scholarly journals Peter Newmark's Translation Procedures as Applied to Metaphors of Literary Texts (Based on Stephen King's Works)

2020 ◽  
Vol 22 (1) ◽  
pp. 278-287
Author(s):  
D. V. Shalimova ◽  
I. V. Shalimova
Keyword(s):  
Functional Analysis ◽  
Theory And Practice ◽  
Literary Texts ◽  
Translation Theory ◽  
Original Image ◽  
Correlative Analysis ◽  
Translation Strategy ◽  
Cognitive Semantic

The present research featured P. Newmark's translation strategy and procedures applied to the translation of metaphors in literary texts, namely Stephen King's oeuvre. The study revealed the effect of functional style on metaphor translation. The type of metaphor, e.g. dead, cliché, stock, adapted, recent, and original, also proved important for adequate translation. The authors performed a comparative and correlative analysis of metaphors in translations made by different authors. The study was based on descriptive, cognitive, semantic, and lexicographic methods. The general functional analysis revealed grammar and lexical transformations that metaphors undergo in the process of application of P. Newmark's translation strategy and procedures. The article focuses on the optimal ways of metaphor translation as described by P. Newmark. The translator can preserve the original image in the translated text, keep the original metaphor, replace the original image with a common one, render the metaphor using a figurative comparison while preserving the original image and notion explication, ignore the notion explication of the metaphor, or totally remove the image. The analysis proved the significance of P. Newmark's approach to metaphor translation and its methodological value for modern translation theory and practice. The results obtained can be applied both in professional translation and in corresponding disciplines.

scholarly journals Audiovisual translation of puns in animated films: strategies and procedures

2020 ◽  
Vol 7 (4) ◽  
Author(s):  
Elena Aleksandrova
Keyword(s):  
Language Game ◽  
Theory And Practice ◽  
General Strategy ◽  
Translation Theory ◽  
Translation Strategies ◽  
University Teachers ◽  
Translation Strategy ◽  
Animated Films ◽  
The Common ◽  
Target Culture

The translation of the pun is one of the most challenging issues for translators and interpreters. Sometimes puns, especially those containing realia, are considered to be untranslatable. Most translation strategies and procedures offered in previous findings for the translation of realia-based puns are not appropriate for audiovisual translations of animated films, for either dubbing or subtitling. It is caused by the specificity of the target audience, and the genre. The problem of choosing the most relevant strategy and procedures for realia-based puns is underexplored. To narrow the gap, the metamodern and semiotic approaches are applied to the translation of puns. In accordance with the semiotic approach, a pun is considered as a type of language game, based on the use of the asymmetry of the form, and the content of the sign. The “Quasi-translation” strategy offered in this paper reflects the attitude to the game in metamodernism, where the “game change” is one of the basic postulates. “Quasi-translation” involves three types of translation procedures: quasi-localisation, quasi-globalisation, and quasi-glocalisation. The term, “quasi-glocalisation”, is also used to denote the general strategy for the translation of audiovisual works containing realia-based puns, which involves: 1) oscillation between the need to adapt the translation to the target culture, and the need to preserve the culturally-marked components of the original; and 2) the reproduction of “atmosphere” (the common reality of the perceiver and the perceived). This insight can be used by audiovisual translator-practitioners, and university teachers in the course of translation theory and practice.

scholarly journals Study of Expressionism in the Late 20th — Early 21st Centuries

2021 ◽  
Vol 6 (2) ◽  
pp. 422-455
Author(s):  
Natalia V. Pestova
Keyword(s):  
German Literature ◽  
Theory And Practice ◽  
Synthetic Methods ◽  
Literary Texts ◽  
Translation Theory ◽  
The Third ◽  
The Past ◽  
Russian Study ◽  
Literary Process ◽  
Russian Research

The article analyzes and systematizes results of Russian research in German and Russian Expressionism for the past 17 years. The focus of the author are both great collective research projects on history and theory of Russian and German literature, which includes Expressionism as an integral part of the literary process, and individual studies of literary critics and linguists. The geography of Russian study of Expressionism covers research centers in Universities of Moscow, St. Petersburg, Yekaterinburg, Nizhni Novgorod, Chelyabinsk, Samara and in Austrian libraries (Yekaterinburg, Nizhni Novgorod). The research has four main directions. The first, the most traditional, focuses its forces on the study of new literary material and personalities, unknown literary texts and historical and literary facts. The second direction works with well-known texts, but operates with the latest scientific tools and provides a different understanding of the known material. The third direction is interdisciplinary and uses synthetic methods. The fourth is the comparative and typological direction, an important part of which is translation theory and practice.

