scholarly journals THE DEVELOPMENT OF RIGHTS OF ELECTRONIC MEDIA THROUGH THE DEVELOPMENT OF COPYRIGHT LAWS IN SERBIA

Author(s):  
Andrej Blagojević

The paper aims to present the development of national legislative acts on copyright and related rights in the field of broadcasting, by focusing on the copyright norms directly related to electronic media. The goal will be achieved by providing a chronological overview and normative analysis of all legislative act son copyright and related rights adopted thus far, starting from the 1929 Copyright Act of the Kingdom of Yugoslavia to the current Act on Copyright and Related Rights of the Republic of Serbia. After presenting the initial premises, the author analyzes the norms related to electronic media (radio and television), covering the period from the adoption of the 1929 Copyright Act of the Kingdom of Yugoslavia to the 2004 Act on Copyright and Related Rights of the Republic of Serbia. Then, the article provides an overview of the copyright norms related to electronic media in the positive law by analyzing the 2009 Act on Copyright and Related Rights and its subsequent amendments. The results of this analysis should indicate the significant impact of electronic media in the process of regulating copyright issues throughout the history of national copyright law as well as in the positive copyright law.

Author(s):  
Antonios Broumas

The fourth chapter of the book narrates the history of culture from the prism of the intellectual commons. It thus shifts the focus of analysis from the enclosures of intellectual property law to the significance of intellectual sharing and collaboration across history. Further developing arguments of legal historians over the evolution of copyright this chapter unfolds the argument that, despite their prominence, in recent historical periods socialised creativity and inventiveness have been framed by copyright laws in a way that has suppressed the social potential of the intellectual commons, instead of accommodating them. This theorisation of the intellectual commons across history examines the evolution of the regulation of cultural commons from the Renaissance to postmodernity. Its aim is to examine in parallel, on the one hand, the importance of the commons for art and culture and, on the other hand, the discrepancy of their treatment under positive law.


2021 ◽  
Vol 4 (5) ◽  
pp. 18-23
Author(s):  
Javlonbek R. Begaliev ◽  

The article analyzes the activities carried out by the Department of protection of rights of all-Union authors (UNHCR) in Uzbekistan in the years 40-50 of XX century on the basis of primary archive documents. The relations between the institutions and the Department of the Republic were analyzed and the necessary scientific conclusion was reached as a result of insufficient number of authors in the war years, negative consequences of some shortcomings in the sphere, as well as positive changes at the end of the period, an increase was observed in the content of the authors


Muzikologija ◽  
2017 ◽  
pp. 239-258
Author(s):  
Danka Lajic-Mihajlovic

Phonographic recordings made on wax plates by composer Kosta P. Manojlovic and ethnologist Borivoje Drobnjakovic from 1930 to 1932 represent the oldest collection of field sound recordings in Serbia. The biggest part of the collection is preserved at the Institute of Musicology SASA. In 2017 digitalization of the recordings from those plates was completed, which made the sound content of the collection finally available to researchers. This paper presents and analyses the collection as an anthology of historical sound documents, as an incentive for contemporary ethnomusicological research and as an addition to studying the history of ethnomusicology in Serbia. After an elaboration on the prehistory of documentary field recordings of traditional music, it has been pointed to procurement of a phonograph for the Ethnographic Museum in Belgrade in 1930. There were two major expeditions, organized in 1931 and 1932 in what was then known as ?Southern Serbia?, administratively the Vardar Banovina, a province of the Kingdom of Yugoslavia (now Republic of Macedonia and the Autonomous Province of Kosovo and Metohija of the Republic of Serbia). 180 plates were made, less than a third by Drobnjakovic, and all the others by Manojlovic. Further recordings were suspended due to certain problems with masters printing; even some later attempts of dubbing did not give a complete solution. In 1964 the Institute of Musicology SASA was given an incomplete collection. Today it is comprised of 140 wax plates. It has been pointed that, primarily, traditional secular music was recorded, followed by few examples of church music. The collection is represented by the acoustic source, performance formation, repertoire, genre, style. Additionally, gender, age and professions of the singers and players were also discussed. It has been pointed to the potentials of the collection and its relevancy for the research of music and identity relation, music and migration relation, for studies of heritage and activities at the field of preserving traditional music. Given the specificity of the area from which the collection predominantly originates, it can have a significant value for social engagement in overcoming conflicts with music. Finally, the attainability of wax plates now serves as an incentive for reassessing the role of Kosta P. Manojlovic in cultural history and research of traditional music in Serbia and in the region.


