scholarly journals Cerâmicas e Vidros da Antiguidade Tardia do Edifício sob a Igreja do Bom Jesus (Vila Nova de Gaia)

2020 ◽  
pp. 1479-1491
Author(s):  
Joaquim Filipe Ramos
Keyword(s):  
Archaeological Survey ◽  
Modern Times ◽  
First Results ◽  
The City ◽  
The Church ◽  
Late Roman

At the end of the XX century, the archaeological survey carried out at the Bom Jesus de Gaia church, gave rise to another point of history in the city of Vila Nova de Gaia , with the survey of a wide archaeological collection dating back since the V/VI century, to the modern times. Until now, the collected materials were only superficially studied, just to provide the first results of the excavations. As such a study a little more in depth was needed. In that sense we present here a study on the late roman pottery, the late grey ceramics, that is, the manufactures of late utilitarian ceramics from the church of Bom Jesus de Gaia, also enclosing the study of late glass, an equally versatile material and still a lot less studied.

The Upper Theatre at Balboura

1994 ◽  
Vol 44 ◽  
pp. 27-46
Author(s):  
Lionel Bier
Keyword(s):  
Roman Period ◽  
Asia Minor ◽  
Archaeological Survey ◽  
Southern Slope ◽  
Previous Issue ◽  
Modern Times ◽  
The Subject ◽  
Late Roman Period ◽  
The City ◽  
Late Roman

The archaeological survey of Balboura in northern Lycia conducted between 1985 and 1990 under the direction of J. J. Coulton permitted the recording of a number of architectural monuments including two theatres. The first, located at the edge of the valley 200 metres south of the Roman town, was studied during the 1987 season and has been presented in a previous issue ofAnatolian Studiesas an unfinished monument of the late Roman period. The second theatre, situated on the steep southern slope of the acropolis hill some 70 metres above the floor of the gorge, was surveyed in the summer of 1990 and is the subject of this paper (Figs. 1, 2, 3).The monument was first described—briefly and without drawings—by Spratt and Forbes who made a hurried survey of the city site in 1842. Peterson and Von Luschan came through in 1882 and later published without comment the first photograph showing the impressive levelling platform that supported the scene building. The only study in modern times has been that of de Bernardi Ferrero which appeared in the second volume of her monumental corpus of classical theatres in Asia Minor. Time apparently did not permit a thorough survey which is hardly surprising considering the enormous scope of her undertaking but her observations, as far as they go, are sound, and her photographs numerous and well chosen. De Bernardi Ferrero's graphic documentation is inadequate, however, especially as regards the original appearance of the stage building which, although almost thoroughly denuded, provides more surface clues than her drawings indicate. Her late Hellenistic designation for the building, which remains unexcavated and has produced no inscriptions, is, in any case, accepted here.

The Neglected (IV) Charles Péguy

1984 ◽  
Vol 19 (1) ◽  
pp. 93-109
Author(s):  
Pierre Manent
Keyword(s):  
Religious Life ◽  
Modern World ◽  
Modern Times ◽  
Points Of View ◽  
The City ◽  
The Church

CHARLES PÉGUY IS CERTAINLY NOT FORGOTTEN. IN DEATH, as in life, he remains a controversial figure. A man of passion, he still arouses passion in others. Even today, at least in France, a book on Péguy is almost certain to give rise to polemics. The details of his political, sentimental and religious life are scrutinized in minute detail. What is most often neglected, what is not taken seriously in this stormy celebrity, is the thinker or, if you like (Péguy would have liked), the philosopher. His views on the city and the Church, on Sophocles and on the Gospels, on the modern world and what makes it move, on men and gods, are sometimes very profound and beautiful. So many writers who are greatly inferior to him now occupy a major place in the text-books of philosophy, sociology and historiography that it is only fair to deal, even if only briefly as here, with Péguy's thought. He himself would have liked to be considered from this angle: was it not the ambition (one of the ambitions) of his life to finish a thesis on the place given to history and sociology in modern times? Although unfinished, the few hundred pages which he left are rich enough to show that he was one of the most enetrating critics of the historical and sociological points of view which dominate modern consciousness.

