scholarly journals AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI

2020 ◽  
Vol 9 (1) ◽  
pp. 158
Author(s):  
I Wayan Agus Gunada
Keyword(s):  
Qualitative Method ◽  
Qualitative Data ◽  
Spiritual Values ◽  
Traditional Art ◽  
Hindu Religion ◽  
Pragmatic Research ◽  
Religious Teaching ◽  
The Creation ◽  
First Time

AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah tergolong modern, dan seni lukis tradisional Bali ini yang sudah berlangsung sejak dulu yaitu terdapat pakem-pakem serta prinsip yang dilakukan ketika proses penciptaan karya tersebut dikreasikan. Ketika seorang pelukis mencipta sebuah karya maka realita dan imajinasi menjadi sumber ide namun Seni lukis tradisional Bali memiliki ciri khasnya yang sangat kentara ketika dilihat secara langsung, yaitu penggambaran objek bentuk karyanya yang cenderung mengambil bentuk-bentuk alam, cerita-cerita rakyat, mitologi serta ajaran-ajaran agama Hindu yang direinterpretasikan melalui bentuk simbol-simbol didalamnya. Sehingga sebagian besar tema-tema yang dihadirkan dalam seni lukis tradisional Bali adalah mengimajinasikan ajaran-ajaran agama Hindu yang kental akan nilai-nilai spiritual dan memiliki nilai-nilai magis kedalam sebuah karya yang tidak hanya sekedar memuaskan pengalaman keindahan namun secara tidak langsung juga menjadi media wahana pengajaran ajaran agama Hindu. Penelitian ini bertujuan untuk menggambarkan bagaimana ajaran agama Hindu menjadi sumber inspirasi dalam penciptaan karya seni lukis tradisional Bali. Metode yang digunakan dalam mengkaji fokus penelitian ini adalah metode penelitian kualitatif deskriftif dengan pendekatan studi fenomenologi yaitu penelitian menggunakan data-data kualitatif untuk menggambarkan fenomena-fenomena ajaran agama Hindu yang menjadi sumber inspirasi penciptaan. Secara pragmatis penelitian ini diharapkan berdampak dalam memberikan informasi dan menambah wawasan terkait keberadaan seni lukis tradisional Bali sebagai bentuk kekayaan budaya bidang seni yang masih hidup serta keberadaannya yang masih lestari dan hidup di Bali.Kata Kunci: hindu, seni, lukis tradisional, bali.AbstractThis research is a form of analysis and study of the role of the Hindu religion in the process of creation of art painting generally traditional Balinese painting. Art painting as part of the art in Bali develops quite rapidly, where there is two art dichotomy in Bali is a traditional art painting in Bali and the art of modern paint. Traditional Balinese painting is a form of art painting that process is still using the traditions of both the making process and traditional materials although it is now common to be found using tools and materials that are already relatively modern, and the traditional Balinese painting that has been held since the first time is there are pakem and the principle that is done when the process of creation of the work is Reincreikan. When a painter creates a masterpiece, the reality and imagination become the source of ideas but the traditional Balinese painting has its distinctive characteristic when viewed directly, that is the depiction of the object of his form that tends to take the forms of nature, folklore, mythology, and teachings of Hindu religion that is interpreted by the form of symbols inside. So most of the themes presented in the art of traditional Balinese painting are too imaginative Hindu teachings that are strong in spiritual values and have magical values into a work that not only satisfies the experience of beauty but indirectly also becomes a medium of religious teaching of Hindu teachings. This research aims to illustrate how Hinduism's teachings are a source of inspiration in the creation of traditional Balinese art paintings. The method used in reviewing the focus of this research is a qualitative method of research with the approach of phenomenology study using qualitative data to describe the phenomena of Hindu religious teachings that are the source of the inspiration of creation. Pragmatic research is expected to have an impact on providing information and adding insight related to the existence of traditional Balinese art painting as a form of cultural richness of living arts and its existence that is still sustainable and living in Bali. Keywords: hindu, art, traditional painting, bali

scholarly journals Research network emergence: Societal issues in nanotechnology and the center for nanotechnology in society

2018 ◽  
Vol 46 (1) ◽  
pp. 126-135 ◽  
Author(s):  
Jan Youtie ◽  
Philip Shapira ◽  
Michael Reinsborough ◽  
Erik Fisher
Keyword(s):  
Qualitative Data ◽  
Social Issues ◽  
Research Network ◽  
State University ◽  
Arizona State University ◽  
Diverse Range ◽  
Societal Issues ◽  
Geographic Mapping ◽  
The Creation

