Sociologiens performativitet - afvikling af det dårlige samfund?

2006 ◽  
Vol 17 (3) ◽  
pp. 74-92
Author(s):  
Anders Blok

Anders Blok: The Performativity of Sociology – Dismantling the Poor Society? This essay raises questions about the contribution of sociology to bettering or dismantling its always less-than-satisfactory society. What happens if we stop viewing sociological theory and analysis as explanations of society, and start seeing them as additions to society, as narrative equipment for societal ac¬-tors? And what consequences does such a performative perspective imply for the critical capacity of sociology? Drawing inspiration from actor-network theory (ANT), this essay suggests that the mundane symbolic products of so¬cio¬logy are co-constitutive for the continual (re)creation of “society“. Texts, concepts, statistics, and analyses contribute to collecting and effectuating social groups. Interesting sociology gains attention from various publics by participating in critical dialogues. Rather than cool-headed distance, a critical proximity is called for, with sociologists engaging the critical moments of social life, while developing a “sociology of criticism“ capable of respecting the critical capacities of social co-actors. Criticism is a practical endeavour, with various means of intervention available. This performative perspective suggests two important societal narratives for future sociological engagement are suggested: cosmopolitization of society and democratization of expertise.

Babel ◽  
2021 ◽  
Vol 67 (1) ◽  
Author(s):  
Szu-Wen Kung

Abstract While “turns” in translation studies have long been embracing the theoretical complexity integrated into the discussion of various translation phenomena, the theorisation of the use of technology and its impact on translation remains under-represented in scholarly literature of the field (O’Hagan 2016). This article considers the influence of technology on translation and reflects on the question as to how the interactive relationship between technology and translation may be theoretically conceptualised. Taking an approach informed by sociological theory, this article combines critical theory of technology (CTT) and actor-network theory (ANT) to examine the relationship between technology and translation, as well as the translation players involved. With the advent of Web 2.0, techno-empowered collaborative translation in the online TED Talks environment using Amara subtitling platform becomes a useful locale for discussion. Through a participant-observation approach, that is, with the author’s experience in the online translation environment, this article aims to explore how the technological elements in translation often described as “emergent property from new forms of translation practice” (Cronin 2010, 1) may offer critical insights from an epistemological perspective, especially the reciprocity between technology and its users.


Author(s):  
Amany Elbanna

Actor network theory is a sociological theory that emerged as a useful vehicle to study technology and information systems. This chapter gives the reader some background about the development and emergence of this sociological theory. It reviews some of the premises of the theory and introduces the reader to key concepts and ideas. It also presents some of the critique of the theory, ANT authors’ response, and the implication on IS research. This chapter also gives the reader an overview of the application of ANT in different streams of IS research.


Author(s):  
Vladis Fomin ◽  
Kalle Lyytinen

This article analyses social networks by looking at the standard making processes. As a framework for analysis, actor network theory is chosen. Standards are of particular interest for actor network theory for they provide mechanisms to align interests of multiple social groups organized in networks that have a joint incentive in working with the standards and /or associated technologies. These social groups include scientific communities, government institutions and social movements (industrial groups, companies, and consumers) that are interested in regulating and innovating with new technologies. Standards provide the mechanisms to inscribe subsequent behaviors that are expected to become persistent over time. Standard making process is a social process. Actors are involved in the process of continuous negotiation of their interests. Due to this fact, standards became an object of analysis for scholars within the social shaping of technology theory (SST). Though usually scholars of this school take standards as material objects, they interpret technology as such, e.g., a bicycle, or a steam machines. In Information Technology (IT), domain standards are intangible. Those are electronic data exchange formats, communications protocols, signalling protocols, etc. Wireless and mobile communications in particular, being a large field of IT, represent an interesting case for analysis. Present in mobile telephony’s domain are de jure (e.g., GSM) and de facto standards (e.g., NMT). Also the broad scope and large scale of standardization processes suggests non-unified pattern of standard making and complex organizational structure. To make mobile telephony standards successful implies large networks and numerous mandatory passage points. In this paper we apply actor network theory based analysis (ANT) to the development of NMT wireless standards. Researchers interested in IT standardization, except for a few studies on electronic data interchange (EDI) by Hanseth (1997), have overlooked this approach. The acronym NMT stands for Nordisk MobilTelefon (Nordic Mobile Telephone) and it can be historically regarded as one of the best examples of Nordic cooperation in technology as NMT systems have spread quite widely around the world and it also formed an important stepping stone for the evolution of GSM standards. We chose for ANT analysis of the NMT standard making process to learn of the usefulness of theoretical framework and to understand the standard making process of NMT as a social and institutional change. In our opinion, this more than anything else, explains the success of this interesting historical incident that changed the telecommunication industry radically and made Scandinavia a powerhouse of the wireless technologies. Our approach expected to bring more understanding on how the enthusiasm of a small number of actors fostered successful development of the NMT cellular telephony standard. At the same time the NMT standard was based on concepts and visions of its developers. Yet, it was these visions and engagements that lead to distributed the big cake of the cellular world even before cutting it into pieces. The outline of the chapter is the following. In the next section, we discuss past theoretical analysis of the topic. Then we introduce new notions into ANT, such as a layer and a multilayered structure. Next we tell the story of the Nordic radio engineers’ gang. We then analyze the NMT standard’s development process as an instance of actor network mobilization. Some insights into future developments of cellular mobile communications, both from the technological and social perspectives are provided.


