The city as camp: the camp-form as the urban model during capital’s crisis

2021 ◽  
Author(s):  
Thiago Canettieri
Keyword(s):  
Author(s):  
Dmitry A. Kolevatykh

The article puts forward the hypothesis of the possible existence of direct and reverse communication between the subject of "city resident" and the object of "urban structure". The features of "urban Language" are considered. The theme of everyday "urban slang" development through the spatial compilation of the city forms is also raised. Some chronological features of the urban Language model formation (archaism and neologism in the context of "urban Language") are revealed. The author introduced new terms describing the phenomena of archetypaLization of urban syntactic forms. The author stresses that the city shouLd be perceived as a deveLoping LinguaL-urban model, a professionaL anaLysis of which provides an opportunity to unveiL current trends in urban development This kind of monitoring wiLL aLLow architects to design reLevant modeLs regarding the existing status of urban deveLopment.


2020 ◽  
Vol 3 (4) ◽  
pp. 85
Author(s):  
Hassan Kharmich ◽  
Mouna Sedreddine

Embodying for a long time the image of an administrative capital where the functionary dominate, where the urban setting is aging and where quality of life is declining, the city of Rabat has recently embarked on a frantic race to reinvent a new image: a modern, innovative and qualitative image.In order to achieve this, several projects and programs of development, embellishment and construction, has been initiated with a common feature which is greatness (large theater, high towers, large stations, large arteries, new centralities, etc.). This greatness aspect is visible through the importance of the areas involved, the volumes and the shapes designed, the modes of transport developed, the means and resources deployed in add to the promotion of architectural signatures of the renowned architects, and the modes of governance and project management. Henceforth, Rabat shows its ambition as a city of culture, as a green city and as a “city of light”.  The time of Rabat, as administrative city, is over.However, the image displayed and publicized seems controversial compared to the reality of certain urban spaces, often with high heritage value, that develop on the margins of programs and projects initiated. Real deficits are observed in terms of basic equipment and services, in terms of transport network and in terms of urban coherence and social cohesion. Everything contributes to an urban image with two facets: one more qualitative, more modern and more elitist, while the other is more spontaneous, more vulnerable and more devalued.Faced with this identity transition and this double temporality, what image and identity do we want for Rabat? What vocations do we claim for this city which aspires to become a national and international metropolis? What developments should be advocated for a capital with such a rich and diversified history? What relationship can be established between the local identity and the global identity of the city? How does the citizen apprehend his living spaces in the face of such universal urban model, where social connections as well as the spatial relationship mutate towards new practices?These questions will be enlightened through the confrontation of major projects underway and urban realities, through the analysis of the new urban model which is universal, modern and generating a new image and a new urban identity, as well as through the impact of these major projects both on the urban landscape and quality of life. It’s with these considerations in mind that this paper is drawn up: « Rabat, a metropolitan city », between displayed image and reality of image and identity.


IDEA JOURNAL ◽  
1969 ◽  
pp. 107-116
Author(s):  
Sam Kebbel

In the context of an expanding economy around the so-called creative industries, many cities are searching for theoretical models to guide urban development. Theoretical models from early post-modernists are being regularly re-examined, in part, because of their relevance to models for the contemporary city. This paper investigates situationist theory as a lens through which to explore alternative pockets of culture. Using situationist theory as a lens to observe the culture of the New Zealand bach, or the myth that it left behind, this paper exposes the paradox of bach culture as an urban model: the paradox of institutionalising a creative culture of resistance and of escaping the city only to find oneself at its centre.


2019 ◽  
Author(s):  
Yixuan Peng ◽  
◽  
Gerhard Bruyns ◽  
Darren Nel ◽  
◽  
...  

In what way can the study of megablock typologies in the PRD deliver better insight in terms of process and scales of Chinese urbanization? In the Chinese context, the ‘collective’ has stood central to its urbanisms and processes of urbanization (Lu, 2006). As a state where ownership and territoriality are retained by a socialist system, the basic elements of this (urban) model have remained the creation of collective housing founded on publicly owned land. From the ‘neighbourhood-unit' (邻里单位) and ‘working-unit’ (单位大院), to ‘commodity housing’ (商品房) (Lu, 2006), these practices gradually shape Chinese cities in “Socialism with Chinese characteristics” into what can only be termed ‘megablock’ urban fabrics. Where, ‘Mega’ infrastructure in cities, or better yet, megablocks, embody the antithesis of open and transparent entities. Beyond its organization with the physical network (transportation or public service), they impact the urbanization process in terms of speed and scale. The Chinese urban population has risen from 18% in 1978 to 58.5% in 2017 (National Bureau of Statistics of China, 2018). Between 1991 and 2000, 83% of Shanghai’s residential compounds became enclaves, with the Guangdong Province alone witnessing the formation of 54,000 closed-off compounds, covering more than 70% of the city surface and housing more than 80% of its population (Miao, 2004). Broadly speaking, former and ongoing studies of Chinese urbanization are yet to provide a clear perspective of megablock development, both in terms of the unprecedented context and its spatial impact. This paper aims to address concerns pertaining to the megablock phenomenon: its impacts on urban morphology as well as its prevalent strategies as an urban model. The argument presented here hopes to touch upon the links between planning and the eventual morphological expression of megablock development, and possibly argue for the cultivation of an urbanization practice that needs to become systematic in its sustainable focus and outcomes


