scholarly journals La disputa simbólica por clasificar un nuevo producto cultural: el caso de Netflix durante el estreno y la premiación de la película Roma

Norteamérica ◽  
2020 ◽  
Vol 15 (2) ◽  
Author(s):  
Santiago Battezzati
Keyword(s):  
Historical Context ◽  
Central Issue ◽  
Cultural Industries ◽  
Cultural Products ◽  
Academy Awards ◽  
The Core ◽  
Definition Of

Las investigaciones sobre industrias culturales han señalado la importancia de prestar atención al modo en que los diferentes productores de contenido disputan la atención escasa que las personas dedican a los productos culturales. A partir del análisis de las controversias surgidas en torno al estreno en México y la premiación en los Oscars de la película Roma, producida por Netflix, este artículo busca mostrar algunas de los disputas en torno a la definición simbólica de un nuevo producto cultural. Sostendremos que el proceso de definición simbólica de un nuevo producto cultural es una parte central de la disputa económica por la atención escasa que las personas dedican a los productos culturales. Prestar atención a estas disputas simbólicas implicadas en la definición de nuevos productos culturales es fundamental en un contexto histórico en el que las nuevas posibilidades tecnológicas parecen estar favoreciendo la emergencia de nuevos actores y productos en las industrias culturales.   Abstract Researchers have emphazised how cultural industries compete with each other for the scarce attention consumers spend on cultural products. Analyzing the controversies that emerged during the premiere and Academy awards of the movie Roma, produced by Netflix, this paper aims to show some of the logics by which a new cultural product is symbollicaly defined. We argue that the symbolican definition of a cultural product is at the core of the economic dispute in the cultural industries. These symbolic disputes become a central issue in a historical context in which techonological innovations are fostering the emergence of new players across the cultural industries.

Subjectivation, Modernity, and Hypermodernity

2022 ◽  
Author(s):  
Alain Touraine
Keyword(s):  
Central Issue ◽  
Industrial Society ◽  
Fundamental Issue ◽  
Sociological Analysis ◽  
Human Group ◽  
The Core ◽  
Nation States ◽  
Definition Of ◽  
Creative Capacity ◽  
Social Definition

Modernity is an action, a work (deed) that transforms the relation between a human group and its environment. The notion of “subjectivation” is the way I define human societies’ discovery and their creative capacity. Meanwhile the nation/states’ withdrawal into themselves, the closure of the borders to the full scope of globalization, and the acceptance or refusal of migrants become the central issue of all sociopolitical conflicts, replacing the previous labor-based conflicts that have been at the core of the industrial society. Sociological analysis today addresses the fundamental issue: What is the future of democracy? The answer lies in criticism visà- vis the idea of states and institutions as agents of democracy, and the assertion of a social definition of democracy.

The Cultural Product

2014 ◽  
pp. 1-21 ◽  
Author(s):  
Lucia Aiello ◽  
Claudia Cacia
Keyword(s):  
Cultural Property ◽  
Cultural Industries ◽  
Theoretical Discussion ◽  
Management Research ◽  
Cultural Products ◽  
Relational Approach ◽  
The Core ◽  
Knowing That ◽  
Relational Perspective

In this chapter, the authors approach the theme of the definition and classification of cultural products according to the major Italian and international authors dealing with the issue, knowing that culture, before being the core product of an enterprise, belongs to people. They argue for more theoretical discussion into the organizational and managerial dynamics of cultural product, drawing from the consideration that to date management research is neglecting cultural product as a serious object of investigation despite its economic, social, and political significance. Starting from the analysis of the main literature on “culture,” the authors show a new concept of cultural property: the integrated cultural product. Moreover, the analysis of cultural product, the distinctive characteristics and dynamics of cultural industries are made adopting a relational approach. As a result, the aim of this work is to define the unique dynamics of the integrated cultural product in a relational perspective.

scholarly journals Problems of Defining and Validating Traditional Knowledge: A Historical Approach

2015 ◽  
Vol 6 (2) ◽  
Author(s):  
Kenichi Matsui
Keyword(s):  
Environmental Management ◽  
United Nations ◽  
Traditional Knowledge ◽  
Policy Making ◽  
Historical Context ◽  
The Core ◽  
Number Of Publications ◽  
Definition Of ◽  
Core Issues ◽  
Research And Policy

The United Nations’ agencies and many scholars have regarded traditional knowledge as an alternative to science for the purposes of managing the environment. Many countries have adopted this line of approach and formulated some policy strategies. A number of scholars also have engaged in traditional knowledge research and published their works. Despite a large number of publications on traditional knowledge, there seems to be little consensus about the definition of what traditional knowledge is and how it can be useful for environmental management. This article first approaches this definition problem within a historical context in order to clarify the core issues surrounding the definition of traditional knowledge. It then discusses how traditional knowledge can be validated among parties with different interests so that traditional knowledge research and policy can be more effectively implemented in policy-making arenas.

