scholarly journals Espacio Público y Envejecimiento Activo en los Barrios Bardegueral y Los Llanos

2017 ◽  
pp. 101
Author(s):  
Andrea Pacheco Barzallo

ResumenAnte una creciente urbanización dispar de lo que entendemos por la ciudad tradicional, nacen muchas incógnitas sobre la habitabilidad y el modo de vida en los barrios periféricos de la ciudad de Madrid, y el cómo dentro de estos barrios se desarrolla la vida diaria de los diferentes colectivos, con especial curiosidad la de las personas mayores. Es justamente dentro de dos de estos barrios, Bardegueral y Los Llanos, donde el presente trabajo centra su estudio, con enfoque hacia el espacio público barrial y más específicamente frente a su capacidad de permitir o favorecer un proceso de envejecimiento activo. Con esta perspectiva, estructuramos una metodología de análisis en función de unos principios urbanos de proximidad, permeabilidad, diversidad y ambientación, una serie de elementos del medio físico, unas condiciones de accesibilidad y encuentro, y las acciones de pasear, aprehender, localizar y comunicar. A partir de los resultados obtenidos se concluye que algunos espacios públicos constituyen superficies ineficientes en desuso, pocos que sí poseen una identidad propia que favorece al envejecimiento activo, al menos hasta cierto punto del proceso, y otros que tienen potencial para alcanzar esa identidad, ya sea por medio de mejoras, renovaciones o gestión del espacio. Palabras clave  Salud, participación, accesibilidad universal, seguridad, comodidadAbstractFaced with unequal growing urbanization of what we know by the traditional city, curiosity grows regarding the habitability and the lifestyle associated to new suburbs in the city of Madrid, and how the daily life of diverse groups is solved in these suburbs, with special attention to the group of the elderly. It is precisely within two of these surburbs, Bardegueral and Los Llanos, where the present work focuses its study, on the public space in the neighborhood and more specifically on its ability to allow or to favor a process of active aging. With this perspective, we structure a methodology based on the urban principles of proximity, permeability, diversity and environmental setting, certain elements of the physical environment, the conditions of universal access and meeting, and the actions of walking, apprehending, locating and communicating. From the results it is concluded that some public spaces are inefficient and disused surfaces, a few do have an identity that promotes active ageing, at least to some extent of the process, and others that have great potential to achieve that identity either through improvements, renovations or space management.KeywordsHealth, participation, universal accessibility, safety, comfort

2014 ◽  
pp. 305
Author(s):  
Vanesa Lio

  Categoría: Documento Fecha de recepción: 28 de mayo de 2012 Fecha de aprobación: 27 de junio de 2012 Resumen En los últimos años, el uso de Circuitos Cerrados de Televisión (CCTV) para vigilancia, históricamente restringido al ámbito privado, ha evidenciado un desplazamiento hacia el sector público, implementándose estas técnicas en el marco de políticas públicas de prevención del delito y control social. El presente trabajo pretende analizar de qué manera la presencia de estas cámaras y la reproducción de las imágenes por ellas captadas en los medios de comunicación masiva incide en la construcción de una geografía determinada de la ciudad, así como también de los propios sujetos que la habitan. Palabras Clave: Control social, Video-vigilancia, Inseguridad, Espacio público, Sujetos. Abstract In recent years, the use of Closed Circuit Television (CCTV) for surveillance, historically restricted to the private sector, has shown a shift towards the public sector, being implemented in the framework of public policies on crime prevention and social control. This paper analyzes how the presence of these cameras and the reproduction in the mass media of the images captured by them impact on the construction of a particular geography of the city and its subjects. Key words: Social control, Video surveillance, Insecurity, Public space, Subjects.


