To the anniversary of A.T. Tvardovsky: onomastics of the early poem “Exordium” (“The Journey of Vasily Petrov”)

Neophilology ◽  
2020 ◽  
pp. 271-279
Author(s):  
Inna A. Koroleva
Keyword(s):  
20Th Century ◽  
Proper Names ◽  
Poetic Text ◽  
Great Poet ◽  
The Creation ◽  
First Time ◽  
Poetic Work ◽  
Thematic Plan

We consider the system of proper names in the early little-known poem by A.T. Tvardovsky “Exordium” (secondary title “The Journey of Vasily Petrov”), which was written by a young poet as preparation for the creation of the famous “The Land of Muravia”, which brought him all-Russian fame. It is proved that the text published in the journal “Nastupleniye” in 1932 is an authorial poetic text, revealing the difficulties of the first time of collectivization. It is shown how the great master of words worked on naming characters, expressing with the help of onomastic vocabulary his assessment of the characters and events. We reveal the nomination motives, which trace the role of onyms in the implementation of the ideological and thematic plan of the work. Using the analysis of onomastic units and their semantic environment, it is shown how A.T. Tvardovsky developed methods of researching proper names in his creative laboratory, which became a kind of master class for many representatives of the Smolensk Poetry School, highlighted by the famous Soviet critic A.V. Makedonov back in 1960. The principle of biography and chronotopy is substantiated, in the light of which all the work of the great poet developed further. Conclusions are made about the significance of the early poem in the context of further work with proper names. The material of this work deepens the study of the early poetic work of A.T. Tvardovsky, one of the great Russian poets of the 20th century.

scholarly journals The ideocratic state and national identity: the Serbian experience in the 20th century

2020 ◽  
Vol 38 (1/2020) ◽  
pp. 9-34
Author(s):  
Kosta Nikolić
Keyword(s):  
National Identity ◽  
20Th Century ◽  
State Formation ◽  
21St Century ◽  
Nation Building ◽  
Structural Elements ◽  
Potential Link ◽  
The Creation ◽  
First Time

Since the end of the second decade of the 21st century the Serbian people have been living on the ruins of Yugoslavia. In this country, formed over a century ago, the Serbs were united for the first time in their history, yet they gambled it away. How did this happen? While some interpretations emphasize the role of individuals, others give prevalence to structural elements. As a potential link between the two, this paper examines the influence different ideologies had on the creation of the Serbian identity in the 20th century and scrutinizes the role of these ideocratic tendencies in the process of nation building and state formation, as well as its integration and disintegration.

Smolensk Proper Names in A.T. Tvardovsky’s Poems

2020 ◽  
pp. 54-62
Author(s):  
Inna A. Koroleva ◽  
Keyword(s):  
Proper Names ◽  
Personal Characteristics ◽  
Entire Body ◽  
Literary Works ◽  
Thematic Content ◽  
Home Town ◽  
Birthday Anniversary ◽  
Long Poems ◽  
First Time

This article is dedicated to the 110th birthday anniversary of a great Russian poet, native of Smolensk, one of the founders of the Smolensk Poetic School Aleksandr Tvardovsky (1910–1971). It examines how Smolensk motifs and Tvardovsky’s love for his home town are reflected in his works at the onomastic level. Smolensk-onyms reflected in long poems are analysed here, the focus being on anthroponyms and toponyms naming the characters and indicating the locations associated with Smolensk region. A close connection between the choice of proper names and Tvardovsky’s biography is established. An attempt is made to demonstrate how, using onomastic units introduced by the author into the storyline of his artistic text, the general principles of autobiography and chronotopy are realized, which have been noted earlier in critiques of Tvardovsky’s literary works. The onomastic component of the poems is analysed thoroughly and comprehensively, which helps us to decode the conceptual chain writer – name – text – reader and identify the author’s attitude to the characters and the ideological and thematic content of the works, as well as some of the author’s personal characteristics, tastes and passions. At the onomastic level, the thesis about the role of Smolensk motifs in Tvardovsky’s literary works is once more substantiated. A review is presented of onomastic studies analysing proper names of different categories in Tvardovsky’s poems (mainly conducted by the representatives of the Voronezh Onomastic School and the author of this article). It should be noted that Smolensk proper names in the entire body of Tvardovsky’s poetry are analysed for the first time.

