scholarly journals Rethinking John Boyne’s The Boy in the Striped Pyjamas as Children’s Literature

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 171
Author(s):  
Nugraheni Bhakti Prajaningtyas ◽  
Ida Rochani Adi

This graduating paper aims to examine whether or not John Boyne’s novel entitled The Boy in the Striped Pyjamas should be categorized as children’s literature. The story tells about a nine-year-old German boy named Bruno with his Jewish friend, Shmuel, who lives inside the concentration camp during the Holocaust. This graduating paper applies the genre approach since it is the most suitable approach to analyze the elements of children’s literature genre, which are character and characterization, didactic elements, the happy ending, and element of pictures in children’s literature. In order to support the analysis, library research was conducted alongside the novel itself as well as supporting articles from reliable websites. The result of the analysis shows that John Boyne’s The Boy in the Striped Pyjamas cannot be categorized as children’s literature as the characteristics of children’s literature suggested by Nodelman are not found in the novel. However, The Boy in the Striped Pyjamas can be categorized as high literature since the characteristics of high literature are primarily found in the novel.

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 171
Author(s):  
Nugraheni Bhakti Prajaningtyas ◽  
Ida Rochani Adi

This graduating paper aims to examine whether or not John Boyne’s novel entitled The Boy in the Striped Pyjamas should be categorized as children’s literature. The story tells about a nine-year-old German boy named Bruno with his Jewish friend, Shmuel, who lives inside the concentration camp during the Holocaust. This graduating paper applies the genre approach since it is the most suitable approach to analyze the elements of children’s literature genre, which are character and characterization, didactic elements, the happy ending, and element of pictures in children’s literature. In order to support the analysis, library research was conducted alongside the novel itself as well as supporting articles from reliable websites. The result of the analysis shows that John Boyne’s The Boy in the Striped Pyjamas cannot be categorized as children’s literature as the characteristics of children’s literature suggested by Nodelman are not found in the novel. However, The Boy in the Striped Pyjamas can be categorized as high literature since the characteristics of high literature are primarily found in the novel.


Lexicon ◽  
2018 ◽  
Vol 4 (2) ◽  
Author(s):  
Endah Saputri

This present study aims to examine whether or not DiTerlizzi’s novel entitled Kenny and the Dragon can be categorized as a children’s literature. The story speaks about an adventurous experience of a young rabbit called Kenny to discover the truth about his monstrous-looking friend, Grahame.This study applies formalism approach since it is the most suitable approach to study the intrinsic elements of the novel, which are the plot, character and characterization, and point of view. To support the analysis, library research was conducted alongside the novel itself and supporting articles from reliable websites.The result of the analysis shows that DiTerlizzi’s Kenny and the Dragon meets the requirements for children’s literature since the characteristics of children’s literature suggested by Nodelman are found in the novel.


Author(s):  
Georgy A. Veligorsky ◽  

In this article we will talk about the unusual topos that occurs in Victorian and Edwardian literature — the “revived” estate. Indirectly going back to Gothic literature and the “horror literature” that inherited it (where the house can come to life literally, become harmful, frightening and even mortally dangerous for the inhabitant), however, it develops in a completely different way. The ghosts that inhabit the rooms of such a mansion are the guardians of a good and bright memory, “hidden joy”; embodied by the past, who lives in a shaky, invisible world. These ghosts have many hypostases: sometimes they turn out to be just a figment of the tenant’s imagination, and sometimes they are a real poltergeist, but not frightening, but protecting and preserving (W. Woolf, “A Haunted House”). Another manifestation of this topos can be called a house that comes to life, when the hero distinguishes between the beating of his heart (as happens in the novel by E.M. Forster “Howards End”) or hears a whisper of voices in the curtains shaken by the wind. The combination of these two motives (poltergeist and living house) is also found in the works of modernists (W. Woolf, “Orlando: A Biography”). Of particular interest is the image of a revived estate house in children’s literature; in this vein, we will consider the novel by Ph. Pierce, “Tom’s Midnight Garden”.


2021 ◽  
Vol 4 (1) ◽  
pp. 87
Author(s):  
Nur Cahyati ◽  
Heny Friantary ◽  
Ixsir Eliya

Children's literature produced in Indonesia it self is not too much and studies are rarely carried out. Therefore, it is important to have an assessment of children's literature, especially novels. The research objective was to describe the building blocks in Okky Madasari's Mata di Tanah Melus novel. The approach used in this research is a structuralism approach. The research method used content analysis method. The data source is the novel Mata di Tanah Melus by Okky Madasari. The research time was carried out for one month. Data collection techniques using library techniques. The data collection instrument was the novel Mata di Tanah Melus by Okky Madasari. The data validity technique uses credibility testing techniques, namely increasing persistence and using reference materials. Data analysis in this study used Miles and Huberman's analysis model, namely data collection, data reduction, data presentation, and conclusions. The results showed that the building blocks found in the novel Mata di Tanah Melus, namely the facts of the story in the form of a forward plot. The main character is Matara, the supporting character consists of 18 people, the white character consists of 5 people, and the black character is the Hunters. The setting consists of 17 places. The time setting occurs in the morning, noon, and night. The socio-cultural background raises the culture of the Melus Tribe. The theme raised in the novel Mata di Tanah Melus is the theme of humanity. The means of the story are titles and points of view. The title of the novel contains two meanings and experiences semantic distortion. The point of view used is the main actor's first person point of view


