scholarly journals Musical world of Mikhail Bakhtin as objectivation of the idea of cultural synthesis

2019 ◽  
Vol 72 ◽  
pp. 03037
Author(s):  
Natalia Voronina ◽  
Svetlana Dubrovskaya ◽  
Irina Klyueva ◽  
Andrey Sychev
Keyword(s):  
Mikhail Bakhtin ◽  
Cultural Analysis ◽  
State University ◽  
Musical Culture ◽  
Russian Symbolism ◽  
Music Experience ◽  
Musical Preferences ◽  
Literary Aesthetic

Researchers repeatedly noted that M.M. Bakhtin’s works are characterized by integration of musical culture into theoretical discourse, which is expressed in his appeal to the conceptual sphere of musical art and use of musical terminology as an instrument of literary, aesthetic, and cultural analysis. However, when examining Bakhtin’s connection with music, researchers, as a rule, discuss “music in general”, without specifying which music Bakhtin used to listen. The paper discusses the phenomenon of “the musical world of Bakhtin”, including his music experience, personal and creative contacts with musicians. The authors find out musical sources of Bakhtin’s creative intuitions. Based on the study of Bakhtin’s collection of gramophone records (now located in the M. M. Bakhtin Center of the Mordovia State University), published and oral memories of people personally communicating with Bakhtin, and other sources, his individual musical preferences are identified, and the circle of his favorite composers and performers is determined. It is emphasized that the phenomenon of the “Bakhtin’s musical world” is a “marker” of his commitment to the tendency of interaction and synthesis of arts, intermediality, and the objectification of the idea of cultural synthesis, which was one of the prevailing philosophical and cultural intuitions of Russian symbolism.

The Cambridge Introduction to Mikhail Bakhtin

2021 ◽  
Author(s):  
Ken Hirschkop
Keyword(s):  
Mikhail Bakhtin ◽  
Historical Context ◽  
Cultural Analysis ◽  
Literary Texts ◽  
The Way

In this introduction to Mikhail Bakhtin, Ken Hirschkop presents a compact, readable, detailed, and sophisticated exposition of all of Bakhtin's important works. Using the most up-to-date sources and the new, scholarly editions of Bakhtin's texts, Hirschkop explains Bakhtin's influential ideas, demonstrates their relevance and usefulness for literary and cultural analysis, and sets them in their historical context. In clear and concise language, Hirschkop shows how Bakhtin's ideas have changed the way we understand language and literary texts. Authoritative and accessible, this Cambridge Introduction is the most comprehensive and reliable account of Bakhtin and his work yet available.

scholarly journals Popularization of M. Fedoriv’s creativity by modern leaders of the music culture diaspora in Canada

2021 ◽  
Author(s):  
Iryna Yatsiv
Keyword(s):  
Cultural Analysis ◽  
Professional Activity ◽  
Musical Culture ◽  
Professional Musicians ◽  
Musical Tradition ◽  
Modern Media ◽  
Media Space ◽  
Vector Activity ◽  
Historical Authenticity ◽  
Cd Recording

