scholarly journals Martin Heidegger: en camino a la poesía

Author(s):  
Óscar Martiarena

The author tries to show that Heidegger’s dialogue with Hölderlin’s poetry continues the project of a critique of metaphysics that the german philosopher presents in the first part of Sein und Zeit. By considering some of the fundamental texts of Heidegger, Martiarena suggests that the reflections on Hölderlin’s poetry are an essential part of Heidegger’s attempts at a critique of Western metaphysics, rather than a mere aesthetic consideration.

Al-Farabi ◽  
2021 ◽  
Vol 76 (4) ◽  
pp. 87-100
Author(s):  
A. Kuranbek ◽  
◽  
T. Orazkhan ◽  

The article analyzes the work of the outstanding Kazakh poet Otezhan Nurgaliev and the ideas of the German philosopher Martin Heidegger about the power of words and the essence of poetry in his work “On Poets and Poetry. Hölderlin. Rilke. Trakl ” on the basis of theoretical and methodological research in domestic science and world philosophy, it is also assessed whether the prerequisite for the emergence of language and the basis of the beginning of being is poetic. In the poet’s poems and reflections, the subtext of symbols and poetic images related to the spiritual being and social reality of society are traced, their significance in understanding the realities of modern society and modernity are determined. In the collection of poems «School of Athens» Otezhan Nurgaliev opened to Kazakh readers the wisdom of world philosophy and the ancient era from a new side in the language of poetry, which is close to its national reality. This approach was mastered by the poet through world philosophy and literature, as well as oriental culture, national spirituality, turkic traditions, and folk wisdom published at that time.


GeoTextos ◽  
2012 ◽  
Vol 8 (1) ◽  
Author(s):  
Bernard Teixeira Coutinho

Este artigo pretende contribuir com o estudo da ontologia do espaço na obra de Martin Heidegger. Para tanto, dentro das limitações deste trabalho, procuramos analisar os contornos da fenomenologia heideggeriana, apontando como o filósofo alemão pensa a sua filosofia enquanto uma alternativa à metafísica tradicional concebida na modernidade. O objetivo central, aqui, é pôr em discussão o sentido do homem enquanto ser-no-mundo, entendendo o espaço como uma categoria de análise de grande importância para o homem-no-mundo, para a sociedade e, portanto, para a ciência geográfica. Abstract A STUDY ON THE ONTOLOGY OF SPACE IN WORK OF MARTIN HEIDEGGER This article aims to contribute to the study of the ontology of space in the work of Martin Heidegger. To do so, within the limitations of this work, we analyze the characteristics of Heideggerian phenomenology, pointing out how the German philosopher thinks his philosophy as an alternative to traditional metaphysics conceived in modernity. The main objective here is to focus discussion on the meaning of man as being in the world, understanding space as a category of analysis of great importance to man-in-the-world, to society and, therefore, for science geographical.


Author(s):  
Bogdan Costea ◽  
Kostas Amiridis

Martin Heidegger was a revered German philosopher and teacher, but also a controversial figure due to his political affiliations with the Nazi movement. He was associated with phenomenology, existentialism, and hermeneutics as well as process philosophy. This chapter examines the relevance of Heidegger’s work to process philosophy in organization studies, by discussing his views on the movement of history and the movement of nihilism. It considers the concept of ‘movement’ in Heidegger’s understanding of the modern age and in his reception of Friedrich Nietzsche through the idea of a ‘movement of nihilism’.


Author(s):  
Dan Shaw

Martin Heidegger is another German philosopher to whom Cavell makes frequent reference. His central themes of authenticity and resoluteness, and of the importance of avoiding the conformity and superficiality of the idle talk of the they-self, find perfect expression in Woody Allen’s Another Woman. The protagonist here is a Heidegger scholar facing a midlife crisis brought on by her unwillingness to face who she is, and who she really cares about. Her ability to work through it reassures us that authenticity is indeed possible, and fits Cavell’s template for the melodrama of the unknown woman like a glove. It depicts a healthy image of womanhood and should be recognized for doing so, given the rarity of such depictions.


2016 ◽  
Vol 36 (113) ◽  
pp. 16
Author(s):  
Israel Arturo Orrego Echeverría

<p><strong>Resumen</strong></p><p align="right"><strong> </strong></p><p>El presente trabajo tiene por objeto reflexionar sobre el carácter filosófico del pensar andino abyayalense, explicitar las características de una racionalidad senti-pensante y relacional que superan las metafísicas subjetivas y, finalmente,  ayudar a construir una epistemología decolonial latinoamericana. El logro de estos objetivos se hará en diálogo con la propuesta de la ontología existencial del filósofo alemán Martín Heidegger.</p><p> </p><p><strong>Palabras Clave: </strong>Pensar, Relacionalidad, Epistemología, Filosofía, Andes.</p><p><strong> </strong></p><p><strong>Abstract </strong></p><p><strong> </strong></p><p>This paper aims to reflect on the philosophical thinking character of the abyayalense Andean tradition, explain the characteristics of a relational sentient-intelligent rationality (overcoming a metaphysical subjectivity), and, finally, help build a Latin American decolonial epistemology. The achievements of these goals will be done in dialogue with existential ontology carried out by the German philosopher Martín Heidegger.</p><p> </p><p><strong>Keywords: </strong>Think, Relatedness, Epistemology, Philosophy, Andean.</p>