DIALOG Z HUMANIZMEM RENESANSOWYM W DZIEŁACH PIOTRA SKARGI / PIOTR SKARGA’S DIALOGUE WITH RENAISSANCE HUMANISM

2013 ◽  
Vol 54 (4-5) ◽  
pp. 405-424
Author(s):  
Alina Nowicka -Jeżowa
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
Roman Catholic Church ◽  
Ignatian Spirituality ◽  
Clear Cut ◽  
Renaissance Humanism ◽  
Cultural Conditions ◽  
Political Views ◽  
The City ◽  
The Church

Summary The article tries to outline the position of Piotr Skarga in the Jesuit debates about the legacy of humanist Renaissance. The author argues that Skarga was fully committed to the adaptation of humanist and even medieval ideas into the revitalized post-Tridentine Catholicism. Skarga’s aim was to reformulate the humanist worldview, its idea of man, system of values and political views so that they would fit the doctrine of the Roman Catholic church. In effect, though, it meant supplanting the pluralist and open humanist culture by a construct as solidly Catholic as possible. He sifted through, verified, and re-interpreted the humanist material: as a result the humanist myth of the City of the Sun was eclipsed by reminders of the transience of all earthly goods and pursuits; elements of the Greek and Roman tradition were reconnected with the authoritative Biblical account of world history; and man was reinscribed into the theocentric perspective. Skarga brought back the dogmas of the original sin and sanctifying grace, reiterated the importance of asceticism and self-discipline, redefined the ideas of human dignity and freedom, and, in consequence, came up with a clear-cut, integrist view of the meaning and goal of the good life as well as the proper mission of the citizen and the nation. The polemical edge of Piotr Skarga’s cultural project was aimed both at Protestantism and the Erasmian tendency within the Catholic church. While strongly coloured by the Ignatian spirituality with its insistence on rigorous discipline, a sense of responsibility for the lives of other people and the culture of the community, and a commitment to the heroic ideal of a miles Christi, taking headon the challenges of the flesh, the world, Satan, and the enemies of the patria and the Church, it also went a long way to adapt the Jesuit model to Poland’s socio-cultural conditions and the mentality of its inhabitants.

Marital Disharmony among Working Couples in Metropolitan Life: an In-depth Study in Kolkata City

2019 ◽  
Vol 8 (8) ◽  
pp. 72-85
Author(s):  
Nilanjana Ghoshal ◽  
Mst Tania Parveen ◽  
Dr Asraful Alam
Keyword(s):  
Functional Method ◽  
Modern Times ◽  
Metropolitan Cities ◽  
Urban India ◽  
Depth Study ◽  
Working Couples ◽  
Set Up ◽  
Time Required ◽  
The City ◽  
Opposite Gender

In India, traditionally and from time immemorial, marriage has always been a sacred bond for people of this country. The aim of this study is to explain a socially sanctioned sex relationship involving people of two opposite gender whose relationship is expected to endure beyond time required for gestation. The functional method of the study has been set up on the field-based observation to find out the reasons behind rising of marital disharmony among working couples. But the problem is initially in modern times the concept of marriage is gradually taking a different turn between couples. Hence the focus of this paper is to study the various factors giving rise to marital disharmonies among working couples in urban India and how these discords can be solved so that couples can lead a happy harmonious married life ahead. Survey has been done in the city of Kolkata taking people from various walks of life. As Kolkata is one of the major Metropolitan cities of India it was easier to find people belonging to different professions. The result of this study is every marriage brings challenges in life. Maximum working couples are losing attachment with each other as they have lack of time for each other. Bringing work at home, sharing of parenthood, indifference towards each other, lack of adjustments are the causes for which level of disharmony is increasing.

Diocletian's Price-Edict at Ptolemais (Cyrenaica)

1955 ◽  
Vol 45 (1-2) ◽  
pp. 106-115 ◽  
Author(s):  
Giacomo Caputo ◽  
Richard Goodchild
Keyword(s):  
Hellenistic Period ◽  
The West ◽  
Italian Government ◽  
Systematic Exploration ◽  
Roman Age ◽  
The City ◽  
Made In ◽  
Late Roman

