SENI KUNTULAN BANYUWANGI: Keberlanjutan dan Perubahannya

2016 ◽  
Vol 3 (10) ◽  
Author(s):  
Karsono
Keyword(s):  
Indigenous Peoples ◽  
Performing Arts ◽  
Cultural Analysis ◽  
Cultural Tradition ◽  
Islamic Art ◽  
Observation Study ◽  
Musical Culture ◽  
Continuity And Change ◽  
Using Data ◽  
Musical Elements

Kuntulan merupakan seni pertunjukan musik dan tarian yang hidup dan berkembang di Banyuwangi. Kuntulan merupakan potret budaya musik tradisi yang unik, karena di dalamnya menyatukan elemen-elemen musik dari berbagai kebudayaan, di antaranya budaya musik Jawa, Bali dan budaya Osing, masyarakat pribumi asli Banyuwangi. Artikel ini bertujuan untuk melihat realitas kesejarahan dan perkembangan yang terjadi dalam seni Kuntulan. Selain itu, dalam artikel ini juga dibahas mengapa terjadi proses keberlanjuatan dan sekaligus perubahan dalam seni kuntulan, dari seni Islami menuju seni sekuler. Artikel ini merupakan hasil kajian yang menggunakan metode kualitatif dengan teknik pengumpulan data berupa pengamatan, studi diskografi, wawancara, dan studi pustaka. Analisa data menggunakan teknik triangulasi data dengan model analisis budaya yang difokuskan pada tiga ranah yaitu musikal, sosial, dan budaya. Hasil kajian menjelaskan bahwa seni pertunjukan Kuntulan merupakan kelanjutan dari seni pertunjukan Islami yang disebut Hadrah yang berkembang di Banyuwangi seiring masuknya ajaran agama Islam. Dalam perkembangannya sekarang ini, Kuntulan fungsinya tidak hanya untuk aktivitas dakwah Islami tetapi juga untuk fungsi hiburan yang sifatnya sekuler. Perkembangan unsur-unsur sajian pertunjukan, baik unsur musikal maupun tarian dikembangkan berbasis kreasi artistik dan selera estetik masyarakat Osing, meskipun menggunakan elemen-elemen musik dari budaya lain yang ada di Banyuwangi.Kata kunci: Kuntulan, BanyuwangiAbstractKuntulan is the performing arts of music and dance that live and thrive in Banyuwangi. Kuntulan is a portrait of a unique cultural tradition of music, because it brings together the elements of music from various cultures, including Javanese, Balinese, and Osing musical culture, indigenous peoples of Banyuwangi. This article aims to explain the continuity and change of Kuntulan. Furthermore, this article also discussed why the continuity and change occurs on Kuntulan changes, especially Islamic art toward secular art. This article is the result of a study using qualitative methods, which data collection techniques use an observation, study discography, interviews, and literature. Analysis of the data using data triangulation technique with a model of cultural analysis that focused on three areas, namely musical, social, and cultural. The results of the study explained that Kuntulan is continuance from Islamic performing arts called Hadrah, that growing in Banyuwangi with the entry of Islam. In this current development, Kuntulan function is not only to Islamic missionary activity but also to the secular nature of entertainment functions. The development of the elements of performances, both musical and dance elements are developed based artistic creations and aesthetics tastes of Osing community, despite using musical elements from other cultures that exist in Banyuwangi.Keywords: Kuntulan, Banyuwangi

scholarly journals Pathways to Higher Education for Native Hawaiian Individual Development Account Participants

2013 ◽  
Vol 4 (4) ◽  
Author(s):  
David W. Rothwell
Keyword(s):  
Higher Education ◽  
Indigenous Peoples ◽  
Native Hawaiians ◽  
Individual Development ◽  
Welfare Receipt ◽  
Net Worth ◽  
Asset Holding ◽  
History Of ◽  
Using Data ◽  
The Cost

As the cost of higher education rises, a growing body of theory and research suggests that asset holding in the form of savings and net worth positively influence education expectations and outcomes. Native Hawaiians, like other Indigenous peoples, have disproportionately low college enrollment and graduation rates tied to a history of colonization. Using data from an Individual Development Account (IDA) program for Native Hawaiians, I examine the trajectories through the program and find: (a) welfare receipt and unemployment reduces the chances of IDA enrollment; (b) net worth increases the probability of IDA graduation; and (c) IDA graduates were more likely to gain a college degree over time compared to non-graduates. The study provides empirical evidence to the debate on asset-based interventions for Indigenous peoples.

