scholarly journals Neurology of Ukraine in the mirror of exonumia

2021 ◽  
Vol 16 (8) ◽  
pp. 57-62
Author(s):  
O.V. Syniachenko ◽  
M.V. Yermolaeva ◽  
S.M. Verzilov ◽  
K.V. Liventsova ◽  
T.Yu. Syniachenko ◽  
...  

The main goal was to analyze the history of neurology of Ukraine using exonumia materials. Exonumia (a form of medallic educational art) is a branch of historical science numismatics (from the Latin numisma — coin), which originated in the 19th century and became closely related to economics, politics, culture and law; it includes the thematic study of medals and plaques. The medal became the prototype of a commemorative (memorial) coin. This work presents a catalogue of 43 numismatic materials (me­dals), including some unique ones, presented for the first time, brief biographies of physicians (21 persons) who have made an invaluable contribution to the formation of this scientific discipline. Unfortunately, for now the memory of famous doctors of the past has not been sufficiently marked by the release of numismatic (exonumia) products, so in the future we hope for a systematic approach to this matter, for the purposeful promotion of the achievements of neurology by meaning of numismatics, which provides an illustrative example for studying the history of medicine, contributes to an increase in the level of education of doctors. The authors expect the appearance of new interesting materials of such small forms of art.

Author(s):  
O.V. Syniachenko ◽  
M. O. Kolesnyk ◽  
N.M. Stepanova ◽  
M.V. Iermolaieva

The branch of historical science of numismatics (from the Latin "numisma" - coin) originated in the 19th century and became closely connected with economics, politics, culture and law, it includes a thematic study of coins, medals and plaque. Best of all, the history of uronephrology is illustrated by various forms of the medalist educational art (exonum or paranumismatics), and the medal became the prototype of the memorial coin. This work presents a catalog of more than 400 numismatic materials (including some unique, first cited), reflects the stages of development of the study of the structure and function of the kidneys, methods for diagnosing and treating diseases, there are links to significant historical events, brief biographies of physicians who have made an invaluable contribution are mentioned into the formation of this scientific discipline. The development of urology over 520 years of historical epochs of the New and Modern times were presented, portraits on 60 numismatic materials of well-known specialists-urologists and kidney transplantologists were presented, scientific forums of urologists were reflected on commemorative medals.


Author(s):  
O.V. Syniachenko ◽  
M.O. Kolesnyk ◽  
N.M. Stepanova ◽  
M.V. Iermolaieva

The branch of historical science of numismatics (from the Latin "numisma" - coin) originated in the 19th century and became closely connected with economics, politics, culture and law, it includes a thematic study of coins, medals and plaque. Best of all, the history of uronephrology is illustrated by various forms of medalist educational art (exonum or paranumismatics), and the medal became the prototype of the memorial coin. This work presents a catalog of more than 400 numismatic materials (including some unique, first cited), reflects the stages of development of the study of the structure and function of the kidneys, methods for diagnosing and treating diseases, there are links to significant historical events, brief biographies of physicians who have made an invaluable contribution are mentioned into the formation of this scientific discipline. The work presents a role in the origin of the study of kidney and urinary tract diseases of ancient physicians (Aretea, Aristotle, Galen, Hippocrates, Rufus, Sushruta, Empedocles) and doctors of the Middle Ages (Avicenna, Da Carpi, Panaskerteli, Paracelsus, Sun Simiao).


Author(s):  
O.V. Syniachenko ◽  
M.O. Kolesnyk ◽  
N.M. Stepanova ◽  
M.V. Iermolaieva

The branch of historical science of numismatics (from the Latin "numisma" - coin) originated in the 19th century and became closely connected with economics, politics, culture and law, it includes a thematic study of coins, medals and plaque. Best of all, the history of uronephrology is illustrated by various forms of medalist educational art (exonum or paranumismatics), and the medal became the prototype of the memorial coin. This work presents a catalog of more than 400 numismatic materials (including some unique, first cited), reflects the stages of development of the study of the structure and function of the kidneys, methods for diagnosing and treating diseases, there are links to significant historical events, brief biographies of physicians who have made an invaluable contribution are mentioned into the formation of this scientific discipline. The work presents a role in the origin of the study of kidney and urinary tract diseases of ancient physicians (Aretea, Aristotle, Galen, Hippocrates, Rufus, Sushruta, Empedocles) and doctors of the Middle Ages (Avicenna, Da Carpi, Panaskerteli, Paracelsus, Sun Simiao).


This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


2021 ◽  
pp. 256-275
Author(s):  
Eyal Benvenisti ◽  
Doreen Lustig

During the course of the second half of the 19th century, the rules regulating the conduct of armies during hostilities were internationally codified for the first time. The conventional narrative attributes the codification of the laws of war to the campaign of civil society, especially that of the founders of the Red Cross—Henry Dunant and Gustav Moynier. In what follows, we problematize this narrative and trace the construction of this knowledge. We explore how the leading figures of the Red Cross, who were aware of the shortcomings of their project, were nonetheless invested in narrating its history as a history of success. Their struggle to control the narrative would eventually confer the International Committee of the Red Cross (ICRC) with considerable interpretive and agenda-setting authority in the realm of the laws of war. We dwell on the meaning of this conscious exercise in knowledge production and its normative ramifications.