Introduction.—The systematic exploration of Ptolemais (modern Tolmeita), in Cyrenaica, began in 1935 under the auspices of the Italian Government, and under the direction of the first-named writer. The general programme of excavation took into consideration not only the important Hellenistic period, which gave the city its name and saw its first development as an autonomous trading-centre, but also the late-Roman age when, upon Diocletian's reforms, Ptolemais became capital of the new province of Libya Pentapolis and a Metropolitan See, later occupied by Bishop Synesius.As one of several starting-points for the study of this later period, there was selected the area first noted by the Beecheys as containing ‘heaps of columns’, which later yielded the monumental inscriptions of Valentinian, Arcadius, and Honorius, published by Oliverio. Here excavation soon brought to light a decumanus, running from the major cardo on the west towards the great Byzantine fortress on the east. Architectural and other discoveries made in 1935–36 justified the provisional title ‘Monumental Street’ assigned to this ancient thoroughfare. In terms of the general town-plan, which is extremely regular, this street may be called ‘Decumanus II North’, since two rows of long rectangular insulae separate it from the Decumanus Maximus leading to the West Gate, still erect. The clearing of the Monumental Street and its frontages revealed the well-known Maenad reliefs, attributed to the sculptor Callimachus, a late-Roman triple Triumphal Arch, and fragments of monumental inscriptions similar in character to those previously published from the same area.

The Chengba site in Quxian County, Sichuan Province

2020 ◽  
Vol 20 (1) ◽  
pp. 54-68
Keyword(s):  
Central Government ◽  
Local People ◽  
Archaeological Survey ◽  
History Museum ◽  
Social Lives ◽  
Functional Zoning ◽  
The Social ◽  
Bamboo Slips ◽  
First Time ◽  
The City

AbstractIn 2014 through 2018, Sichuan Provincial Institute of Cultural Relics and Archaeology and History Museum of Quxian County conducted a systematic archaeological survey, detection, and excavation to the Chengba site in Quxian County. The excavation uncovered 4,000sq m in total, from which 444 various features were recovered and over 1,000 artifacts were unearthed. The functional zoning of this site has been roughly made clear; the excavations of the western gate and important building foundations of the Guojiatai city site are important archaeological discoveries of the city sites of the Han through Western Jin dynasties, and at the checkpoint site on the waterway of this period was uncovered for the first time in China. The large amounts of bamboo slips and wooden tablets unearthed in the excavation provided important materials for the explorations on the management of the central government of the Han and Jin empires to the administrative areas of commandery and district levels and the social lives of the local people at that time.

The Church, the City, and Modernity

2017 ◽  
Vol 72 (1) ◽  
pp. 101-111
Author(s):  
Florian Mazel
Keyword(s):  
Political Philosophy ◽  
Political History ◽  
The State ◽  
Protestant Reformation ◽  
Binary Opposition ◽  
Institutional Church ◽  
The City ◽  
The Town ◽  
The Church ◽  
Political Figure

Dominique Iogna-Prat’s latest book, Cité de Dieu, cité des hommes. L’Église et l’architecture de la société, 1200–1500, follows on both intellectually and chronologically from La Maison Dieu. Une histoire monumentale de l’Église au Moyen Âge (v. 800–v. 1200). It presents an essay on the emergence of the town as a symbolic and political figure of society (the “city of man”) between 1200 and 1700, and on the effects of this development on the Church, which had held this function before 1200. This feeds into an ambitious reflection on the origins of modernity, seeking to move beyond the impasse of political philosophy—too quick to ignore the medieval centuries and the Scholastic moment—and to relativize the effacement of the institutional Church from the Renaissance on. In so doing, it rejects the binary opposition between the Church and the state, proposes a new periodization of the “transition to modernity,” and underlines the importance of spatial issues (mainly in terms of representation). This last element inscribes the book in the current of French historiography that for more than a decade has sought to reintroduce the question of space at the heart of social and political history. Iogna-Prat’s stimulating demonstration nevertheless raises some questions, notably relating to the effects of the Protestant Reformation, the increasing power of states, and the process of “secularization.” Above all, it raises the issue of how a logic of the polarization of space was articulated with one of territorialization in the practices of government and the structuring of society—two logics that were promoted by the ecclesial institution even before states themselves.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

Book Reviews: Astute Analysis and Advice for the Church in the City

2011 ◽  
Vol 122 (6) ◽  
pp. 297-298
Author(s):  
Christopher Cocksworth
Keyword(s):  
The City ◽  
The Church
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