Ways and Voices in the Psychoanalysis of Links According to Enrique Pichon-Rivière

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Rosa Jaitin
Keyword(s):  
Couple Therapy ◽  
Clinical Observation ◽  
Clinical Work ◽  
The Core ◽  
The Social ◽  
The 1960S ◽  
Definition Of ◽  
Relationship Of ◽  
The Voice ◽  
Different Levels

This article covers several stages of the work of Pichon-Rivière. In the 1950s he introduced the hypothesis of "the link as a four way relationship" (of reciprocal love and hate) between the baby and the mother. Clinical work with psychosis and psychosomatic disorders prompted him to examine how mental illness arises; its areas of expression, the degree of symbolisation, and the different fields of clinical observation. From the 1960s onwards, his experience with groups and families led him to explore a second path leading to "the voices of the link"—the voice of the internal family sub-group, and the place of the social and cultural voice where the link develops. This brought him to the definition of the link as a "bi-corporal and tri-personal structure". The author brings together the different levels of the analysis of the link, using as a clinical example the process of a psychoanalytic couple therapy with second generation descendants of a genocide within the limits of the transferential and countertransferential field. Body language (the core of the transgenerational link) and the couple's absences and presence during sessions create a rhythm that gives rise to an illusion, ultimately transforming the intersubjective link between the partners in the couple and with the analyst.

ДОМИНАНТНО-ФУНКЦИОНАЛЬНАЯ СТРУКТУРА ИДИОСТИЛЯ М.Ф. ДОРОНОВИЧА// Humanitarian and Socio-Economic Sciences Journal/ OEAPS Inc., Berlin, Germany, pp.46-55

2018 ◽  
Author(s):  
Olga Dorofeeva ◽  
Любовь Викторовна Чернова
Keyword(s):  
Functional Structure ◽  
The Core ◽  
Definition Of

Обращаясь к рассмотрению вопроса о доминантно-функциональной структуреидиостиля, авторы раскрывают дефиницию «идиостиль» в его связи с экстра- и интралингвистическими факторами. Рассматривая творчество публициста М.Ф. Дороновича через призму одножанровых текстов, авторы выделяют доминанты, составляющие ядро идиостиля публициста. К числу таковых относятся оценочная метафоричность, гиперболичность, фразеологичность, реализующиеся как на уровне тропов, так и на уровне синтаксических фигур.Addressing the issue of dominant-functional structure of idiostyle, the authors reveal the definition of "idiostyle" in its connection with extra- and intralinguistic factors. Considering the creativity of the writer M.F. Doronovich through the lens of various genres of texts, the authors identify the dominant components of the core of the idiostyle of the writer. These include evaluative metaphoricity, hyperbolicity, phraseology, which are implemented both at the level of tropes and at the level of syntactic figures.СВЕДЕНИЯ О ГРАНТАХ И ФИНАНСИРОВАНИИИсследование подготовлено при поддержке Российского фонда фундаментальных исследований (отделение гуманитарных и общественных наук) и Министерства образования, науки и молодёжной политики Краснодарского края в рамках научного проекта № 18-412-230008 а(р) «Язык и стиль публикаций М.Ф. Дороновича в кубанских дореволюционных газетах». Руководитель проекта – О.А. Дорофеева.

Reference Conundrum: The Broad Definition of Peer-Review

2018 ◽  
Author(s):  
Cody Fullerton
Keyword(s):  
Peer Review ◽  
Gold Standard ◽  
Review Process ◽  
Peer Review Process ◽  
Academic Publishing ◽  
Inaccurate Information ◽  
The Core ◽  
Literature Reviews ◽  
Reference Interactions ◽  
Definition Of

For years, the gold-standard in academic publishing has been the peer-review process, and for the most part, peer-review remains a safeguard to authors publishing intentionally biased, misleading, and inaccurate information. Its purpose is to hold researchers accountable to the publishing standards of that field, including proper methodology, accurate literature reviews, etc. This presentation will establish the core tenants of peer-review, discuss if certain types of publications should be able to qualify as such, offer possible solutions, and discuss how this affects a librarian's reference interactions.

