scholarly journals The Morning of a Lady of the Manor as a Programme Work of Alexey Venetsianov. On the Issue of the Academic Method in the Artist’s Theory and Practices

2021 ◽  
Vol 11 (4) ◽  
pp. 649-673
Author(s):  
Alexander G. Sechin ◽  

The Morning of a Lady of the Manor (1823) by Alexey Venetsianov embodies a veiled polemic of the artist with representatives of the academic school of painting concerning the academic method. The work demonstrates not only the painter’s credo, but also his possible steps on adjusting the educational system of the Imperial Academy of Arts. He occupied an intermediate position between the supporters of mindless copying of nature and the banal poses of classical statues. Here, he tried to prove the fruitfulness of the true academic method of creating a composition based on the characters (types) of “graceful nature”, the storehouse of which was the art of his famous predecessors. The work contains references to notable images of the indisputable authorities of academic classicism: Raphael Santi and Anton Raphael Mengs. The ancient art is also presented here both by a statuette of the Crouching Venus and its pictorial recreation: a peasant woman in the same attitude. The images which had served as the basis for Venetsianov’s visual metaphors were well-known to the professors of the Academy because they were literally right before their eyes — in the Hermitage. The picture by Venetsianov, on the one hand, demonstrates his commitment to academic values, first of all to сlassical art that had inspired both Raphaels as well as Winckelmann, an outstanding theorist of neoclassicism. Behind Venetsianov’s figures, we can also see the images of those “three Greek Venuses”, about which he later wrote in his theoretical notes Something about the perspective: Aphrodite Medici, Venus of Taurida (which in fact hides the type of Venus of Milo) and the Crouching Venus. On the other hand, the amazing skill of animating ancient statues by assimilating them into painting à la Natura was meant to attest to the real truth of his artistic method.

2018 ◽  
pp. 49-68 ◽  
Author(s):  
M. E. Mamonov

Our analysis documents that the existence of hidden “holes” in the capital of not yet failed banks - while creating intertemporal pressure on the actual level of capital - leads to changing of maturity of loans supplied rather than to contracting of their volume. Long-term loans decrease, whereas short-term loans rise - and, what is most remarkably, by approximately the same amounts. Standardly, the higher the maturity of loans the higher the credit risk and, thus, the more loan loss reserves (LLP) banks are forced to create, increasing the pressure on capital. Banks that already hide “holes” in the capital, but have not yet faced with license withdrawal, must possess strong incentives to shorten the maturity of supplied loans. On the one hand, it raises the turnovers of LLP and facilitates the flexibility of capital management; on the other hand, it allows increasing the speed of shifting of attracted deposits to loans to related parties in domestic or foreign jurisdictions. This enlarges the potential size of ex post revealed “hole” in the capital and, therefore, allows us to assume that not every loan might be viewed as a good for the economy: excessive short-term and insufficient long-term loans can produce the source for future losses.


1851 ◽  
Vol 1 (1) ◽  
pp. 40-46
Author(s):  
Edwin James Farren

The term scholar, as current in the English language, has two extreme acceptations, tyro and proficient; or what the later Greeks fancifully termed the alpha and omega of acquirement. If we attempt to trace the steps by which even the adult student of any especial branch of professional or literary knowledge has fairly passed the boundary defined by the one meaning in passing on to that position denoted by the other, it will commonly be found, that in place of that lucid order, that straight line from point to point, which theory and resolve generally premise, the real order of acquirement has been desultory—the real line of progression, circuitous and uncertain.


2017 ◽  
Vol 16 (4) ◽  
pp. 551-565 ◽  
Author(s):  
Ruth Wodak

Abstract In this paper, I discuss the attempt by all right-wing populist parties to create, on the one hand, the ‘real’ and ‘true’ people; and on the other, the ‘élites’ or ‘the establishment’ who are excluded from the true demos. Such divisions, as will be elaborated in detail, have emerged in many societies over centuries and decades. A brief example of the arbitrary construction of opposing groups illustrates the intricacies of such populist reasoning. Furthermore, I pose the question why such divisions resonate so well in many countries? I argue that – apart from a politics of fear (Wodak 2015) – much resentment is evoked which could be viewed as both accompanying as well as a reaction to the disenchantment with politics and the growing inequalities in globalized capitalist societies.


2017 ◽  
Vol 17 (9) ◽  
pp. 3-14
Author(s):  
Agustinus Supriyadi

Catholic teens Indonesia is part of the Church in Indonesia and the Indonesian people. Indonesia consists of thousands of islands that stretched from Sabang to Merauke. This fact opens the possibility of a fairly wide occurrence of the encounter between cultures and simultaneous cross-cultural. This diversity is certainly a logical consequence to an enrichment of civilizations and diversity (plurality), although also contains elements of the loss. Plurality of Indonesian society on the one hand can make the Catholic teens swept away in the swift currents of the community to lose our identity or conflict. However Plurality can also awaken in the Catholic teen award nature between one race to the other races, between ethnic or tribal one with the other tribes, between groups with one another. In a pluralistic society such as this, the Catholic teens called to the apostolate. Through the act of self-discovery, live in love and have a sense of tolerance of differences is the real form of the apostolate.