Abstract This article looks at the creation of a network of researchers of social issues in nanotechnology and the role of the Center for Nanotechnology in Society at Arizona State University (CNS-ASU) in the creation of this network. The extent to which CNS-ASU is associated with the development of a research network around the study of social issues in nanotechnology is examined through geographic mapping of co-authors and citations of center publications, network analysis of co-authors of papers on social issues in nanotechnology, and a disciplinary analysis of these papers. The results indicate that there is an extensive network of co-authorships among researchers studying social issues in nanotechnology with CNS-ASU at the center of this network. In addition, papers written by center members and affiliates integrate a diverse range of disciplines. Qualitative data are used to interpret some of the ways that citation occurs.

scholarly journals Meanings attributed to fatherhood by adolescents

2014 ◽  
Vol 27 (1) ◽  
pp. 1-5 ◽  
Author(s):  
Karla Jimena Araújo de Jesus Sampaio ◽  
Wilza Vieira Villela ◽  
Eleonora Menicucci de Oliveira
Keyword(s):  
Data Analysis ◽  
Qualitative Method ◽  
Positive Experience ◽  
Structured Interviews ◽  
Time Data ◽  
Material Synthesis ◽  
Gains And Losses ◽  
First Time ◽  
Young Father

OBJECTIVE: To understand how adolescents perceive the experience and what meanings they attribute to fatherhood.METHODS: Research of a qualitative method, using interviews of 25 young people who had become fathers for the first time. Data were collected through semi-structured interviews, taped and transcribed in their entirety. Data analysis occurred using an initial and then an exhaustive reading of the material, synthesis of the results obtained, and identification of implicit content.RESULTS: The analysis and interpretation of this material allowed us to identify three thematic categories: the role of the young father; gains and losses with fatherhood, and solutions adopted during the experienced difficulties. It was evident that the exercise of fatherhood contributed to the assumption of masculinity, to play the role of guardian of the home and provider for the family.CONCLUSION: Fatherhood was seen as a positive experience that transformed teenagers into adults.

scholarly journals Persia, the Land of Shiite Faith: The Migration of Imam Ahl al-Bayt and the Encounter between Two Belief Systems in Persia

2021 ◽  
Vol 6 (1) ◽  
pp. 55-66
Author(s):  
Fatemeh Sadat Alavi Aliabadi ◽  
Sayed Alireza Vasei
Keyword(s):  
Qualitative Method ◽  
Belief Systems ◽  
Historical Analysis ◽  
Relevant Information ◽  
Literature Study ◽  
Expansion Process ◽  
Life After Death ◽  
Principle Of Justice ◽  
First Time

This article attempts to trace the fundamental role of early Persian beliefs, Zoroastrians, to the decision of Ahl al-Bayt’s choice to migrate to Persia (Iran). This research is based on the fact that there are many places for pilgrimage to imams in Iran.  Specifically, this research investigates the similarity of several concepts in both religions, Zoroaster and Islam, regarding the teaching in the principle of God (Ilahiyyah), the principle of life after death (eschatology), and the principle of justice and morals of the religion embraced before Islam in Persia. Several studies have also reported on the distortions, opposition, and the consequences of encountering the two beliefs for the first time between Persian beliefs and Islamic teachings. This study employs a qualitative method with historical analysis and literature study along with relevant information of the study.  This article also uses the theory of migration and identity to see the interconnectedness of religion in the migration context. The results of this study show the factors that the Persians are interested in accepting and understanding the teachings of Islam. Those are: first, the emotional closeness of beliefs and moral values between Muslims and Zoroastrians (Magi); Second, the inclusive nature of Islam; third, the absence of racial, gender, and status discrimination in Islamic teachings. The descendants of imams Ahl al-Bayt of the Prophet Muhammad SAW continued the prophet's preaching and the Imams in expanding the spread of Islamic teachings to various regions. During this expansion process, they found Iran as the most secure, and suitable region to accept the presence and teaching of Islam especially the Shiite sect. Therefore, they decided to migrate to Iran, and until now Iran is known as a Shiite country.

scholarly journals OPTIMALISASI WAKAF DI INDONESIA

2019 ◽  
Vol 4 (1) ◽  
pp. 120
Author(s):  
Choirunnisak Choirunnisak
Keyword(s):  
Data Analysis ◽  
Data Management ◽  
Qualitative Data ◽  
Descriptive Analysis ◽  
Investment Climate ◽  
Analysis Methods ◽  
The Creation ◽  
Muslim Communities ◽  
Data Analysis Methods

