scholarly journals A paisagem e sua dimensão estética [The aesthetic dimension of landscape]

2018 ◽  
Vol 24 (45) ◽  
pp. 37 ◽  
Author(s):  
Esdras Araujo Arraes
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Georg Simmel ◽  
Social Transformations ◽  
Late Eighteenth Century ◽  
Other Hand ◽  
The Social ◽  
Late Eighteenth ◽  
Elective Affinities ◽  
The Aesthetic

Os estudos que se dedicam à paisagem a compreendem como a materialização de relações entre o homem e o território. Por outro lado, a noção de paisagem abriga, desde sua origem, uma conotação estética, pensada como discurso valorativo da natureza. Assim, o objetivo desse artigo é mostrar a paisagem como categoria do pensamento e parte do campo reflexivo da disciplina Estética. Serão mencionados escritos de determinados filósofos empenhados em interpretar a paisagem em sua dimensão estética. Dentre eles, pode-se citar Georg Simmel, Augustin Berque e Arnold Berleant. Busca-se ampliar sua noção para além das transformações sociais do espaço, celebrando as maneiras sensíveis de apreensão da natureza. Pretende-se, ainda, compreender a noção de paisagem formulada no Renascimento e, especialmente, no final do século XVIII, pondo luz em algumas obras literárias de Goethe, tais como Os sofrimentos do jovem Werther e Escritos sobre arte.[The studies that are dedicated to the landscape understand it as the materialization of relations between man and territory. On the other hand, the notion of landscape has, since its origin, an aesthetic connotation, thought of as a valorative discourse of nature. Thus, the purpose of this article is to show the landscape as a category of thought and part of the reflective field of the Aesthetic discipline. It will be mentioned writings of certain philosophers committed to interpret the landscape in its aesthetic dimension. I will mention, for instance, the research of Georg Simmel, Augustin Berque and Arnold Berleant. It seeks to broaden its notion beyond the social transformations of space, celebrating the sensitive manners of apprehending nature. It is also intended to understand the notion of landscape formulated in Renaissance and especially in the late Eighteenth Century putting light on some of Goethe's literary works, such as The sorrows of young Werther and Elective affinities.]

scholarly journals KOREA: KLUCZ DALEKIEGO WSCHODU (1905) AND WACŁAW SIEROSZEWSKI’S VIEW OF KOREA

2017 ◽  
Vol 3 ◽  
pp. 127-146
Author(s):  
Yeong-Mi LEE
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
The West ◽  
Late Eighteenth Century ◽  
Other Hand ◽  
Late Eighteenth ◽  
Western View ◽  
Better Than

The aim of this paper is to review Wacław C. Sieroszewski’s (1858-1945) view of Korea. He, well-known Polish writer, traveled to Korea, i. e., Daehan Empire (大韓帝國), in fall of 1903, and published Korea: Klucz Dalekiego Wschodu (1905). Considering that most of travelogues of Korea were written by American, British, French, and German, so-called “Western powers,” KKDW was a pretty valuable book.The author believes that Western view of Korea was notably changed around the late eighteenth century. In the seventeenth and eighteenth centuries, Europeans did not ignore or belittle Korea and Korean. They regarded Korea as a rich and well-systemized country, and Korean as an intelligent nation, although they had very little knowledge of Korea. On the other hand, generally speaking, they degraded Korea and Korean in the nineteenth and early twentieth centuries, and Sieroszewski was one of them. Poland was one of the weakest countries in Europe, but his view was not different from that of American, British, French, and German authors.Sieroszewski was favorably impressed by Japan before he came to Korea in October, 1903, and, as a result, he constantly compared Korea and Japan. He even wrote that Japan was better than Europe in some ways. He truly believed that Japan was the only country to carry out a desirable reform for Korea. Meanwhile, he never approved the Russia’s imperialist ambition for Korea. He considered Japan as an agent of the West. In conclusion, his idea of Korea and the East was quite similar to that of other contemporary Western travelers.

Beyond Colonial Law: Indigenous Litigation and the Contestation of Property in the Mayor's Court in Late Eighteenth-Century Madras

2003 ◽  
Vol 37 (3) ◽  
pp. 513-550 ◽  
Author(s):  
Niels Brimnes
Keyword(s):  
Eighteenth Century ◽  
Cultural History ◽  
Legal History ◽  
Social Transformations ◽  
Colonial State ◽  
Colonial Policy ◽  
Late Eighteenth Century ◽  
The Social ◽  
Late Eighteenth ◽  
Important Branch

An important branch in recent debates on the nature of the judiciary in colonial south India has focused on the extent to which the judicial institutions—and the social transformations mediated through them—were controlled by the colonial state. This debate is of interest not only from the point of legal history. From the broader perspective of social and cultural history the debate is important because it draws attention to issues such as indigenous agency, conceptual negotiation and the hybrid nature of institutions under colonial rule. It is these issues I intend to address through an analysis of indigenous litigation in the Mayor's Court in late eighteenth-century Madras. The analysis falls in two parts. First, I analyse how indigenous agents availed themselves of the court, despite an official colonial policy of excluding disputes between Indians from its jurisdiction. In the second part, I focus on the ways in which the nature of property was contested and negotiated in complex dialogues between indigenous litigants and representatives of the colonial judiciary. Both parts of the analysis indicate that important aspects of the litigation in the Mayor's Court were largely beyond the control of the colonial authorities.