MA SICONG AND HIS ROLE IN THE DEVELOPMENT OF CHINESE MUSICAL CULTURE

2021 ◽  
Vol 1 (4) ◽  
pp. 79-84
Author(s):  
Luo Yuanyuan ◽  
Keyword(s):  
Cultural Revolution ◽  
Performing Arts ◽  
Historical Period ◽  
Social Activities ◽  
Musical Culture ◽  
Xxth Century ◽  
Artistic Life ◽  
Musical Traditions ◽  
Creative Life ◽  
The Cultural Revolution

This article focuses on the life and creative activities of Ma Sicong, one of the most significant Chinese musicians of the mid-XXth century, a multi-talented and outstanding violinist who showed his prowess in various spheres of artistic life: performing, teaching, composing, musical and social activities. Ma Sicong contributed to each of these fields as a virtuoso soloist whose example was followed by his contemporaries, young musicians and as a teacher who trained numerous students retaining the most enthusiastic memories of their professor. The highly professional violin school he established, which continued Chinese and European musical traditions, became a fruitful source for the development of modern performing arts. Ma Sicong's creative life was not an easy one; periods of brilliant achievements and growth alternated with dramatic peripeteia, which led to his departure from China in the most difficult historical period for the country — the period of the "Cultural Revolution" (late 1950s — early 1970s ).

Masked Interaction: The Case for an Enactive View of Commedia dell’Arte (and the Italian Renaissance)

2019 ◽  
pp. 153-170
Author(s):  
Jan Söffner
Keyword(s):  
Performance Studies ◽  
Performing Arts ◽  
Actor Network Theory ◽  
Cultural Analysis ◽  
Italian Renaissance ◽  
Commedia Dell'arte ◽  
Renaissance Humanism ◽  
Renaissance Studies ◽  
And Performance

This chapter presents a case study for the use of enactivist phenomenology as a paradigm for Cultural Analysis and Renaissance Studies. It begins by describing a mask used in commedia dell’arte, first as a simple object and then as embedded in an acting praxis. The focus then turns to Renaissance cultures of the performing arts, fiction, and the constitution of subjectivity. Finally, the chapter considers what the mask has to say about sixteenth-century Italy, comparing the outcomes of this analysis with those of more conventional approaches, which are mostly focused on Renaissance humanism. The line of argumentation follows a bottom-up methodology based on enactivist assumptions. By the end the chapter will render the adopted approach theoretically explicit and offer closing remarks about the use of enactivist phenomenology for cultural analysis, by comparing it with neighbouring theories and methods in Cultural Studies (especially Praxeology, Actor-Network-Theory, studies on Material Cultures, and Performance Studies).

scholarly journals Enabling At-Homeness for Older People With Life-Limiting Conditions: A Participant Observation Study From Nursing Homes

2019 ◽  
Vol 6 ◽  
pp. 233339361988163
Author(s):  
Lotta Saarnio ◽  
Anne-Marie Boström ◽  
Ragnhild Hedman ◽  
Petter Gustavsson ◽  
Joakim Öhlén
Keyword(s):  
Decision Making ◽  
Nursing Homes ◽  
Nursing Care ◽  
Nursing Staff ◽  
Participant Observation ◽  
Well Being ◽  
Interpretive Description ◽  
Observation Study ◽  
Palliative Approach ◽  
Using Data

