Islamic Art at The Art Gallery of South Australia

SUHUF ◽  
2015 ◽  
Vol 2 (2) ◽  
pp. 285-290
Author(s):  
James Bennett
Keyword(s):  
South Australia ◽  
Art Museum ◽  
Islamic Art ◽  
Art Gallery ◽  
Public Display ◽  
The Past ◽  
Australian Continent ◽  
European Colonization ◽  
History Of ◽  
The City

OVER  the past ten years, Australia has increasingly aware of Muslim cultures yet today there is still only one permanent public display dedicated to Islamic art in this country.  Perhaps it is not surprising that the Art Gallery of South Australia in Adelaide made the pioneer decision in 2003 to present Islamic art as a special feature for visitors to this art museum. Adelaide has a long history of contact with Islam. Following the Art Gallery’s establishment in 1881, the oldest mosque in Australia was opened in 1888 in the city for use by Afghan cameleers who were important in assisting in the early European colonization of the harsh interior of the Australian continent

Re-membering Syria’s Traumatic Past: Gender, Poetics, and Loss in Manhal al-Sarrāj’s As a River Should

2021 ◽  
Vol 52 (1-2) ◽  
pp. 202-227
Author(s):  
Linda Istanbulli
Keyword(s):  
Armed Conflict ◽  
Armed Conflicts ◽  
Traumatic Memory ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
Traumatic History ◽  
History Of ◽  
And Gender ◽  
The City

Abstract In a system where the state maintains a monopoly over historical interpretation, aesthetic investigations of denied traumatic memory become a space where the past is confronted, articulated, and deemed usable both for understanding the present and imagining the future. This article focuses on Kamā yanbaghī li-nahr (As a river should) by Manhal al-Sarrāj, one of the first Syrian novels to openly break the silence on the “1982 Hama massacre.” Engaging the politics and poetics of trauma remembrance, al-Sarrāj places the traumatic history of the city of Hama within a longer tradition of loss and nostalgia, most notably the poetic genre of rithāʾ (elegy) and the subgenre of rithāʾ al-mudun (city elegy). In doing so, Kamā yanbaghī li-nahr functions as a literary counter-site to official histories of the events of 1982, where threatened memory can be preserved. By investigating the intricate relationship between armed conflict and gender, the novel mourns Hama’s loss while condemning the violence that engendered it. The novel also makes new historical interpretations possible by reproducing the intricate relationship between mourning, violence, and gender, dislocating the binary lines around which official narratives of armed conflicts are typically constructed.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

Reflections on Thirty Years of Muqarnas

2014 ◽  
Vol 30 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Gülru Necipoğlu
Keyword(s):  
Board Members ◽  
Islamic Art ◽  
Future Directions ◽  
The Past ◽  
Advisory Boards ◽  
Current State ◽  
Thirtieth Anniversary ◽  
History Of ◽  
Art And Architecture ◽  
State Of The Field

In this volume marking the thirtieth anniversary of Muqarnas, the Editor reflects on the evolution of the journal over the years. To that end, the members of the Editorial and Advisory Boards were sent a questionnaire, asking them to comment on the contributions of Muqarnas and its Supplements series to the field of Islamic art and architecture studies over the past three decades, and to provide suggestions for future directions. Their observations, thoughts, and hopes for Muqarnas have been anonymously incorporated into this essay, which, in conversation with their comments, looks back on the history of the publication and offers some possibilities for the path it might take going forward.
The goal here is neither to assess the historiography nor to examine the current state of the field thirty years after the opening essay of volume 1. Instead, the focus is on the development and impact of both Muqarnas and the Supplements series in a highly specialized field with relatively few and short-lived or sporadic journals, before turning to the successes and shortcomings of these publications, as outlined by some of the board members. 


William Bulloch, 1868 - 1941

1941 ◽  
Vol 3 (10) ◽  
pp. 819-852
Keyword(s):  
Historical Research ◽  
Literary Critic ◽  
Emeritus Professor ◽  
Main Interest ◽  
The Past ◽  
London Hospital ◽  
The Family ◽  
History Of ◽  
The University ◽  
The City

William Bulloch, Emeritus Professor of Bacteriology in the University of London and Consulting Bacteriologist to the London Hospital since his retirement in 1934, died on n February 1941, in his old hospital, following a small operation for which he had been admitted three days before. By his death a quite unique personality is lost to medicine, and to bacteriology an exponent whose work throughout the past fifty years in many fields, but particularly in the history of his subject, has gained for him wide repute. Bulloch was born on 19 August 1868 in Aberdeen, being the younger son of John Bulloch (1837-1913) and his wife Mary Malcolm (1835-1899) in a family of two sons and two daughters. His brother, John Malcolm Bulloch, M.A., LL.D. (1867-1938), was a well-known journalist and literary critic in London, whose love for his adopted city and its hurry and scurry was equalled only by his passionate devotion to the city of his birth and its ancient university. On the family gravestone he is described as Critic, Poet, Historian, and indeed he was all three, for the main interest of his life outside his profession of literary critic was antiquarian, genealogical and historical research, while in his earlier days he was a facile and clever fashioner of verse and one of the founders of the ever popular Scottish Students’ Song Book .