The Idea of the Aesthetic

2020 ◽  
pp. 11-22
Author(s):  
Michael Bell
Keyword(s):  
Eighteenth Century ◽  
Moral Sentiment ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The Aesthetic

Lawrence spoke readily of art and its relation to life but was suspicious of the word ‘aesthetic’, which had been inflected by the aestheticism of the preceding generation. It is nonetheless a necessary term which his thought and practice help to clarify. The idea of the aesthetic has been controversial since its emergence in the late eighteenth century partly in response to the movement of moral sentiment and the fashion of sensibility. Rather than simply reject the excesses of sensibility, the aesthetic condition sought to transmute the quality of the emotion, turning feeling into impersonal understanding. But the cultural war over the value of feeling continued into the modernist generation who sometimes identified as ‘classical’ or ‘romantic’ in their view of emotion. Lawrence mocked such ‘classiosity’ as fear of feeling. This chapter compares him with his major contemporaries and suggests his significance within a broader history of thinking on the aesthetic.

Historical Research and Cultural History in Nineteenth-Century Austria: The Archivist Joseph Chmel (1798–1858)

2014 ◽  
Vol 45 ◽  
pp. 115-133 ◽  
Author(s):  
Christine Ottner
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Cultural History ◽  
Historical Research ◽  
The Other ◽  
Academic World ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Cultural Science ◽  
The One

During the nineteenth century, history developed into an independent discipline with important cultural and intellectual functions in both the academic world, as well as in society at large. Specific circumstances contributed to the rise in importance of this discipline: On the one hand, the emergence of an educated bourgeoisie and rising nationalist movements influenced the study of history; whereas on the other hand, public demands for assurances of continuity, as well as conservative efforts for restoration, also played an important role in history's growth in importance. Historicism, which began to establish itself in late-eighteenth-century Germany, had its forerunners in research approaches that grew out of the late Enlightenment. Concepts of cultural science [Kulturwissenschaft] developed by scholars of the late Enlightenment paved the way for the rise of the historical discipline during the first half of the nineteenth century.

scholarly journals The Social Structure of a Bedfordshire Parish in the Mid-Nineteenth Century

1973 ◽  
Vol 18 (1) ◽  
pp. 90-106 ◽  
Author(s):  
N. L. Tranter
Keyword(s):  
Eighteenth Century ◽  
Local Population ◽  
Demographic Characteristics ◽  
Demographic Structure ◽  
Historical Process ◽  
Late Eighteenth Century ◽  
The Social ◽  
Late Eighteenth ◽  
Materials Used ◽  
Source Materials

In an earlier article, I outlined some of the main social and demographic characteristics of the Bedfordshire parish of Cardington during the late eighteenth century, using for the purpose the invaluable survey of the parish compiled by a local schoolmaster, James Lilbourne, in 1782. Because of the growing interest in the historical process of social change, it has been thought worthwhile to examine the socio-demographic structure of Cardington at a later period. The date chosen for this second snap-shot was 1851 and the source materials used are the enumerators' schedules of the parish which were prepared for the census of that year. Although the listings for 1782 and 1851 differ somewhat, both in the nature of their content and in the degree of their coverage of the local population, a crude comparison between them has proved to be possible.

Civilizing the Savage: Johann Georg Sulzer and the ‘Aesthetic Force’ of Music

2002 ◽  
Vol 127 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Matthew Riley
Keyword(s):  
Eighteenth Century ◽  
Instrumental Music ◽  
Fine Arts ◽  
Negative Attitude ◽  
Considerable Influence ◽  
Late Eighteenth Century ◽  
The Arts ◽  
Late Eighteenth ◽  
Philosophical Background ◽  
The Aesthetic

Johann Georg Sulzer's Allgemeine Theorie der schönen Künste (1771–4) exerted considerable influence on late eighteenth-century German musical writers. But for many modern commentators, it typifies the negative attitude to instrumental music characteristic of much Enlightenment rationalism. A reassessment of Sulzer, taking account of his philosophical background in Leibniz, Wolff and Baumgarten, shows that in fact he considered music the first of the fine arts. The arts have an ethical, civilizing role; but while most can affect only people who are already partly civilized, music possesses a special ‘aesthetic force’ which energizes the minds of cognitively passive people or ‘savages’.

