Orthodox Prose Poetry

Author(s):  
Nick Admussen

This chapter opens by studying the two most seminal prose poets of the 1950s, Ke Lan and Guo Feng. It shows that by faithfully ventriloquizing state socialism, they effectively subjectivize it, putting the words of the collective into the mouth of the individual. It demonstrates the way in which the political pressures of the 1950s provoked acts of definition and organization on the part of prose poets. The second half of chapter three reads the prose poetry community itself as a key text of orthodox art. It finds that an intentional modeling of prose poetry communities on the structures of the Communist Party has produced a set of dynamics that are hierarchical, inter-organizational, and self-reproductive. These dynamics influence the composition of prose poems through the interventions of educators, editors, and study group administrators, leading to the conclusion that many people participate in the writing of each orthodox prose poem.

Author(s):  
Nick Admussen

This chapter examines, rejects, and revises the traditional history of the genre of prose poetry. Through a reading of Agamben, it demonstrates that during the May Fourth period, writers called a wide variety of work by the name prose poetry, including lineated free verse, lyric essays, and even fiction. By contrast, the writers of the 1950s wrote generically coherent work, and in the 1980s those same writers produced the focused, meaningful genre definitions that we use today. Because contemporary prose poetry has its roots in the obedient socialist poetry of the 1950s, it is not an inherently subversive form; its acts of refusal often serve to humanize or personalize the dictates of state socialism. The end of the chapter finds that the greatest stylistic influence on early prose poetry were Bing Xin’s translations of Rabindranath Tagore, and the way she made his transcendental music into vernacular prose.


Author(s):  
Paul Hetherington ◽  
Cassandra Atherton

This is the first book of its kind — an introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. The book introduces prose poetry's key characteristics, charts its evolution from the nineteenth-century to the present, and discusses many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. The book explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry' s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women's essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.


Author(s):  
José Gomes André ◽  

This paper is concerned with the political philosophy of Richard Price, analysing the way this author has developed the concept of liberty and the problem of human rights. The theme of liberty will be interpreted in a double perspective: a) in a private dimension, that sets liberty in the inner side of the individual; b) in a public dimension, that places it in the domain of a manifest action of the individual. We will try to show how this double outlook of liberty is conceived under the optics of a necessary complementarity, since liberty, which is primarily understood as a feature of the subject taken as an individual, acquires only a full meaning when she becomes efective in a comunitary field, as a social and political expression. The concept of human rights will appear located in this analysis, being defined simultaneously as condition and expression of the human dignity and happiness, at the same time natural attributes of an individual that should be cultivated and public effectiveness that contributes to the development of society.


2008 ◽  
Vol 30 (1) ◽  
Author(s):  
Thomas Osborne

AbstractAlasdair MacIntyre’s criticism of contemporary politics rests in large part on the way in which the political communities of advanced modernity do not recognize common goals and practices. I shall argue that although MacIntyre explicitly recognizes the influence of Jacques Maritain on his own thought, MacIntyre’s own views are incompatible not only with Maritain’s attempt to develop a Thomistic theory which is compatible with liberal democracy, but also relies on a view of the individual as a part which is related to the whole in a way that is incompatible with Maritain’s understanding of the spiritual individual or person.


2011 ◽  
Vol 41 (4) ◽  
pp. 565-590 ◽  
Author(s):  
Gervase Phillips

The increased lethality of nineteenth-century “arms of precision” caused military formations to disperse in combat, transforming the ordinary soldier from a near automaton, drilled to deliver random fire under close supervision, into a moral agent who exercised a degree of choice about where, when, and how to fire his weapon. The emerging autonomy of the soldier became a central theme in contemporary tactical debates, which struggled to reconcile the desire for discipline with the individual initiative necessary on the battlefield. This tactical conundrum offers revealing insights about human aggression and mass violence. Its dark legacy was the propagation of military values into civilian society, thus paving the way for the political soldiers of the twentieth century.