This study aims to find out how to optimize waqf in Indonesia specifically to improve the economy in Indonesia. This research is a libraty research which focuses on qualitative data management with data analysis methods using descriptive analysis methods. The results of this study are seven things that must be done, namely: (1). Carry out a thought approach based on the study of the school of fiqh which is mostly used by Indonesian Muslim communities. (2). Provide socialization regarding the importance of empowering waqf more productively for the acceleration of development of Indonesia. (3) giving an overview and simulation of the benefits and benefits to be obtained by managing waqf productively. (4) Encouraging the creation of qualified HR waqf managers. (5). Encourage the habitual creation of alternative and investment climate that is optimal for the utilization of waqf. (6). Synergize with all related parties. (7) Optimizing the role of the Indonesian Waqf Agency.

scholarly journals Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835): from Draft to Clean Copy

2021 ◽  
pp. 240-253
Author(s):  
I. A. Kiselyova ◽  
K. A. Potashova
Keyword(s):  
War Of 1812 ◽  
Analytical Analysis ◽  
Demonstrative Pronouns ◽  
Spatial Coordinates ◽  
The Creation ◽  
The Mind ◽  
Spatial Dimensionality ◽  
First Time

The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal image and the verbalization of the pictorial artifact was determined by comparing the drafts and the clean copy of the poem “The Commander”. Particular attention is paid to verbs with visual and mental meaning, creating the effect of presence, the effect of visual allusions, the effect of a revived picture, creating a psychological portrait of the hero. The role of adverbs and demonstrative pronouns with deictic semantics, contributing to the creation of the effect of presence and serving as a means of designating spatial coordinates, is indicated. The role of reception of movement and reception of contrast in creating the illusion of a visually perceived image is emphasized. Through an analytical analysis of the ecphrasis of the poem "The Commander", Pushkin's concept of the image of General M. B. Barclay de Tolly, who appears as a rejected and unappreciated heroic figure by the crowd. The hypothesis is put forward that by verbalizing the portrait of the work of J. Dow, Pushkin canonizes in the mind of the reader the hero of the Patriotic War of 1812, poetically transforming his portrait into an icon.

scholarly journals Mekanisme Kemitraan Petani PIR-TRANS dan PT. Tania SelatanMelalui Koperasi untuk Produksi Kelapa Sawit di Desa Tania Makmur, Kecamatan Lempuing Jaya, Kabupaten OKI, Propinsi Sumatera Selatan

2019 ◽  
pp. 49
Author(s):  
KADEK MARTINI NINGSIH ◽  
I KETUT RANTAU ◽  
PUTU UDAYANI WIJAYANTI
Keyword(s):  
Data Collection ◽  
Qualitative Method ◽  
Qualitative Data ◽  
Secondary Data ◽  
The Poor ◽  
Harvesting Process ◽  
The Right ◽  
Depth Interviews ◽  
Poor Management

Partnership Mechanism of PIR-TRANS farmers and PT. Tania Selatan through a cooperative for Palm Oil Production in Tania Makmur Village,Lempuing Jaya Sub-district, OKI Regency, South Sumatera Province PIR-TRANS and PT. South Tania could make farmers feel aggrieved because of  the lack of good management company, so the PIR-TRANS farmers need to know the mechanisms and constraints on partnership between farmers PIR-TRANS and PT. South Tania through cooperatives. Mechanisms of partnership can be seen from the rights and obligations of farmers and companies, as well as the role of relevant institutions and the constraints faced by companies and farmers. The data used in the form of qualitative data sourced from primary and secondary data. Methods of data collection in the form of in-depth interviews and documentation. The analytical method used is descriptive qualitative method. The results showed that mechanisms and constraints in the implementation of partnership is based on a written agreement between farmers of PIRTRANS and PT. Tania Selatan has been implemented quite well. Farmers' right to getseeds, development and marketing of crops. The right of the company is to get the harvest in accordance with the standards of the company. The farmer's obligation is to supply all crops according to the company standards. The company's obligation is to maintain the infrastructure. The certainty of roles between farmers and companies has been running optimally. The biggest obstacle faced by farmers and companies is the poor road infrastructure causing inhibition of transportation and harvesting process, especially in the rainy season, and poor management of the company to make farmers feel harmed at the beginning of cooperation done.

scholarly journals Triage: line or nets? Early intervention and the youth justice system

2014 ◽  
Vol 13 (4) ◽  
pp. 147-160 ◽  
Author(s):  
Sarah Soppitt ◽  
Adele Irving
Keyword(s):  
Restorative Justice ◽  
Justice System ◽  
Design Methodology ◽  
Qualitative Data ◽  
Youth Justice ◽  
Content Type ◽  
The Impact ◽  
First Time