Passion and Fashion in Joanna Baillie's “Introductory Discourse”

PMLA ◽  
1997 ◽  
Vol 112 (2) ◽  
pp. 198-213 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Eighteenth Century ◽  
Consumer Goods ◽  
The Public ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Joanna Baillie ◽  
Public World ◽  
The Aesthetic ◽  
Character Types

In the preface to her first volume of plays, the Romantic playwright Joanna Baillie claims that one is naturally driven to classify persons into character types, and she argues that this classification should be based on the passions individuals express rather than the fashions they wear. Despite this anticonsumerist stance, however, Baillie's project is shaped by the logic of late-eighteenth-century consumerism: Baillie conceives of passions as items susceptible to inventory, display, and sale. Her interest in establishing a human taxonomy grounded in ostensibly natural and subtle discriminations of character allies her works with other popular consumer goods of the period, from clothing fashions to studies of physiognomy. Moreover, like the aesthetic of the picturesque, Baillie's aesthetic encodes a peculiarly consumerist form of desire, a desire that can never be satisfied because it aims at acquisition rather than possession. In Baillie, the feelings and desires on which modern subjectivity is founded do not spring from deep within but are formed by, and find their meaning in, the public world of the marketplace.

scholarly journals The Circle of Justice and the Napoleonic Wars

2021 ◽  
pp. 42-73
Author(s):  
Ozan Ozavci
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Napoleonic Wars ◽  
Late Eighteenth Century ◽  
Late Eighteenth

How was the French invasion of Egypt in 1798 received in Istanbul? What implications and repercussions did it have for the wider Ottoman world? After an overview of the changing nature of Ottoman diplomacy in the late eighteenth century and the Ottoman conceptions of security at the time, this chapter addresses these questions. It details Sultan Selim III’s attempts to secure his empire from European aggressions during the Napoleonic wars while at the same time looking to reform his bureaucracy and military by means of an ambitious programme that would revive ‘the circle of justice’—an underlying philosophy of Ottoman governance. The chapter displays how the realization of one goal was actually dependent on the attainment of the other, and how Selim III’s quest for security cost him first his throne, and then his life.

Calabria 1783

2018 ◽  
pp. 176-187
Author(s):  
Giuseppe Caridi
Keyword(s):  
Eighteenth Century ◽  
Political Power ◽  
The Other ◽  
The Political ◽  
Technical Knowledge ◽  
Working Hypothesis ◽  
Late Eighteenth Century ◽  
Orthogonal Grid ◽  
Late Eighteenth ◽  
Dual Domain

This chapter considers the reconstruction operations that were carried out in Calabria following the earthquake of the late-eighteenth century. The author connects the physical and ideological role played by the orthogonal grid within the scope of this urban process to Foucault's concept of the device. Such a working hypothesis makes it possible to highlight the dual-domain in which lies political power, on one hand, and technical knowledge, on the other. This is a duplicity that is not resolved in the supremacy of either one domain or the other but, rather, in their huddle in a dialectical node: the political power that avails itself of the technical knowledge to reinforce itself and the technical knowledge that takes advantage of the political power to legitimise itself.

Hamann, Johann Georg (1730–88)

2018 ◽  
Author(s):  
Frederick Beiser
Keyword(s):  
Eighteenth Century ◽  
Historical Context ◽  
Friedrich Schlegel ◽  
Sturm Und Drang ◽  
German Enlightenment ◽  
Late Eighteenth Century ◽  
The Social ◽  
Late Eighteenth ◽  
The Mind

Hamann was one of the most important critics of the German Enlightenment or Aufklärung. He attacked the Aufklärung chiefly because it gave reason undue authority over faith. It misunderstood faith, which consists in an immediate personal experience, inaccessible to reason. The main fallacy of the Aufklärung was hypostasis, the reification of ideas, the artificial abstraction of reason from its social and historical context. Hamann stressed the social and historical dimension of reason, that it must be embodied in society, history and language. He also emphasized the pivotal role of language in the development of reason. The instrument and criterion of reason was language, whose only sanction was tradition and use. Hamann was a sharp critic of Kant, whose philosophy exemplified all the sins of the Aufklärung. Hamann attacked the critical philosophy for its purification of reason from experience, language and tradition. He also strongly objected to all its dualisms, which seemed arbitrary and artificial. The task of philosophy was to unify all the various functions of the mind, seeing reason, will and feeling as an indivisible whole. Although he was original and unorthodox, Hamann’s critique of reason should be placed within the tradition of Protestant nominalism. Hamann saw himself as a defender of Luther, whose reputation was on the wane in late eighteenth-century Germany. Hamann was also a founder of the Sturm und Drang, the late eighteenth-century literary movement which celebrated personal freedom and revolt. His aesthetics defended creative genius and the metaphysical powers of art. It marked a sharp break with the rationalism of the classical tradition and the empiricism of late eighteenth-century aesthetics. Hamann was a seminal influence upon Herder, Goethe, Jacobi, Friedrich Schlegel and Kierkegaard.

Sign in / Sign up

Export Citation Format

Share Document