The purpose of the article is an esthetic and cultural analysis of art by M. Fedoriv in the projection of performing practice the contemporary figures of musical culture in the diaspora. Methodology. To achieve the set objective was used comparative-historical, culturological, axiological theoretical and methodological approaches, also biographical and art history methods of scientific knowledge, which directed on the disclosure of the immanent features of investigated products of the creative activity of the personalities in this scientific research; determining the significance of M. Fedoriv’s in the context of the development of Ukrainian musical culture of the 20th century. The scientific novelty of the work consists in applying cultural products of the music industry (gramophone record, CDs), as elements in the source base of research in methodology comparative analysis performance-conducting interpretation of the musical heritage of the composer in the context into the professional activity of Canadian musicians. Conclusions. M. Fedoriv is a representative of the highly professional musicians from the diaspora, which multi-vector activity is marked by the upturn of the basic form of cultural identification. In order to convey the historical authenticity of the national musical tradition of liturgical singing, he researched and published church-religious tunes of the practice of worship in Ukraine, which stoped the total simplification in the performance of canonical chants in the churches of the diaspora. Reaching our time, the popularization of M. Fedoriv's work was possible thanks to the performance and production work of M. Maksymiv and R. Hurko. Thus, in except to the rotation of the digitized album «Jerusalem Matins» by M. Fedoriv on the air of foreign radio broadcasters: CBC (Canada), BBC Radio 3 (Great Britain), M. Maksimiv succeeded to reissue the CD recording of the Liturgy twice and distribute it on social network platforms. However, the precedent of reviving the process of integrating the composer's heritage into the modern media space is the activity of R. Hurko. However, the precedent of reviving the process of integrating the composer's heritage into the modern media space is the activity of R. Hurko. Under his record label CARO Productions, the artist places the audio content produced by him, the same Liturgy on Youtube, and in the form of a tracklist of a music album on commercial services (Apple Music, Deezer, Spotify). Thus, the planes of the personal activity of M. Maksymov and R. Gurko became an example of representation of dominant features of the nation's cultural genome between different generations of Ukrainians, and M. Fedoriv's work is available to its target audience beyond temporal and any territorial borders.

BILINGUAL EDUCATION: A DIALOGUE WITH THE BAKHTIN CIRCLE.Marcia Moraes. Albany, NY: State University of New York Press, 1996. Pp. xii + 159. $39.50 cloth, $12.95 paper.

1998 ◽  
Vol 20 (1) ◽  
pp. 114-115
Author(s):  
Timothy Reagan
Keyword(s):  
United States ◽  
New York ◽  
Critical Pedagogy ◽  
Bilingual Education ◽  
Mikhail Bakhtin ◽  
The United States ◽  
State University ◽  
Bilingual Educators

Marcia Moraes has made a contribution that will be of interest to many bilingual educators in the United States. Her book is an attempt to examine and critique contemporary bilingual education as it is generally conceptualized in the United States within the framework of a critical Marxian, poststructuralist perspective grounded in the work of Mikhail Bakhtin and Valentin Voloshinov. Thus, Bilingual education: A dialogue with the Bakhtin circle seeks to bring together two fields that have been, until this time, relatively unconnected. There is a great deal to be said for such undertakings, and both those interested in critical pedagogy and those involved in bilingual education have much to learn from one another.

SENI KUNTULAN BANYUWANGI: Keberlanjutan dan Perubahannya

2016 ◽  
Vol 3 (10) ◽  
Author(s):  
Karsono
Keyword(s):  
Indigenous Peoples ◽  
Performing Arts ◽  
Cultural Analysis ◽  
Cultural Tradition ◽  
Islamic Art ◽  
Observation Study ◽  
Musical Culture ◽  
Continuity And Change ◽  
Using Data ◽  
Musical Elements