scholarly journals Audiovisual translation of puns in animated films: strategies and procedures

2020 ◽  
Vol 7 (4) ◽  
pp. 86
Author(s):  
Elena Aleksandrova
Keyword(s):  
Language Game ◽  
Theory And Practice ◽  
General Strategy ◽  
Translation Theory ◽  
Translation Strategies ◽  
University Teachers ◽  
Translation Strategy ◽  
Animated Films ◽  
The Common ◽  
Target Culture

The translation of the pun is one of the most challenging issues for translators and interpreters. Sometimes puns, especially those containing realia, are considered to be untranslatable. Most translation strategies and procedures offered in previous findings for the translation of realia-based puns are not appropriate for audiovisual translations of animated films, for either dubbing or subtitling. It is caused by the specificity of the target audience, and the genre. The problem of choosing the most relevant strategy and procedures for realia-based puns is underexplored. To narrow the gap, the metamodern and semiotic approaches are applied to the translation of puns. In accordance with the semiotic approach, a pun is considered as a type of language game, based on the use of the asymmetry of the form, and the content of the sign. The “Quasi-translation” strategy offered in this paper reflects the attitude to the game in metamodernism, where the “game change” is one of the basic postulates. “Quasi-translation” involves three types of translation procedures: quasi-localisation, quasi-globalisation, and quasi-glocalisation. The term, “quasi-glocalisation”, is also used to denote the general strategy for the translation of audiovisual works containing realia-based puns, which involves: 1) oscillation between the need to adapt the translation to the target culture, and the need to preserve the culturally-marked components of the original; and 2) the reproduction of “atmosphere” (the common reality of the perceiver and the perceived). This insight can be used by audiovisual translator-practitioners, and university teachers in the course of translation theory and practice.

scholarly journals Study of Expressionism in the Late 20th — Early 21st Centuries

2021 ◽  
Vol 6 (2) ◽  
pp. 422-455
Author(s):  
Natalia V. Pestova
Keyword(s):  
German Literature ◽  
Theory And Practice ◽  
Synthetic Methods ◽  
Literary Texts ◽  
Translation Theory ◽  
The Third ◽  
The Past ◽  
Russian Study ◽  
Literary Process ◽  
Russian Research

The article analyzes and systematizes results of Russian research in German and Russian Expressionism for the past 17 years. The focus of the author are both great collective research projects on history and theory of Russian and German literature, which includes Expressionism as an integral part of the literary process, and individual studies of literary critics and linguists. The geography of Russian study of Expressionism covers research centers in Universities of Moscow, St. Petersburg, Yekaterinburg, Nizhni Novgorod, Chelyabinsk, Samara and in Austrian libraries (Yekaterinburg, Nizhni Novgorod). The research has four main directions. The first, the most traditional, focuses its forces on the study of new literary material and personalities, unknown literary texts and historical and literary facts. The second direction works with well-known texts, but operates with the latest scientific tools and provides a different understanding of the known material. The third direction is interdisciplinary and uses synthetic methods. The fourth is the comparative and typological direction, an important part of which is translation theory and practice.

scholarly journals Stylistic Contrast in the Organization of Literary Texts in the Aspect of Translation (Based on the Material of the Lezghin and Russian Languages)

2021 ◽  
Vol 18 (4) ◽  
pp. 451-459
Author(s):  
Tatyana B. Barannikova ◽  
Fatimat N. Suleymanova
Keyword(s):  
Conceptual Analysis ◽  
Translation Studies ◽  
Literary Text ◽  
Comparative Methods ◽  
Russian Language ◽  
Theory And Practice ◽  
Literary Texts ◽  
Translation Theory ◽  
Text Linguistics ◽  
Comparative Linguistics