Assessment of multimorbidity of diseases in geriatric practice

2020 ◽  
pp. 17-21
Author(s):  
Mark Oprenko
Keyword(s):  
Quality Of Life ◽  
The Core ◽  
Definition Of

The definition of the multimorbidity concept reveals insufficient specificity of the comorbidity and multimorbidity definitions and, as a result, confusion in the use of these terms. Most authors are unanimous that the “core” of multimorbidity is presence of more than one disease in a patient. These coexisting diseases can be pathogenetically interconnected and non-interconnected. Regardless, the degree of multimorbidity always affects prognosis and quality of life.

Introduction

2017 ◽  
Author(s):  
Andrea Harris
Keyword(s):  
United States ◽  
Historical Context ◽  
The United States ◽  
Art World ◽  
Dance History ◽  
The Core ◽  
Political Conditions ◽  
Global Art ◽  
Scholarly Attention

The introduction presents the core historiographical problem that Making BalletAmerican aims to correct: the idea that George Balanchine’s neoclassical choreography represents the first successful manifestation of an “American” ballet. While this idea is pervasive in dance history, little scholarly attention has been paid to its construction. The introduction brings to light an alternative, more complex historical context for American neoclassical ballet than has been previously considered. It places Lincoln Kirstein’s 1933 trip to Paris, famous for bringing Balanchine to the United States, within a transnational and interdisciplinary backdrop of modernism, during a time when the global art world was shifting significantly in response to the international rise of fascism. This context reverberates throughout to the book’s examination of American ballet as a form that was embedded in and responsive to a changing set of social, cultural, and political conditions over the period covered, 1933–1963.

scholarly journals Cognitive–behavioural therapy with older people

2007 ◽  
Vol 13 (2) ◽  
pp. 111-118 ◽  
Author(s):  
Ceri Evans
Keyword(s):  
Older People ◽  
Effective Treatment ◽  
Psychiatric Disorders ◽  
Cognitive Behavioural Therapy ◽  
Historical Context ◽  
Behavioural Therapy ◽  
Age Group ◽  
The Core ◽  
Cognitive Behavioural ◽  
The Individual

Cognitive–behavioural therapy (CBT) is an effective treatment for a number of psychiatric disorders in adults of all ages. With the proportion of the population aged 65 or over increasing steadily, it is important to be aware of how the CBT needs of this age group can be best met. This article provides an overview of CBT and the historical context of using it with older people. Although an understanding of the individual, irrespective of age, is at the core of CBT, potential modifications to the procedure and content aimed at optimising its effectiveness for older people are discussed.

scholarly journals A Genomic Distance Based on MUM Indicates Discontinuity between Most Bacterial Species and Genera

2008 ◽  
Vol 191 (1) ◽  
pp. 91-99 ◽  
Author(s):  
Marc Deloger ◽  
Meriem El Karoui ◽  
Marie-Agnès Petit
Keyword(s):  
Dna Sequences ◽  
Dna Content ◽  
Core Genome ◽  
Biological Diversity ◽  
Bacterial Species ◽  
Genomic Distance ◽  
The Core ◽  
Intraspecies Diversity ◽  
Genome Level ◽  
Definition Of

ABSTRACT The fundamental unit of biological diversity is the species. However, a remarkable extent of intraspecies diversity in bacteria was discovered by genome sequencing, and it reveals the need to develop clear criteria to group strains within a species. Two main types of analyses used to quantify intraspecies variation at the genome level are the average nucleotide identity (ANI), which detects the DNA conservation of the core genome, and the DNA content, which calculates the proportion of DNA shared by two genomes. Both estimates are based on BLAST alignments for the definition of DNA sequences common to the genome pair. Interestingly, however, results using these methods on intraspecies pairs are not well correlated. This prompted us to develop a genomic-distance index taking into account both criteria of diversity, which are based on DNA maximal unique matches (MUM) shared by two genomes. The values, called MUMi, for MUM index, correlate better with the ANI than with the DNA content. Moreover, the MUMi groups strains in a way that is congruent with routinely used multilocus sequence-typing trees, as well as with ANI-based trees. We used the MUMi to determine the relatedness of all available genome pairs at the species and genus levels. Our analysis reveals a certain consistency in the current notion of bacterial species, in that the bulk of intraspecies and intragenus values are clearly separable. It also confirms that some species are much more diverse than most. As the MUMi is fast to calculate, it offers the possibility of measuring genome distances on the whole database of available genomes.

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