scholarly journals WOMB CONTROL IN TONI MORRISON’S BELOVED

2016 ◽  
Vol 4 (1) ◽  
pp. 22
Author(s):  
Yuniar Fatmasari

This study reveals the ideological strategies the dominant takes to exploit Black enslaved women’s womb experienced by the characters in Toni Morrison’s Beloved as well as their resistance. Written in 1987, the novel is set eight years after the end of the Civil War in time painful experiences during slavery era are still there in the mind of ex-enslaved Black women and men. The novel narrates the past through personal life experiences presented by Sethe and Baby Suggs. During slavery era, their bodies are not merely used to work in the plantation area but since they are women, their wombs are valuable commodity providing advantages and profit to the masters. To make it possible, the dominant function ideological strategies to control the Black enslaved women’s wombs. Therefore, this study tries to explore how the ideological strategies are practiced in the novel. According to Collins, creating negative images such as mammy, breeder woman, and jezebel addresses to the bodies of Black enslaved women belongs to ideological strategy which is more powerful compared to theeconomic and politic strategy. Each image covers dominant interest to control Black women’s womb under new-progressive capitalism in United States. The result of the study shows that those three images works effectively to control the Black enslaved women, even nowadays, those images are still there in the body of young generation of Black women and provide another form of womb’scontrol. However, the study as well finds out that the resistance toward the oppression is also varied. Self-definition is presumed to be a fundamental element to the journey of internalized oppression to the ‘free mind’ which eventually leads to the action of resistance. With this self-definition, Blackwomen begin to deny the existed negative images controlling their wombs.

2016 ◽  
Vol 4 (1) ◽  
pp. 22
Author(s):  
Yuniar Fatmasari

This study reveals the ideological strategies the dominant takes to exploit Black enslaved women’s womb experienced by the characters in Toni Morrison’s Beloved as well as their resistance. Written in 1987, the novel is set eight years after the end of the Civil War in time painful experiences during slavery era are still there in the mind of ex-enslaved Black women and men. The novel narrates the past through personal life experiences presented by Sethe and Baby Suggs. During slavery era, their bodies are not merely used to work in the plantation area but since they are women, their wombs are valuable commodity providing advantages and profit to the masters. To make it possible, the dominant function ideological strategies to control the Black enslaved women’s wombs. Therefore, this study tries to explore how the ideological strategies are practiced in the novel. According to Collins, creating negative images such as mammy, breeder woman, and jezebel addresses to the bodies of Black enslaved women belongs to ideological strategy which is more powerful compared to theeconomic and politic strategy. Each image covers dominant interest to control Black women’s womb under new-progressive capitalism in United States. The result of the study shows that those three images works effectively to control the Black enslaved women, even nowadays, those images are still there in the body of young generation of Black women and provide another form of womb’scontrol. However, the study as well finds out that the resistance toward the oppression is also varied. Self-definition is presumed to be a fundamental element to the journey of internalized oppression to the ‘free mind’ which eventually leads to the action of resistance. With this self-definition, Blackwomen begin to deny the existed negative images controlling their wombs.


Author(s):  
Emanuele Castrucci

The human mind has phased out its traditional anchorage in a natural biological basis (the «reasons of the body» which even Spinoza’s Ethics could count on) – an anchorage that had determined, for at least two millennia, historically familiar forms of culture and civilisation. Increasingly emphasising its intellectual disembodiment, it has come to the point of establishing in a completely artificial way the normative conditions of social behaviour and the very ontological collocation of human beings in general. If in the past ‘God’ was the name that mythopoietic activity had assigned to the world’s overall moral order, which was reflected onto human behaviour, now the progressive freeing of the mind – by way of the intellectualisation of life and technology – from the natural normativity which was previously its basic material reference opens up unforeseen vistas of power. Freedom of the intellect demands (or so one believes) the full artificiality of the normative human order in the form of an artificial logos, and precisely qua artificial, omnipotent. The technological icon of logos (which postmodern dispersion undermines only superficially) definitively unseats the traditional normative, sovereign ‘God’ of human history as he has been known till now. Our West has been irreversibly marked by this process, whose results are as devastating as they are inevitable. The decline predicted a century ago by old Spengler is here served on a platter....


2020 ◽  
Vol 30 (7) ◽  
pp. 1004-1018
Author(s):  
Ninitha Maivorsdotter ◽  
Joacim Andersson

Research has pursued salutogenic and narrative approaches to deal with questions about how everyday settings are constitutive for different health practices. Healthy behavior is not a distinguishable action, but a chain of activities, often embedded in other social practices. In this article, we have endeavored to describe such a chain of activities guided by the salutogenic claim of exploring the good living argued by McCuaig and Quennerstedt. We use biographical material written by Karl Ove Knausgaard who has created a life story entitled My Struggle. The novel is selected upon an approach influenced by Brinkmann who stresses that literature can be seen as a qualitative social inquiry in which the novelist is an expert in transforming personal life experiences into common human expressions of life. The study illustrates how research with a broader notion of health can convey experiences of health, thereby complementing (and sometimes challenging) public health evidence.


Author(s):  
Jack M. Gorman

After World War II, mental health turned toward psychopharmacology, the use of medications to treat psychiatric illnesses, as its mainstay. The success of medications led some to insist that all mental illness is due to the inheritance of abnormal genes and that life’s experiences play a diminished role. This alienated many who believe that psychotherapy is also an effective way of treating these disorders and led to a mistrust of neuroscience research. Some insisted that neuroscience ignores the human “mind.” In fact, neuroscience research in the past 50 years has clearly shown that adverse life experiences have profound effects on brain function and are involved in every psychiatric illness. By accepting this view of neuroscience, we can also accept the idea that the “mind” is in reality the work of the physical brain.


