scholarly journals Platón, las pasiones y la crítica del populismo = Plato, passions and criticism of the populism

ΠΗΓΗ/FONS ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 55
Author(s):  
Álvaro Pablo Vallejo Campos
Keyword(s):  
The Political ◽  
Athenian Democracy ◽  
Theory Of Justice ◽  
Ideal State ◽  
Points Of View ◽  
The Republic ◽  
The Individual ◽  
First Time ◽  
The City ◽  
The Ideal

Resumen: La tesis principal de este artículo es que la trascendencia política de las pasiones determina en Platón sus planteamientos éticos y políticos. La primera vez que se ocupa de ellas más sistemáticamente, como ocurre en el Gorgias, aparecen directamente involucradas en la crítica del imperialismo y de los procedimientos retóricos propios de la democracia ateniense, y su tratamiento debe ser uno de los ingredientes esenciales de la política concebida como un arte. Pero en la República el estado ideal surge de una reflexión sobre la necesidad de realizar una purgación de las pasiones en la ciudad lujosa y afiebrada que se trata de reformar. La importancia de la cuestión se deriva del hecho de que una teoría de la justicia en el individuo y en el estado consiste, en definitiva, en formular un ideal normativo de las relaciones que deben establecerse entre la razón y las pasiones del alma. A consecuencia de ello, las formas degeneradas del estado ideal pueden interpretarse como una secuencia en sentido creciente de la ilegítima irrupción de las pasiones en la sociedad enferma que se opone a aquel.Palabras clave: Platón, pasiones, política, retórica, estado ideal, justicia, populismo.Abstract: The main thesis of this paper is that the political transcendence of passions determines Plato’s ethical and political points of view. The first time that he deals systematically with passions, as occurs in the Gorgias, they are directly implicated in the critic of imperialism and the rhetorical procedures of Athenian democracy. They are also an essential part of politics conceived as an art. In the Republic , the ideal city emerges as the necessity of practicing a purge of passions in the luxuriant or feverish city that has to be purged. The importance of this issue derives from the fact that the theory of justice in the individual and the city consists of a normative ideal on the relations that have to be established between passions and reason. As a consequence, the sequence of the degenerated forms of the ideal state can be interpreted as an increasing model of the illegitimate irruption of passions in the ill society opposed to it.Keywords: Plato, passions, politics, rhetoric, ideal state, justice, populism.

The Republic

2019 ◽  
pp. 205-229
Author(s):  
Dominic Scott
Keyword(s):  
Political Theory ◽  
Left Behind ◽  
Ideal State ◽  
The Republic ◽  
Individual Justice ◽  
The Individual ◽  
Political Right ◽  
First Time ◽  
The Ideal

This chapter presents a reading of Plato’s Republic. The Republic is among Plato’s most complex works. From its title, the first-time reader will expect a dialogue about political theory, yet the work starts from the perspective of the individual, coming to focus on the question of how, if at all, justice contributes to an agent’s happiness. Only after this question has been fully set out does the work evolve into an investigation of politics—of the ideal state and of the institutions that sustain it, especially those having to do with education. But the interest in individual justice and happiness is never left behind. Rather, the work weaves in and out of the two perspectives, individual and political, right through to its conclusion. All this may leave one wondering about the unity of the work. The chapter shows that, despite the enormous range of topics discussed, the Republic fits together as a coherent whole.

Comedy in Callipolis: Animal Imagery in the Republic

1978 ◽  
Vol 72 (3) ◽  
pp. 888-901 ◽  
Author(s):  
Arlene W. Saxonhouse
Keyword(s):  
Social Life ◽  
Political Community ◽  
The Political ◽  
Political Society ◽  
Animal Imagery ◽  
Animal Images ◽  
The Republic ◽  
The Individual ◽  
The City ◽  
The Ideal

The political society founded by Socrates in the Republic has been seen by many as Plato's conception of the ideal political community, his Callipolis. However, a study of the language used by Socrates as he builds his perfect city reveals an unusually heavy concentration of animal images. This language seems to undercut the ostensible perfection of Socrates' city and illustrates rather its connections to the comic world of Aristophanes, whose comedy the Birds offers the model according to which the Republic is built. It is suggested that the city of the Republic is comic and ugly, indicating the limitations of politics rather than its potentialities. The Republic argues for the need to reorient the concept of justice away from social life and towards the individual. Ultimately, the Republic suggests that the notion of social justice is laughable and fit for the comic Stage.