Kuntulan merupakan seni pertunjukan musik dan tarian yang hidup dan berkembang di Banyuwangi. Kuntulan merupakan potret budaya musik tradisi yang unik, karena di dalamnya menyatukan elemen-elemen musik dari berbagai kebudayaan, di antaranya budaya musik Jawa, Bali dan budaya Osing, masyarakat pribumi asli Banyuwangi. Artikel ini bertujuan untuk melihat realitas kesejarahan dan perkembangan yang terjadi dalam seni Kuntulan. Selain itu, dalam artikel ini juga dibahas mengapa terjadi proses keberlanjuatan dan sekaligus perubahan dalam seni kuntulan, dari seni Islami menuju seni sekuler. Artikel ini merupakan hasil kajian yang menggunakan metode kualitatif dengan teknik pengumpulan data berupa pengamatan, studi diskografi, wawancara, dan studi pustaka. Analisa data menggunakan teknik triangulasi data dengan model analisis budaya yang difokuskan pada tiga ranah yaitu musikal, sosial, dan budaya. Hasil kajian menjelaskan bahwa seni pertunjukan Kuntulan merupakan kelanjutan dari seni pertunjukan Islami yang disebut Hadrah yang berkembang di Banyuwangi seiring masuknya ajaran agama Islam. Dalam perkembangannya sekarang ini, Kuntulan fungsinya tidak hanya untuk aktivitas dakwah Islami tetapi juga untuk fungsi hiburan yang sifatnya sekuler. Perkembangan unsur-unsur sajian pertunjukan, baik unsur musikal maupun tarian dikembangkan berbasis kreasi artistik dan selera estetik masyarakat Osing, meskipun menggunakan elemen-elemen musik dari budaya lain yang ada di Banyuwangi.Kata kunci: Kuntulan, BanyuwangiAbstractKuntulan is the performing arts of music and dance that live and thrive in Banyuwangi. Kuntulan is a portrait of a unique cultural tradition of music, because it brings together the elements of music from various cultures, including Javanese, Balinese, and Osing musical culture, indigenous peoples of Banyuwangi. This article aims to explain the continuity and change of Kuntulan. Furthermore, this article also discussed why the continuity and change occurs on Kuntulan changes, especially Islamic art toward secular art. This article is the result of a study using qualitative methods, which data collection techniques use an observation, study discography, interviews, and literature. Analysis of the data using data triangulation technique with a model of cultural analysis that focused on three areas, namely musical, social, and cultural. The results of the study explained that Kuntulan is continuance from Islamic performing arts called Hadrah, that growing in Banyuwangi with the entry of Islam. In this current development, Kuntulan function is not only to Islamic missionary activity but also to the secular nature of entertainment functions. The development of the elements of performances, both musical and dance elements are developed based artistic creations and aesthetics tastes of Osing community, despite using musical elements from other cultures that exist in Banyuwangi.Keywords: Kuntulan, Banyuwangi

scholarly journals Valery Bryusov and the musical world of Russia in the late 19th — early 20th centuries (Introduction)

Literary Fact ◽  
2020 ◽  
pp. 213-236
Author(s):  
Armen Gevorkian
Keyword(s):  
20Th Century ◽  
Literary Work ◽  
Annotated Bibliography ◽  
Research Interest ◽  
Literary Study ◽  
Political Environment ◽  
Musical Culture ◽  
Musical Compositions ◽  
Russian Symbolism ◽  
Original Works

While there are many studies on biography, literary work, and the epistolary heritage of V.Ya. Bryusov, his connections with the musical world of Russia in the late 19th — early 20th centuries remain on the periphery of research interest. Significantly less attention was paid to the historical and literary study of the poet’s personal and creative contacts with composers, music critics, and musicologists. In the late 19th — early 20th centuries V.Ya. Bryusov’s poetry as a source of musical compositions attracted composers of various creative and aesthetic principles, from realistic to modernist, each of whom found in Bryusov's works related images, themes and motifs. Today, the names of more than thirty composers, who addressed both original works and translations of the head of Russian Symbolism, are known. Among them are composers who by the beginning of the 20th century had become original figures of Russian musical culture — A.T. Grechaninov, S.V. Rachmaninov, N.K. Metner, R.M. Glier, S.I. Vasilenko — and less known today V.I. Rebikov, A. Kankarovich, A.G. Shaposhnikov et al. One of the first works devoted to this topic was an article by the poet’s sister, Nadezhda Bryusova, “Music in Valery Bryusov’s works” (Iskusstvo, 1929, no. 3 – 4), outlining two main areas of research: historical and literary and theoretical, philosophical and historical. O. Tompakova, V. Dronov, E. Etkind et al. also researched Bryusov’s connections with the musical culture of Russia at the beginning of the 20th century. Interest in Bryusov’s work did not fade even after the poet’s death, many Soviet composers turned to his poetry in the new socio-political environment. The Appendix contains materials for the annotated bibliography of music editions related to Bryusov

An essay on the history and hermeneutics of Naṣīḥat al-Mulūk BY Ghazālī, Abu Ḥamid Muḥammad Ibn Muḥammad Al-Tūsī: the symbolic and cultural code