At-homeness, as an aspect of well-being, can be experienced despite living with life-limiting conditions and needs for a palliative approach to care. In nursing homes, older residents with life-limiting conditions face losses and changes which could influence their experience of at-homeness. The aim of this study was to explore how nursing staff enable at-homeness for residents with life-limiting conditions. Interpretive description was employed as the design using data from participant observations and formal and informal interviews related to nursing care situations. The strategies found to be used to enable at-homeness comprising nursing staff presenting themselves as reliable, respecting the resident’s integrity, being responsive to the resident’s needs, collaborating with the resident in decision-making, and through nurturing comforting relationships. The result on how to enable at-homeness could be used as strategies for a person-centered palliative approach in the care for residents in nursing homes.

Mid-life Chinese women’s understandings of sporting pain and injury: A non-Western cultural analysis via the Confucian concept of ‘ren’

2020 ◽  
pp. 101269022090638
Author(s):  
Lucen Liu ◽  
Richard Pringle
Keyword(s):  
Life Story ◽  
Participant Observation ◽  
Cultural Analysis ◽  
Table Tennis ◽  
Observation Study ◽  
Tennis Players ◽  
Gender Culture ◽  
Immigrant Identity ◽  
Confucian Philosophy ◽  
Life Story Interviews

This study explored middle-aged Chinese female table tennis players’ experiences of pain and injuries in the context of life in a foreign country (New Zealand). Data were collected in two table tennis clubs via a year-long participant observation study and through life-story interviews. The Confucian concept of ren, which has similarities to new-materialist theorising, was drawn upon to frame our interpretations of the participants’ experiences of pain and injury. The concept encourages individuals who have been raised in Chinese communities to value social connections, have sympathy for others and strive for harmony. Our study correspondingly examined how aspects of age, gender, culture, immigrant identity and Confucian philosophy interlink to shape experiences of table tennis pain and injury. Results illustrated that our participants were willing to tolerate moderate pain during participation as they were motivated to enhance community solidarity. In contrast to studies that have examined ageing athletes from western countries, our participants did not tolerate pain with the desire to prove one’s individual capability. This study contributes to a non-Western cultural reading of sports pain and injury to illustrate how broader cultural dynamics shape such experiences.

scholarly journals Musical world of Mikhail Bakhtin as objectivation of the idea of cultural synthesis

2019 ◽  
Vol 72 ◽  
pp. 03037
Author(s):  
Natalia Voronina ◽  
Svetlana Dubrovskaya ◽  
Irina Klyueva ◽  
Andrey Sychev
Keyword(s):  
Mikhail Bakhtin ◽  
Cultural Analysis ◽  
State University ◽  
Musical Culture ◽  
Russian Symbolism ◽  
Music Experience ◽  
Musical Preferences ◽  
Literary Aesthetic

Researchers repeatedly noted that M.M. Bakhtin’s works are characterized by integration of musical culture into theoretical discourse, which is expressed in his appeal to the conceptual sphere of musical art and use of musical terminology as an instrument of literary, aesthetic, and cultural analysis. However, when examining Bakhtin’s connection with music, researchers, as a rule, discuss “music in general”, without specifying which music Bakhtin used to listen. The paper discusses the phenomenon of “the musical world of Bakhtin”, including his music experience, personal and creative contacts with musicians. The authors find out musical sources of Bakhtin’s creative intuitions. Based on the study of Bakhtin’s collection of gramophone records (now located in the M. M. Bakhtin Center of the Mordovia State University), published and oral memories of people personally communicating with Bakhtin, and other sources, his individual musical preferences are identified, and the circle of his favorite composers and performers is determined. It is emphasized that the phenomenon of the “Bakhtin’s musical world” is a “marker” of his commitment to the tendency of interaction and synthesis of arts, intermediality, and the objectification of the idea of cultural synthesis, which was one of the prevailing philosophical and cultural intuitions of Russian symbolism.