A Critical Period in American Catholicism

1973 ◽  
Vol 35 (4) ◽  
pp. 523-536 ◽  
Author(s):  
Jay P. Dolan
Keyword(s):  
Cultural Change ◽  
Critical Period ◽  
American Catholicism ◽  
Madison Avenue ◽  
The Past ◽  
Age Of Discovery ◽  
History Of ◽  
The City ◽  
Looking Back ◽  
Area Of Study

Historians are fond of looking back over the panorama of the past and writing about periods of cultural change that altered the continuity of history. The age of discovery and the rise of the city are phrases that describe such pivotal epochs. These are not Madison Avenue-inspired book titles, but legitimate interpretative descriptions of past ages that provide a key to understanding the development of American civilization. Although the history of American Catholicism does not lend itself to such epochal descriptions, interpretative concepts are applicable in this area of study as well and they can provide useful keys to the analysis of the past.

Race and Cultural Politics in Bahia

2020 ◽  
Author(s):  
Osmundo Pinho
Keyword(s):  
Racial Inequality ◽  
State Violence ◽  
Black Culture ◽  
Brazilian Coast ◽  
African Origin ◽  
Cultural Life ◽  
State And Society ◽  
European Colonization ◽  
History Of ◽  
The City

The state of Bahia and its capital, Salvador, are the original loci of European colonization in the territory that later became Brazil. Together with other cities in the Northeast and along the Brazilian coast, they witnessed the imposition of mercantile capitalism and slave labor as forms of production of a new state and society. In the 21st century, Bahia is a state marked by racial inequality, the poverty of a large part of the population, and state violence, paradoxically associated with the strong presence of traditions of African origin and a rich and dense popular cultural life, as in other parts of the African diaspora. This combination implies certain contradictions experienced in different fields, in the present social structure and in the cultural and political history of the region. This can be seen in the trajectory of carnival, the most important popular festival in the city, and in its successive moments of identity reinvention as well as in the constitution of the city’s landscape, marked by black and African presence in symbolic and material ways. It can also be seen in the historical formation of candomblé, the cult of Yoruban gods in Bahia, developed amid persecutions and disputes. All these dimensions are structured in the expressive cultural forms of a black culture, which has been made and remade by generations of Afro-descendants in this environment marked by inequality, but also by creativity, joy, and aesthetic power.

scholarly journals Oral Tradition as a Source for Digging Up the History of Parakan as a Heritage City

2018 ◽  
Vol 65 ◽  
pp. 01001
Author(s):  
Purwantiasning Ari Widyati ◽  
Kurniawan Kemas Ridwan ◽  
Sunarti Pudentia Maria Purenti Sri
Keyword(s):  
Oral Tradition ◽  
Small City ◽  
Third Generation ◽  
Brand Name ◽  
The Past ◽  
Central Java ◽  
History Of ◽  
Strong Attachment ◽  
The City

This research was aimed to explore the history of Parakan City, a small city of Indonesia, located in Central Java. Parakan City has been regarded as a heritage city in Central Java and is well known as a Bambu Runcing City. Bambu Runcing is a sharpened bamboo that has been used as a traditional weapon in the past hundred years in Indonesia. This research was to conduct in oral tradition as a source for digging up the history of Parakan, particularly the reason why the community of Parakan using the words “Bambu Runcing” as a brand name for the city. This research was also to describe to what extent the community in having a strong attachment to the founder of Bambu Runcing known as KH Subuki. Some relevant and credible sources were interviewed using this oral tradition, and some of them are the second and third generation of KH Subuki.

scholarly journals LA CATTEDRALE, CUORE RELIGIOSO DELLA CITTA'

1970 ◽  
pp. 11-30
Author(s):  
Paola Vismara
Keyword(s):  
Religious Life ◽  
Ancien Regime ◽  
Long Period ◽  
The Past ◽  
History Of ◽  
Ancien Régime ◽  
The City

Riassunto.–Si ripercorrono alcune tappe del ruolo del Duomo di Milano nella storia della città, per grandissime linee. In tale sede, almeno sino alla fine dell’ancien régime, avevano luogo i grandi eventi della vita politica e civile, seppur non senza tensioni. La cattedrale era il cuore della città, in primo luogo il cuore liturgico e pastorale della vita religiosa. Si segnala lo sfarzo delle cerimonie straordinarie che vi si svolgevano, il ruolo della musica e, in particolare, la funzione del luogo e delle sue cerimonie nel contesto dell’azione degli arcivescovi. Seppur in forme diverse rispetto alpassato, alcuni aspetti della ritualità e della centralità del Duomo giungono sino ai nostri giorni.***Abstract.–The article offers an overview of the history of the cathedral of Milanin the context of the city. For a long period - at least until the end of the ancien régime - the Duomo housed the most important events of the city and was often thetheatre of tensions between ecclesiastical and political authorities. The cathedral wasthe heart of the city and the center of pastoral activities and of religious life. Splendid ceremonies, often accompanied by music, took place in the Duomo, highlighting the importance of the bishops in the city. Even thouh in a different way compared to the past, some aspects of the rituality and centrality of the Duomo are stillrelevant today.

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