the development of sensorineural hearing loss, and approaches to solving this problem. Considering that we receive a significant part of information about the world through sound signals — and a healthy person is able to recognize over 400,000 different sounds —preservation and restoration of the patient’s hearing is of particular importance for maintaining social activity in modern, informational conditions of the society development.

scholarly journals Two Sisters: the Sculptor Hanna Nałkowska in the Light of Zofia Nałkowska’s Novel Węże i Róże

2019 ◽  
Vol 67 (4 SELECTED PAPERS IN ENGLISH) ◽  
pp. 125-150
Author(s):  
Magdalena Kasa
Keyword(s):  
Main Character ◽  
Literary Character ◽  
Polish Version ◽  
The World ◽  
Real Person

The Polish version of the article was published in Roczniki Humanistyczne vol. 65, issue 4 (2017). The article focuses on Ernestyna Śniadowiczówna, the main character in a novel by Zofia Nałkowska, Węże i róże [Snakes and Roses] (1913). The main purpose of the work is to show that the character had its real counterpart in Zofia’s younger sister, the sculptor Hanna Nałkowska. The words of Zofia herself were crucial, who in her Diary confessed that all her novels were autobiographical to some extent. Still, researchers have not paid sufficient attention to the significant similarities between Ernestyna and Hanna Nałkowska. Węże i róże is the only piece in the writer’s output in which she analyzed the issues related to art and pointed out some characteristics of the artist. Zofia was writing her novel when Hanna was entering the world of art. A comparison between Ernestyna Śniadowiczówna and Hanna Nałkowska, as well as the information from Zofia’s Dziennik and reminiscences of their friends show that the literary character is likely to be based on a real person.

scholarly journals Οι νεοελληνικές τύχες του Αλκιβιάδη ως το τέλος του 19ου αιώνα

2016 ◽  
Vol 25 ◽  
pp. 1
Author(s):  
Στέση Αθήνη
Keyword(s):  
Greek Literature ◽  
Historical Drama ◽  
Greek Culture ◽  
Modern Greek ◽  
Literary Character ◽  
The World ◽  
European Family

 The beginning of the closer acquaintance of Modern Greek literature with Alcibiades’ forceful personality is located during the years of Greek Enlightenment, with the discovery of the world of History and the “return to the antiquity” through foreign texts, translated into Greek. Nevertheless, Alcibiades’ appearance as a literary character was delayed compared with his reach European literary fortunes. Alcibiades appears in 1837 through Alcibiades byAugustusGottliebMeissner, a translated “bildungsroman” from German, and half a century later through a second translation, from Italian this time, the homonymous FelicioCavallotti’s historical drama (1889). Examining closely these two texts and considering their presence in the source literatures as well as the terms of their reception in Greek it is concluded that Socrates’ disciple array with literary raiment served the ideological schema aiming at the strengthening of the relations between Modern Greek culture and antiquity and simultaneously the European family.

scholarly journals Po pierwsze — człowiek. Autoetnografia w kontekście teorii sprawstwa Margaret Archer

2017 ◽  
Vol 61 (3) ◽  
pp. 33-52
Author(s):  
Katarzyna Majbroda
Keyword(s):  
Cultural Anthropology ◽  
Field Research ◽  
Significant Part ◽  
The World ◽  
Research Relationships ◽  
Anthropological Literature ◽  
Point Of Departure ◽  
A Current ◽  
Tools And Methods

The aim of this article is to show autoethnography in the context of Margaret Archer’s theory of agency. The author’s point of departure is the assumption that autoethnography is not solely a current in socio-cultural anthropology where anthropologists are focused on themselves, nor is it limited to the genre of anthropological literature in which the experiences and emotions of fieldwork researchers are displayed in the foreground. The author shows that autoethnography makes use of the reflectiveness of being in the world that is an immanent characteristic of knowing subjects. A significant part of anthropological praxis also demands from researchers a permanent autoreflexivity. This autoreflexivity concerns the aims of knowing, the course of field research, relationships during it, tools and methods of knowledge, and the cultural, social, and political contexts of practicing anthropology and its consequences. This autoreflexivity is the source of agency. Reflection about ourselves begins with a thought and in an internal conversation; these are the basis of an integral part of anthropological praxis—agency.

Evolution of the Roman Republican Senate: Composition, Election, and Judicial functions (Part 1)

2021 ◽  
pp. 62-77
Author(s):  
L. L. Kofanov ◽  
Keyword(s):  
Supreme Court ◽  
Point Of View ◽  
Significant Part ◽  
Supreme Council ◽  
The Supreme Court ◽  
The World ◽  
Judicial Authority ◽  
The Republic ◽  
The Relationship ◽  
Gradual Transformation

The paper deals with the Roman senatus in the period from 5th to 3rd century BC, from the point of view of its composition, completion and selected competences. As to its composition, in the most arcaic times of the Roman state, the senate was an assembly of the heads of clans (patres gentium), who represented the ideas of patricians. The autor presents gradual transformation of the composition of the senate and switch towards the inclusion of the plebeians. It describes also the process of the cooptation of the members, rules of which incurred fundamental changes from the hereditary principles to the regulation given by statutes. A significant part of the article is devoted to the judicial functions of the Senate and the relationship between the iudicium senatus and the iudicium populi, the transformation of the Senate court from a regional body to the highest, global court of the entire Mediterranean. It’s noted that if the original Roman Senate de iure was the judicial authority only one of the Latin Confederation, later after 338 BC, it becomes the Supreme court of the Latin Union, and by the end of the Republic is transformed into the «Supreme Council of the world».