Author(s):  
Krzysztof Rybak

The article investigates the ways of representing the Holocaust in children’s literature published in Poland in the 21st century (e.g. Joanna Rudniańska’s Kotka Brygidy and Smoke by Antón Fortes and Joanna Concejo). Phenomena such as anti-Semitism or death of the main character, called by researchers and critics inappropriate for a young audience, are analyzed with the use of the research on taboo in children’s literature (Bogusława Sochańska and Justyna Czechowska) as well as confronted with the threat of “traumatization” of the young reader (Małgorzata Wójcik-Dudek). The analysis proves that the Shoah only appears to be well-represented in children’s literature as many topics are still omitted.


2021 ◽  
Vol 27 (2) ◽  
pp. 130-136
Author(s):  
Aleksey O. Kostylev

The article is devoted to the discussion around the fairy tale, which found a place in the magazine «On the Way to a New School», the newspaper «Reader & Writer», its main provisions. In the 1920s pedagogues and children’s writers headed by Nadezhda Krupskaya revised old children’s literature and studied the theory of a new Soviet book for children, publishing articles and reviews. The connection between work in children’s literature and ideology, anti-religious propaganda is traced. Attention is drawn to the discussion of the category of the fantastic in a fairy tale among the authors of «On the Way to a New School», «Reader & Writer». Examples of new literature for children, its differences and similarities with the previous one are given. Andrei Platonov could also have known about the discussion around the genre of a fairy tale in 1926–1927 after moving to Moscow, as indicated by the epistolary, biographical facts and works of art, in particular the story «The Ethereal Path», the poem «About Electricity». The episodes from the novel «Chevengur» are considered in the context of this discussion.


Author(s):  
Candice Pinto ◽  
Erica Gordon ◽  
Ardita Sinoimeri ◽  
Maddie Vloet

This poster will look at children’s literature that has been banned from schools due to themes of magic, witchcraft, or mysticism. We will be looking at four different popular children's novels, and dissecting the reasons behind their prohibition. These include: C. S. Lewis’ (1950) The Lion, the Witch and the Wardrobe, which, although it has never been banned, has been challenged by numerous public schools, religious communities and public libraries, as its main character, the lion Aslan, can be interpreted as a Christ-like figure. The novel The Witches by Roald Dahl, another celebrated children’s author, has, however, been banned due to its glamourization of witchcraft, as well its misogynistic views. We draw on scholarship on magic and modernity (eg. Randall Styers 2004) to contextualize the fear over magic and mysticism in relation to “legitimate religion” and with respect to the supposed moral vulnerability of children. 


2017 ◽  
Vol 2 (1) ◽  
pp. 90
Author(s):  
Rizky Dian Merpati

Children's literature can be said that a literary work isinnya appropriate language and developmental age and the child's life, both written by authors who are already adults, adolescents or children themselves. The literary work is not only in the form of poetry and prose, but also the form of drama. This study examines the intellectual arena in the novel "New Besties work Oryza Sativa Apriyani". Data obtained by the intellectual arena in school and at home experienced by Dhilla figures. This study uses a sociological approach. This type of research is qualitative descriptive study. The technique used to collect data that is read engineering and technical notes.


2003 ◽  
Vol 9 ◽  
Author(s):  
György Tóth

"It is the child no one ever saw!" exclaims a British officer when he finds in a cholera-ridden Indian compound Mary Lennox, the heroine of Frances Hodgson Burnett's 1911 novel The Secret Garden. These words refer to the actual character of Mary as much as the socio-political hierarchy of British imperialism. The little girl leads a life devoid of love, caring and sharing, while the Empire she lives in is ailed by the same malady: the cholera killing her parents stems from a blind authoritarian colonialism Mary must leave in order to have a chance for recovery. "She only knew that people were ill," and readers know little more when this one-sentence thesis is given to them at the outset of a novel which aims to investigate the cure of Mary's illness and in the course of doing so possibly uncovers the root causes. This paper shows that while Frances Hodgson Burnett's work may be considered a piece of children's literature because it places in the centre the healing process of children from parental neglect, its strong linkage of this theme with images of the colonial socio-political hierarchy and master-servant relationships also makes it more than a harmless bedside reading. The Secret Garden's question of whether Mary Lennox and Colin Craven can be cured of their illness can by implication be extended to a literary understanding of contemporary British society, and the novel can thus be interpreted not only as a creed of Rousseauistic pedagogy but also as a critique of the psychology, society and politics of British imperialism.


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