scholarly journals Between Job and Homo Sovieticus: Sergei Bondarchuk’s “Fate of a Man” as a masterpiece of propaganda cinema

2017 ◽  
pp. 293-307
Author(s):  
Brygida Pawłowska-Jądrzyk

The subject of this article is a famous Soviet war-film, Fate of a Man (1959), directed by Sergey Bondarchuk and based on the short-story written by the Nobel Price winner, Mikhail Sholokhov. The proposed analysis aims at uncovering an essential but hidden context of Bondarchuk’s vision of 20th century traumatic human experiences: the Old Testament Book of Job. Focused on the subtle meanings being created between gestures, words, sounds and pictures, the author tries to show the presence as well as the function of biblical images in this ‘most Soviet of the Soviet movies’. It would be useless to seek such dimensions in the literary version of the same story. Owing to his audiovisual sensibility, Bondarchuk turns out to be a real master of ‘soft’ adapting of the religious tradition to the needs of the new ideology.

ICONI ◽  
2019 ◽  
pp. 59-67
Author(s):  
Sofiya V. Sysolyatina ◽  

The article examines from the positions of musical content by means of analysis of the musical and poetical the composition “Jephthah’s Daughter” by Amy Beach, an American composer of the late 19th and early 20th century, a member of the “Boston six” — a group of American composers of the turn of the century, also known as the New England School, among which Amy Beach was the only woman. “Jephthahʼs Daughter” is a concert aria for voice and orchestra, which is interesting in the context of the composer’s musical legacy, as well as an exemplary composition of its era. The aria is devoted to the Biblical subject matter or, more precisely, the well-known Old Testament plot of the sacrifi ce of the daughter of the Israelite judge Jephthah. Besides the analysis of the musical fabric, the article examines the author’s approach to the subject of the principle of the choice of the material and the work with the textual sources — the Biblical story and the French poem, which comprised the basis of the aria’s text. As a result, the conclusion is arrived at about the composer’s artistic intentions and about the conceptual component of the work. The article contains information about Amy Beach’s biography, her artistic approach, her attitude to religious subject matter and social problems of the society contemporary to her, in particular, the issues of equal rights for women.


Politeja ◽  
2019 ◽  
Vol 16 (2(59)) ◽  
pp. 327-351
Author(s):  
Martyna Kowalska

Remake as a Form of the Dialogue with the Classics (Nikolai Gogol’s ‘The Overcoat' as an Inspiration in Russian Literature in the End of the 20th Century and the Beginning of the 21st Century) The article is devoted to the very recent phenomenon in contemporary Russian literature – to a remake. The subject of this research is the literary ‘dialogue’ between classical short story (The Overcoat by Nikolay Gogol) and Russian literary works in the end of the 20th century and the beginning of the 21st century. In scope, there is a micro-novel of Vladimir Voinovich The Fur Hat, then Dmitry Gorchev’s novel The Phone and Vladimir Shinkariev’s work The Flat, as well as Bashmachkin – a drama written by Oleg Bogaev. The interest that contemporary authors demonstrate in Gogol’s work is a result of the problems described which still appear to be current. This is also an attempt to make Russian classics contemporary and reinterpret the 20th century novel simultaneously. The methods of bringing ‘Gogol’s text’ up to date in the above-mentioned works present the wide range of possibilities that remake gives. Voinovich put social and political principles of Soviet state in the first place. The Table of Ranks together with its submission of an individual towards the state has been deeply analyzed. In Gorchev’s and Shinkariev’s stories contemporary Bashmachkins – ‘little men’, eager to fulfill their dreams about better life – are presented. What is more, those texts show a very interesting picture of Russian reality in the beginning of 21st century ruled by lawlessness, corruption and money. The most original approach to Gogol’s work was presented by Bogaev in Bashmachkin’s story continuation. However, the main character is the overcoat who is administering justice on behalf of a dying hero. The remake-sequel is not only a modernized version of Gogol’s plot but also a new text growing up from a postmodern game. A proposed analysis of the above-mentioned Russian remakes presents many different ways a classic literature text can be modernized thanks to this kind of adaptation. However, on the ground of Russian literature, a remake is above all a pursuit of a dialogue with the classics, an attempt to modernize the problematic aspects and emphasize timeless contents.


