scholarly journals Dogmatyka prawa wobec politycznej opresji. Czy historia myśli prawnej może nas czegoś nauczyć?

2021 ◽  
Vol 43 (2) ◽  
pp. 201-215
Author(s):  
Andrzej Bator

One of the contemporary views formulated and popularized mainly by authors from the socalled critical theory of law is the belief in the inevitable, mutual relationship of law (theory of law and dogmatics of law) and legal practice (adjudication) with politics and the political. This position is strengthened by the observation of contemporary disputes — especially visible in Poland — with the participation of politicians and lawyers: politicians accuse lawyers of political motivation of actions taken to defend the judiciary and the rule of law, while lawyers defend themselves by arguing the need for autonomy of their professional practice, including its apolitical nature. In this text, I explain the arguments of the latter party to the dispute. I choose the dogmatics of law as the field of illustrating the issues raised, since it occupies a special place in the continental legal scholarship, acting as an intermediary between the jurisprudence and legal decision-making practice. I am trying to show — by referring to two examples from general history, i.e. the eleventh-century investiture controversy and the nineteenth-century debate in the background of the German reunification idea — that law and politics (lawyers and politicians) have always been forced to compete and cooperate with each other. Thus, it confirms the thesis of the critical theory of law. At the same time, however, I try to show that the legal community had the ability to “learn” from the political disputes of the past, which led to the formation of independent jurisprudence and legal practice in the face of current politics, and thus also to apoliticality. What is more, I argue that such an apolitical nature is a condition for the survival of legal culture in its present shape — and here, my path diverges from the critical legal theory claims. However, in my opinion, the contemporary arguments made within this theory about the political science of law and jurisprudence should be treated with all seriousness — as another experience from which our community, as one can hope, will be able to draw informative conclusions.

2009 ◽  
Vol 22 (2) ◽  
pp. 225-249 ◽  
Author(s):  
JÖRG KAMMERHOFER

AbstractHans Kelsen is known both as a legal theorist and as an international lawyer. This article shows that his theory of international law is an integral part of the Kelsenian Pure Theory of Law. Two areas of international law are analysed: first, Kelsen's coercive order paradigm and its relationship to the bellum iustum doctrine; second, the Kelsenian notion of the unity of all law vis-à-vis theories of the relationship of international and municipal law. In a second step, the results of Kelsenian general legal theory of the late period – as interpreted and developed by the present author – are reapplied to selected doctrines of international law. Thus is the coercive order paradigm resolved, the unity of law dissolved, and the UN Charter reinterpreted to show that the concretization of norms as positive international law cannot be unmade by a scholarship usurping the right to make law.


1977 ◽  
Vol 46 (1) ◽  
pp. 33-47
Author(s):  
Zoltan J. Kosztolnyik

In order to write about the relationship of four Hungarian kings with the Holy See during the eleventh century, one must first make acquaintance with the ecclesiastical policy of King Stephen I (ob. 1038), who established the political and religious unity of the country. One must also consider the relations with Rome and with the German court of Kings Andrew I (ob. 1060) and Solomon (1063–1074) in the 1050s through the early 1070s. Finally, it is important to point out that only Ladislas I, who reigned during the last quarter of the century and died in 1096, had shown a firm attitude toward Rome, though his policy went too far and, in the view expressed by Urban II to Coloman the Learned of Hungary (ob. 1116), led to a rapture of relations with the Holy See.


2020 ◽  
Vol 12 ◽  
pp. 81-102
Author(s):  
Ellen Jacobsson ◽  

This paper suggests that Alfred Schutz’s account of systems of typi­fication together with Sara Ahmed’s account of the proximity of the stranger allows for a different understanding of social integration. The paper proposes to rethink the political and social relationship of the in-group and the stranger, approached through the face-to-face encounter between an integration counselor and an immigrant. The encounter offers a disruption of what is taken for granted by the in-group and functions as a catalyst for a system of reference to appear at all. Through Ahmed’s account on the familiarity and proximity of the stranger, I argue that integration practices are considered to produce, rather than translate, a coherent system of reference for an in-group. The institutionalization of social integration is consequently risking concealing the “unintegratable” stranger rather than offering a solution for the more epistemological dimensions of social exclusion that we find in the experience of sameness and difference.


2003 ◽  
Vol 36 (1) ◽  
pp. 85-106
Author(s):  
Omid A. Payrow Shabani

In order to remedy the difficulties arising from his lifeworld/system distinction, such as the inability of his theory to account for the possibility of legitimate political power, Jürgen Habermas' attention turned toward greater abstraction through an appeal to legal theory as the basis of political consensus in the face of problems of diversity, complexity and pluralism in the modern world. This turn is made possible by an appropriation of some concepts of liberal theory, specifically John Rawls's ideas of "overlapping consensus" and "reflective equilibrium." The author argues that Habermas' insufficiently critical appropriation of these concepts leads to an inadequate account of political power that takes the existing political order as already legitimate, thereby compromising the critical thrust of his own theory.