Purpose – The purpose of this paper is to present a discussion of the value of early diversion schemes, underpinned by the principles of restorative justice (RJ), for First Time Entrants (FTEs) into the criminal justice system (CJS). Design/methodology/approach – The paper focuses specifically on the findings of a 12-month study into the introduction of “Triage” by one Youth Offending Team (YOT) in the northeast of England. Findings – Re-offending data suggested that Triage is more effective in reducing re-offending than conventional justice practices, due to the restorative nature of the scheme. However, the qualitative data raised a number of issues, particularly relating to problems of “net-widening” and the impact of recording processes on young people's desistance, as well as the role of victim engagement in the process. These issues could undermine the long-term effectiveness of Triage and its successful application within other youth justice contexts. Originality/value – The paper aims to contribute further understanding regarding the impacts of RJ practices on reducing re-offending compared to traditional processes, and in particular, consider the role of implementation issues in the production of outcomes and impacts.

scholarly journals BUSANA PENGANTIN AESAN GEDE (TENUN SONGKET DAN AKSESORIS) PADA UPACARA PERNIKAHAN ADAT PALEMBANG SUMATERA SELATAN

2019 ◽  
Vol 1 (2) ◽  
pp. 213
Author(s):  
Vebby Tifanny ◽  
Nanang Rizali ◽  
Ganal Rudiyanto
Keyword(s):  
Qualitative Method ◽  
Symbolic Meaning ◽  
High Quality ◽  
Wedding Ceremony ◽  
The Creation ◽  
Different Characteristics ◽  
Descriptive Qualitative

<br /><div>The fabric known as Palembang songket weaving (hand-woven brocade, intricate patterned with gold thread) features high cultural evidence, because the songket is associated with various things such as high sales value, high quality fabrics made of silk and gold, and duration the time it takes to make it. Songket contains a certain meaning that shows how the use and level of people who wear it. Songket tent first appeared in Ki Gede Ing Suro area and later developed to experience various changes in the type of yarns used to make Aesan Gede cloth used in traditional Palembang wedding ceremonies, while the inside of songket remains unchanged. There are a number of elements that characterize Palembang songket. The problems discussed in this research are the background of Palembang songket in the traditional wedding procession of Palembang, the form and accessories of Aesan Gede in the procession of wedding custom, and the philosophical and symbolic meaning contained in Aesan Gede clothes used in the traditional wedding procession of Palembang. The purpose of this study is to examine the role of songket cloth in the customary wedding procession of Palembang. This study used descriptive qualitative method. The results showed that: first, the background of the creation of Palembang songket cloth in the ceremony of marriage is influenced by the aristocracy in the era of Sriwijaya kingdom. At that time songket should only be used by the King and Queen. Secondly, Palembang songket used in the ceremony procession of Palembang's traditional wedding ceremony is Aesan Gede and Aesan Paksangkong. Each dress has different characteristics. Third, Aesan Gede dress worn during traditional wedding ceremonies of Palembang, contains important philosophical and symbolic meaning. <p><br /><strong> </strong><br /><strong>Abstrak</strong></p><p>Kain yang dikenal sebagai tenun songket Palembang (brokat tenunan tangan, bercorak rumit dengan benang emas) menampilkan bukti budaya yang tinggi, karena kain songket ini terkait dengan berbagai hal seperti nilai penjualannya yang tinggi, kualitas kainnya yang tinggi terbuat dari sutera dan emas, dan lamanya waktu yang dibutuhkan untuk membuatnya. Songket berisi makna tertentu yang menunjukkan bagaimana penggunaannya dan tingkat orang yang memakainya. Tenda songket pertama kali muncul di kawasan Ki Gede Ing Suro dan kemudian berkembang untuk mengalami berbagai perubahan dalam jenis benang yang digunakan untuk membuat kain Aesan Gede yang digunakan dalam upacara pernikahan tradisional Palembang, sementara bagian dalam kain songket tetap tidak berubah. Ada sejumlah elemen yang menjadi ciri khas songket Palembang. Permasalahan yang dibahas dalam penelitian ini adalah latar belakang adanya songket Palembang dalam prosesi adat pernikahan tradisional Palembang, bentuk dan aksesoris Aesan Gede dalam prosesi adat pernikahan, dan makna filosofis dan simbolis yang terkandung dalam busana Aesan Gede yang digunakan dalam prosesi pernikahan tradisional Palembang. Tujuan dari penelitian ini adalah untuk mengkaji peranan kain songket pada prosesi pernikahan adat Palembang. Penelitian ini menggunakan metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa: pertama, latar belakang terciptanya pemakaian kain songket Palembang dalam upacara adat pernikahan dipengaruhi oleh aristokrasi pada jaman kerajaan Sriwijaya. Saat itu songket hanya boleh dipakai oleh Raja dan Ratu. Kedua, songket Palembang yang dipakai pada acara prosesi adat pernikahan Palembang itu merupakan busana Aesan Gede dan Aesan Paksangkong. Masing-masing busana memiliki ciri khas yang berbeda. Ketiga, busana Aesan Gede yang dipakai dalam upacara pernikahan adat tradisional Palembang, mengandung makna filosofis dan simbolis yang penting.</p></div>

