Insights from Christian anthropology for a water-related technoethics

Water Policy ◽  
2012 ◽  
Vol 14 (S1) ◽  
pp. 41-51 ◽  
Author(s):  
José M. Galván

The personal dimension of the divine creation, the creation of a human being as the image of God and its consequences, particularly the constitution of mankind as ‘lord’ of the rest of creation with the duty of manifesting Love in this lordship, and finally the total inclusion of the material dimension of creation in the original divine design, can be seen as the main points to consider to establish biblical guidelines for a water-related technoethics. The relevance of these aspects in the modern and postmodern paradigms is discussed, pointing to the causes of the negative modern crisis, and proposing an integration between the concepts of natural, cultural and artificial (‘artificial water’) in order to improve the use of water as a common good for the whole of humanity.

2011 ◽  
Vol 104 (4) ◽  
pp. 489-505

THOU ART is an interdisciplinary and christological aesthetics that theorizes an integral relation among Christ, representation, and the formation of human subjectivity. Through a critical poetics it addresses the space of difference between a theological discourse on the creation of human being in the image of God—understood as creation in Christ, Word (logos) incarnate—and a philosophical discourse on the constitution of human subjectivity.


Vox Patrum ◽  
2012 ◽  
Vol 57 ◽  
pp. 181-192
Author(s):  
Bogusław Górka

The standard interpretation of the biblical idea of the image of the God in Genesis (Gen 1:26 ff.), so called ontic interpretation, which sees in Him a reli­gious basis for the metaphysical dogma of the creation of a man as a spiritual-corporeal being, is detached from its biblical meaning. For the biblical authors, the primary issue is not the question what kind of the human being was called by the God from nothingness into being, but that when the human being receives the status of the image and character of the God in the existential dimension. John the Baptist reached the status of the image of God at the time when he became the Anthropos (John 1:6). In turn, Paul, by the moving of the idea of the image of Jesus as a man at the turning point of the process of salvation (Romans 8:29), created the foundation for the study of triple-imaging of the God as in Jesus, as well as in initiated.


2016 ◽  
Vol 8 (3) ◽  
pp. 372-390
Author(s):  
Ulrike Swoboda

Abstract The article deals with pictures of God and humans in relation to Art (Artificial Reproductive Technologies). Although sexuality and Art are connected issues the sexual attribute of humans is somehow missing in documents of protestant churches trying to define Christian anthropology. The purpose of this article is to compare two documents of two member churches of Cpce (Community of Protestant Churches in Europe) in respect of Gen 1,26–27 (the creation of men in the image of God) while dealing with the ethical challenges of Art.


Religions ◽  
2021 ◽  
Vol 12 (10) ◽  
pp. 850
Author(s):  
Krzysztof Krzemiński

Advances in technology and genetic engineering have rekindled the hopes of some communities for human immortality on earth. Projects aimed at copying the human brain for the purpose of enabling humans to achieve “cybernetic eternity” are emerging. From the perspective of Christian anthropology, it is advisable to ask the following question: is a cyborg a human being in the image of God? It boils down to the criteria for being in the image of God. The first of these is creativity, understood as the actualized relationship of the human with their Creator. For the human is not a product of even the most brilliant minds and technologies, but a creature for whom a personal relationship with the Persons of the Holy Trinity is constitutive in nature.


2016 ◽  
Vol 6 (2) ◽  
pp. 23-25
Author(s):  
Ruth Illman

A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic aesthetic in modern and contemporary Jewish art’. Key themes discussed include the notion of human beings as created in the image of God, Levinas’s understanding of the face and its ethical demand as well as the contemporary issue of the commodification of the human face in digital media.


2014 ◽  
Vol 22 (1) ◽  
pp. 34-50
Author(s):  
Hilary Marlow

Drawing on insights from the field of ‘ecocriticism’ within literary studies, this article examines the creation poem of Ben Sira (16.26-17.14) from an ecological perspective. The text is significant for such a purpose because of its reuse of the Genesis creation accounts, in particular the notion of human beings as the image of God and with dominion over creation, which has caused some critics to label the biblical accounts as exploitatively anthropocentric. Preceding sections of Sirach include discussion of human significance ‘in a boundless creation’ and human free will and moral responsibility, and these themes are developed in the poem itself. The poem’s description of the creation of humankind suggests both human finitude, a characteristic shared with other life forms, and the uniqueness of the divine image in human beings. These characteristics are set within the context of the cosmos as a stable and ordered whole, obedient to God, and of the responsibilities stipulated in the Torah to deal rightly with one’s neighbour. Reading this text from an ecological perspective invites recognition of the ambiguity of human place in the world, transient yet earth-changing, and of the ethical challenges in caring for global neighbours in the face of growing environmental pressures.



Perichoresis ◽  
2016 ◽  
Vol 14 (3) ◽  
pp. 81-96
Author(s):  
Gijsbert van den Brink ◽  
Aza Goudriaan

Abstract One of the less well-researched areas in the recent renaissance of the study of Reformed orthodoxy is anthropology. In this contribution, we investigate a core topic of Reformed orthodox theological anthropology, viz. its treatment of the human being as created in the image of God. First, we analyze the locus of the imago Dei in the Leiden Synopsis Purioris Theologiae (1625). Second, we highlight some shifts of emphasis in Reformed orthodox treatments of this topic in response to the budding Cartesianism. In particular, the close proximity of the unfallen human being and God was carefully delineated as a result of Descartes’s positing of a univocal correspondence between God and man; and the Cartesian suggestion that original righteousness functioned as a barrier for certain natural impulses, was rejected. Third, we show how, in response to the denial of this connection, the image of God was explicitly related to the concept of natural law. Tying in with similar findings on other loci, we conclude that Reformed orthodox thought on the imago Dei exhibits a variegated pattern of extensions, qualifications, and adjustments of earlier accounts within a clearly discernable overall continuity.


2021 ◽  
Vol 7 (14) ◽  
pp. 92-97
Author(s):  
Edvica POPA ◽  

The notion of divine image is generously described by the patristic literature, each of the authors trying to identify the content of this special characteristic of human being, considered (in different positions) the defining element of the created rational being, indicating the possibility of opening to God not through something external, but from the inside of the human being. Since when they speak of God, the Church Fathers do not consider the reality of the one being, but that of the three persons, the Father, the Son and the Holy Spirit, as well as when the question of the image of God is raised, they emphasize that this the image by which human nature is conformed is the image of the Son, or the image of the Word. In this article I set out to draw some points on this patristic feature of the Eastern Fathers.


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