Mythosemantics of Abraham image in the art world of I.A. Bunin

2021 ◽  
pp. 76-81
Author(s):  
Igor S. Uryupin ◽  
Keyword(s):  
Old Testament ◽  
Good News ◽  
Art World ◽  
Biblical Text ◽  
Central Places ◽  
Cultural Aspects ◽  
Adam And Eve ◽  
History Of

The article in the historical, literary and philosophical and cultural aspects analyzes the mythosemantics of the image of Abraham, which occupies one of the central places in the artistic world of I.A. Bunin. On the material in the essay and prose of the writer, the mythosuggestive potential is revealed not only of the precedent phenomenon, which is the very name of the Hebrew forefather, but also of the biblical text about the ancestor of all peoples as a whole. Accumulating sacred meanings associated with the Old Testament patriarch in the Jewish, Christian and Muslim traditions, I.A. Bunin actualizes various mythosugets and mythomotifs dating back to the Holy Scriptures: the marriage of Abraham and Sarah, projecting on the history of Adam and Eve, Abraham’s good news about the birth of Isaac Particular attention is paid to the comprehension of the meal of Abraham — the Old Testament Trinity, which was extremely important for I.A. Bunin.

scholarly journals The dramatization of the Holy Week in Švėkšna church in the first half of the 19th century

Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė
Keyword(s):  
19Th Century ◽  
Old Testament ◽  
18Th Century ◽  
Complicated Structure ◽  
Adam And Eve ◽  
Death Of Jesus ◽  
History Of ◽  
Church Art ◽  
The 19Th Century ◽  
First Time

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.

scholarly journals Die Bybel: Teks en ondermyning

2003 ◽  
Vol 59 (3) ◽  
Author(s):  
Philip J. Nel
Keyword(s):  
Old Testament ◽  
Reception History ◽  
Biblical Text ◽  
The Bible ◽  
Religious Text ◽  
History Of

The Bible: Text and subversionThis article explores both the subversive dimension of the biblical text, in particular the Old Testament, as the ramifications thereof for the concept of a religious text. It argues that interpretation has been historically and fundamentally part and parcel of the genesis and reception history of the biblical text. The texts of Job and Jonah have been chosen for their explicit subversive strategies. The article shows that if the biblical text exploits strategies of subversion, it also contravenes the traditional opinion subscribing to a referential meaning of texts. A subversive text cannot simultaneously deny and confirm a constant (fixed) and an immutable reality. The article argues that biblical scholars should reconsider other perceptions of the religious text to avoid the destructive criticism of referential meaning in postmodern studies. One option to be considered is the view of a text as performative communication.

Psalm 2 In The Context Of Biblical Theology

1990 ◽  
Vol 12 (1) ◽  
pp. 73-91 ◽  
Author(s):  
James W. Watts
Keyword(s):  
New Testament ◽  
Old Testament ◽  
Biblical Theology ◽  
Theological Reflection ◽  
Biblical Text ◽  
Ancient Israel ◽  
History Of ◽  
Royal Ideology ◽  
Psalm 2 ◽  
Religious Nature

AbstractPsalm 2 is an intersection in which a variety of issues in biblical theology meet. The psalm impacts upon our understanding of monotheism in ancient Israel, the religious nature of Judah's royal ideology, the origins of eschatology, and New Testament Christology. Theological reflection on Ps 2 should therefore not only consider the recent exegetical discussions of the text, but also the theological issues raised by the Old Testament context, the New Testament's use of the psalm, and the history of the psalm's interpretation. In what follows, a survey of all these aspects will lay the basis for a theological construal of this biblical text.