2006 ◽  
Vol 31 (2) ◽  
pp. 167-189 ◽  
Author(s):  
Mark B. Salter

This article examines the micropolitics of the border by tracing the interface between government and individual body. In the first act of confession before the vanguard of governmental machinery, the border examination is crucial to both the operation of the global mobility regime and of sovereign power. The visa and passport systems are tickets that allow temporary and permanent membership in the community, and the border represents the limit of the community. The nascent global mobility regime through passport, visa, and frontier formalities manage an international population through and within a biopolitical frame and a confessionary complex that creates bodies that understand themselves to be international. The author charts the way that an international biopolitical order is constructed through the creation, classification, and contention of a surveillance regime and an international political technology of the individual that is driven by the globalization of a documentary, biometric, and confessionary regime. The global visa regime and international borders are crucial in constructing both international mobile populations and international mobile individuals.


1966 ◽  
Vol 1 (4) ◽  
pp. 511-528 ◽  
Author(s):  
George Rudé

It is now more than thirty-five years since Sir Lewis Namier gave his famous shot in the arm to the study of the parliamentary politics of the 18th century. Under his impact, the great Tory and Whig monoliths have been effectively dethroned and their places taken by ‘connections’ and ‘groups’, by ‘ins’ and ‘outs’ – and among the ‘outs’ the ‘loyal’, or sometimes ‘factious’, opposition. But Namier's preoccupations, and the enthusiasm they inspired, far from stimulating research into the whole field of political action, have rather had the effect of confining its operation to Parliament alone. Hence, the unofficial opposition – that of the ‘political nation’ without-doors – has tended to be neglected. Yet, in this more spontaneous, unofficial opposition from ‘without doors’, it is instructive to see the way in which different actions, starting in different quarters of the community converge for more or less brief periods and exert a common pressure. Anomic and associational movements, social protest and political demands, well-organized and clear-sighted interest groups and ‘directaction’ crowds, leaders and followers come together in a chorus of united opposition, in which, however, the individual parts can still be distinguished and identified.


2007 ◽  
Vol 15 (2) ◽  
pp. 133-151
Author(s):  
William Lewis

AbstractAs an accompaniment to the translation into English of Louis Althusser's 'Letter to the Central Committee of the PCF, March 18th, 1966', this note provides the historical and theoretical context necessary to understand Althusser's 'anti-humanist' interventions into French Communist Party policy decisions during the mid-1960s. Because nowhere else in Althusser's published writings do we see as clearly the political stakes involved in his philosophical project, nor the way in which this project evolved from a 'theoreticist' pursuit into a more practical one, the note also argues that the letter is of importance to Althusser scholars, to historians of Marxist thought, and to those interested in the relevance of Althusser's work to contemporary Marxist philosophy.


Author(s):  
D Atkinson

This paper describes the growing level of politicization in East London in the 1950s, and the way this affected the patriarchal normative system, which prevailed in urban adminis tration. Patriarchal ism, as a sys tem, was susceptible of different interpretations by white municipal officials, and their response to black political opposition ranged from liberal forbearance to rigid and uncompromising intolerance. Black leaders’ attitudes to the patriarchal order were similarly nuanced. The Location Native Advisory Boards vacillated between opposition to the white patriarchal order and compliance with it. Towards the late 1950s, the political climate became ever more polarized. The paper draws on archival sources from East London to show that patriarchalism, as a moral system, was sufficiently robust to accommodate a variety of viewpoints, within the white and black communities. But as violent resistance took its toll during the 1950s, more coercive forms of paternalism came increasingly to the fore.


Author(s):  
Jane Desmarais ◽  
David Weir

This chapter treats the prose poem as the decadent genre par excellence by focusing on Charles Baudelaire’s Le Spleen de Paris (Paris Spleen, 1869). The prose poem is well suited to the expression of decadent culture because of its formal subversion of conventional poetry, especially as adapted by Baudelaire to articulate “the bump and lurch” of urban experience. J. K. Huysmans certified the decadent credentials of the genre when he described it in À rebours (Against Nature, 1884) as “the osmazome of literature, the essential oil of art,” a literary distillation that makes it “an aesthetic treat to none but the most discerning.” The article analyzes “Any Where Out of the World” and other prose poems in relation to certain poems in Le Fleurs du mal (The Flowers of Evil, 1857), observing no loss of metaphorical power in the more “prosaic” medium despite Baudelaire’s secular and subversive treatment of many of the same poetic material given more elevated, spiritual treatment in the earlier collection.


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