“Our Enemies Are Gathered Together”

2019 ◽  
Vol 36 (3) ◽  
pp. 295-330
Author(s):  
Mary Ellen Ryan
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
The Political ◽  
Civic Life ◽  
Political Upheaval ◽  
Twentieth Century Music ◽  
The Republic ◽  
The Government ◽  
The Individual ◽  
The City

The return of the Florentine republic (1527–30) ushered in a tense period of political upheaval. As the city faced an imperial siege and bouts of famine and plague, the government promoted a vibrant spiritual program to combat dangers to its independence. The motet flourished within this environment, but the connections between this repertory and civic life in early sixteenth-century Florence have yet to be fully explored. Since the mid-twentieth century, music historians have examined Florentine manuscript sources of the motet (the Newberry Partbooks and Vallicelliana Partbooks) and have articulated various arguments for the political significance of these collections and the individual pieces they contain. Viewed as a whole, however, the repertory does not typically express partisan support for the Medici or the republic. One underlying thread tying many of these motets together is their function within ritual celebrations, particularly in uniting the community in prayer for collective relief. Philippe Verdelot’s wartime Congregati sunt inimici nostri exemplifies the multiple performance uses of motets in Florentine ritual contexts. Its compositional design and content reveal how Florentines turned to the motet to demonstrate communal solidarity and to seek divine aid in times of crisis.

Colloquium 2 Plato on the Good of the City-state in the Republic

2015 ◽  
Vol 30 (1) ◽  
pp. 41-62 ◽  
Author(s):  
Gerasimos Santas
Keyword(s):  
Social Justice ◽  
The Republic ◽  
The Individual ◽  
City State ◽  
The City ◽  
The Ideal

This paper argues that in Plato’s utopia the good of the ideal city-state is not identical with the good of the citizens, but it is nevertheless not independent of the good of the citizens. And similarly with the happiness of the city-state and the happiness of the citizens in it, something that can be more clearly seen once the happiness of the city and the happiness of the individual are analyzed in terms of the goods appropriate to each. Plato’s principle of social justice distributes such goods proportionately so as to promote the good of the city as a whole. Popper and others have been mostly correct in criticizing Plato for his severe restrictions of various freedoms, but not correct in claiming that Plato’s ideal city-state is an organic super-entity with a good of its own separate and independent of the good of the citizens. 


scholarly journals Reinvestigating the Political Position of the Citizen in Plato’s „Republic”

2020 ◽  
Vol 14 (4) ◽  
pp. 23-43
Author(s):  
Stephen Oppong Peprah
Keyword(s):  
Social Justice ◽  
Political Theory ◽  
Political Authority ◽  
Cooperative Interaction ◽  
The Political ◽  
Orthodox Interpretation ◽  
Political Position ◽  
The Republic ◽  
The Individual ◽  
The Ideal

In this paper, I argue that in the Republic Plato justifies the political authority of the guardians in light of the principle of partnership — a principle which fits coherently with other Platonic principles which undergird his political theory, including optimum functionality, social justice and power. Therefore, I argue that, by their respective professions, there is a cooperative interaction between the guardians and the producers as partners within the political structure of the ideal polis towards attaining the eudaemonistic goals of both the individual and the polis. I contrast this with the orthodox interpretation that Plato justifies political authority using the idea of the Good — an interpretation which holds that since the citizens cannot grasp the Good, they assume an insignificant political position, including the allegations that they are cogs, slaves, morally obtuse, and politically inept.

Guerrilla art in the city: Urban and social revitalization

2021 ◽  
Vol 10 (2) ◽  
pp. 175-183 ◽  
Author(s):  
Enrica Lovaglio ◽  
Manuel Scortichini
Keyword(s):  
Public Art ◽  
Public Funding ◽  
The Political ◽  
Collective Identities ◽  
Local Economies ◽  
Collaborative Action ◽  
Economic Revitalization ◽  
Urban Transformations ◽  
The City ◽  
The Ideal

Without a permit, a masterplan, or corporate or public funding, artists have evaded conventional norms to accomplish a feat: the urban and socio-economic revitalization of abandoned or depressed cities worldwide. In Rio’s favelas and America’s impoverished suburbs, artists are the political force that promotes local economies, defines collective identities, gives people a sense of belonging, while covering the land with beauty. To act at the city’s scale, artists teach their craft to the locals and use art to empower the community, and unveil needed urban policies, bringing economic development, expertise and collaborative action. As a result, public art becomes instrumental for infusing new life in marginalized neighbourhoods, and the city becomes the ideal canvas for free expression without bureaucracy. This article is a bird’s eye view of two public art interventions that have highlighted the political and pedagogical implications of a citizen-design approach to urban renewal. Ultimately, it is a call for artists to activate as impactful makers of urban transformations.

Virtus Romana

2017 ◽  
Author(s):  
Catalina Balmaceda
Keyword(s):  
Roman Republic ◽  
Cultural Values ◽  
Political System ◽  
Historical Analysis ◽  
Historical Narratives ◽  
The Political ◽  
Political Transformation ◽  
Political Concept ◽  
The Republic ◽  
The Ideal

The political transformation that took place at the end of the Roman Republic was a particularly rich area for historical analysis. The crisis that saw the end of the Roman Republic and the changes which gave birth to a new political system were narrated by major Roman historians who took the Roman idea of virtus as a way of interpreting and understanding their history. Tracing how virtus informed Roman thought over time, the book explores the concept and its manifestations in the narratives of four successive Latin historians who span the late republic and early principate: Sallust, Livy, Velleius, and Tacitus. Balmaceda demonstrates that the concept of virtus in these historical narratives served as a form of self-definition which fostered and propagated a new model of the ideal Roman more fitting to imperial times. As a crucial moral and political concept, virtus worked as a key idea in the complex system of Roman socio-cultural values and norms which underpinned Roman attitudes about both present and past. This book offers a re-appraisal of the historians as promoters of change and continuity in the political culture of both the Republic and the Empire.