Author(s):  
Paulo Sérgio Lopes Gonçalves

Objetiva-se neste artigo apresentar a religião à luz da fenomenologia hermenêutica heideggeriana, cujo centro é a faktische Lebenserfahrung, elaborada por Martin Heidegger (1889-1976) nos primórdios de sua obra. Para atingir esse objetivo, serão tomadas três obras do filósofo alemão: Phänomenologie des Religiösen Lebens, de 1920-21; Phänomenologische Interpretationen zu Aristoteles, de 1921-22; e Ontologie. Hermeneutik der Faktizität, de 1923. Delas serão inferidos os conceitos de fenomenologia, de hermenêutica e de facticidade, que fundamentam outros conceitos importantes, tais como mundo, história, fenômeno e experiência. Em seguida, será apresentado o modo como, em três experiências cristãs, o filósofo desenvolve esses conceitos na análise da religião: as cartas paulinas aos Gálatas e aos Tessalonicenses, o livro X das Confissões de Agostinho e a mística medieval. Com isso, conclui-se que a religião é experiência religiosa, desenvolvida em meio à vida fática, com todas as suas tensões, inquietações e projeções. A religião é, então, experiência do divino no locus fático da vida em que a existência encontra seu próprio sentido.Palavras-chave: Fenomenologia. Hermenêutica. Faktische Lebenserfahrung. Abstract: This article aims to present religion in the light of Heidegger’s hermeneutic phenomenology, based on the faktische Lebenserfahrung developed by Martin Heidegger (1889-1976) in the early writings of its work. To achieve this goal, three works of the German philosopher will be taken into account: Phänomenologie des Religiösen Lebens from 1920-21, Phänomenologische Interpretationen zu Aristoteles de 1921-22 e Ontologie. Hermeutik der Faktizität de 1923. From these works, it will be inferred concepts of phenomenology, hermeneutics and facticity, that underlie other important concepts such as world, history, phenomenon and experience. Afterwards, the way how this philosopher develops these concepts in the analysis of the Christian religion will be presented through three Christian experiments: the Pauline letters to the Galatians and Thessalonians, the Book X of Augustine Confessions and the medieval mysticism. Finally, this article points out that religion is religious experience developed through factual life, with all its tension, anxieties and projections. Religion is then the experience of the divine in the factual locus of the life in which the existence finds its own meaning.Keywords: Phenomenology. Hermeneutics. Faktische Lebenserfahrung.


2020 ◽  
Vol 26 (3) ◽  
pp. 317-328
Author(s):  
Ana Maria Lopez Calvo De FEIJOO ◽  
Paulo Victor Rodrigues Da COSTA

The aim of this article is to think, especially from the phenomenological-hermeneutic perspective, the relationship between the attunement of boredom and the daseinsanalysis. Such a thought arises explicitly with the German philosopher Martin Heidegger, making essential the relation between phenomenology and hermeneutics. From this, the possibility of a repositioning of understanding in relation to boredom arises: a solipsist interpretation is avoided and appears an historical interpretation of certain existential disorders that in the contemporary world need renewed interpretations. Philosophy emerges as a fundamental element of the dialogue in this new understanding of the phenomenon of boredom, unfortunately not yet thematized by the main authors of Daseinsanalysis.


2004 ◽  
Vol 24 (4) ◽  
pp. 567-582 ◽  
Author(s):  
RIITTA-LIISA HEIKKINEN

This paper presents, analyses and interprets expressions of the experience of advanced old age based upon the concepts of the French phenomenologist, Maurice Merleau-Ponty, and the German philosopher, Martin Heidegger. During 1990, 262 older residents of the city of Jyväskylä in central Finland were interviewed. They were born in 1910 and aged 80 years at the time. In addition to collecting epidemiological data, the narrative stories on the ageing experience of a sub-sample of 20 respondents (10 men and 10 women) were tape-recorded. A five-year follow-up was carried out with the same cohort in 1995, when 17 of the original sub-sample of 20 were still alive. Unlike five years previously, most of the narrators said they had now crossed the line into old age. At the ten-year follow-up in 2000, six women and four men were still alive to describe their experience at 90 years of age. Collective history and objective structures had provided a common foundation for my narrators' notions of the world – of right and wrong and of good and bad. Over their lifetime, this socio-cultural background had gradually changed, and they perceived the changes. Moreover, in the earlier stages of the study, they voiced criticisms of these changes. At age 90 years, however, they no longer criticised society or its people. By this time, it seems they felt they had completed the mission of living a life.


Author(s):  
John Marmysz

This introductory chapter examines the “problem” of nihilism, beginning with its philosophical origins in the ideas of Plato, Immanuel Kant, Friedrich Nietzsche and Martin Heidegger. It is argued that film is an inherently nihilistic medium involving the evocation of illusory worlds cut loose from objective reality. This nihilism of film is distinguished from nihilism in film; the nihilistic content also present in some (but not all) movies. Criticisms of media nihilism by authors such as Thomas Hibbs and Darren Ambrose are examined. It is then argued, contrary to such critics, that cinematic nihilism is not necessarily degrading or destructive. Because the nihilism of film encourages audiences to linger in the presence of nihilism in film, cinematic nihilism potentially trains audiences to learn the positive lessons of nihilism while remaining safely detached from the sorts of dangers depicted on screen.


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