TRADITIONAL MUSICAL CULTURE OF THE VOLGA AND URAL REGIONS: THE MULTI-ETHNIC DIMENSION

Servis plus ◽  
2016 ◽  
Vol 10 (3) ◽  
pp. 68-76
Author(s):  
Фаридэ Салитова ◽  
Faride Salitova
Keyword(s):  
Cultural Values ◽  
Ethnic Groups ◽  
Social Life ◽  
Performing Arts ◽  
Mutual Influence ◽  
Effective Means ◽  
Geographical Area ◽  
Positive Trend ◽  
Musical Culture ◽  
Cultural Traditions

The article analyzes the phenomenon of the traditional musical culture of ethnic groups of the Volga and Ural regions of the Turkic, Finno-Ugrian and Slavic origin, developed in the course of a permanent diversified mutual influence and mutual enrichment of distinctive ethnic, religious, regional and local components. Sam- ples of the music archaic Bashkir, Mari, Mordovian, Russian, Tatar, Udmurt and other ethnic groups living in these regions, as well as written and archaeological sources, reveal the formation of the geographical area, since the early Middle Ages, cultural space, characterized, in spite of the uniqueness of the individual compo- nents, significant unity and high moral and aesthetic potential. However, the trend of globalization in the mod- ern world is known to endanger the preservation of traditional cultural values. In this regard, they update the issue of preserving the cultural heritage of past eras, which can be solved by incorporating a modern cultural and educational environment in authentic forms, and various kinds of professional performing arts, creative composer, musical enlightenment and education. Special mention should be the aspect of existence of the tra- ditional musical culture in the social life of the region, as a regenerated ancient festivals and folklore festivals, which clearly demonstrate the relevance of ancestral cultural traditions of the Volga and Ural. Today we can observe a positive trend of revival of cultural traditions prevailing in the early stages of the ethnic history of the region. This great potential is the intrinsic moral and aesthetic value, and effective means of harmonization of interethnic and interfaith relations, the formation of a harmoniously developed personality in the realities of the modern multicultural society with a view to the formation of tolerant consciousness of new generations.

The Political Consequences of Indigenous Resentment

2020 ◽  
pp. 1-28
Author(s):  
Edana Beauvais
Keyword(s):  
Public Opinion ◽  
Indigenous Peoples ◽  
Settler Colonialism ◽  
The Political ◽  
Political Consequences ◽  
Policy Attitudes ◽  
Settler Societies ◽  
Using Data ◽  
White Settlers ◽  
Original Survey

Abstract Understanding the legacy of settler colonialism requires understanding the nature and scope of anti-Indigenous attitudes. But what, exactly, are the political consequences of anti-Indigenous attitudes? Answering this question requires recognizing that attitudes toward Indigenous peoples are distinct from White racial attitudes toward other disempowered groups. In this paper, I introduce a novel measure of Indigenous resentment. I then show that Indigenous resentment is an important predictor of policy attitudes using data collected from an original survey of White settlers. I estimate the effect of both Indigenous resentment and negative affect on policy attitudes—opposition to welfare and support for pipeline developments—to make the case that Indigenous resentment is a better measure of anti-Indigenous attitudes than affective prejudice, and that Indigenous resentment is an important omitted variable in the study of public opinion in settler societies.

Does Participation in Music and Performing Arts Influence Child Development?

2017 ◽  
Vol 54 (3) ◽  
pp. 399-443 ◽  
Author(s):  
E. Michael Foster ◽  
Jade V. Marcus Jenkins
Keyword(s):  
Performing Arts ◽  
Arts Education ◽  
Early Adulthood ◽  
Self Esteem ◽  
College Attendance ◽  
Cognitive Outcomes ◽  
Arts Participation ◽  
Nationally Representative ◽  
Using Data ◽  
Arts Engagement

This article reconsiders the association between childhood arts participation and cognitive and developmental outcomes. Using data from a large, nationally representative sample with extensive covariates, we employ propensity score weighting to adjust comparisons of children who do and do not participate in arts education (music and performing arts lessons) to address potential confounding from selection into arts education. We examine a broad range of outcomes in adolescence and early adulthood (e.g., GPA, self-esteem, college attendance). Our results show that selection into arts education is at least as strong as any direct effect on outcomes, providing no support for the causal associations between arts participation and cognitive outcomes. We do find that arts education increases arts engagement during young adulthood.

