scholarly journals Patrimônio Cultural em perspectiva decolonial : historiando concepções e práticas

2020 ◽  
pp. 16-35
Author(s):  
Márcia Chuva
Keyword(s):  
Cultural Heritage ◽  
Public Policies ◽  
Cultural Preservation

This chapter analyzes the over-dimensioning of the category of heritage, demonstrating how it has become key in public policies for cultural preservation. To the end of highlighting the historicity of the meanings of heritage, it analyzes institutional concepts and practices of cultural heritage and folklore in Brazil, makes a counterpoint between the dictionary terms of heritage and folklore and, then, formulates hypotheses about the omnipresence of the category of heritage, considering, also, the role played by UNESCO. The analysis points out anachronisms in the historiography that refers to a division between material and immaterial heritage, and demonstrates how the mobilization of an integrated conception of heritage can make explicit diverse meanings and narratives, as well as provoke a descolonial attitude towards heritage, which approaches the field of rights.

Culture and Heritage Preservation in an Era of Globalization and Modernism

2018 ◽  
pp. 320-339 ◽  
Author(s):  
Floribert Patrick Calvain Endong
Keyword(s):  
South Korea ◽  
Cultural Heritage ◽  
East Asian ◽  
Cultural Preservation ◽  
Critical Study ◽  
Heritage Preservation ◽  
Cultural Globalization ◽  
Cultural Effects ◽  
The Impact ◽  
Cultural Heritage Preservation

According to a number of myths, the cultural effects of globalization and modernization have not really impeded East Asian countries' efforts towards cultural heritage preservation. In tandem with this, many “fascinated” members of the African intelligentsia view Eastern Asian nations such as China, South Korea, Japan, Singapore, Malaysia, and Thailand among others as true models to be emulated by their nations in the realm of cultural heritage preservation. This chapter examines the extent to which this thesis is plausible, through a critical study of the impact of globalization and modernization on cultural heritage preservation in China and Nigeria. The chapter begins by exploring the question of cultural preservation in an era of modernization and cultural globalization and ends up assessing the degree to which China and Nigeria's efforts towards cultural heritage preservation have been affected by cultural globalization and a West-dominated model of modernization.

scholarly journals RILA, Porto Murtinho and its cultural heritage: perspectives for preservation

2021 ◽  
pp. 1227-1242
Author(s):  
Rodrigo Mendes De Souza ◽  
Juliana Villela Junqueira ◽  
Maria Margareth Escobar Ribas Lima ◽  
Érika Santos Silva ◽  
Mariana De Barros Casagranda Akamine
Keyword(s):  
Cultural Heritage ◽  
Latin American ◽  
Public Policies ◽  
South American ◽  
American Continent ◽  
The South ◽  
The University ◽  
The Impact ◽  
South American Continent

As part of the studies developed by the University Network of the Latin American Integration Route (UniRila), this proposal intends to contextualize the municipality of Porto Murtinho in the process of occupation of the interior of the South American continent, understanding the Latin American Integration Route (RILA) as the culminating event of the process of territorialization-deterritorialization-reterritorialization of the region. For this purpose, historical, economic, geographic and geological aspects are considered, without which the conditions of urbanization would not be fully understood and public policies would be deficient. Thus, it is intended to draw attention to the impact that the production and export of commodities has on the territory in question.

scholarly journals SENI TATAH SUNGGING DESA KEPUHSARI SEBAGAI WARISAN BUDAYA DI KABUPATEN WONOGIRI [The Arts of Tatah Sungging Kepuhsari Village As A Cultural Heritage in Wonogiri Regency]

2018 ◽  
Vol 9 (2) ◽  
pp. 215-228
Author(s):  
Lilyk Eka Suranny
Keyword(s):  
Cultural Heritage ◽  
Qualitative Method ◽  
Cultural Preservation ◽  
Educational Values ◽  
Economic Values ◽  
Artistic Value ◽  
The Arts ◽  
Wayang Kulit ◽  
Descriptive Qualitative