2020 ◽  
Vol 1 (2) ◽  
pp. 48-58
Author(s):  
Denni H.R. Pinontoan

This article describes the process and meaning of the reconstruction of Manguni, as the sacred bird in the old Minahasa religion which became a symbol of Gereja Masehi Injili in Minahasa (GMIM) in the context of colonialism. In particular, that thing to be discussed is the reconstruction of meaning, from Manguni as a mythological belief to Manguni as an ecclesiastical symbolic motive that carries a message of nationalism. Since the early of 20th century, the historical context and discourse of the Minahasa Christian intellectuals have been the subject of research to trace the development of Christian nationalism (in) Minahasa. In the context of GMIM, the interesting things are constituted as the dialogues and debates in colonial church forums, namely the Indische Kerk delivered by Christian leaders. This articles shows that, as a reaction to colonialism whic has changed many things predominantly in Christan Minahasa society, nationalism has grown and developed uniquely through discourse of community elites and church leaders. The expression of nationalism is through political and ecclesiastical path, which both of them use the legacy of religious tradition as tool of negotiation, namely the symbol of the institution with the motive of Manguni bird.


2020 ◽  
Vol 26 (2) ◽  
pp. 42-47
Author(s):  
Roman Tkachenko

The article deals with the connections between S. Podolynsky and Ukrainian literature, namely his artistic, educational and non-fiction works, scientific studies that testify to the philosophical principles of that era, create an additional explanatory context for the literary process, and the influence of the scientist's ideas on art literature. The object of study was mainly the texts of the thinker, such as “Steam machine” and “Human work and its relation to the distribution of energy.” The relevance of the study is seen in the need for a comprehensive understanding of the so-called populism, which in its individual samples went beyond provinciality and intellectual limitations, attesting to the art of the next era. The defining feature is the cultural and historical method established in Ukrainian literary studies. The novelty of intelligence is to shift the focus to little-known figures and marginal genres of Ukrainian literature. Interest in the figure of S. Podolynsky, what grew over time in a separate direction of research, dates back to the periods of national revival in the 20th century. Historians and economists wrote the most about him. However, physicians, physicists, biogeochemists, ecologists from Ukraine and abroad have gradually joined. The grows of the number of researchers and, in particular, the diversification of the subject of research with the involvement of all new areas of science is evidenced by the underestimated true scale of the personality of the Ukrainian thinker over the decades. We consider it necessary to focus, firstly, the genre specificity of the work “Steam machine” in the context of that day attracts attention, secondly, on the search for the echo of the ideas of this scientist in Ukrainian literature of the 19th and the first third of the 20th century. It is argued that the ideas of S. Podolynsky, in particular the autotrophy of mankind, as well as compositional and genre innovations could have influenced on the formation of scientific and social science fiction in Ukrainian literature. From our point of view, the proposed problem has the prospect of further elaboration, in particular the hypothesis about the connection between the futurological forecasts of S. Podolynsky and the ideological and artistic content of the short story by Panas Myrny “Dream” and V. Vynnychenko’s novel “Sun Machine”.


1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.


2016 ◽  
pp. 63-80 ◽  
Author(s):  
A. Buzgalin ◽  
A. Kolganov

The authors, basing on a critical analysis of the experience of planning during the 20th century in a number of countries of Europe and Asia, and also on the lessons from the economics of "real socialism", set out to substantiate their conclusions on the advisability of "reloading" this institution. The aim is to create planning mechanisms, suited to the new economy, that incorporate forecasting, projections, direct and indirect selective regulation and so forth into integral programs of economic development and that set a vector of development for particular limited spheres of what remains on the whole a market economy. New planning institutions presuppose a supersession of the forms of bureaucratic centralism and a reliance on network forms of organization of the subject and process of planning.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.


2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.


Author(s):  
Vera V. Serdechnaia ◽  

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.


2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.


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