The Modification of Plan in Plato's Republic

1913 ◽  
Vol 7 (4) ◽  
pp. 265-272 ◽  
Author(s):  
R. Hackforth
Keyword(s):  
Social Structure ◽  
Human Soul ◽  
Ideal State ◽  
General Plan ◽  
The Individual ◽  
Argument Proceeds ◽  
The Ideal

In a recent number of the Classical Quarterly Mr. F. M. Cornford argues against the commonly accepted view, according to which the tripartite social structure of the Republic is a corollary, in Plato′s mind, to the tripartition of the individual Soul. In the present paper I propose to examine the general plan of the dialogue, in the hope of showing that Plato′s conceptions of State and Soul were not, as generally assumed and as assumed by Mr. Cornford, ready-made and clearly formulated in his mind before he began to write the Republic: that, on the contrary, we can detect profound and vital modifications of his original views as the argument proceeds: and that the conceptions of the Ideal State and the rightly constituted human soul grow out of one another and react on one another in such a way that it is impossible to give a simple answer, affirmative or negative, to the question ‘ Which is prior, the tripartition of State or the tripartition of Soul ?’

scholarly journals FIRST PRISMATIC BUILDING MODEL RECONSTRUCTION FROM TOMOSAR POINT CLOUDS

2016 ◽  
Vol XLI-B3 ◽  
pp. 381-386 ◽  
Author(s):  
Y. Sun ◽  
M. Shahzad ◽  
X. Zhu
Keyword(s):  
Point Clouds ◽  
Denoising Method ◽  
Building Model ◽  
Line Simplification ◽  
Building Models ◽  
Convention Center ◽  
The Individual ◽  
First Time ◽  
The City ◽  
Large Building

This paper demonstrates for the first time the potential of explicitly modelling the individual roof surfaces to reconstruct 3-D prismatic building models using spaceborne tomographic synthetic aperture radar (TomoSAR) point clouds. The proposed approach is modular and works as follows: it first extracts the buildings via DSM generation and cutting-off the ground terrain. The DSM is smoothed using BM3D denoising method proposed in (Dabov et al., 2007) and a gradient map of the smoothed DSM is generated based on height jumps. Watershed segmentation is then adopted to oversegment the DSM into different regions. Subsequently, height and polygon complexity constrained merging is employed to refine (i.e., to reduce) the retrieved number of roof segments. Coarse outline of each roof segment is then reconstructed and later refined using quadtree based regularization plus zig-zag line simplification scheme. Finally, height is associated to each refined roof segment to obtain the 3-D prismatic model of the building. The proposed approach is illustrated and validated over a large building (convention center) in the city of Las Vegas using TomoSAR point clouds generated from a stack of 25 images using Tomo-GENESIS software developed at DLR.

scholarly journals Philosophical conceptualization of evil in the ethical space of Confucianism

2021 ◽  
pp. 30-41
Author(s):  
Aleksei Ivanovich Aleksandrov ◽  
Andrei Andreevich Kovalev
Keyword(s):  
The Political ◽  
Philosophical Literature ◽  
Moral Principles ◽  
The Subject ◽  
Virtuous Life ◽  
The Individual ◽  
Good And Evil ◽  
The Ideal ◽  
Ethical Space

The subject of this research is the philosophical conceptualization of evil in the Confucianism. This goal is achieved by solving the following tasks: 1) assessment of Confucianism as a synthesis of the philosophical views of Confucius and Mencius; 2) determination of good and evil as  the contrasting concepts in the ethical space, which is based on the ideal of a “person of high nature” Junzi and the real world of a “petty person"; 3) evaluation of evil as the antipode of good, which is based on the sense of duty and regard of moral rules. The novelty of this research consists in the first within the Russian historical-philosophical literature comparative analysis of the views of Confucius and Mencius upon the nature of evil, examination of the genesis of such representations, and their relevance for modern philosophy. Representations on the nature of good and evil of Confucius and Mencius are based on the contrast within the ethical space of the ideal of a “gentleman” (due) and the reality of a “petty person”. The virtue of a “gentleman” is a means of achieving good; and the virtuous life leads to prosperity of the country. Evil of a “petty person” captured by selfish motives, leads to social demise and political disintegration. Mecius applies same moral principles, which govern the individual’s everyday life, to the political sphere of social existence. The thinker underlines circumscription of the monarchs, indicating that even the monarch – if not a “gentleman”, but merely a “petty person” – can be corrupted by evil, in which case the country faced demise.

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