Author(s):  
Hamzah Hasyim ◽  
Patricia Dale

COVID-19 is a respiratory disease caused by SARS-CoV-2, a new coronavirus discovered in 2019. WHO declared COVID-19 is a respiratory disease caused by SARS-CoV-2 as a pandemic that the detection level of cases changed daily, and it can track almost in real-time. This paper used a narrative literature review to address issues of urban quality and lack of exercise. The specific aim was to discuss the concept of a healthy city, indicate a new urban model, and advocate for the increased use of bicycles, outdoor gym/outdoor exercise, walking to reducing pollution, and improving physical, psychological, and social fitness. A healthy city can improve residents’ health by improving conditions of life to face COVID-19 pandemics. It needs the local capacity to prevent the spread of the diseases and design public health concepts concerning the built environment and contemporary towns in a new urban model. Dialogue opportunities in public health can provide essential guidance for designers (architects and town planners), decision-makers, public health experts, and health agencies locally, promoting the actions and policies to transform the city into a healthier neighborhood and salutogenesis.


2020 ◽  
Vol 7 (2) ◽  
pp. 91
Author(s):  
María Pura Moreno Moreno

<p>When reading into the underlying thinking of every architectural project, there are references that, together with the motivation behind the making of all decisions, give rise to the contextual framework of the project for its critique. Renée Gailhoustet (1929-...) is an architect whose professional work, carried out between 1961 and 1995, synthesized political and social interests through typological experimentation, mainly in the field of collective housing. In her projects in urban peripheries, she tested architectural mechanisms that raised the questioning of the urban model emerged with the institutionalization of the functionalist postulates of the Athens Charter. In this article we will analyze the transition of her typological discourse in order to understand her text entitled "Alphabet" with which she formed a kind of "doxa" or vade mecum. The selected terms, in alphabetical order, specified her interests, which materialized as constants in her work, and intellectual coordinates which were coincident with those of other architects of her generation. The objective will be to demonstrate how the multi-directionality of these anthropological and architectural meanings modeled a theoretical corpus that, complemented by her philosophy studies and by her political commitment, geared her proposals towards the improvement of social conditions for coexistence and the rapport between the city and its people.</p>


2020 ◽  
Vol 29 ◽  
Author(s):  
Irene Sánchez Sempere

Arte y literatura —en particular la novela— encuentran en el paisaje urbano uno de sus referentes principales y, desde múltiples perspectivas, abordan frecuentemente temas que le son consustanciales: la problemática relación entre individuo y sociedad, la soledad y el anonimato entre la multitud, la libertad y el cosmopolitismo, la esperanza del inmigrante, el hacinamiento y el crimen, etc. En las últimas décadas se repite, además, la ficcionalización del espacio interior del autor o los personajes en la configuración de ese paisaje. Partiendo de los vínculos históricos entre ciudad y literatura, el presente trabajo resume la evolución del tratamiento literario de lo urbano para llegar a la novela española de las últimas décadas, en cuyo contexto elegimos el caso paradigmático de Antonio Muñoz Molina para ilustrar, analizando múltiples ejemplos de su obra, aquel diálogo ficcionalizado entre el entorno urbano y la subjetividad del narrador, siempre ilumina por la memoria y la imaginación. The preeminent urban model generates heterogeneous area of exchange, coexistence and competition characteristic of our time. Art and literature –particularly, the novel– find one of their principal references in the urban landscape and, from multiple perspectives, they frequently tackle topics inherent in it: the problematic relation between the individual and society, the loneliness and anonymity among the crowd, freedom and cosmopolitanism, the hope of the immigrant, overcrowding and crime… The city in the modern novel gets to acquire its own voice and personality, as if it were just another character. And in recent decades, we have observed a new inflection: dismissing physical objectivity, many writers project their own subjectivity onto the urban environment, drawing a literary landscape in which “myth, invention and reality” are merged. The current work gives an account on this, providing the example of several Spanish novelists, Antonio Muñoz Molina in particular.


1999 ◽  
Vol 27 (2) ◽  
pp. 202-203
Author(s):  
Robert Chatham

The Court of Appeals of New York held, in Council of the City of New York u. Giuliani, slip op. 02634, 1999 WL 179257 (N.Y. Mar. 30, 1999), that New York City may not privatize a public city hospital without state statutory authorization. The court found invalid a sublease of a municipal hospital operated by a public benefit corporation to a private, for-profit entity. The court reasoned that the controlling statute prescribed the operation of a municipal hospital as a government function that must be fulfilled by the public benefit corporation as long as it exists, and nothing short of legislative action could put an end to the corporation's existence.In 1969, the New York State legislature enacted the Health and Hospitals Corporation Act (HHCA), establishing the New York City Health and Hospitals Corporation (HHC) as an attempt to improve the New York City public health system. Thirty years later, on a renewed perception that the public health system was once again lacking, the city administration approved a sublease of Coney Island Hospital from HHC to PHS New York, Inc. (PHS), a private, for-profit entity.


ASHA Leader ◽  
2013 ◽  
Vol 18 (7) ◽  
pp. 46-48

This year's Annual Convention features some sweet new twists like ice cream and free wi-fi. But it also draws on a rich history as it returns to Chicago, the city where the association's seeds were planted way back in 1930. Read on through our special convention section for a full flavor of can't-miss events, helpful tips, and speakers who remind why you do what you do.


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