Raising People With Special Needs

2022 ◽  
pp. 310-342
Author(s):  
Ruža Tomić
Keyword(s):  
Young People ◽  
Special Needs ◽  
Labour Market ◽  
People With Disabilities ◽  
Point Of View ◽  
Significant Part ◽  
Children And Young People ◽  
Positive Attitudes ◽  
The World ◽  
Attitudes Towards Inclusion

People with disabilities, who represent a significant part of the population of today's world, are still on the margins of social goods and values because of the attitudes of people who are not. Although, in earlier social eras, they were observed mainly from the point of view of social possibilities of existence, the appearance of significant world documents, and affirmations on the labour market, these attitudes changed somewhat. Nevertheless, in many countries of the world, the upbringing and education of children and young people with disabilities is burdened with numerous difficulties and problems. This chapter will help students, professionals, and others interested in these problems to get to know them and thus enrich their cognitive, emotional, social, and work competencies that may be needed to work with them. It will help them in practical application at all levels of their education, which will contribute to strengthening positive attitudes towards inclusion.

Shakespearean Tragedy and the Death of Humanism

2020 ◽  
pp. 304-314
Author(s):  
Rhodri Lewis
Keyword(s):  
William Shakespeare ◽  
The World ◽  
The Status ◽  
Cultural World ◽  
Shakespearean Tragedy

This concluding chapter explains how Hamlet has endeavoured to demonstrate the extraordinary pains that William Shakespeare took to represent the cultural world of humanism as fundamentally indifferent to things as they really are, and as one in which the pursuit of truth is therefore all but an impossibility. Precisely because Hamlet is a post-humanist work of tragedy, it is not confined to the strictures that Shakespeare brings to bear on superficially imitative neo-classicism. In place of preordained moral reflections that show the world as the playwright and his authorities think it should be, Hamlet provides its readerly and theatrical audiences with the prompt to examine themselves, their presuppositions, and their beliefs about the status of humankind within the moral and physical universes. The audacity of Hamlet is to show by example, rather than theoretical disquisition, that in the humanistic world of which Shakespeare and his work were a part, dramatic poetry is the medium best fitted to telling the truth. Best fitted to revealing that in its attachment to various forms of theatrum mundi, humankind not only propagates its own ignorance and self-alienation, but ensures that it will remain unable to devise a better way in which to live.

The Shakespearian Globe: Geometry, Optics, Spectacle

10.1068/d263 ◽  
2001 ◽  
Vol 19 (3) ◽  
pp. 317-333 ◽  
Author(s):  
Paul G Chamberlain
Keyword(s):  
William Shakespeare ◽  
Optical Manipulation ◽  
Significant Events ◽  
The World

One of the most significant events that swept through Europe during the Renaissance was a renewed interest in oculocentrism, extending the power of vision, and disseminating it in more visually accessible ways. In this paper the concept of the globe is explored through the work of William Shakespeare by examining its links to geometry, optics, and spectacle in the context of the theatre and the world in which the poet lived. At the outset the globe is examined in relation to Shakespeare's playhouse, which exhibited strong Vitruvian antecedents. The optical manipulation of space is then explored through the use of globes in Shakespeare's literary landscape, illustrating that Elizabethans were not only familiar with these geographical models, but that Shakespeare reinforced these new ways of seeing the world on his audience. Finally, research illustrates that globes were not only in Shakespeare's dramaturgy, but the theatre was also in the world, and the paper explores in detail how spectacle was used by learned Elizabethans to represent the globe to themselves.

Sindbad's Ocean: Reframing the Market in the Middle East

2016 ◽  
Vol 48 (4) ◽  
pp. 754-757
Author(s):  
Johan Mathew
Keyword(s):  
Popular Culture ◽  
Middle East ◽  
Indian Ocean ◽  
Arab World ◽  
Middle Eastern ◽  
Gulliver's Travels ◽  
The World ◽  
Cultural Markers ◽  
The Indian Ocean ◽  
Indian Ocean World

There are few figures as universally beloved and yet recognizably “Middle Eastern” as Sindbad. The text of Sindbad's seven voyages travel easily across continents and languages and many of the tales blur imperceptibly into those of Homer'sThe Odysseyand Swift'sGulliver's Travels. Yet this swashbuckling adventurer is also firmly situated in the world of Abbasid Iraqandthe Indian Ocean world. Sindbad is clearly identified as a good Muslim and respected Baghdadi merchant, and while fantastical, there are recognizable geographic and cultural markers that locate his voyages within the Indian Ocean world. This iconic character of Arab popular culture pushes us to contemplate how easily the Arab world flows into that of the Indian Ocean.

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