scholarly journals A short history of ocean acidification science in the 20th century: a chemist's view

2013 ◽  
Vol 10 (11) ◽  
pp. 7411-7422 ◽  
Author(s):  
P. G. Brewer
Keyword(s):  
Ocean Acidification ◽  
20Th Century ◽  
Fossil Fuel ◽  
Trade Offs ◽  
History Of ◽  
Chemical Knowledge ◽  
The Creation ◽  
Ph Scale ◽  
The Impact

Abstract. This review covers the development of ocean acidification science, with an emphasis on the creation of ocean chemical knowledge, through the course of the 20th century. This begins with the creation of the pH scale by Sørensen in 1909 and ends with the widespread knowledge of the impact of the "High CO2 Ocean" by then well underway as the trajectory along the IPCC scenario pathways continues. By mid-century the massive role of the ocean in absorbing fossil fuel CO2 was known to specialists, but not appreciated by the greater scientific community. By the end of the century the trade-offs between the beneficial role of the ocean in absorbing some 90% of all heat created, and the accumulation of some 50% of all fossil fuel CO2 emitted, and the impacts on marine life were becoming more clear. This paper documents the evolution of knowledge throughout this period.

Historiosophy of N.Ya. Danilevsky

2020 ◽  
Vol 58 ◽  
pp. 13-17
Author(s):  
Victor V. Aksyuchits
Keyword(s):  
20Th Century ◽  
World History ◽  
Russian Culture ◽  
Russian People ◽  
The World ◽  
History Of ◽  
First Time

According to the author of the article, N.Ya. Danilevsky anticipated a lot of ideas of the 20th century, in particular those of O. Spengler and A. Toynbee, by offering his concept of cultural and historical types in the book “Russia and Europe”. At the same time N.Ya. Danilevsky was in many aspects the follower of Slavophils while interpreting the originality of Russian people and Russian culture. After the turn of the educated society circles to Russian national self-comprehension initiated by Slavophils, N.Ya. Danilevsky not only scientifically formulated the problems brought forth by the Slavophils, but also offered for the first time the resolution of new important questions by analyzing the world history and the history of Slavic peoples. The author especially stresses the role of N.Ya. Danilevsky in creating the historiosophic concept that forestalled the epoch for many decades.

scholarly journals THE PROJECT OF ARCHEOLOGICAL MUSEUM AT THE ALL-RUSSIAN MUSEUM CONFERENCE OF 1919

2021 ◽  
pp. 437-443
Author(s):  
В. Г. Ананьев ◽  
М. Д. Бухарин
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Special Report ◽  
Revolutionary Era ◽  
The Creation ◽  
Archeological Museum ◽  
First Time

В начале ХХ в. в России активно обсуждался вопрос создания специализированного археологического музея. Этой проблеме был посвящен ряд выступлений на профессиональных форумах музейных работников. Обсуждалась она и на Первой Всероссийской конференции по делам музеев в Петрограде в феврале 1919 г. Со специальным докладом на эту тему выступил авторитетный археолог А. А. Миллер, имевший опыт музейной работы и активно проявивший себя в революционную эпоху как организатор музейного дела. В обсуждении доклада приняли участие такие видные ученые, как С. А. Жебелёв, Н. Я. Марр и др. В данном сообщении авторы впервые анализируют материалы стенограммы этого обсуждения и помещают его в контекст развития отечественной археологической/музейной мысли начала ХХ в. In the early 20thcentury the creation of a specialized archaeological museum was actively discussed in Russia. A number of communications in professional forums of museum workers were devoted to this problem. It was also discussed at the First AllRussian Museums' Conference in Petrograd in February 1919. A special report on this subject was held by archeologist A. A. Miller, who had experience of museum work and showed himself in the revolutionary era as an organizer of museum activity. Prominent scholars such as S. A. Zhebelyov, N. Ya. Marr and others took part in the discussion of his report. In this article the authors analyze the materials of the transcript of this discussion for the first time and place it in the context of the development of Russian archaeological/ museum thought of the early 20th century.