Author(s):  
Bojan Djordjevic

The fundamental issue in the first years after the formation of the Kingdom of Serbs, Croats, and Slovenes was related to the future organization of Dubrovnik Archive, considering that the invaluable materials still lay in the Rector?s Palace, which assumed a completely new role and a special place in the newly formed Kingdom. Namely, following the end of World War I and the foundation of the new state, the Rector?s Palace in Dubrovnik, as a cultural property of national significance, was proclaimed a cultural-historical monument, on the one hand, and also a residence of the king, on the other. Therefore, it came under the jurisdiction of the Court of the Kingdom of Serbs, Croats, and Slovenes (later the Court of the Kingdom of Yugoslavia), i.e. of the Royal Office. The jurisdiction over the Archive itself, specifically over the materials kept in it, was in the hands of the Ministry of Education. In 1921, Antonije Vucetic was named the first administrator of Dubrovnik Archive. Vucetic immediately and unequivocally advanced the thesis that Dubrovnik Archive, despite not being of the rank of the Archives in Zagreb and Belgrade, still is ?the most celebrated in the Kingdom of Serbs, Croats, and Slovenes?. Above all else, he emphasized the historical significance of this Archive, containing materials important for the history of the Republic of Dubrovnik, but also for the Serbian and Croatian histories from the 11th to the 19th centuries. In the year 1930, a new administrator was appointed to Dubrovnik Archive. It was Branimir Truhelka. He realized that in the case of the most important matters related to the Archive, in the case of all the Archive?s needs, they should turn, if possible, directly to the Court of the Kingdom of Yugoslavia, i.e. to the Minister of the Court. The year 1931 marks the beginning of Truhelka?s systematic efforts to obtain the most that could be obtained for Dubrovnik Archive, to explain its significance to the authorities on the Court, and - without insisting on moving the Archive from the Rector?s Palace, being aware of the lack of support for this - to do everything to provide the safe keeping of valuable materials and to secure research in the Archive. Until the beginning of World War II and the occupation of Yugoslavia, Dubrovnik Archive prospered and an increasing number of researchers came to work in it. Thus, Dubrovnik Archive proved itself to be an unavoidable source for studying the past of both the Republic of Dubrovnik and the Serbian people.


2018 ◽  
Vol 33 (2) ◽  
Author(s):  
Mbuzeni Mathenjwa

The history of local government in South Africa dates back to a time during the formation of the Union of South Africa in 1910. With regard to the status of local government, the Union of South Africa Act placed local government under the jurisdiction of the provinces. The status of local government was not changed by the formation of the Republic of South Africa in 1961 because local government was placed under the further jurisdiction of the provinces. Local government was enshrined in the Constitution of the Republic of South Africa arguably for the first time in 1993. Under the interim Constitution local government was rendered autonomous and empowered to regulate its affairs. Local government was further enshrined in the final Constitution of 1996, which commenced on 4 February 1997. The Constitution refers to local government together with the national and provincial governments as spheres of government which are distinctive, interdependent and interrelated. This article discusses the autonomy of local government under the 1996 Constitution. This it does by analysing case law on the evolution of the status of local government. The discussion on the powers and functions of local government explains the scheme by which government powers are allocated, where the 1996 Constitution distributes powers to the different spheres of government. Finally, a conclusion is drawn on the legal status of local government within the new constitutional dispensation.


Author(s):  
Elena A. Kosovan ◽  

The paper provides a review on the joint Russian-Belarusian tutorial “History of the Great Patriotic War. Essays on the Shared History” published for the 75th anniversary of the victory in the Great Patriotic War. The tutorial was prepared within the project “Belarus and Russia. Essays on the Shared History”, implemented since 2018 and aimed at publishing a series of tutorials, which authors are major Russian and Belarusian historians, archivists, teachers, and other specialists in human sciences. From the author’s point of view, the joint work of specialists from the Russian Federation and the Republic of Belarus in such a format not only contributes to the deepening of humanitarian integration within the Union state, but also to the formation of a common educational system on the scale of the Commonwealth of Independent States or the Eurasian integration project (Eurasian Economic Union – EEU). The author emphasises the high research and educational significance of the publication reviewed when noting that the teaching of history in general and the history of the Second World War and the Great Patriotic War in particular in post-Soviet schools and institutes of higher education is complicated by many different issues and challenges (including external ones, which can be regarded as information aggression by various extra-regional actors).


2017 ◽  
Author(s):  
Jessica Litman

The general public is used to thinking of copyright (if it thinks of it at all) as marginal and arcane. But copyright is central to our society’s information policy and affects what we can read, view, hear, use, or learn. In 1998 Congress enacted new laws greatly expanding copy owners’ control over individuals’ private uses of their works. The efforts to enforce these new rights laws have resulted in highly publicized legal battles between established media, including major record labels and motion picture studios, and upstart internet companies such as MP3.com and Napster.In this book, I question whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society? My critique exposes the 1998 copyright law as an incoherent patchwork. I argues for reforms that reflect the way people actually behave in their daily digital interactions.The Maize Books edition includes both an afterword written in 2006 exploring the rise of peer-to-peer file sharing and a new Postscript reflecting on the consequences of the Digital Millennium Copyright Act as it nears its twentieth birthday.


Author(s):  
Vladislav Strutynsky

By analyzing one of the most eventful periods of the modern history of Poland, the early 80s of the XX century, the author examines the dynamics of social and political conflict on the eve of the introduction of martial law, which determines the location of the leading political forces in these events in Poland, that were grouped around the Polish United Labor Party and the Independent trade union «Solidarity», their governing structures and grassroots organizations, highlighting the development of socio-political situation in the country before entering the martial law on the 13th of December and analyzing the relation of the leading countries to the events, especially the Soviet Union. Also, the author distinguishes causes that prevent to reach the compromise in the process of realization different programs, that were offered to public and designed by PUWP and «Solidarity» and were “aimed” to help Polish society to exit an unprecedented conflict. This article provides a comparative analysis of the different analytical meaningful reasons, offered by historians, political scientists, lawyers, and led to the imposition of martial law in the Republic of Poland. The author also analyses the legality of such actions by the state and some conclusions that were reached by scientists, investigating the internal dynamics of the conflict and the process of implementation of tasks, that Polish United Workers’ Party (which ruled at that time) tried to solve with martial law and «Solidarity» was used as self-determination in Polish society. Keywords: Martial law, Independent trade union «Solidarity», inter-factory strike committee, social-political conflict, Polish United Workers’ Party, the Warsaw Pact, the Military Council of National Salvation


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