2011 ◽  
Vol 12 (1) ◽  
pp. 516-524 ◽  
Author(s):  
Karl E. Klare

Preuss' paper significantly advances the critical theory of law. As a side benefit, he provides English-speakers with an excellent introduction to the work of two leading West German participants in the debate, Jürgen Habermas and Gunther Teubner. Preuss' paper reveals considerable common ground between critical legal theorists in Germany and the United States, but also important differences of perspective and concern. I suspect that many American legal critics will think that Preuss' criticisms of Habermas and Teubner do not go far enough, that his criticisms raise a fundamental challenge to the current emphasis on structure and system in the German debate. In any event, Preuss' paper suggests the usefulness of a greater German “reception” of the American emphasis on agency and social construction. No doubt American legal criticism would likewise be enriched by entering into a more sustained dialogue with structuralist and systems theory.


2019 ◽  
Vol 5 (2) ◽  
pp. 441-463
Author(s):  
Gilberto Magalhães Filho ◽  
Saulo Monteiro Martinho de Matos

This paper has the purpose of assessing the role of narrativity in Ronald Dworkin’s theory of law. The research question is to know whether Dworkin’s theory of law can be considered a narrative theory of law. By narrative theory, we mean a theory that is based on a heuristic characterization of plots, narrative genres, characters etc. Dworkin introduces six theses in order to link literature and law, in his classic “How law is like literature”: (1) law, as a practice of identifying valid legal propositions, can be better understood when compared to the practice of literature (synechist methodology thesis); (2) the compression of the practice of law always involves a descriptive and valuative dimension (normative theory thesis); (3) every judgment about art presupposes a theory about what art is (aesthetical hypothesis); (4) every judgment about valid legal propositions presupposes the determination of what law is (political hypothesis); (5) the political hypothesis of law depends on understanding the intentionality of the political community (chain novel); and (6) The chain novel depends on understanding the institutional history of the political community (institutional history thesis). This paper’s conclusion is that Dworkin’s theory must be seen as a narrative theory, and that without such narrative aspect, his theory would simply be a legal naturalistic theory, since the purpose or value of the law would thus become absolute.


2006 ◽  
Vol 7 (12) ◽  
pp. 1095-1102 ◽  
Author(s):  
Florian Hoffman

As the last straw, a question: where does it (From Apology to Utopia) lead us to, what are we to make of and with it (international law)? The author himself hints at an answer in the very last sentence of the Epilogue, which marks the difference between the original and this new edition of From Apology to Utopia (FATU), by pointing to his second Hauptwerk, the seminal Gentle Civilizer of Nations and the story about international lawyers it tells. Indeed, the last paragraph of FATU thereby becomes a sort of epi-epilogue, an interpretive afterthought on Gentle Civilizer, written after the original FATU, within the afterthought of FATU's new edition, written after Gentle Civilizer. The latter is taken to illustrate the consequences of FATU for both individual practitioner and academic lawyers, notably the continuous double bind between law and politics inherent in the structure of international law. That double bind demands, according to Koskenniemi, at once coolness and passion, that is, as he concludes, “a full mastery of the grammar and a sensitivity to the uses to which it is put.” This, of course, alludes once again to the twofold intent that inspires FATU: to disinter with archeological precision the grammatical structure of international law and to thereby enable its critique, or, as the author puts it in the Epilogue, to join a descriptive with a normative project. The double-edged argument that has resulted from this combination has uniquely captured the letter and spirit of international legal practice and has mesmerized the international legal profession ever since it first appeared in 1989. Together with Gentle Civilizer, it has justly made its author into one of the iconic figures of international legal theory of the intellectual fin-de-siècle of the outgoing twentieth and the incoming twenty-first century. Yet, for all the echoes FATU has been occasioning in virtually all corners of the legal theoretical spectrum, the consequences that flow from it for legal theory and practice have remained somewhat under-explored.


1937 ◽  
Vol 31 (2) ◽  
pp. 205-226 ◽  
Author(s):  
Henry Janzen

Professor Hans Kelsen is the leading exponent of the “pure” theory of law, which is attracting a great deal of attention abroad but as yet has received scant notice in the United States. His theory marks the culmination of the tendency toward a strictly legal theory, represented in the writings of K. F. von Gerber, Paul Laband, and Georg Jellinek. This movement aims to eliminate all purely metaphysical postulates—such as the natural law concepts—from legal theory, as well as to free it from the political tint which it so often manifests. It also endeavors to separate the validity of law from dependence on any personal authority.This attempt to “depersonalize” law is the last stage of a development that began with the passing of absolutism. At that time, ideas of a “general will” and of popular sovereignty—attended by a demand for “a government of laws and not of men” and by the introduction of the principle of separation of powers—made their appearance, only to be supplanted, more recently, by the concept of the Rechtsstaat.


2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.


Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis


Sign in / Sign up

Export Citation Format

Share Document