Proses Kreativitas dan Penerimaan Masyarakat: Studi Kasus Musik Pengiring Jaranan

2021 ◽  
Vol 1 (2) ◽  
pp. 69-80
Author(s):  
Syam Aditya Herlangga ◽  
Bayu Arsiadhi Putra ◽  
Aris Setyoko
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Performing Arts ◽  
Literature Study ◽  
Four Dimensions ◽  
The Public ◽  
Location Data ◽  
Analysis Technique ◽  
Qualitative Research Methodology ◽  
Using Data

Abstract: Turonggo Karyo Budoyo is one of the Jaranan arts groups in the city of Samarinda. This group managed to maintain its existence amidst the reduced public interest in the performing arts of jaranan, especially the youth who should be the successors in preserving local arts. It is done through the creativity offered by the Jaranan Turonggo Karyo Budoyo Art Group, which combines pop songs with jaranan gending in their performances. This study aims to analyze the processes that occur in creativity and describe how the audience's acceptance of creativity. This study uses a qualitative research methodology and a participant approach using 3 (three) stages in the study, namely determining the research location, data collection techniques, and data analysis techniques. Determination of the location aims to focus on the object of research. Data collection techniques include literature study, observation, interviews, and documentation. As for the data analysis technique using data triangulation between researcher observations, interview data, and analyzed documentation. The results of this study can answer the formulation of the problem and research objectives that have been determined. The creative process is carried out through regular practice by paying attention to the budget, duration, and song selection. The process also involves four dimensions of creativity that influence each other: person, process, press, and product. The creativity offered is well received by the public or audience. The community considers combining pop songs with gending to be one way to introduce Javanese art to the broader community, especially young people, to be preserved.   Abstrak: Turonggo Karyo Budoyo merupakan salah satu grup kesenian jaranan yang ada di kota Samarinda. Grup ini berhasil mempertahankan eksistensinya ditengah berkurangnya minat masyarakat terhadap seni pertunjukan jaranan terutama para pemuda yang seharusnya menjadi penerus dalam melestarikan kesenian daerah. Hal ini dilakukan melalui kreativitas yang ditawarkan oleh Grup Kesenian Jaranan Turonggo Karyo Budoyo, yaitu menggabungkan lagu pop dengan gending jaranan dalam pertunjukannya. Tujuan penelitian ini adalah menganalisa proses yang terjadi di dalam kreativitas serta menjabarkan bagaimana penerimaan penonton terhadap kreativitas tersebut. Penelitian ini menggunakan metodologi penelitian kualitatif dan pendekatan partisipan dengan menggunakan 3 (tiga) tahapan dalam penelitian, yaitu menentukan lokasi penelitian, menentukan teknik pengumpulan data serta menentukan teknik analisa data. Penentuan lokasi bertujuan untuk memfokuskan objek penelitian. Teknik pengumpulan data meliputi studi kepustakaan, observasi, wawancara, dan dokumentasi. Adapun untuk teknik analisa data menggunakan tringulasi data antara observasi peneliti, data wawancara, dan dokumentasi yang dianalisis. Hasil penelitian ini mampu menjawab rumusan masalah dan tujuan penelitian yang telah ditentukan. Proses kreativitas dilakukan melalui latihan rutin dengan memperhatikan budget, durasi serta pemilihan lagu. Dalam prosesnya juga melibatkan empat dimensi kreativitas yang saling mempengaruhi, yaitu person (orang), process (proses), press (tekanan), serta product (produk). Kreativitas yang ditawarkan diterima baik oleh masyarakat (penonton). Penggabungan lagu pop dengan gending dinilai masyarakat menjadi salah satu cara memperkenalkan kesenian jawa kepada masyarakat luas terutama para pemuda agar dapat dilestarikan.

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