The topicality and novelty of this article, devoted to the device of stylistic contrast, are predetermined by its rather poor study, as well as by the approach to its investigation from the angle of translation theory and comparative linguistics. The material of the research includes the examples of stylistic contrast selected from literary texts in the Lezghin language and their translations into Russian, Russian-language literary texts and their translations into the Lezghin language. The work is based on the semantico-stylistic and comparative methods, the method of linguistic description of a literary text, elements of linguoculturological and conceptual analysis, as well as the specific methods of translation studies (comparison of the translation and the original, comparison of various translations, questionnaire of informants, educational translation, an experiment). The results of the research consist in clarifying the proceeding interpretation of stylistic contrast, as well as in identifying the difficulties that translators face when transmitting it in a literary text, and indicating the algorithm for overcoming them. They can be used in the courses of Stylistics, Text Linguistics, Translation Theory and Practice, etc., as well as in the development of the translation direction in the Dagestani linguistics, which needs practical developments and theoretical generalizations.

Semiotics East and West: an aesthetic-semiotic approach to translating the iconicity of classical Chinese poetry

Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Guangxu Zhao
Keyword(s):  
Twentieth Century ◽  
Translation Studies ◽  
Theory And Practice ◽  
Translation Theory ◽  
Chinese Poetry ◽  
Semiotic Approach ◽  
Classical Chinese ◽  
Classical Chinese Poetry ◽  
Set Up ◽  
The Sacrifice

Abstract For some Western translators before the twentieth century, domestication was their strategy to translate the classical Chinese poetry into English. But the consequence of this strategy was the sacrifice of the ideogrammic nature of these poems. The translators in the twentieth century, especially the Imagist poets and translators in the 1930s, overcame the problems of their predecessors and their translation theory and practice was close to that of the contemporary semiotic translators. But both Imagist translators and contemporary semiotic translators have the problem of indifference to the feeling of the original in their translations. For the problem of translating the classical Chinese poetry by the Westerners before the twentieth century and the Imagist poets and translators of the twentieth century, see Zhao and Flotow 2018. This paper attempts to set up an aesthetic-semiotic approach to the translation of the iconicity of classical Chinese poetry on the basis of the examination of both Eastern and Western translation studies.

On polarization

2022 ◽  
Author(s):  
Brian James Baer
Keyword(s):  
Cold War ◽  
Theory And Practice ◽  
Translation Theory ◽  
Iron Curtain ◽  
Master Narratives ◽  
Distinct State ◽  
The Cold War

Abstract The ideological incommensurability of the worldviews or master narratives represented by the two opposing superpowers during the Cold War and embodied in the image of an impenetrable iron curtain gave particular salience to translation theory while also questioning the very possibility of translation. At the same time, the neoimperialist projects of the two superpowers produced startlingly similar approaches to the instrumentalization of translation as a vehicle for propaganda and diplomacy. Presenting polarization as a distinct state of semiosis, the effects of which are highly unpredictable, this article explores the various ways in which the radical polarization of the Cold War shaped the theory and practice of translation both within and across the ideological divide. Plotting the entanglements of the light and dark sides of translation during this time challenges traditional histories of the field that construe the period as one of progress and liberation.

The translator’s immobility

Target ◽  
2009 ◽  
Vol 21 (2) ◽  
pp. 333-357 ◽  
Author(s):  
Paola Venturi
Keyword(s):  
Theory And Practice ◽  
The Other ◽  
Target Language ◽  
Translation Theory ◽  
The One

Translations are facts of target cultures, but the perceived status of source texts has a bearing on how these are reflected or refracted in the target language. This proposition is particularly evident in the case of classics: when translators have to work on literary creations occupying a pivotal position in the source/target cultures, they adopt strategies of literalness and ennoblement which betray a quasi-religious awe—on the one hand, a desire to ruffle the surface of the revered original as little as possible; and on the other, a determination to reproduce the supposed ‘classical qualities’ of the classic even when they are not present in the source. In the following article, I examine how the ‘idea of classic’ influences translation theory and practice, substantiating my theoretical observations by looking at Italian translations of English classics. A marked—and historically determined—disparity between source and target readerships, and the translators’ reverence for their prestigious originals, conspire to produce Italian versions which are much more ‘wooden’ and ‘elegant’ than their English counterparts.

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