2020 ◽  
Author(s):  
Benjamin Wilkie

People have been visiting and living in the Victorian Grampians, also known as Gariwerd, for thousands of generations. They have both witnessed and caused vast environmental transformations in and around the ranges. Gariwerd: An Environmental History of the Grampians explores the geological and ecological significance of the mountains and combines research from across disciplines to tell the story of how humans and the environment have interacted, and how the ways people have thought about the environments of the ranges have changed through time. In this new account, historian Benjamin Wilkie examines how Djab wurrung and Jardwadjali people and their ancestors lived in and around the mountains, how they managed the land and natural resources, and what kinds of archaeological evidence they have left behind over the past 20 000 years. He explores the history of European colonisation in the area from the middle of the 19th century and considers the effects of this on both the first people of Gariwerd and the environments of the ranges and their surrounding plains in western Victoria. The book covers the rise of science, industry and tourism in the mountains, and traces the eventual declaration of the Grampians National Park in 1984. Finally, it examines more recent debates about the past, present and future of the park, including over its significant Indigenous history and heritage.


Classics ◽  
2013 ◽  
Author(s):  
Richard D. McKirahan

The word “Presocratic” was invented in the 19th century ce and does not represent a category recognized in antiquity. The expression “Presocratic philosophy” is misleading: first, because some “Presocratics” were Socrates’ contemporaries, some of them surviving him by decades, and second, because they did not call themselves philosophers and because the fields of inquiry they practiced extend far beyond what we think of as philosophy. Nevertheless, the label “Presocratic” is commonly applied to the intellectual figures of the 6th and 5th centuries bce (and a few that lived into the 4th) who dwelt in the Greek-speaking lands from what is now coastal Turkey to Sicily and who are included in this bibliography. Evidence of the influence of Presocratic thought on other areas of culture than philosophy is found in texts ranging from historical and rhetorical works to tragedy and comedy and beyond, to the Hippocratic medical writings and the Derveni Papyrus. Since no original texts of the Presocratics survive entirely, our knowledge of them is based on quotations (“fragments”) from their works and on reports (“testimonia”) about their views, lives, and writings in other authors whose works have been transmitted. Presocratic philosophy is the earliest phase of Greek philosophy; Plato and Aristotle were strongly influenced by the Presocratics and recognized them as their intellectual predecessors. The subsequent interest in the Presocratics in antiquity and in consequence our knowledge of them is largely due to Aristotle. In more recent times, systematic study of them began in the 19th century. Diels’s Doxographi Graeci (Diels 1879, cited under Source Criticism) for the first time permitted a rational reconstruction of much of the testimonial material, and Die Fragmente der Vorsokratiker (Diels and Kranz 1952, cited under Collections of Source Materials; first published in 1903) provided a collection of fragments and testimonia that brought the study of the Presocratics within the range of students and nonspecialist scholars of philosophy, classics, and the history of science. The study of “Presocratic philosophy” has traditionally extended to more subjects than we commonly consider philosophical. It includes topics not only in method, logic, metaphysics, epistemology, ethics, cognition, cosmology, and “psychology”—here meaning views about the nature of the psuchē (frequently translated “soul”)—but also examines connections with science and mathematics, and a variety of social practices. Recently this tendency has further expanded to include religious and mystical beliefs and practices, while by no means excluding the philosophical and scientific aspects of Presocratic thought, which remain the dominant topics of research.


2016 ◽  
pp. 74-80
Author(s):  
Roberto Mannu

Published for the first time in 1940 the André Breton’s Anthology of black humor inaugurates the great season of surrealist anthologies, which will last until late 60s. The use of the traditional form of the modern anthology by the Surrealists, does not involve into a complete acceptance of its rules, already codified since the end of the 19th century, but rather a deformation of its textual structure and of its objectives, producing a literary genre with particular characteristics. The surrealist anthology, such as those realized by André Breton, Paul Éluard, Louis Aragon and Benjamin Péret, represent an hybrid literary object with structural elements in common with the dictionary, the glossary, the anthology and the catalogue. The surrealist literary collections represent both a different approach to the history of literature and an expression of surrealist poetics.


Augustinianum ◽  
2020 ◽  
Vol 60 (2) ◽  
pp. 543-569
Author(s):  
Rocco Ronzani ◽  

The note reinterprets an important epigraphic testimony of the Ostrogoth age (ICUR I, 2794), published for the first time by Giovanni Battista de Rossi in 1894. It is a polymetric funeral eulogy commissioned among the Amali royal family, perhaps dedicated by Flavia Amala Amalafrida Theodenanda to one or more relatives, unless one wishes to identify her with one of the dedicatees of the eulogy. After a presentation of supportive material and a new edition of the text, the history of the discovery of the inscription is retraced, involving leading figures of the 19th century political and ecclesiastical culture including cardinal Vincenzo Vannutelli and H. Stevenson Jr., a pupil of de Rossi. The contribution dates the artifact between the end of the 5th century and the beginning of the 6th; it studies the hypothesis of identifying Amalafrida with one of the princesses in the family circle of King Theodoric and with the Ostrogothic wife of Flavius Maximus; it illustrates a hypothesis of the intended use of the epigraph for a funeral monument in the cemetery area of the Martyrial Basilica of S. Secondino on the Praenestina.


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