Author(s):  
Stephen Colclough

This chapter explores reading diaries to illustrate the bibliographic world in which individual readers encountered novels. From the recording of a baffled enjoyment of Tristram Shandy, through the conjuring up of the ‘excessive’ teenage delights taken in the illustrated novel, and on to the pleasures of dismissing emergent new genres as ‘too Highlandish’, the evidence presented here suggests just how much pleasure readers gained from novels. Readers engaged with fiction in a number of different forms during this time and textual context subtly altered the kind of reading that it was possible to produce. Similarly, anecdotal accounts of reading aloud recognizes reading as a material act, which brings the body as well as the mind into play. Moreover, it is worth remembering those everyday gestures of reading, such as hurrying to the library for the next volume, that were such an important part of the novel reader's experience during this period.


Author(s):  
Bruce R. Burningham

The past two decades have seen an explosion in Cervantes scholarship. Indeed, it would perhaps not be an exaggeration to suggest that the last twenty years arguably represent the Golden Age of Cervantes criticism: slightly more than half of scholarly works written since 1888 have been published during the last two decades. In other words, during the last twenty years, the body of Cervantes knowledge has more than doubled, greatly expanding our variety of critical perspectives along the way. This chapter discusses the ‘across the centuries’ trend resulting from the various anniversary celebrations related to Cervantes, the ‘Cervantes and the Americas’ collections, Cervantes’s treatment of Islam, and the modernity of the novel, among other trends that have expanded Cervantine criticism since the turn of the current century.


Author(s):  
Gavin Miller

This chapter explores the entanglement of cognitive psychology with science fiction, but avoids familiar motifs from post-cyberpunk fiction. The beginnings of cognitive psychology are traced to the foundational work of figures such as George Miller and Noam Chomsky, subsequently codified into a self-conscious school by Ulrich Neisser. Jack Finney’s classic narrative, The Body Snatchers (1955), draws upon earlier proto-cognitivist discourses to contend, often quite didactically, that the human mind typically operates as a biased, limited capacity information processor. With this psychological and political thesis, the novel explores possible personal, political and aesthetic strategies that might free the human mind from its stereotypes and blind spots. The unsettling of everyday perception in The Body Snatchers is systematically generalized by the linguistic novums of Ian Watson’s The Embedding (1973), Samuel Delany’s Babel-17 (1966), and Ted Chiang’s ‘Story of Your Life’ (1998), which imagine that language (and thought) is fundamentally constructive of perceived reality. These stories ask broader, cosmological questions about the nature and accessibility of ultimate reality – with Watson’s novel ultimately proposing a mystical riposte to cognitivism’s model of the mind.


Author(s):  
Alla K. Nikulina ◽  

The research examines the main problems raised in Goldstein’s philosophical novel. The paper aims to reveal how the creation of the characters and the development of the plot in accordance with the philosophical theories of Descartes, Malebranche and Spinoza allow the writer to explore the metaphysical and ethical consequences of following their philosophical ideas in everyday life. Applying the comparative method of analysis to the novel and the classical philosophical texts, the author of the study interprets the text of the novel, rich in symbols and intentionally foregrounded details, and discloses the artistic means used for creating the opposition of the material and the spiritual. Primarily, the confrontation becomes apparent in the image of the central character and her persistent inner conflicts between the rational and the emotional, the publicly displayed and the internal, the objective and the subjective. The main character’s failure to achieve life harmony by a mechanical combination of heterogeneous principles is viewed as a crucial detail, with the help of which the writer strives to emphasize the inconsistency of the dualistic worldview in general. One of the possible ways to overcome philosophical dualism is found in Malebranche’s philosophy, in which the gap between the material and the spiritual is bridged by their unification in the idea of the primary rational source; however, the concept does not look impeccable, with too much emphasis given to the mind at the expense of the body. The main opportunity to achieve harmony and moral progress is finally associated with Spinoza’s philosophical guidelines, which not only assert the importance of the rational cognitive principles and common sense but also demonstrate practical ways to combine freedom and care for another person, emotions and reason.


Author(s):  
Urszula Terentowicz-Fotyga

The paper examines George Orwell’s Nineteen Eighty-Four as a canonical example of the dystopian novel in an attempt to define the principal features of the dystopian chronotope. Following Mikhail Bakhtin, it treats the chronotope as the structural pivot of the narrative, which integrates and determines other aspects of the text. Dystopia, the paper argues, is a particularly appropriate genre to consider the structural role of the chronotope for two reasons. Firstly, due to utopianism’s special relation with space and secondly, due to the structural importance of world-building in the expression of dystopia’s philosophical, political and social ideas. The paper identifies the principal features of dystopian spatiality, among which crucial are the oppositions between the individual and the state, the mind and the body, the high and the low, the central and the peripheral, the past and the present, the city and the natural world, false and true signs.


2021 ◽  
pp. 107780042110218
Author(s):  
Cynthia B. Dillard ◽  
Amber M. Neal

Qualitative researchers often engage inquiry with attention to the mind, a bit to the body, and scant attention to the spirit, ignoring the complex role that our inner lives play in conducting research. Black/endarkened feminist scholars center (re)search as an academic, political, and spiritual endeavor that necessitates the ethical practice of (re)membering, Thus, acknowledging spirit is at the center of inquiry, a tool of survival, and self-definition against enduring anti-Black oppressions and structures. This article explores how Black women (re)searchers who (re)member the spirit in qualitative (re)search can articulate new questions of qualitative (re)search centered on race, personhood, and spirit.


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