2014 ◽  
pp. 305
Author(s):  
Vanesa Lio

  Categoría: Documento Fecha de recepción: 28 de mayo de 2012 Fecha de aprobación: 27 de junio de 2012 Resumen En los últimos años, el uso de Circuitos Cerrados de Televisión (CCTV) para vigilancia, históricamente restringido al ámbito privado, ha evidenciado un desplazamiento hacia el sector público, implementándose estas técnicas en el marco de políticas públicas de prevención del delito y control social. El presente trabajo pretende analizar de qué manera la presencia de estas cámaras y la reproducción de las imágenes por ellas captadas en los medios de comunicación masiva incide en la construcción de una geografía determinada de la ciudad, así como también de los propios sujetos que la habitan. Palabras Clave: Control social, Video-vigilancia, Inseguridad, Espacio público, Sujetos. Abstract In recent years, the use of Closed Circuit Television (CCTV) for surveillance, historically restricted to the private sector, has shown a shift towards the public sector, being implemented in the framework of public policies on crime prevention and social control. This paper analyzes how the presence of these cameras and the reproduction in the mass media of the images captured by them impact on the construction of a particular geography of the city and its subjects. Key words: Social control, Video surveillance, Insecurity, Public space, Subjects.


Author(s):  
Samuel Llano

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.


Author(s):  
Samuel Llano

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.


2018 ◽  
Vol 33 (3) ◽  
pp. 444-472 ◽  
Author(s):  
Perry Maxfield Waldman Sherouse

In recent years, cars have steadily colonized the sidewalks in downtown Tbilisi. By driving and parking on sidewalks, vehicles have reshaped public space and placed pedestrian life at risk. A variety of social actors coordinate sidewalk affairs in the city, including the local government, a private company called CT Park, and a fleet of self-appointed st’aianshik’ebi (parking attendants) who direct drivers into parking spots for spare change. Pedestrian activists have challenged the automotive conquest of footpaths in innovative ways, including art installations, social media protests, and the fashioning of ad hoc physical barriers. By safeguarding sidewalks against cars, activists assert ideals for public space that are predicated on sharp boundaries between sidewalk and street, pedestrian and machine, citizen and commodity. Politicians and activists alike connect the sharpness of such boundaries to an imagined Europe. Georgia’s parking culture thus reflects not only local configurations of power among the many interests clamoring for the space of the sidewalk, but also global hierarchies of value that form meaningful distinctions and aspirational horizons in debates over urban public space. Against the dismal frictions of an expanding car system, social actors mobilize the idioms of freedom and shame to reinterpret and repartition the public/private distinction.


2021 ◽  
pp. 78-107
Author(s):  
Lizeth Benavides ◽  
Natasha Cabrera_Jara ◽  
Belén Campoverde_Bermeo

El cambio de modelo urbano asumido durante el siglo XX, trajo un sinnúmero de problemas como la priorización del vehículo, por lo que en la última década han surgido esfuerzos para dotar de importancia al ciudadano de a pie, en el espacio público. Esta investigación estudió las condiciones físico-espaciales de un corredor urbano donde el modelo centrado en el vehículo se acentúa, con la fnalidad de generar posibles estrategias que reviertan esta situación. Se tomó como caso de estudio a la Av. 24 de Mayo, en Azogues, y se lo analizó mediante una metodología mixta, que evaluó, detalladamente, tres zonas de estudio, determinando que la falta de accesibilidad y conectividad y el modelo de movilidad defendido por la ciudadanía, en general, infuyen directamente en las condiciones del espacio público peatonal y por ende en la habitabilidad urbana, perjudicando los desplazamientos a pie. Palabras clave: Espacio público; habitabilidad urbana; conectividad; accesibilidad; percepción. AbstractThe change of urban model assumed during the 20th century, brought countless problems such as the prioritization of vehicles, so in the last decade eforts have emerged to give importance to the citizen on foot in the public space. This original research studied the relationship of urban habitability with the physical-spatial conditions of an urban corridor, where the vehicle-centered model is accentuated, to generate possible strategies to reverse this situation. The Av. 24 de Mayo in Azogues was taken as a case study and analyzed using a mixed methodology that evaluated in detail three study areas, determining that the lack of accessibility and connectivity and the mobility model defended by citizens in general have a direct infuence on the conditions of the pedestrianpublic space and, therefore, on urban habitability, which afects walking Keywords: Public space; urban habitability; connectivity; accessibility; perception.


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