2013 ◽  
pp. 115-135
Author(s):  
I.M. Boguslavskij

We consider Russian coordinative constructions with paired conjunctions, such as i?i ?both?and?, ili?ili ?either?or?, ni?ni ?neither?nor?, ne tol'ko?no i ?not only?but also?, ne?a ?not?but?, etc. The paper presents a class of syntactic constructions, so-called asymmetric constructions, which are interesting in several respects. They are closely related to coordinative constructions, although they do not share their principal property - the identity of syntactic functions of coordinated elements. They take up an intermediate position between standard syntax and ungrammaticality. On the one hand, the sentence is within the grammatical norm. On the other hand, its structure underwent a deformation that left a trace. We propose a description that accounts for their closeness to and difference from standard - symmetric - constructions. Symmetric constructions with paired conjunctions are convenient to describe as a result of two transformations occurring in the semantic structure: Deletion and Transfer. Asymmetric constructions are obtained when only one of these transformations is applied. Accordingly, two subclasses of asymmetric constructions can be distinguished - ?Deletion-Without-Transfer? constructions and ?Transfer-Without-Deletion? constructions. The latter class has a strong pragmatic marking. The core of this class are ?failed? symmetric constructions. The speaker begins to build a symmetric construction but faces an obstacle of syntactic nature, which prevents him from completing this plan. ?Transfer-Without-Deletion? constructions constitute a legalized way of overcoming syntactic conflicts.


2017 ◽  
Vol 1 (13) ◽  
pp. 33-48
Author(s):  
Myroslava Khutorna

This paper is devoted to the consideration of the preconditions and results of the banking sector of Ukraine transforming, its influence on the sector’s productivity, stability and significance for the real economy. It’s grounded that banking sector of Ukraine has seriously weakened its potential for the economic development stimulation. On the one hand, due to the banking sector clearance from the bad and unscrupulous banks the system has become much more sensitive to the monetary instruments and its state is going to be more predictable and better controlled. But on the other hand, massive banks’ liquidations have caused the worsening of the confidence in financial system and radical increasing of the market concentration the highest degree of which is observed in the householders’ deposit market.


Author(s):  
Maristela Basso

Bearing in mind the absence of specific legal norm on “fashion design” and the lack of expertise of ourjudges, Brazilian courts have recognized some degree of protection for designs granted by the fashion industry.They do not deny protection, as the North Americans who exclude the utilitarian aspects, nor even declarerights as vast as in French law. The trend of the judged in Brazil is in an intermediate position. That is, they aimto encourage innovation, on the one hand, and on the other, limit copying, requiring incremental elements toprovide protection.


2021 ◽  
pp. 150-152
Author(s):  
David Evans

In this chapter I compare settings of Verlaine’s ‘La Lune blanche’ (‘The White Moon’) by composers of different nationalities (Delius, Webern, Sorabji, Loomis, Nevin, Loeffler, Hennessy, Poldowski, McEwen, Szulc, Stravinsky) in order to show how different ideas of French song – and of art song itself – emerge through the multiple dialogues of its transnational crossings. Two opposing approaches become clear: on the one hand, songs which maintain a reverence towards the source text as a symbol of the cultural cachet which French mélodie has enjoyed since its 1880-1930 heyday; and on the other, songs which offer a curiously unplaceable musical material, staking a claim for music as an mode of articulation which functions independently from language and, indeed, from national identities which are always in danger of falling into repetition, cliché, and pastiche. This latter mode, I suggest, comes closest to the real heart of mélodie as understood by its foremost French purveyors, Fauré and Debussy, and which composers like Stravinsky draw out of Verlaine’s text: a conception of song as an art form uniquely placed to offer a critique of fixed national paradigms and stable interpretative systems, by constantly calling into question, through their formal complexities, the very processes by which meaning itself is produced.


The principal kinetic theories of a gas proceed either on the hypothesis that the molecules are rigid elastic spheres, or that they are point centres of forces which vary inversely as the fifth power of the distance. Maxwell has worked out the consequences of the letter hypothesis in his well-known theory, which is unrivalled in its high degree of accuracy and (after some improvements by Boltzmann) in its perfection of mathematical form. All the quantities not taken account of in the theory (such as the time occupied by molecular encounters, and the effect of collisions in which more than two molecules take part) are properly negligible under ordinary conditions. The theory has the disadvantage, however, that the underlying hypothesis is highly artificial (being chosen chiefly on account of mathematical simplifications connected with it, rather than from any physical reasons), and does not represent the real facts at all adequately. The other hypothesis referred to seems to be much more in agreement with fact, but its consequences have been worked out less accurately. The method which has almost always been used is the one originally devised by Clausius and Maxwell; Maxwell abandoned it later, however, as it had “led him at times into grave error.” In spite of its apparent simplicity, numerical errors of large amount may undoubtedly creep in in a very subtle way. Hence the theory of a gas whose molecules are elastic spheres remains in a rather unsatisfactory state. As a “descriptive” theory (to use Meyer’s apt term) it has, however, served a useful purpose; the general laws of gaseous phenomena have been developed by its aid in an elementary way, which has conduced to a wider diffusion of knowledge of the kinetic theory than would have been possible if the sole line of development had been by the more mathematical and accurate methods used by Maxwell and Boltzmann.


1997 ◽  
Vol 53 (4) ◽  
Author(s):  
Kobus Labuschagne

On the existence of God and on nothingness The views of Karl Barth and the 'Heilsgeschichte'-tradition on the one hand, and those of Rudolf Bultmann and the 'Formkritik'-tradition on the other hand, do not differ so much on the method of objective historical research. The real differences start to appear on the hermeneutical front, where facts and events referred to in the Scriptures are evaluated and explained. The 'Heilsgeschichte' -tradition is consistent in maintaining an objective point of departure, whilst Bultmann and the 'Form-kritik'-tradition, influenced by existentialist philosophy, reveals a subjective approach. For Bultmann the kerygma cannot be verified historically but only subjectively or existentially. For Barth the kerygma cannot be separated from its true basis of historical events, in and through the person of Jesus Christ. These two different approaches have enormous con-sequences for the question of the existence of God.


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