scholarly journals Improving Students’ Achievement in Writing Descriptive Paragraph through Teaching Prewriting Stages

2020 ◽  
Vol 3 (3) ◽  
pp. 1322-1335
Author(s):  
Puji Hariati
Keyword(s):  
Action Research ◽  
Quantitative Data ◽  
Qualitative Method ◽  
Qualitative Data ◽  
Ninth Grade ◽  
Supporting Point ◽  
Classroom Action Research ◽  
Ninth Grade Students ◽  
Academic Year

This study was aimed to find out whether or not Teaching Prewriting Stages can improve students’ ability in writing descriptive paragraphs, to describe the role of prewriting stages in helping the students to write descriptive paragraphs. This study was conducted by using Classroom Action Research. It was done through 1) planning, 2) action, 3) observation, and 4) reflection. The population and the sample was the ninth grade students of SMP Swasta BUDISATRYA at 2018/2019 academic year. This research applied quantitative and qualitative method. Quantitative data were taken from the students' writing descriptive paragraph test. Qualitative data were taken from observation, interview, and diary notes. The result of the research shows that there was some improvement of students’ ability in writing descriptive paragraphs through teaching prewriting stages. It can be proved from the students' score which improved from cycle 1 to cycle 2.  The improvement can be seen that in pre test the means score was 33.52. In the first cycle, meeting 1 the means score was 37.35, in meeting 2 was 42.64 and in meeting 3 was 52.64. In the second cycle, meeting 1 the means score was 64,41,  in meeting 2 was 80 and in meeting 3 was 91.17. The improvement also can be seen from the percentage of the students’ achievement in writing descriptive paragraph by using prewriting stage; in pre test, no one of the students got 75 points. In the first cycle, in meeting 1, and meeting 2, there was also no one student got 75 point,  but in meeting 3 there was 23,52% (8 students) got 75 points. It means there was an improvement about 23.52 % . In the second cycle, in meeting 1 there was 29.41% (10 students) got 75 points, it means that there was an improvement about 5.89%. In meeting 2 there was 79.41% (27 students) got 75 points, it means that there was an improvement about 50%.  In meeting 3 there was 100% (34 students) got up 75 points. It means that prewriting stages helped the students to write descriptive paragraphs through brainstorming, listing supporting point, making a simple outline to write event, place or object related to the topic. So, the students’ achievement in writing descriptive paragraph is significantly improved by applying prewriting stage.

scholarly journals TANTANGAN DALAM PENCIPTAAN SENI RUPA TRADISI DI ERA REVOLUSI INDUSTRI 4.0

2019 ◽  
Vol 2 (2) ◽  
pp. 330-338
Author(s):  
Karsam .
Keyword(s):  
Literature Review ◽  
Human Behavior ◽  
Qualitative Method ◽  
Industrial Revolution ◽  
Digital Age ◽  
Fine Art ◽  
Direct Practice ◽  
Traditional Art ◽  
The Creation ◽  
Artistic Values

The industrial revolution 4.0 was an era where all aspects were made, carried out, carried out with tools and facilities that were all modern including the creation of traditional art. The order of human behavior in work that cannot keep up with changes in the digital age will be marginalized. This condition can marginalize and even destroy the existence of traditional art.This research was carried out by using qualitative method in which data are obained from observation, literature review and direct practice in the field, where the author is the actor of the creation of traditional art.The purpose of this study is to preserve and preserve the existence of traditional fine art on this earth, so the creators (Artists, Masters, Kriyawan, Craftsmen, etc.) must be able to use media, tools, materials, facilities that develop in this time. The author hopes that this research can benefit readers, researchers, reviewers and traditional art actors to continue working in this era of industrial revolution 4.0 without abandoning traditional artistic values.

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