Ezekiel 1–20

1983 ◽  
Author(s):  
Moshe Greenberg
Keyword(s):  
Old Testament ◽  
Critical Analysis ◽  
Biblical Text ◽  
The Third ◽  
Final Volume ◽  
Critical Issues ◽  
History Of ◽  
Holistic Interpretation ◽  
The Rich ◽  
Rich History

In Ezekiel 1-20, the first of two volumes of commentary on the Scripture attributed to the third major Old Testament prophet, Moshe Greenberg uses accessible prose to explain Ezekiel's ecstatic, erratic, almost incomprehensible otherworldly visions and prophecies. One of this century's most respected biblical scholars, Greenberg translates the text, identifies the critical issues raised by the book, and offers an impressively balanced, thoroughly holistic interpretation of Ezekiel. Ezekiel 1-20 rigorously engages the biblical text with all the tools of historical critical analysis. Drawing upon the rich history of Jewish and Christian interpretation, Greenberg employs ancient and modern sources in his elucidation of this most difficult prophetic book. Only his second and final volume, Ezekiel 21-48, can complete the most authoritative commentary on Ezekiel.

Moment's Monument

2017 ◽  
Author(s):  
Sharon Hecker
Keyword(s):  
Art World ◽  
Self And Other ◽  
Single Culture ◽  
Modern Sculpture ◽  
The World ◽  
History Of ◽  
Critical Account ◽  
Modern Experience ◽  
Artistic Heritage

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

History of the Study of Apocrypha in Early Medieval England

2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk
Keyword(s):  
Old Testament ◽  
Medieval England ◽  
Medieval Period ◽  
Early Medieval ◽  
Future Directions ◽  
Early Judaism ◽  
Wide Range ◽  
History Of ◽  
The Subject ◽  
Early English

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.

Itumeleng Mosala: Giving Theology Its World, Feet and Hands

2019 ◽  
Vol 6 (2) ◽  
Author(s):  
Takatso Mofokeng
Keyword(s):  
Old Testament ◽  
Southern Africa ◽  
Black People ◽  
Black Consciousness ◽  
History Of ◽  
Black Consciousness Movement

Worthy of celebration is the contribution made by Itumeleng Mosala (hereafter Mosala) to the Black Methodist Consultation, the theological community in Southern Africa, and the Black Consciousness Movement. This article attempts to give theology its world, feet and hands in the person of Mosala. The article departs from the narration of the history of Mosala. It locates Mosala within township life and Old Testament scholarship. Furthermore, the article searches for suitable and effective weapons of intellectual struggle in light of Mosala’s life. The aim of this article is to celebrate the indelible footprints that Mosala made as he communed with black people.

SOCIO-CULTURAL AND REGULATORY DIMENSION OF THE HOUSING PROBLEM

2020 ◽  
Vol 6 (72) (2) ◽  
pp. 134-141
Author(s):  
N. G. Krasavtseva
Keyword(s):  
Public Housing ◽  
Legal Regulation ◽  
Housing Construction ◽  
Housing Problem ◽  
Cultural Aspects ◽  
History Of ◽  
The Impact

The article examines the evolution of the population’s priorities in relation to housing, examines the legal regulation and socio-cultural aspects of public housing construction at various stages of the history of the USSR. The research reveals the impact of the developing industry on the country’s economy.

Later Lutheran, Swiss Reformed, and Calvinist Readings of Sacred History in the Old Testament Prophets

2018 ◽  
Author(s):  
G. Sujin Pak
Keyword(s):  
Old Testament ◽  
Next Generation ◽  
History Of ◽  
Sacred History

The next generation of Lutheran, Swiss Reformed, and Calvinist Reformed leaders retained the distinctive confessional emphases on transition (Luther), extension (Calvin), and covenant (Swiss Reformed) in their engagements with the sacred history of the Old Testament prophets. Lutheran exegetes emphasized literal prophecies of Christ; Calvinists emphasized an analogical interpretation; and Swiss Reformed leaders upheld both readings of the text simultaneously. Confessional distinctions remained palpable in their identification of doctrine as the prime content (Lutheran) versus history (Reformed) and an overall view of history as one of decline (Lutheran) versus progress (Reformed), in which increasing emphasis on the apocalyptic element becomes evident in both.

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