The art of puppet making known in the community with tatah sungging art. In current society the tatah sungging art increasingly marginalized by the development era. This study used descriptive qualitative method. Initially tatah sungging art in the Kepuhsari village carried by a puppeteer named Ki Guno Wasito which was later revealed to posterity who subsequently developed in the community of Kepuhsari village. Tatah sungging art in the making of the puppet is a combination of the tatah (chisel) and sungging (coloring). The values contained in the tatah sungging art that is the economic values, moral / educational values, cultural and artistic value, historical value and cultural preservation. This values are deeply embedded in society  ABSTRAKSeni pembuatan wayang dikenal dimasyarakat dengan seni tatah sungging. Dalam masyarakat saat ini seni tatah sungging semakin terpinggirkan akibat perkembangan jaman. Penelitian ini bertujuan untuk mendeskripsikan mengenai sejarah perkembangan seni tatah sungging di Desa Kepuhsari, teknologi pembuatan wayang kulit serta nilai-nilai yang terkandung dalam seni tatah sungging tersebut. Penelitian ini menggunakan metode deskriptif kualitatif. Awalnya seni tatah sungging di Desa Kepuhsari dibawa oleh seorang dalang bernama Ki Guno Wasito yang kemudian diturunkan ke anak cucunya dan selanjutnya berkembang di masyarakat Desa Kepuhsari. Seni tatah sungging dalam pembuatan wayang merupakan perpaduan dari tatah (pahat) dan sungging (mewarnai). Nilai-nilai yang terkandung dalam seni tatah sungging yaitu nilai ekonomi, nilai moral/edukatif, nilai seni dan budaya serta nilai historis dan pelestarian budaya. Nilai-nilai tersebut melekat dalam kehidupan bermasyarakat.

scholarly journals On the border between culture and religion. Public policies for Afro-Brazilian religions in Brazil

2014 ◽  
Vol 11 (2) ◽  
pp. 268-287 ◽  
Author(s):  
Daniela Cordovil
Keyword(s):  
Civil Society ◽  
Cultural Heritage ◽  
Public Policies ◽  
Discursive Construction ◽  
African Origin ◽  
Afro Brazilian

This paper aims to discuss some of the recent questions concerning the promotion of public policies for Afro-Brazilian religions. To access to these policies, these groups have organized over the last few decades in the form of civil society associations and their leaders have attended many ministerial board meetings and committees. Because of this engagement, Afro-Brazilian religions were classified as "traditional terreiro peoples" and more recently received the label of "traditional peoples and communities of African origin." The paper analyses the various arguments underpinning the discursive construction of Afro-Brazilian religions as representatives of a black cultural heritage in Brazil.

scholarly journals The Wattled-Wall House of Salar People and Its Conservation and Development

2021 ◽  
Vol 14 (1) ◽  
pp. 23
Author(s):  
Mingjing Zhu ◽  
Binsheng Luo ◽  
Ben La ◽  
Ruijie Chen ◽  
Fenggui Liu ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Construction Materials ◽  
Economic Benefits ◽  
Small Population ◽  
Cultural Preservation ◽  
Current Status ◽  
Practical Reasons ◽  
Qinghai Province ◽  
Advantages And Disadvantages ◽  
House Construction

Salar people are Turkic-speaking Islamic people and an ethnic group with a small population in China. Wattled-wall house of Salar people is a type of traditional house threatened by extinction. In 2008, the wattled-wall house construction skills were selected for the national intangible cultural heritage list. It is mainly distributed in Xunhua Salar Autonomous County, Qinghai Province of China. So far, Salar people′s traditional wattled-wall house knowledge has been poorly documented. Therefore, a study supporting cultural preservation efforts is needed, including preserving plants used in its construction. This study mainly applied ethnobotanical methods based on data collection through observation, interviews, and documentation. Additionally, ArcGIS data analysis is also used to supplement the evaluation of the traditional wattled-wall house. This study aimed to (1) document traditional knowledge about the wattled-wall house construction, (2) and evaluate the current status of the wattled-wall house from different angles like the environmental adaptability and internal advantages and disadvantages. The result showed that the local people still apply the knowledge about the wattled-wall house from generation to generation. However, due to some practical reasons, the wattled-wall house is on the verge of extinction. There are 11 plant taxa used as construction materials in wattled-wall house. Conservation efforts for species involved in the wattled-wall house are needed, especially the ones with limited availability. Re-use of wattled-wall house is needed in order to maximize the economic benefits and to safeguard its historical and architectural values. It is recommended that the conservation of this cultural heritage needs more attention and effort from the local government or the society.