scholarly journals AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI

2020 ◽  
Vol 9 (1) ◽  
pp. 158
Author(s):  
I Wayan Agus Gunada
Keyword(s):  
Qualitative Method ◽  
Qualitative Data ◽  
Spiritual Values ◽  
Traditional Art ◽  
Hindu Religion ◽  
Pragmatic Research ◽  
Religious Teaching ◽  
The Creation ◽  
First Time

AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah tergolong modern, dan seni lukis tradisional Bali ini yang sudah berlangsung sejak dulu yaitu terdapat pakem-pakem serta prinsip yang dilakukan ketika proses penciptaan karya tersebut dikreasikan. Ketika seorang pelukis mencipta sebuah karya maka realita dan imajinasi menjadi sumber ide namun Seni lukis tradisional Bali memiliki ciri khasnya yang sangat kentara ketika dilihat secara langsung, yaitu penggambaran objek bentuk karyanya yang cenderung mengambil bentuk-bentuk alam, cerita-cerita rakyat, mitologi serta ajaran-ajaran agama Hindu yang direinterpretasikan melalui bentuk simbol-simbol didalamnya. Sehingga sebagian besar tema-tema yang dihadirkan dalam seni lukis tradisional Bali adalah mengimajinasikan ajaran-ajaran agama Hindu yang kental akan nilai-nilai spiritual dan memiliki nilai-nilai magis kedalam sebuah karya yang tidak hanya sekedar memuaskan pengalaman keindahan namun secara tidak langsung juga menjadi media wahana pengajaran ajaran agama Hindu. Penelitian ini bertujuan untuk menggambarkan bagaimana ajaran agama Hindu menjadi sumber inspirasi dalam penciptaan karya seni lukis tradisional Bali. Metode yang digunakan dalam mengkaji fokus penelitian ini adalah metode penelitian kualitatif deskriftif dengan pendekatan studi fenomenologi yaitu penelitian menggunakan data-data kualitatif untuk menggambarkan fenomena-fenomena ajaran agama Hindu yang menjadi sumber inspirasi penciptaan. Secara pragmatis penelitian ini diharapkan berdampak dalam memberikan informasi dan menambah wawasan terkait keberadaan seni lukis tradisional Bali sebagai bentuk kekayaan budaya bidang seni yang masih hidup serta keberadaannya yang masih lestari dan hidup di Bali.Kata Kunci: hindu, seni, lukis tradisional, bali.AbstractThis research is a form of analysis and study of the role of the Hindu religion in the process of creation of art painting generally traditional Balinese painting. Art painting as part of the art in Bali develops quite rapidly, where there is two art dichotomy in Bali is a traditional art painting in Bali and the art of modern paint. Traditional Balinese painting is a form of art painting that process is still using the traditions of both the making process and traditional materials although it is now common to be found using tools and materials that are already relatively modern, and the traditional Balinese painting that has been held since the first time is there are pakem and the principle that is done when the process of creation of the work is Reincreikan. When a painter creates a masterpiece, the reality and imagination become the source of ideas but the traditional Balinese painting has its distinctive characteristic when viewed directly, that is the depiction of the object of his form that tends to take the forms of nature, folklore, mythology, and teachings of Hindu religion that is interpreted by the form of symbols inside. So most of the themes presented in the art of traditional Balinese painting are too imaginative Hindu teachings that are strong in spiritual values and have magical values into a work that not only satisfies the experience of beauty but indirectly also becomes a medium of religious teaching of Hindu teachings. This research aims to illustrate how Hinduism's teachings are a source of inspiration in the creation of traditional Balinese art paintings. The method used in reviewing the focus of this research is a qualitative method of research with the approach of phenomenology study using qualitative data to describe the phenomena of Hindu religious teachings that are the source of the inspiration of creation. Pragmatic research is expected to have an impact on providing information and adding insight related to the existence of traditional Balinese art painting as a form of cultural richness of living arts and its existence that is still sustainable and living in Bali. Keywords: hindu, art, traditional painting, bali

scholarly journals Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835): from Draft to Clean Copy