2011 ◽  
Vol 40 (2) ◽  
Author(s):  
Robin D. Fink ◽  
Johannes Weyer

ZusammenfassungDie vorliegende Abhandlung entwickelt ein soziologisches Modell, welches das „Mit-Handeln“ von Technik beschreibt und in einer Weise operationalisiert, dass die Frage der Handlungsträgerschaft empirisch untersucht werden kann. Es wird gezeigt, dass die von der Actor-Network-Theory thematisierten Phänomene auch im Rahmen einer soziologischen Handlungstheorie betrachtet werden können, die sich auf das Esser’sche Modell soziologischer Erklärung stützt. Das Ergebnis ist ein Modell soziologischer Erklärung hybrider Systeme, das die Interaktion von menschlichen Akteuren und nicht-menschlichen Aktanten beschreibt. Zu dessen Überprüfung wurden Experimente in einem selbst programmierten Fahrsimulator durchgeführt. Deren Auswertung belegt, dass die Probanden den technischen Assistenzsystemen Handlungsträgerschaft zuschreiben und das Verhältnis Mensch-Technik als ein symmetrisches wahrnehmen. Zudem tendieren sie dazu, sich je nach Handlungsverteilung der Verfolgung bestimmter Ziele zu entledigen, obwohl nach den Spielregeln „humans“ und „non-humans“ gleichermaßen für die Verfolgung aller Ziele verantwortlich waren.


Focaal ◽  
2018 ◽  
Vol 2018 (82) ◽  
pp. 16-34 ◽  
Author(s):  
Michał Murawski

This article critiques assumptions made by urban anthropologists and other scholars of cities, focusing on currently fashionable theories of infrastructure, materiality, and complexity. It problematizes how scholarship informed by actor-network theory, assemblage theory and other varieties of (post)postmodernism uses morphological optics and metaphors to represent social life, the material world, and existence itself as necessarily “flat,” “complex” or “fuzzy.” As a corrective, it proposes reorienting our social morphologies with reference to a Marxist notion of infrastructure, founded on a dynamic understanding of the relationship between determining economic base and determined superstructure. It constructs its theoretical edifice with reference to the remaking of post-1945 Warsaw as a socialist city through property expropriation and monumental architectural and planning works, and post-1989 attempts to unmake its socialist character through property reprivatization and unplanning.


2006 ◽  
Vol 14 (3) ◽  
pp. 9-23 ◽  
Author(s):  
Jakob Arnoldi

Jakob Arnoldi: Actor Network Theory: A-modern (Sociological?) Theory This article is a critical analysis of Bruno Latour’s actor network theory. It outlines two main conceptual moves in Latour’s work. The first is the move from an “irreductionist“ sociology of science to a critique of the so-called “Modern Constitution“. The second is a move from a double dialectic between knowledge and on the one hand the objectively given world, on the other the subjectively given world, to a notion of hybridization. The article outlines a range of positive aspects of the theory. It highlights the many possibilities for empirical research which actor network theory provides. And it argues that the theory is a valuable tool for research in areas such as risk, technology, and environment. However, the article remains critical of several aspects of Latour’s theory. First of all, it argues that the theory is unnecessarily polemic. Secondly, and much more importantly, it argues that Latour’s theory is haunted by a lack of reflexivity as it remains trapped inside the conceptual framework, the Modern Constitution, which the theory is attacking. The article argues that Latour retains a dialectical form of reasoning and that the critique of the poles nature and culture is based on the very distinction between these poles.


2012 ◽  
Vol 20 (2) ◽  
pp. 173-192 ◽  
Author(s):  
Richie Nimmo

Abstract This article reflects upon the implications for sociology of the steady accumulation of evidence in the sciences of animal behavior pointing to the existence of culture among nonhuman animals. With a particular focus on primatology, it explores how these developments challenge the notions of “culture” that continue to inform the study of human social life. The article argues that this growing challenge to the assumption of human uniqueness that has historically provided the core rationale for sociology cannot be ignored. The paper thus contributes to the overdue work of articulating a constructive response by tracing the issues involved in the encounter between these knowledges. Theoretical currents from science studies and actor-network theory are drawn upon in order to propose a reflexive and symmetrical realignment of this encounter, with significant implications for our understandings of human and animal being and subjectivity.


Author(s):  
Huda Ibrahim ◽  
Hasmiah Kasimin

An effi cient and effective information technology transfer from developed countries to Malaysia is an important issue as a prerequisite to support the ICT needs of the country to become not only a ICT user but also a ICT producer. One of the factors that infl uences successful information technology transfer is managing the process of how technology transfer occurs in one environment. It involves managing interaction between all parties concerned which requires an organized strategy and action toward accomplishing technology transfer objective in an integrated and effective mode. Using a conceptual framework based on the Actor Network Theory (ANT), this paper will analyse a successful information technology transfer process at a private company which is also a supplier of information technology (IT) products to the local market. This framework will explain how the company has come up with a successful technology transfer in a local environment. Our study shows that the company had given interest to its relationships with all the parties involved in the transfer process. The technology transfer programme and the strategy formulated take into account the characteristics of technology and all those involved.  


2017 ◽  
Vol 23 (2) ◽  
pp. 100-121
Author(s):  
Michel Chambon

This article explores the ways in which Christians are building churches in contemporary Nanping, China. At first glance, their architectural style appears simply neo-Gothic, but these buildings indeed enact a rich web of significances that acts upon local Christians and beyond. Building on Actor-Network Theory and exploring the multiple ties in which they are embedded, I argue that these buildings are agents acting in their own right, which take an active part in the process of making the presence of the Christian God tangible.


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