Servis plus ◽  
2016 ◽  
Vol 10 (1) ◽  
pp. 89-100
Author(s):  
Марклен Конурбаев ◽  
Marklen Konurbaev ◽  
Салават Конурбаев ◽  
Salavat Konurbaev
Keyword(s):  
Cultural Analysis ◽  
State University ◽  
Universities And Colleges ◽  
Literature And Philosophy ◽  
Smooth Flow ◽  
Arabic Philosophy ◽  
Western Scholar ◽  
Cultural Code ◽  
Moscow State University

A symbolic and cultural analysis of the Oriental Philosophers’ writings is invariably a matter of great challenge and difficulty. It is always full of allegory and literary divagations which intersperse a smooth flow of argumentation. This paper is written by Marklen Konurbaev, Professor of Literature at Moscow State University and his son Salavat, a student of Arabic Philosophy. The paper consists of six parts and attempts to reveal the hidden message of a famous extract from the renowned book Ihya Ulum Al Din by a Persian philosopher Ghazālī, Abu Ḥamid Muḥammad Ibn Muḥammad Al-Tūsī, devoted to the analysis of the notion of “fairness” in the doings of a ruler. The symbolic and cultural analysis of the work was performed based on the methodology propounded by Roland Gérard Barthes – a French literary theorist, philosopher, linguist and critic. This is the first ever attempt to put together the methodological efforts of a Western scholar and profoundly oriental piece of philosophy. Results of the hermeneutic study are stunning and elucidating. The paper could be recommended to the students of literature and philosophy at the universities and colleges.

Transfer optics for high spatial resolution electron spectroscopy

1988 ◽  
Vol 46 ◽  
pp. 666-667
Author(s):  
G. G. Hembree ◽  
Luo Chuan Hong ◽  
P.A. Bennett ◽  
J.A. Venables
Keyword(s):  
Magnetic Field ◽  
Scanning Transmission Electron Microscope ◽  
Low Energy ◽  
Objective Lens ◽  
State University ◽  
Arizona State University ◽  
Initial Field ◽  
Resolution Electron ◽  
Scanning Transmission ◽  
Low Energy Electrons

A new field emission scanning transmission electron microscope has been constructed for the NSF HREM facility at Arizona State University. The microscope is to be used for studies of surfaces, and incorporates several surface-related features, including provision for analysis of secondary and Auger electrons; these electrons are collected through the objective lens from either side of the sample, using the parallelizing action of the magnetic field. This collimates all the low energy electrons, which spiral in the high magnetic field. Given an initial field Bi∼1T, and a final (parallelizing) field Bf∼0.01T, all electrons emerge into a cone of semi-angle θf≤6°. The main practical problem in the way of using this well collimated beam of low energy (0-2keV) electrons is that it is travelling along the path of the (100keV) probing electron beam. To collect and analyze them, they must be deflected off the beam path with minimal effect on the probe position.

Ultrastructural Studies of Bovine Respiratory Disease Complex

1975 ◽  
Vol 33 ◽  
pp. 428-429
Author(s):  
James C.S. Kim
Keyword(s):  
Michigan State University ◽  
State University ◽  
Diagnostic Laboratory ◽  
Ultrastructural Studies ◽  
Bovine Respiratory Diseases ◽  
Etiologic Agents ◽  
Diagnostic Difficulties ◽  
The Subject ◽  
Capillary Walls ◽  
Alveolar Capillary

Bovine respiratory diseases cause serious economic loses and present diagnostic difficulties due to the variety of etiologic agents, predisposing conditions, parasites, viruses, bacteria and mycoplasma, and may be multiple or complicated. Several agents which have been isolated from the abnormal lungs are still the subject of controversy and uncertainty. These include adenoviruses, rhinoviruses, syncytial viruses, herpesviruses, picornaviruses, mycoplasma, chlamydiae and Haemophilus somnus.Previously, we have studied four typical cases of bovine pneumonia obtained from the Michigan State University Veterinary Diagnostic Laboratory to elucidate this complex syndrome by electron microscopy. More recently, additional cases examined reveal electron opaque immune deposits which were demonstrable on the alveolar capillary walls, laminae of alveolar capillaries, subenthothelium and interstitium in four out of 10 cases. In other tissue collected, unlike other previous studies, bacterial organisms have been found in association with acute suppurative bronchopneumonia.

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