2021 ◽  
pp. 240-253
Author(s):  
I. A. Kiselyova ◽  
K. A. Potashova
Keyword(s):  
War Of 1812 ◽  
Analytical Analysis ◽  
Demonstrative Pronouns ◽  
Spatial Coordinates ◽  
The Creation ◽  
The Mind ◽  
Spatial Dimensionality ◽  
First Time

The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal image and the verbalization of the pictorial artifact was determined by comparing the drafts and the clean copy of the poem “The Commander”. Particular attention is paid to verbs with visual and mental meaning, creating the effect of presence, the effect of visual allusions, the effect of a revived picture, creating a psychological portrait of the hero. The role of adverbs and demonstrative pronouns with deictic semantics, contributing to the creation of the effect of presence and serving as a means of designating spatial coordinates, is indicated. The role of reception of movement and reception of contrast in creating the illusion of a visually perceived image is emphasized. Through an analytical analysis of the ecphrasis of the poem "The Commander", Pushkin's concept of the image of General M. B. Barclay de Tolly, who appears as a rejected and unappreciated heroic figure by the crowd. The hypothesis is put forward that by verbalizing the portrait of the work of J. Dow, Pushkin canonizes in the mind of the reader the hero of the Patriotic War of 1812, poetically transforming his portrait into an icon.

scholarly journals Avantgarde Suomessa

2021 ◽  
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Women Artists ◽  
Early 20Th Century ◽  
Avant Garde ◽  
The Social ◽  
Role Of Women ◽  
First Time

Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.

THE ROLE OF CONNOTATIVE PROPER NAMES IN THE LITERARY TEXT (BASED ON THE MATERIAL OF S.A. YESENIN’S LYRICS)

2019 ◽  
pp. 164-175
Author(s):  
Yelena Guntareva
Keyword(s):  
Content Analysis ◽  
Text Analysis ◽  
Proper Names ◽  
Literary Text ◽  
Special Significance ◽  
Lexical Meaning ◽  
Poetic Text ◽  
And Linguistics

The article is devoted to the connotative reading of proper names (PN) in a literary text. Undoubtedly, among the issues of poetic onomastics it is one of the most complicated and interesting questions. It should be noted that at the present time onomastics itself appears as a rather new direction of a text analysis,it develops along with stylistics, poetics and linguistics. For the analysis of connotative onyms the article presents quite a full generalization of the following issue: whether proper names have or do not have a lexical meaning. The attention is paid to underlining the volumetric informative field in PN, in the structure of which connotation takes a considerable role. The introduction of a special term «connotonym» is convincingly motivated. The article alazies connotative potential of PN in detail and gives its common characteristics.It is underlined that all sorts of onyms have connotation, though in a literary text anthroponyms have a special significance, so a particular attention in the article is given to the connotative filling of anthroponym meanings. It is noted that proper names are always subjectively coloured, they express author’s attitude. Besides, they appear in the text in different forms, realize author’s ulterior sententiae, and assist in describing main characters and their relationship. Theoretical propositions of the article are illustrated by the example of the PNconnotative content analysis: Shaghanae from S.A. Yesenin’s famous cycle «Persian Motifs» and Tanyusha from his poem «Khorosha byla Tanyusha…». The article shows contextual reading of a connotonym and potentialities of the PN connotative reading in a poetic text.

SYNTHESIS OF DOCUMENTAL AND ARTISTIC IN THE WORKS OF ISSA BOTASHEV

2020 ◽  
pp. 94-98
Author(s):  
Alena Mustafaevna Sarbasheva
Keyword(s):  
20Th Century ◽  
Spiritual Culture ◽  
The People ◽  
Historical Figures ◽  
The Creation

The article examines the creativity of the Balkar playwright Issa Botashev, special attention is paid to the syn-thesis of documentary and artistic, inherent in the creative manner of the writer. An artistic study of the fate of historical figures, events, documentary facts in the life of the people is conditioned by the cognitive needs of the author and contemporary reader. The factual basis of the plays of I. Botashev contributes to the creation of an artistic model of reality, allows you to convey the essence of characters and depicted events, life reliability. The role of the playwright in the revival of the spiritual culture of the Balkars in the second half of the 20th century is noted.

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