scholarly journals CLIC FOTOGRÁFICO TURÍSTICO E CAMINHOS DA MEMÓRIA: PROJETOS CULTURAIS EM CAXIAS DOS SUL/RS, BRASIL

2018 ◽  
Vol 2 ◽  
pp. 195
Author(s):  
Luiz Antonio Gloger Maroneze ◽  
Jamile Cezar de Moraes ◽  
Mary Sandra Guerra Ashton
Keyword(s):  
Cultural Heritage ◽  
Public Policies ◽  
Local Culture ◽  
Conceptual Basis ◽  
Heritage Education ◽  
The Relationship ◽  
The City

O objetivo desse artigo é analisar os projetos culturais Clic Fotográfico Turístico e Caminhos da Memória e suas contribuições para a discussão da cidadania em Caxias do Sul, RS. Quanto à metodologia, foram utilizadas a pesquisa bibliográfica e a documental para a constituição da base conceitual e a caracterização dos dois projetos respectivamente. Além da observação participante ao projeto Caminhos da Memória, aplicação de questionários e realização de entrevistas. Como resultados, verificou-se que as duas atividades propõem reflexões a respeito do patrimônio cultural caxiense, bem como da relação entre os residentes e a cidade por meio de uma visão voltada à cidadania. Tanto o conceito turista cidadão como a metodologia da educação patrimonial estão inseridas nas políticas públicas municipais, a fim de motivar a sociedade a participar ativamente na valorização da cultura, da identidade local e da memória para o desenvolvimento de Caxias do Sul.Palavras-chave: Turismo. Projetos culturais. Caxias do Sul/RS.ABSTRACTThis article aims at analyzing the cultural projects Clic Fotográfico Turístico and Caminhos da Memória and their contributions to the discussion on citizenship in Caxias do Sul/RS. With regard to the methodology, bibliographic and documentary researches have been carried out to build up the conceptual basis and the characterization of both projects, respectively. Besides participant observations in the project Caminhos da Memória, further investigation took place through questionnaires and interviews. As a result, the projects offer reflections on the cultural heritage from Caxias do Sul/RS, as well as on the relationship between residents and the city, through a citizenship perspective. Likewise, the citizen tourist concept and the heritage education methodology are inserted in the local public policies in order to motivate the society to actively participate in the enhancement of the local culture, identity and memory, for the development of Caxias do Sul.Keywords: Tourism. Cultural projects. Caxias do Sul/RS.

scholarly journals Ensuring sustainability of cultural heritage through effective public policies

Urbani izziv ◽  
2020 ◽  
Vol 31 (2) ◽  
pp. 78-87
Author(s):  
Daniela Angelina Jelinčić ◽  
Sanja Tišma
Keyword(s):  
Cultural Heritage ◽  
Public Policies

scholarly journals The Malady of UNESCO’s Archive

2014 ◽  
Vol 6 (5) ◽  
pp. 1015-1024 ◽  
Author(s):  
Peter Jackson
Keyword(s):  
Cultural Heritage ◽  
Cultural Preservation ◽  
Critical Examination ◽  
Director General ◽  
Special Regard ◽  
Julian Huxley ◽  
Intellectual Heritage ◽  
Established Fact

This paper offers a critical examination of UNESCO’s cultural heritage conventions with special regard to the declared transhumanism of the organization’s first director-general, Sir Julian Huxley. While Huxley’s advocation of eugenics is a well-established fact, this part of his intellectual heritage is usually not considered overtly aligned to his ideas about cultural preservation. On closer consideration, however, improvement and preservation (both cultural and biological) turn out to be closely associated concerns in the field of Huxley’s intellectual vision.

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